Bücher veröffentlicht von Picador USA

Presents the 160-year history of the saxophone. Offering the personal story of one man's love for music-making, this work follows this iconographic instrument as it is lauded for its sensuality, then outlawed for its influence, and finally credited with changing the face of popular culture.

Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely crafted literature. From William Faulkner's determination that a great novel takes "ninety-nine percent talent . . . ninety-nine percent discipline . . . ninety-nine percent work," to Gabriel García Márquez's observation that "in the first paragraph, you solve most of the problems with your book," The Paris Review has elicited revelatory and revealing thoughts from our most accomplished novelists, poets, and playwrights. With an introduction by Orhan Pamuk, this volume brings together another rich, varied crop of literary voices, including Toni Morrison, Isaac Bashevis Singer, Graham Greene, James Baldwin, Stephen King, Philip Larkin, Eudora Welty, and more. "A colossal literary event," as Gary Shteyngart put it, The Paris Review Interviews, II, is an indispensable treasury of wisdom from the world's literary masters.

Nobel Prize winner Peter Handke''s autobiographical novel My Year in No-Man''s Bay is "a meditation on two decades of a writer''s life culminating in a solitary, sobering year of reckoning" (Publishers Weekly).In his most substantial novel to date, Handke tells the story of an Austrian writer--a man much like Handke himself--who undergoes a "metamorphosis" from self-assured artist into passive "observer and chronicler." He explores the world and describes his many severed relationships, from his tenuous contact with his son, to a failed marriage to "the Catalan," to a doomed love affair with a former Miss Yugoslavia. As the writer sifts through his memories, he is also under pressure to complete his next novel, but he cannot decide how to come to terms with both the complexity of the world and the inability of his novel to reflect it.

"I have all the copies of The Paris Review and like the interviews very much. They will make a good book when collected and that will be very good for the Review."--Ernest HemingwaySince The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely crafted literature. From Salman Rushdie's daring rhetorical question "why shouldn't literature provoke?" to Joyce Carol Oates's thrilling comments about her own prolific output, The Paris Review has elicited revelatory and revealing thoughts from our most accomplished novelists, poets, and playwrights. How did Georges Simenon manage to write about six books a year, what was it like for Jan Morris to write as both a man and a woman, what influences moved Ralph Ellison to write Invisible Man? In the pages of The Paris Review, writers give more than simple answers, they offer uncommon candor, depth, and wit in interviews that have become the gold standard of the literary Q&A. With an introduction by Margaret Atwood, this volume brings together another rich, varied crop of literary voices, including Martin Amis, Norman Mailer, Raymond Carver, John Cheever, Harold Pinter, and more. "A colossal literary event," as Gary Shteyngart put it, The Paris Review Interviews, III, is an indispensable treasure of wisdom from the world's literary masters.

Travis Shelton wanders into the woods onto private property near his North Carolina home, and discovers a grove of marijuana large enough to make him some serious money, and steps into the jaws of a bear trap. After hours, he's released from the trap - but can no longer ignore the subtle evil that underlie the life of his Appalachian community.

A steamy chronicle of life in Las Vegas investigates the murder of poker player Ted Binion, revealing a secret world of kinky sex, black magic, and science lurking at the heart of gambling's world series.

A Picador Paperback Original"The Paris Review is one of the few truly essential literary magazines of the twentieth century--and now of the twenty-first. Frequently weird, always wonderful."--Margaret Atwood How do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book--"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm"--The Paris Review has elicited some of the most revelatory and revealing thoughts from the literary masters of our age. For more than half a century, the magazine has spoken with most of our leading novelists, poets, and playwrights, and the interviews themselves have come to be recognized as classic works of literature, an essential and definitive record of the writing life. They have won the coveted George Polk Award and have been a contender for the Pulitzer Prize. Paris Review former editor Philip Gourevitch introduces an entirely original selection of sixteen of the most celebrated interviews. Often startling, always engaging, these encounters contain an immense scope of intelligence, personality, experience, and wit from the likes of Elizabeth Bishop, Ernest Hemingway, Truman Capote, Rebecca West, and Billy Wilder. This is an indispensable book for all writers and readers.

