Bücher veröffentlicht von Random House Publishing Group

Peter Benchley's fascination with the sea and its magnificent inhabitants inspired such classic novels as Jaws and The Deep, making him the preeminent author of ocean adventure and suspense. The Girl of the Sea of Cortez was his most heartfelt, cherished story of the relationship between man and the sea, both those that live in it and those who love it. On an island in the Gulf of California, an intrepid young woman named Paloma carries a special legacy from her father-a deep understanding of the sea and a sixth sense about the need to protect it. Every day, Paloma paddles her tiny boat into the ocean and anchors over a seamount-a submerged volcanic peak sixty feet underwater that is clustered with spectacular sea animals and a wondrous web of marine life. It is there that an astonishing event takes place, when on one of her dives Paloma is shadowed by a manta ray-an animal so large it blocks the sun. She develops an extraordinary relationship with this luminous, gentle creature, but instinctively knows its existence is a secret she must fiercely protect. Benchley's novel paints a poignant picture of humanity's precarious relationship with the ocean, which unfolds alongside a heartrending story of familial bonds, often revealing that the ignorance of man is far more dangerous than the sea. Full of beauty, danger, and adventure, The Girl of the Sea of Cortez is triumphant-a novel to fall in love with. Praise for The Girl of the Sea of Cortez "It's hard not to compare Benchley's tale . . . with Hemingway's classic The Old Man and the Sea."-The Christian Science Monitor "Charming."-The New York Times Book Review "For a hot summer's day, The Girl of the Sea of Cortez is the next best thing to looking through a clear face mask into blue water swimming with fish."-United Press International

Father Tom Christmas moves to the picturesque English hamlet of Thornford Regis to become its new vicar and to seek a peaceful haven. But inside the empty village hall, the huge Japanese o-daiko drum that's featured in the May Fayre festivities has been viciously sliced open-and curled up inside is the bludgeoned body of Sybella Parry, the daughter of the choir director. Realizing this village is not the refuge he'd hoped for, Father Tom comes to a disturbing conclusion: Sybella's killer must be one of his parishioners. No one is above suspicion-not Sebastian John, the deeply reserved verger, nor Mitsuko Drewe, a local artist, nor Colonel Northmore, survivor of a World War II prison camp. And over all hangs the long-unsolved mystery of a sudden disappearance, one that brought Father Tom to this picture-perfect place to live-or die.

I gasped, or tried to. My mouth opened, but I couldn't draw breath. His lips, pearly wet, parted and he blew into my mouth. My lungs expanded beneath his weight. When I exhaled he sucked my breath in and his weight turned from cold marble into warm living flesh. Since accepting a teaching position at remote Fairwick College in upstate New York, Callie McFay has experienced the same disturbingly sensual dream every night: A mist enters her bedroom, then takes the shape of a virile, seductive stranger who proceeds to ravish her in the most toe-curling, wholly satisfying ways possible. Perhaps these dreams are the result of her having written the bestselling book The Sex Lives of Demon Lovers. Callie's lifelong passion is the intersection of lurid fairy tales and Gothic literature-which is why she's found herself at Fairwick's renowned folklore department, living in a once-stately Victorian house that, at first sight, seemed to call her name. But Callie soon realizes that her dreams are alarmingly real. She has a demon lover-an incubus-and he will seduce her, pleasure her, and eventually suck the very life from her. Then Callie makes another startling discovery: Her incubus is not the only mythical creature in Fairwick. As the tenured witches of the college and the resident fairies in the surrounding woods prepare to cast out the demon, Callie must accomplish something infinitely more difficult-banishing this supernatural lover from her heart."Vivid and enchanting . . . Dark's letter-perfect gothic style is a satisfying tribute to previous gothic novels, and the paranormal elements, including incubi, fae, vampires, and witches, make this a stellar romance."-Booklist (Top 10 SF/Fantasy) "[Juliet] Dark develops a complex, detailed world where magic, reason, and gothic literature enjoyably intersect."-Publishers Weekly

