Bücher veröffentlicht von Peter Lang AG, Internationaler Verlag der Wissenschaften

Sovereign Stories examines contemporary Native American writers' engagement with various forms of cultural, political, and artistic sovereignty. The author considers literature's ability to initiate vital discussions about tribal autonomy in modern America and suggests that innovative literary styles are a compelling articulation of the connection between aesthetic and political concerns. In so doing, he concentrates on fictional and poetic forms, the structure and imagery of which comment on indigenous autonomy, selfdetermination, and artistic activism. Offering original selective analysis of the fiction and poetry of Elizabeth Cook-Lynn, Sherman Alexie, David Treuer, LeAnne Howe, Louise Erdrich, Greg Sarris, and Craig Womack, this book explores these tribal authors' concern with intellectual and creative sovereignty and deftly links those interests to the broader cultural and political issues faced by Native American communities today.

Research on dubbing in audiovisual productions has been prolific in the past few decades, which has helped to expand our understanding of the history and impact of dubbing worldwide. Much of this work, however, has been concerned with the linguistic aspects of audiovisual productions, whereas studies emphasizing the importance of visual and acoustic dimensions are few and far between. Against this background, Dubbing, Film and Performance attempts to fill a gap in Audiovisual Translation (AVT) research by investigating dubbing from the point of view of film and sound studies. The author argues that dubbing ought to be viewed and analysed holistically in terms of its visual, acoustic and linguistic composition. The ultimate goal is to raise further awareness of the changes dubbing brings about by showing its impact on characterization. To this end, a tripartite model has been devised to investigate how visual, aural and linguistic elements combine to construct characters and their performance in the original productions and how these are deconstructed and reconstructed in translation through dubbing. To test the model, the author analyses extracts of the US television series Buffy the Vampire Slayer and its French dubbed version.

The eighteen chapters in this volume look at the use of corpus analysis for descriptive and pedagogical purposes, focusing on contexts where English is employed by specialists in the professions and academia. They also debate some of the challenges arising from the complex relationship between linguistic theory, data-mining tools and statistical methods.

This volume is a collection of empirical studies investigating the ways and means through which culturally-shaped identities are manifested in and through discourse in documents and texts from multiple spheres of social action. It also looks at possible ways in which understanding and acceptance of diverse cultural identities can be moulded and developed through appropriate education. Language being one of the most evident and powerful 'markers' of cultural identity, discourse and text are sites where cultures are both constructed and displayed and where identities are negotiated. The approaches to the analysis of culture and identity adopted here to account for the multifaceted realisations of cultural identities in the texts and documents taken into consideration span from multimodality, to discourse and genre analysis, to corpus linguistics and text analysis. The volume then offers a varied picture of approaches to the scientific enquiry into the multifaceted manifestations of identity in and across national, professional, and disciplinary cultures.

This volume is a critical introduction to the poetry of Irish writer Nuala Ni Dhomhnaill. Writing poetry exclusively in Irish but allowing and overseeing translations of her work into several languages, primarily English, Ni Dhomhnaill is the first Irish-language poet to gain an international following. She is also a pioneer in fostering a renewed relationship between the two languages of Ireland's literary traditions. Ni Dhomhnaill is unflinching in her interventions into problematic social, linguistic and even theoretical arenas, and is well known for her brutal parodies, ribald sexual scenarios and persistent debunking and revising of religious, political and mythological imagery. Her primary thematic concerns demonstrate her dedication to critiquing and ultimately changing dominant discourses so that they account for the presence and contributions of women writers. This volume explores the fraught issues of translating and contextualizing Ni Dhomhnaill's A uvre, her use and revisions of Irish myth, folklore and political and religious iconography, her re-imagining of the mother in culture and religious ideology, and the devices of death, silence and psychoanalytic discourse in her mermaid cycle and other poems. The book hails Ni Dhomhnaill, who has not hitherto received a great deal of critical attention in English, as a major figure in world literature.

Demand the Impossible was written from inside the oppositional political culture of the 1960s and 1970s. The Ralahine Classics edition of this groundbreaking work reissues the original text along with a new essay on Aldous Huxley's Island and a set of reflections on the book by leading utopian and science fiction scholars.

