Bücher veröffentlicht von Peter Lang AG, Internationaler Verlag der Wissenschaften

The volume explores Creativity and Innovation in Language Education linked with issues such as cultures and language use, language teaching, business settings, technology. It reflects on strategies for achieving language competences, while underlining the belief that creativity is a skill to identify and stimulate for the benefit of the entire society.

Discourse and Identity in the Professions

Not many cardinals get to be declared saints, and even rarer is one who is known for his controversial ideas and interpretation of doctrinal faith both within and outside the church. John Henry Newman (1801-1890), however, beatified by Pope Benedict XVI in September 2010, was no ordinary churchman. Raised an Anglican and a leading member of the Oxford Movement in his younger days, he converted to Catholicism and, through prolific writing and polemics, established an intellectual and spiritual influence far beyond the placid, pastoral domain of the papacy. This book seeks to settle the historical question of Newman as anti-liberal or liberal, and to shed theological light on his liberal spirit and anti-liberal discourse, in order to provide fresh insights into the issue of religious pluralism. In particular, the author examines Newman's perception of the danger of the liberal spirit of his time and his possession of another kind of liberal spirit that made him so original, bold and prophetic.

Non-state actors are of fundamental importance in the prevention and combating of corruption within asset recovery processes. Their roles and responsibilities were considered during a meeting hosted by the Basel Institute on Governance and the International Anti-Corruption Academy in 2010. This book contains essays presented at the meeting.

What did early twentieth century New Zealanders make of Jesus, and what do their understandings tell us? This study provides the first historical analysis of New Zealand images of Jesus. Using a diverse range of churchly and secular sources it examines key themes and representations. These images provide insights into the character of New Zealand religion and its place in the nation's history and culture - from dimensions of childhood and gender through to debates about social reform. They also highlight broader dynamics of social and religious change. Crucially, this work traces the rise of a new kind of Jesus-centred religiosity that reflected wider cultural shifts. The form was particularly evident among Protestant Christians, who embraced Jesus in their efforts to modernise Christianity and extend its influence within the community. The author shows that this development was a response to change that profoundly reoriented Protestant Christianity.

Given the consolidated position of English as the international language for communication in business and management, this book depicts a scenario in which to analyse and compare interactions between eastern/western European users of English, as well as Asian/European/North American speakers.

Axiomatic Functionalism: Theory and Application

This volume explores discourse genres in Web-mediated communication, and in particular it deals with genre change and evolution under the pressure of technological renewal and the availability of new affordances, focusing on a variety of discursive practices including those that emerge from Web 2.0 platforms.

In many parts of the world the language education scenario is increasingly dynamic, as demographic, economic and social changes powerfully influence socio-political agendas in the sphere of language education. This volume provides a useful overview of (second) language education in the world today.

Corrupted Principles and the Challenges of Critically Reflective Leadership

In the nineteenth century a woman's place was considered to be in the home. During the Risorgimento and the years following the Unification of Italy in 1861, economic, political and social changes enabled women to engage in pursuits that had previously been the exclusive domain of men. This book traces this shift in cultural perception.

Translation of fiction is always interpretation. This book discusses the challenges facing translators of fictional works from German into English using as examples English translations of canonical German novellas by Johann Wolfgang von Goethe, Theodor Storm, Gerhart Hauptmann, Thomas Mann and Franz Kafka. The author addresses the difficulties of translating in the poststructuralist era, when every fictional work potentially has a large number of interpretations and, therefore, at least the same number of possible translations. Considering interpretations of the original text in detail not only improves the reader's understanding and ability to criticize the translated text, but it will also provide valuable insight into the possible intentions of the writer. An initial linguistic observation of a target text can therefore lead to a fruitful connection between the linguistic and literary analysis of translated works. This book offers new perspectives on the delicate negotiation of translating source texts for a contemporary audience while maintaining the values, ideas and hidden meanings from the source in relation to its original epoque.

'Internationalisation' is a key issue within Higher Education, but what exactly is meant by this term and how can universities meet the challenges involved? This book explores how language teaching and learning strategies and cross-cultural understanding can support the cause of internationalisation within modern Higher Education.

Immaterial Culture engages with texts that are now largely unread and dismissed as trivial or dubious: the vast body of plays - thrillers, narrative poetry, comedy sketches, documentaries and adaptations of literature and drama - that aired on American network radio during the medium's so-called golden age. For a quarter century, from the stock market crash of 1929 to the introduction of the TV dinner in 1954, radio plays enjoyed an exposure unrivalled by stage, film, television and print media. As well as entertaining audiences numbering in the tens of millions for a single broadcast, these scripted performances - many of which were penned by noted novelists, poets and dramatists - played important and often conflicting roles in advertising, government propaganda and education. Reading these fugitive and often self-conscious texts in the context in which they were created and presented, the author considers what their neglect might tell us about ourselves, our visual bias and our attitudes toward commercial art and propaganda. The study's ample scope, its interdisciplinary approach and its insistence on the primacy of the texts under discussion serve to regenerate the discourse about cultural products that challenge the way we classify art and marginalise the unclassifiable.