An extraordinary story collection selected by Nobel Prize winner Nadine Gordimer, from which all proceeds will be donated to the fight against AIDSRarely have writers of such variety and distinction appeared together in the same anthology. Their stories capture the range of emotions and situations of our human universe: tragedy, comedy, fantasy, satire, dramas of sexual love and of war in different continents and cultures. They are not about HIV / AIDS. But all twenty-one writers have given their stories--chosen by themselves as representing some of the best of their lifetime work as storytellers--without any fee or royalty. This collection includes five Nobel Prize winners: Nadine Gordimer, Gabriel Garcia Marquez, Jose Saramago, Kenzaburo Oe, and Gunter Grass; along with other world-class writers such as Arthur Miller, Salman Rushdie, Margaret Attwood, Chinua Achebe, and Susan Sontag.Telling Tales is being published in more than twelve countries. The publisher's profits from the sales of this book will go to HIV / AIDS preventive education and for medical treatment for people living with the suffering this pandemic infection brings to our contemporary world. So when you buy this unique anthology of renowned storytellers as a gift or for your own reading pleasure, you are also making a gift to combat the plague of our new millennium.

Will Barrett (also the hero of Percy's The Last Gentleman) is a lonely widower suffering from a depression so severe that he decides he doesn't want to continue living. But then he meets Allison, a mental hospital escapee making a new life for herself in a greenhouse. The Second Coming is by turns touching and zany, tragic and comic, as Will sets out in search of God's existence and winds up finding much more.

Drawing on more than six decades' worth of lessons from his storied career as a writer and professor, Willard Spiegelman reflects with candid humor and sophistication on growing old. Senior Moments is a series of discrete essays that, when taken together, constitute the life of a man who, despite Western cultural notions of aging as something to be denied, overcome, and resisted, has continued to relish the simplest of pleasures: reading, looking at art, talking, and indulging in occasional fits of nostalgia while also welcoming what inevitably lies ahead.Senior Moments is a foray into the felicity and follies that age brings; a consideration of how and what one reads or rereads in late adulthood; the eagerness for, and disappointment in, long-awaited reunions, at which the past comes alive in the present. It is guaranteed to stimulate, stir, and restore.

In the prison business, all roads lead to Texas. A pioneer in criminal justice severityΓÇöfrom assembly-line executions to supermax isolation, from mandatory sentencing to prison privatizationΓÇöTexas is the most locked-down state in the most incarcerated country in the world. Texas Tough, a sweeping history of American imprisonment from the days of slavery to the present, explains how a plantation-based penal system once dismissed as barbaric became a template for the nation. Drawing on the individual stories as well as authoritative research, Texas Tough reveals the true origins of America''s prison juggernaut and points toward a more just and humane future.

A Pulitzer Prize-winning Arab-American journalist looks at the Iraq war from the perspective of ordinary Iraqi citizens--representing a variety of religious and political beliefs from all levels of society--confronted by the dislocations, hardships, tragedies, and harsh realities of the conflict. Reprint. 75,000 first printing.

A portrait of modern Africa. It offers an exploration of how, and whether, the past can be laid to rest.

A collection of stories in which the collision of the old and new south, of antique and modern, resonate with the depth and power of ancient myths.

Middle East expert Stephen P. Cohen traces U.S. policy in the region from the breakup of the Ottoman Empire to the present. A century ago, there emerged two dominant views regarding the uses of America's power: Woodrow Wilson urged America to promote national freedom and self-determination-in stark contrast to his predecessor, Theodore Roosevelt, who had advocated a vigorous foreign policy based on national self-interest. In concise, pointed chapters, Cohen offers a lucid primer on the complexities of the region and an eye-opening commentary on how different Middle East Countries have struggled to define themselves in the face of America's stated idealism and its actual realpolitik.