This book paints a detailed picture of the commercial pilot lifestyle, from the struggle to pay for training to time spent down route to thoughts of retirement. Once a glamorous occupation, commercial flying is today more of a job than a vocation with many pilots working the maximum permissible hours for increasingly meagre rewards under evermore stressful conditions. Pilots talk candidly about acute and chronic fatigue, short-notice roster changes that leave them insufficiently rested, noisy and poorly serviced down-route hotels, long daily commutes to work, indebtedness, fear of losing their pilot's licence, industry volatility, dread of lay-off or redundancy, the quality and agendas of airline managers, the impact of these and other stressors on family life and where they think the aviation industry is going. Despite these privations pilots remain enthusiastic - a testament to their professionalism and love of flying.

This volume explores canonical novels of the Irish land war, as well as looking at the material conditions of reading and writing in late nineteenth-century Ireland. It includes a reprinted letter by author Mary Anne Sadlier, a reproduction of Rosa Mulholland's little-known play Our Boycotting and a detailed bibliography of land war fiction.

After World War II, hundreds of thousands of Italians emigrated to Toronto. This book describes their labour, business, social and cultural history as they settled in their new home. It addresses fundamental issues that impacted both them and the city, including ethnic economic niching, unionization, urban proletarianization and migrants' entrepreneurship. In addressing these issues the book focuses on the role played by a specific economic sector in enabling immigrants to find their place in their new host society. More specifically, this study looks at the residential sector of the construction industry that, between the 1950s and the 1970s, represented a typical economic ethnic niche for newly arrived Italians. In fact, tens of thousands of Italian men found work in this sector as labourers, bricklayers, carpenters, plasterers and cement finishers, while hundreds of others became contractors, subcontractors or small employers in the same industry. This book is about these real people. It gives voice to a community formed both by entrepreneurial subcontractors who created companies out of nothing and a large group of exploited workers who fought successfully for their rights. In this book you will find stories of inventiveness and hope as well as of oppression and despair. The purpose is to offer an original approach to issues arising from the economic and social history of twentieth-century mass migrations.

This book addresses a rich corpus of contemporary narratives by authors who have come to Italy as migrants. It traces the figurative commonalities that emerge across these diverse texts, which together suggest the shape and substance of what might be termed 'migrant imaginaries'. Examining five central figures and concepts - identity, memory, home, place and space, and literature - across a range of novels and stories by writers of African and Middle Eastern origin, the study elucidates the affective and expressive processes that inflect migrant story-telling. Drawing on the work of cultural theorists such as Sara Ahmed and Michel de Certeau, as well as on recent work in postcolonial literary studies, memory studies, human geography and feminist theory, the book probes the varied works of Shirin Ramzanali Fazel, Amara Lakhous, Mohsen Melliti, Younis Tawfik and many others. Each chapter posits alternative interpretations of the ways in which the interior experience of encounters across territories, cultures and languages is figured in this literature. In doing so, the book moves towards a wider apprehension of recent Italian migration narratives as suggestions of what a new notion of contemporary 'Italian' literature might look like, figured at once within and beyond the boundaries of a national literature, a national language and a national cultural imaginary.

Current theories of leadership, spirituality and ethics are inadequate for the global, rapidly changing and complex environment in which leaders work today. Emerging from this book's critical analysis comes a new theory of leadership: co-charismatic leadership. This does not mean leadership focused in 'charisma', or the special qualities or charm of an individual. Charisma originates from the Greek word for gift or grace. Rather it emphasises the relational nature of charisma, as both shared throughout the community and dependent upon mutual relationships within the community. The charismata are in effect virtues, to be practised in the community by all members, hence the 'co' in the title. The authors argue for a leadership that enables virtues, informed by the ongoing narrative of and dialogue in the community, to be practised in the community and beyond. These virtues enable the practice of responsibility, and taking that responsibility for ideas, values and practice is itself central to leadership. Through the practice of responsibility everybody in the organisation becomes a leader in some way. The task of the authorised leader is to enable all this. This book will appeal to both practitioner and academic audiences alike as it provides an engaging mix of theory and practical application which tests and applies the concepts explored in a range of practical case studies.

This book provides an unorthodox array of perspectives on materialist thought and representation in twentieth-century French intellectual culture. It constructs a necessarily fragmented timeline of the breaks, tensions and antagonisms in twentieth-century French thought, culture and politics, with particular focus on questions of late capitalism.

