Bücher veröffentlicht von Peter Lang International Academic Publishers

This book is a literary tour de force, where 28 Irish plays are examined and their rich cultural context exposed in a way that educates and excites.

The essays collected in Edna O'Brien: New Critical Perspectives illustrate the range, complexity and interest of O'Brien as a fiction writer and dramatist.

The book is remarkably well-focused: half is a series of production histories of Playboy performances through the twentieth century in the UK, Northern Ireland, the USA, and Ireland. The remainder focuses on one contemporary performance, that of Druid Theatre, as directed by Garry Hynes

This book, edited by Christina Hunt Mahony, presents twelve essays that trace the development of Sebastian Barry's career and the individual achievement of his works, concentrating largely, but not exclusively, on the plays.

It aims to stimulate further enquiry, research and critical reflection, in sceptical, analytic or celebratory modes, on the riches of Irish literary texts and traditions. The collection discusses texts from the early 18th century to the present.

Brian Friel's Dramatic Artistry makes an important contribution to our understanding of the work of Ireland's greatest living playwright. The fifteen essays collected here provide us with new perspectives on Friel's most familiar works.

The central subject of the play is the quest a character at the point of emotional and moral breakdown for some source of meaning or identity.

With contributions from leading scholars and practitioners, Interactions explores and celebrates the Dublin Theatre Festival's achievements since 1957 featuring essays on major Irish writers, directors and theatre companies, as well as the impact of visiting directors and companies from abroad.

Since the late 1970s there has been a marked internationalization of Irish drama, with individual plays, playwrights, and theatrical companies establishing newly global reputations. This book reflects upon these developments, drawing together leading scholars and playwrights to consider the consequences that arise when Irish theatre travels abroad. Essays discuss some of Ireland¿s major theatre companies ¿ Druid, the Abbey Theatre, Rough Magic, Blue Raincoat, Field Day and others ¿ while also exploring the presence of Irish drama in the UK, the USA, Germany, and throughout Ireland. The volume also presents the views of key playwrights, featuring essays by Elizabeth Kuti and Ursula Rani Sarma, and including a new interview with Enda Walsh.

In this fascinating reappraisal of the non-literary drama of the late 19th - early 20th century, Christopher Fitz-Simon discloses a unique world of plays, players and producers in metropolitan theatres in Ireland and other countries where Ireland was viewed as a source of extraordinary topics at once contemporary and comfortably remote.

This book examines approaches and responses to working with the asylum-seeking, refugee and migrant communities in Ireland.

What are Monsters? Monsters serve as a warning about something amiss in our surroundings. This collection of original and accessible essays looks at a variety of contemporary monsters from literature, film, television, music and the internet in their respective cultural contexts. Texts range from District 9 to Cleverman to Lady Gaga.

Ireland on Stage: Beckett and After, a collection of ten essays on contemporary Irish theatre, focuses primarily on Irish playwrights and their works, both in text and on the stage, in the latter half of the twentieth century.

Die Beitrage des Bandes konzentrieren sich auf die unterschiedlichen Formen und Medien einer oeffentlichen Erinnerungskultur im deutsch-franzoesischen Kontext. Der Band leistet somit einen wichtigen Beitrag zur interdisziplinaren Vernetzung sowie zur Erweiterung der theoretischen Ansatze im Rahmen der Lion-Feuchtwanger-Forschung.

Ana Duffy holds a PhD in Latin American Literature from the University of Queensland, Australia. She has worked in various Australian universities as a lecturer and tutor in the fields of Latin American studies and literature, Spanish and, being a writer herself, in creative writing and literary studies.

Bloomsbury critics Roger Fry and Clive Bell instigated a new way of looking at art that focused on the visionary genius of the artist. This book traces the Anglo-American dialogue they inspired and demonstrates how Bloomsbury's new aesthetic was taken up by the urban intelligentsia in 1920s.

L'auteur montre comment, sous la plume de Jean Lorrain, de Marie Corelli, de Henry Rider-Haggard ou de Renee Vivien, des silhouettes mythologiques, bibliques et historiques invitent a nuancer l'omnipresence de la femme fatale dans le second dix-neuvieme siecle et a interroger la notion meme de fatalite.

This collection of essays and papers written over the span of fifteen years explore the dialogic element in selected works from late Romanticism to early Modernism. Essays discuss Byron, Ruskin, George Eliot, Matthew Arnold, Hopkins, Ouida, Joyce and T. S. Eliot.

This book is based on a study of Australian documentary films produced by and about Aboriginal and Torres Strait Islanders since the early twentieth century. The book aims to expose the course of race relations in Australia in documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation.

Documentary in Wales has emerged only recently, with a new Welsh-language broadcaster launching in 1982. It has been modulated by the enriching, but sometimes uneasy, relationship between both national languages (Cymraeg and English). This book explores the unique Welsh context and its effect on the development of documentary.

Global military integration is yet a missing link towards abolishing war and nuclear weapons. Only if all state were joined in a truly Global NATO would it be possible to overcome the security dilemma and hence war

Providing unique and new perspectives that have been evolved mostly from papers read at an international conference held in Kyoto, Japan, this collection attempts to reassess and explore the values of Irish literature in a global context.

The essays incorporated into this volume share an ambitious interest in investigating death as an individual, social and metaphorical phenomenon that may be exemplified by themes involving burial rituals, identity, and commemoration.

This volume affords an opportunity to reconsider international connections and conflicts from the specific standpoint of translation as a dynamic, sociocultural activity. The chapters pivot around the relationships that are established between translation and ideology, re-narration, identity, cultural representation and knowledge reproduction.

This book explores how and why some Muslim individuals and communities seek to live apart in isolated enclaves, providing a compelling new perspective from which to understand the lives of contemporary British Muslims. The author examines everyday life in Muslim enclaves.

A frank, honest, and probing account of a much commented upon and controversial period in the history of the national theatre. These diaries provide fascinating personal insights into the day to day pressures, joys, and frustrations of running one of Ireland's most iconic institutions.

This informative and incisive collection of essays sheds new light on the literary interrelations between Ireland, Hungary, Poland, Romania, and the Czech Republic. It charts an under-explored history of the reception of modern Irish culture in Central and Eastern Europe and investigates how key authors have been translated, performed, and adapted.