A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICEFollowing the trail of espionage and technological innovation, and making use of newly opened archives, Michael D. Gordin provides a new understanding of the origins of the nuclear arms race and fresh insight into the problem of proliferation.On August 29, 1949, the first Soviet test bomb, dubbed "First Lightning," exploded in the deserts of Kazakhstan. This surprising international event marked the beginning of an arms race that would ultimately lead to nuclear proliferation beyond the two superpowers of the Soviet Union and the United States.With the use of newly opened archives, Michael D. Gordin folows a trail of espionage, secrecy, deception, political brinksmanship, and technical innovation to provide a fresh understanding of the nuclear arms race.

A Library Journal Best Sci-Tech Book of the YearIf environmental destruction continues at its current rate, a third of all plants and animals could disappear by 2050-along with earth's life-support ecosystems, which provide food, water, medicine, and natural defenses against climate change.Now Caroline Fraser offers the first definitive account of a visionary crusade to confront this crisis: rewilding. Breathtaking in scope and ambition, rewilding aims to save species by restoring habitats, reviving migration corridors, and brokering peace between people and predators. A "methodical, lyrical" (Sacramento News & Review) story of scientific discovery and grassroots action, Rewilding the World offers hope for a richer, wilder future.

The conventional story of the end of the Cold War is simple: Ronald Reagan waged an aggressive campaign against communism, outspent his opponent, and forced Mikhail Gorbachev to "tear down this wall."In There Is No Freedom Without Bread!, Russian-born historian Constantine Pleshakov proposes a different interpretation. The revolutions that took place in 1989 were the result of politicking, tensions between Moscow and local governments, compromise between revolutionary leaders and communist old-timers, and the will and anger of the people. In a dramatic narrative culminating in that whirlwind year, Pleshakov challenges the received wisdom and argues that 1989 was as much about national civil wars and internal struggles for power as it was about the Eastern Europeans throwing off the yoke of Moscow.

SHORTLISTED FOR THE WILLIAM SAROYAN INTERNATIONAL PRIZE FOR WRITINGFalling in love at first sight with a mirror in a Rhode Island auction, Maryalice Huggins sets out to discover its history and learns that it was likely passed down through generations of the illustrious Brown family. Certain of the mirror's prestige, she goes up against the leading lights of the fascinating high-end antiques world and discovers that the value of a beautiful object and its market value are not the same thing at all. As Huggins concludes her "delightful" (Jacki Lyden, NPR) quest of sleuthing, research, and obsession, she learns the true meaning of art.

In 2007, the International Rescue Committee (IRC), which brings relief to countries in the wake of war, wanted to understand what really happened to women, in post-conflict zones. On behalf of the IRC, the author travelled through Africa, East Asia, and the Middle East, lending cameras to women. This title features the photographs they had taken.

"They'd never kill a reporter...." On the morning of April 29, 1948, a West Side pier hiring boss was shot on his way to work. The murder reminded the New York Sun's city editor of a similar docks killing from the year before, and so he called over his best general assignment man, Malcolm "Mike" Johnson, telling him, "Lots of unrest down there. Maybe you can get a story out of it." Johnson certainly did, discovering the greatest story of his long career, and a "waterfront jungle" with "rich pickings for criminal gangs." His crime series ran on the Sun's front page for twenty-four days in the fall of 1948, raising a national scandal and bringing death threats on him and his family. Johnson alleged the existence of an international crime "syndicate," at a time when J. Edgar Hoover would not admit that such a syndicate, let alone a Mafia, existed. Herein, Nathan Ward tells the original Mob story, "revealing a spiderweb of union corruption and outright gangsterism....His story has everything" (New York Sun), making Dark Harbor a modern true crime classic.

In a corrupt America reeling from an economic collapse, a shadow civil war is gathering. On one side is James Sands, a billionaire and government crony harassed by civil opposition and armed militants. Standing against him is Lando, a twenty-something urban guerrilla, who leads the Army of the Republic on a campaign of bombing.

Chief Inspector Espinosa can't shake thoughts of this latest hapless victim. Who would target a penniless man who posed no physical threat? Focusing his inquiry on a group of wealthy guests who dined at a nearby mansion on the night of the murder, Espinosa carefully interrogates his way into the lives of his suspects.