Bücher veröffentlicht von PM Press

A fascinating fictive polemic from the award-winning Nalo Hopkinson. Hopkinson address the crowd during a Guest of Honour address to the 2012 conference of Interational Association of the Fantastic in the Arts, in the voice of an alien. The alien evaluates Earth's strange customs, including the marginalisation of works by non white and women authors. A dramatic mix of humour, anger and shrewd analysis pervades this discussion of the unconcious and unacknowledged racism of white colleagues and points the way to a more diverse and inclusive future.

My Mom Had an Abortion is a unique coming-of-age tale told by a self-described dyslexic-asexual-lesbian-feminist teenager and illustrated by body-positive comic artist Tatiana Gill. We follow our protagonist Beezus B. Murphy as she chronicles her evolving understanding of menstruation, reproduction, and abortion and finds her place in a confusing world. Initially influenced by harmful narratives in pop media such as the “the pregnant teenager” cliche, we watch Beezus’s ideas change as her body changes and as she learns more about the intricacies of her family history and her mom’s own reproductive experiences. She grows from a confused, out-of-place kid into a self-assured, empathetic, and strong-willed activist teen. As Beezus says, “People shouldn’t be shamed for getting or not getting abortions. Young people absorb the information that we gather from our surroundings. Sometimes it’s good information and other times it can be harmful. But now I realize abortion is perfectly normal and should be kept safe and legal.” Sprinkled with pop culture references, hilariously apt descriptions of unwanted body changes and menstruation like the chapter “Blood, Bath, and Beyond,” and instantly understandable revelations of growing-up, this beautifully illustrated short graphic novel crucially fills a cultural gap around complexities of abortion, pop culture, body changes, and finding out where we fit in.

An illustrated introduction to the development of anarchist thought, featuring selections from Errico Malatesta, Peter Kropotkin, Max Stirner, Emma Goldman, Charlotte Wilson, Michael Bakunin, Rudolf Rocker, Alexander Berkman, Colin Ward, Albert Meltzer and many others. This edition has been enlarged and updated for a modern audience. This useful compendium was compiled and edited by the late Vernon Richards of Freedom Press, and includes helpful and humorous illustrations by Wildcat cartoonist Donald Rooum.

Girl Gangs, Biker Boys, and Real Cool Cats is the first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behaviour, dress, and language for mass consumption and cheap thrills. From the juvenile delinquent gangs of the early 1950s through the beats and hippies, on to bikers, skinheads, and punks, pulp fiction left no trend untouched. With their lurid covers and wild, action-packed plots, these books reveal as much about society’s deepest desires and fears as they do about the subcultures themselves.Girl Gangs features approximately 400 full-color covers, many of them never reprinted before. With 70 in-depth author interviews, illustrated biographies, and previously unpublished articles from more than 20 popular culture critics and scholars from the US, UK, and Australia, the book goes behind the scenes to look at the authors and publishers, how they worked, where they drew their inspiration and—often overlooked—the actual words they wrote. Books by well-known authors such as Harlan Ellison and Lawrence Block are discussed alongside neglected obscurities and former bestsellers ripe for rediscovery. It is a must read for anyone interested in pulp fiction, lost literary history, retro and subcultural style, and the history of postwar youth culture.Contributors include Nicolas Tredell, Alwyn W. Turner, Mike Stax, Clinton Walker, Bill Osgerby, David Rife, J.F. Norris, Stewart Home, James Cockington, Joe Blevins, Brian Coffey, James Doig, David James Foster, Matthew Asprey Gear, Molly Grattan, Brian Greene, John Harrison, David Kiersh, Austin Matthews, and Robert Baker.

Executed by a British firing squad on May 12, 1916, for his role in organizing the Easter Rising, James Connolly was one of the most prominent radical organizers and agitators of his day. Born in Scotland in 1868 to Irish immigrant parents, Connolly spent most of his adult life organizing for labor unions and socialist organizations in Ireland, Scotland, and the United States. Despite attending school for only a few years, Connolly became a leading socialist writer and theoretician, founding and editing newspapers including The Socialist (Scotland), The Harp (United States), and The Workers’ Republic (Ireland). As a labor organizer, Connolly stressed the importance of direct action, broad working-class unity, and a commitment to ending labor’s exploitation. As a socialist agitator, Connolly saw economic and political independence as inextricably intertwined. This pamphlet, the first graphic treatment of Connolly’s life, is issued on the centenary of the Easter Rising.