Fictions of Appetite explores and investigates the aesthetic significance of images of food, appetite and consumption in a body of modernist literature published in Italian between 1905 and 1939. The corpus examined includes novels, short stories, poems, essays and plays by F.T. Marinetti, Aldo Palazzeschi, Massimo Bontempelli, Paola Masino and Luigi Pirandello. The book underlines the literary relevance and symbolic implications of the culinary sign suggesting a link between the crisis of language and subjectivity usually associated with modernism and figures of consumption and corporeal self-obliteration in alimentary discourse. In revisiting these works under label of modernism, which has traditionally been shunned in the Italian critical field, the volume brings critical discourse on early twentieth-century Italian literature closely into line with that of other Western literatures. The author argues that an alimentary perspective not only sheds striking new light on each of the texts examined, but also illustrates the signifying power of the culinary sign, its relations to the aesthetic sphere and its prominent role in the construction of a modernist sensibility.

This book traces a hundred years of the development of Chinese nursery rhymes, children's rhymes and children's poems from the early twentieth century to the early twenty-first century. It draws on anthologies of traditional and modern rhymes and poems published in The People's Republic of China and Taiwan, exploring the form, function and content of these texts in the light of rapid political change in China. The role of traditional rhymes is examined within the context of a male-dominated family hierarchy of Confucian thinking that profoundly shaped children's development. The language and literature reforms of the 1920s brought a poetry revolution in China, as authors began to write for children in the vernacular language and offer a purposeful argument against Confucianism, in favour of science and democracy. Literary approaches evolved, first into the socialist-realist approach of the 1940s and 1950s, then into the three prominences of the Cultural Revolution. Meanwhile, in Taiwan, children's rhymes promoted the messages of modern science, but maintained a traditional Confucian outlook. In the 1980s, children's poetry in the People's Republic of China began to follow a new direction, in keeping with the new era of cultural and economic liberalization. This book uses the evolution of the children's poetry genre to provide a fascinating insight into Chinese political, moral and social life in the twentieth century.

Northern Ireland is now generally regarded to be a post-conflict region since the official end to three decades of violence in 1998. However, given some of the stipulations of the Good Friday Belfast Agreement, including the early release of politically motivated prisoners from jail, society in Northern Ireland remains in a state of flux, uncertainty and disagreement. This book presents four thematic studies revolving around the issues of imprisonment, surveillance, traumatic recall and myth-making in Northern Ireland. These studies examine the different ways in which artists and filmmakers are experimenting with film aesthetics and new media technologies to represent, re-present and invite engagement with the underlying anxieties that continue to trouble post-Agreement society. In doing so, the author argues for a reassessment of the critical analysis of film's convergence with other forms of visual art. Ultimately, the volume assesses the usefulness of such an approach in examining how artists and filmmakers experiment with diverse forms that open up space for discussion of the hidden and marginalized concerns in Northern Ireland's new, 'shared' society. This book was the winner of the 2012 Peter Lang Young Scholars Competition in Film Studies.

To date, translation theory offers no satisfactory response to the multidimensional challenge of rerendering postmodern texts. As the existence of linguistic and cultural plurality in these writings is now widely acknowledged, many theorists recognise the impossibility of achieving complete equivalence in translation. If the fragmented, decentred, postmodern source text (ST) is to be rerendered in the target language (TL), a process of 'rewriting' is deemed necessary. Nevertheless, such an approach, if taken too far, may not always be the most appropriate. Focusing on the French journalist and novelist Claude Sarraute, whose postmodern writings offer a suitable body of texts for study, this book seeks to determine effective means by which the translator can first read and analyse postmodern STs and subsequently preserve their intricacies in the TL. To provide an original response to this challenge grounded in both theoretical and practical evidence, the author refers to the work of the Bakhtin Circle; concepts from literary theory, stylistics and translation theory; and translations of a body of texts as variegated in character as those of Sarraute. Using the approach which she recommends, the author then explains how she rerenders in English a collection of Sarraute's polyphonic writings.

Queer Impact and Practices brings together selected papers arising from the third annual Queering Paradigms conference. The chapters address contemporary theorizing about gay citizenship and 'homonationalism' as well as a critique of gay visibility. The authors examine the symbolics of queer subversion and transgression in performers who transgress gender and sexuality codes.

This book explores the concept of displacement in the fiction produced by the Chilean writer Isabel Allende between 1982 and 2000. Displacement, understood in the author's analysis to encompass social, geographical, linguistic and cultural phenomena, is argued to play a consistently central role in Allende's fictional output of this period. Close readings of Allende's texts illustrate the abiding importance of displacement and reconcile two apparently contradictory trends in her writing: as the settings of her fiction have become more international, questions of individual identity have gained in importance. This discussion employs displacement as a means of engaging with critical debates both on Allende's individual texts and on her status as an original writer. After examining in detail the seven works of fiction written by Allende during this period, the book concludes with reflections on the general trajectory of her work in this genre.