This collection offers a sustained and up-to-date analysis of the cultural connections between Ireland and Scotland. It focuses on writers, from Charles Robert Maturin to Liam McIlvanney, whose work offers insights into debates around identity and politics in the two nations, often overwhelmed by connections with their larger neighbour, England.

George Bernard Shaw is commonly regarded as one of the most controversial intellectuals of the first half of the twentieth century. Known for the ambiguity of his statements and the seeming inconsistency of his views, there was, nevertheless, one idea to which the British dramatist remained constant throughout his life: his long-term enthusiasm for Russia and his firm belief that the Russians would 'give the world back its lost soul'. Moved by the Russian cultural tradition, he found inspiration in the morally charged writings of Tolstoy and Gorky, and sent a copy of his Back to Methuselah to Lenin. The Soviet utopia fascinated him, and he made a much-publicised journey to the USSR to see the results of socialist construction, remaining for the rest of his life an unrepentant advocate of Stalin's policies. Focusing on detailed textual analysis, this book traces the Russian sources that contributed to the formation of Shaw's literary style. By reflecting on these parallels, as well as by drawing on archive reports in the Russian and Western media, the authors attempt to establish the extent to which Shaw's obsession with the socialist cause affected the evolving character of his dramatic output. The book also explores the enduring positive reception of Shaw's plays on the Russian stage.

The continuing advance of globalization, together with deepening European integration, has increased the significance of the transnational level of trade union organization and action. This study offers a comprehensive overview of the development, structure, and policies of global and European trade union federations to serve as a reference work on all the key trade union movements operating globally and in Europe. It presents an in-depth analysis of the challenges facing these organizations and their strategic and policy responses. As a handbook, this volume provides extensive and systematically presented data on transnational sectoral trade union federations. Applying an analogous structure in the presentation of both global and European levels, the study features extensive organizational profiles, portraits, and overviews. This empirical material serves to reveal recent innovations in cross-border policy instruments and strategic approaches since the 1990s. The changing profiles of international trade unions - as measured against a set of functional criteria drawn from political science - and key developments in transnational trade union activity since the start of the new century are also investigated.

This collection of essays is a milestone in the establishment of translation theory within the field of Russian literature and culture, an area that has been neglected in the Anglophone world. The volume is defined by the contributors' insistence that translation should be viewed as the accommodation of a new text within the host culture.

This new study provides fresh readings of Thomas Hardy's work and illuminates the social and cultural history of dress in the nineteenth century. The book argues that Hardy had a more detailed and acute understanding of the importance of dress in forming and regulating personal identity and social relations than any other writer of his time. Structured thematically, it takes into account both nineteenth-century and modern theoretical approaches to the significance of what we wear. The author gives an extended analysis of individual works by Hardy, showing, for example, that A Pair of Blue Eyes is central to the study of the function of clothing in the expression and perception of sexuality. The Hand of Ethelberta, The Mayor of Casterbridge, Tess of the d'Urbervilles and The Woodlanders are examined in order to show the extent to which dress obscures or reveals the nature of the self. Hardy's other novels, as well as the short stories and poems, are used to confirm the centrality of dress and clothing in Hardy's work. The book also raises issues such as the gendering of dress, cross-dressing, work clothes and working with clothes, dress and the environment, the symbolism of colour in clothes, and the dress conventions relating to death.

In this study the author explores the understanding and practice underpinning the Jesus Prayer. He does this by means of an investigation of the importance of psalmody in desert monasticism, an exploration of the influence of Evagrius of Pontus and a thorough examination of selected psalm-commentaries in circulation in the contemporary East.

The military man has long been one of literature's archetypal figures. Using a comparative framework, this book traces the transformation of the military man in eighteenth-century British and French literature as this figure moved from noble warrior to nationalised professional in response to changes within the military structure, the role of empire and the impact of an expanding middle class. The author examines the way in which the masculinity of the military man was reimagined at a time when older models of military service persisted alongside emerging models of patriotic nationalism, inspired by bourgeois morality, the cult of sensibility and a new understanding of the role of violence in both public and private domains. Through a corpus of canonical and lesser-known literature, the book explores the military man's relationship to the state and to his fellow citizens, even in the domestic setting. With the role of the nobleman in decline, the military man, not a civilian and no longer associated with the 'aristocrat', became a separate class of man.