The two volumes of Reviewing Dante's Theology bring together work by a range of internationally prominent Dante scholars to assess current research on Dante's theology and to suggest future directions for research. Volume 1 considers some of the key theological influences on Dante.

Using a corpus-based Discourse-Historical Approach in Critical Discourse Analysis, the author analyses the representation of the 2008 Olympic torch relay in the British and Chinese media, shedding light on the importance of the Olympic Games for East-West media discourse and analysis.

This book presents and evaluates the liturgical vision of Pope Benedict XVI and the theological background underlying that vision. It describes the main features of Joseph Ratzinger's theology of the liturgy and analyses them within the context of his theology as a whole. Ratzinger's evaluation of the contemporary Roman Catholic liturgy is explored in relation to his overall assessment of the post-Vatican II era in the Church, alongside an examination of his project of liturgical renewal ('reform of the reform') and its practical implementation during his pontificate. The author discusses the various critical voices which have been raised against the Pope's liturgical agenda and against certain aspects of his general theology. Overall, the book offers an assessment of the importance of Ratzinger's vision for the Church at the threshold of the third millennium.

Picturing the end of the world is an enduring cultural practice. This groundbreaking collection of essays offers an overview of the Apocalyptic imagination in French literature and culture from the thirteenth century to the present day, scrutinizing material as diverse as medieval French biblical commentaries and science fiction.

Originally published under the title (1979), this publication reveals for the first time the entire magnitude of Byzantine kalophony serving as a systematic introduction to the Greek Byzantine music culture, that of the Byzantine Psaltic Art, at the height of its expression.

This book shows that an imported ecumenical method was inadequate in enabling churches in Nigeria, particularly Anglican / Methodist ones, to act ecumenically in dealing with the overwhelming contemporary problems facing Nigerian society. Therefore, new ecumenical theologies are propounded, within a Nigerian context, to meet this goal.

This book focuses on the modernization of the Greek Orthodox community of Mytilene - the capital of Lesbos, an island located in the north-east Aegean - the changes it underwent, and its responses to the ever-changing political situation between 1876 and 1912. The author argues that the position of leading community members, particularly journalists, and their receptivity towards the social and political changes of the period, went hand-in-hand with their 'ethnic' and political aspirations for the role of the Greek Orthodox ethnos in the Empire. In relation to the competition among various 'imperialisms' and 'nationalisms' then developing around Mytilene's Christians, the author shows that Ottoman reforms were successful in encouraging them to co-opt local interest such that concern for the growth of the specific community was directly linked to the survival of the Ottoman Empire.

The book showcases some of the papers presented at the 9th Annual ESPAnet Conference "Sustainability and Transformation in European Social Policy", held in Valencia (8th to 10th of September 2011). It presents a double perspective of social policy: the papers in Part 1 follow a classical approach whilst those in Part 2 focus on new approaches.

Gazing in Useless Wonder focuses on utopias as self-referential texts that literally have to constitute themselves as imaginary or intentional entities before they can work as vehicles for socio-political ideas. Foregrounding the construction of utopian fictions defines both the perspective and the differentiation of the analytically significant elements, so that the traditionally dominant topics such as the nature and origins of the ideologies behind the construction of the ideal model are taken into account only insofar as they contribute to the aesthetic effect of the utopian construct as a whole. The organising principle of the early modern utopia involves two different modes of presentation: the narrative frame and the ekphrastic description of the ideal state, each possessing an aesthetic function realised according to different principles, with the ideal image constructed in accordance with the dominant aesthetic norms of the period pertaining to the visual arts, such as harmony, symmetry, alleged perfection, and timelessness. Despite variations, especially in the thematic-ideological domain, the dominant genre pattern that emerged as a result of the simplification of the complex semantics of Thomas More's Utopia in the early modern period is taken here as forming a single synchrony in the history of utopian fiction-making.

What is the nature of time? This new study engages with the philosophy of Henri Bergson on time and proposes a new way of thinking about the effects of future events on the past. According to Bergson, time is an integral feature of real things, just as much as their material or size. When a flower grows, it takes a period of real time for it to flourish, which cannot be quickened or slowed down, nor can it be eliminated from the process of growth. Bergson named this real time 'duration' and argued that everything and everyone exist as duration, and that internal processes flow into one another, with no clear boundaries that separate one phase of duration from another. According to Bergson's philosophy, the past does not disappear but smoothly flows into the present, forming an indivisible dynamic unity. But what if the causal flow of temporal reality is not unidirectional? What if not only past events influence future ones, but future ones in their turn have retrospective effect on past occurrences? The author of this book analyses these key questions, asserts that the changeability of the past follows from Bergson's theory of time and proposes a theory of embodied time that involves the retrospective enrichment of reality.