This reassessment of Chateaubriand's literary and political achievements, offered as an intellectual biography of the writer, is centred on the concept of change and Chateaubriand's emotional suspicion of change, arising both from mistrust of his own inconstancy and from the personal and collective suffering of the French Revolution. His aversion to change spread beyond politics to religion and literature, but conflicted with his intellectual fascination with historic change in all three areas. The paradox of his fluctuating attitude to change allows a challenge to traditional views of Chateaubriand's status. Was he truly a committed founder of French Romanticism? Was he an unswerving right-wing legitimist? Was he an insincere and 'aesthetic' Christian? The book provides new answers to these questions, presenting a very different Chateaubriand both through an analysis of his preference for the epic literature of Greece and Rome and its Christian heritage in the sixteenth and seventeenth centuries and by its account of his subtle pleading for constitutional monarchy. Malcolm Scott argues that the failure of Chateaubriand's political aspirations led him, again paradoxically, to the espousal of change and to a final dramatic reversal of his literary and religious standpoint, expressed in the writings of the last few years of his life.

The engaging figure of Irish writer George Moore (1852-1933) comes to light and to life in this collection of perceptive essays on his works and influences. International Moore scholars venture into previously unexplored literary, historical and psychological territory, shining new light on Moore's presentation of the quirks of human nature.

In the face of today's complex policy challenges, various forms of 'joining-up' - networking, collaborating, partnering - have become key responses. However, institutions often fail to take advantage of the full benefits that joining-up offers. In this book, the author draws on ethnographic research into learning networks in post compulsory education and training in the state of Victoria, Australia, to explore why this might be the case and presents an argument for rethinking how joining-up works in practice. Throughout the book, Deleuzian concepts are engaged to forge a 'little complicating machine', one that involves the reader in rethinking the limits and possibilities of collaborative agendas. The chapters draw on diverse disciplinary discourses to construct a conceptual journey that includes the rationale for collaborative agendas, the means by which we seek to understand and govern them, the possibilities of knowing them as 'small worlds', the role played in them by social capital, and the nature of network sociability they demand. Overall, the book aims to provoke new connections for the reader, and new ways of thinking about networks, collaboration and partnerships - ways of thinking that are in tune with the agenda itself.

Whatever happened to realism? What form is adequate to representing our moment, situated as we are after the end of 'the end of History'? In the face of youth revolts and workers' insurgencies from Cairo to London, it seems a good time to test the possibilities of alternative Marxist defences of contemporary realist fiction. Can realism's techniques adequately represent the complexity of contemporary political organisation? This book reads key realist texts from recent decades in order to test their potential to produce the knowledge of history, industrial politics and the metropolis traditionally central to literary realism's concerns. Positioning himself within and against the inspiration and models of Fredric Jameson's literary theory, and drawing on innovative realist texts, the author seeks to draw the classic realism controversies of an earlier period in historical materialism into productive conversation with the debates framing the era of austerity.

This book examines recent debates on the political dynamics of cosmopolitanism, particularly in its connection with European civil society and the public sphere. Its aim is to trace to what extent cosmopolitanism defines the "second modernity" and to analyse what cosmopolitanism can offer to modern socially and politically diverse societies.

A prolific and acclaimed writer, Feridun Zaimoglu made a spectacular entrance onto the German cultural scene in 1995 with Kanak Sprak. This edited volume features an unpublished first chapter of Leyla, his first novel (2006), an interview with the author and critical essays on his writing by major scholars in the field.

The decision to reject motherhood is the subject of several key works of literature in French since the new millennium. This book looks at first-person accounts of voluntary childlessness by women writing in French. The book explores how women narrate their decision not to mother, the issues that they face in doing so and the narrative techniques that they employ to justify their stories. It asks how these authors challenge stereotypes of the childless woman by claiming their own identity in narrative, publicly proclaiming their right to choose and writing a femininity that is not connected to motherhood. Using feminist, sociological and psychoanalytic theories to interrogate non-mothering, this work is the first book-length study of narratives that counter this long-standing taboo. It brings together authors who stake out a new terrain, creating a textual space in which to take ownership of their childlessness and call for new understandings of female identity beyond maternity.