How come the only thing my family tree ever grows is nuts?Wade Rouse attempts to answer that question in his blisteringly funny new memoir by looking at the yearly celebrations that unite us all and bring out the very best and worst in our nearest and dearest.Family is truly the only gift that keeps on giving-namely, the gifts of dysfunction and eccentricity-and Wade Rouse's family has been especially charitable: His chatty yet loving mother dresses her son as a Ubangi tribesman, in blackface, for Halloween in the rural Ozarks; his unconventional engineer of a father buries his children's Easter eggs; his marvelously Martha Stewart-esque partner believes Barbie is his baby; his garage-sale obsessed set of in-laws are convinced they can earn more than Warren Buffett by selling their broken lamps and Nehru jackets; his mutt Marge speaks her own language; and his oddball collection of relatives includes a tipsy Santa Claus with an affinity for showing off his jingle balls. In the end, though, the Rouse House gifted Wade with love, laughter, understanding, superb comic timing, and a humbling appreciation for humiliation. Whether Wade dates a mime on his birthday to overcome his phobia of clowns or outruns a chubchasing boss on Secretary's Day, he captures our holidays with his trademark self-deprecating humor and acerbic wit. He paints a funny, sad, poignant, and outlandish portrait of an an all-too-typical family that will have you appreciating-or bemoaning-your own and shrieking in laughter.Praise for It's All Relative"[Filled with] sparkling humor . . . Listen to Wade Rouse-which you most assuredly should, especially if you value laughter and wisdom."-Chicago Tribune"[Wade Rouse's] stories are not only laugh-inducing, but also truly revealing of what it means to be a family through all stages of life, and show that no matter how kooky his family might be, love is what brings them together and defines them."-St. Louis Magazine "Filled with uproarious one-liners and enough soul to truly satisfy, readers are going to clamor for a seat at Rouse's holiday table! I can't tell you how much I loved this book."-Jen Lancaster, New York Times bestselling author of My Fair Lazy

An extraordinarily compelling debut-ghost stories that grapple with the legacy of the Vietnam War A beautiful young woman appears fully dressed in an overflowing bathtub at the Frangipani Hotel in Hanoi. A jaded teenage girl in Houston befriends an older Vietnamese gentleman she discovers naked behind a dumpster. A trucker in Saigon is asked to drive a dying young man home to his village. A plump Vietnamese-American teenager is sent to her elderly grandmother in Ho Chi Minh City to lose weight, only to be lured out of the house by the wafting aroma of freshly baked bread. In these evocative and always surprising stories, the supernatural coexists with the mundane lives of characters who struggle against the burdens of the past. Based on traditional Vietnamese folk tales told to Kupersmith by her grandmother, these fantastical, chilling, and thoroughly contemporary stories are a boldly original exploration of Vietnamese culture, addressing both the immigrant experience and the lives of those who remained behind. Lurking in the background of them all is a larger ghost-that of the Vietnam War, whose legacy continues to haunt us. Violet Kupersmith's voice is an exciting addition to the landscape of American fiction. With tremendous depth and range, her stories transcend their genre to make a wholly original statement about the postwar experience. Praise for The Frangipani Hotel "[A] subversively clever debut collection . . . These stories-playful, angry, at times legitimately scary-demonstrate a subtlety of purpose that belies [Kupersmith's] youth."-The New York Times Book Review "Magical, beautiful, modern stories, all based on traditional Vietnamese folktales, [The Frangipani Hotel] invokes the ghosts of the land that was left behind."-San Francisco Chronicle "[A] sparkling debut . . . playful and wise, an astonishing feat for a young writer."-Chicago Tribune "A series of short stories that are as fresh as they are mesmerizing, The Frangipani Hotel will haunt you long after the last words have drifted off the page."-Lisa See "Auspicious . . . wildly energetic."-Elle "Enthralling stories . . . teeming with detail and personality."-Asian Review of Books "Chilling and lovely . . . Kupersmith has combined traditional storytelling with a post-modern sense of anxiety and darkness, and the result is captivating."-Bookreporter "The stories shimmer with life. . . . Kupersmith [is] one to watch."-Publishers Weekly (starred review)

When Inspector Thomas Pitt is asked to reopen a three-year-old murder case that had taken place in London's luxurious Hanover Close, he is all too aware that his superiors want him to simply smooth things over. But penetrating the reserve of high society households will take more finesse than Pitt can muster. Enter Charlotte Pitt, his wellborn wife, and her sister, Emily. As the social equals of the inhabitants of the Close, the women are privy to conversations that would never reach the ears of a mere policeman. What they find is a secret so shocking it will lead to more deaths-including, quite possibly, Pitt's own.

Mia, Laney, Betts, and Ginger have reunited to celebrate Betts's appointment to the Supreme Court. But when Senate hearings uncover a deeply buried skeleton in the friends' collective closet, they retreat to a summer house on the Chesapeake Bay, where they find themselves reliving a much darker period in their past-one that stirs up secrets they've kept for, and from, one another, and could change their lives forever.

When the womanizing aristocrat George March is found dead over his morning coffee, the immediate concern of his shocked Cardington Crescent household is quieting the scandal as discreetly-and quickly-as possible. Unfortunately for March's wife, Emily, that means accusing her of the murder. But the family does not take into account Emily's beloved sister, who is none other than the indomitable Charlotte Pitt. Together, Charlotte and her husband, police inspector Thomas Pitt, take on the seemingly irreproachable, upper-crust March clan and uncover an insidious web of corruption and depravity that leads them from the elegant Crescent town house to the hideous London slums, and from genteel society to murder-again.

The intimate, fly-on-the wall tale of the decline and fall of an America icon With one notable exception, the firms that make up what we know as Wall Street have always been part of an inbred, insular culture that most people only vaguely understand. The exception was Merrill Lynch, a firm that revolutionized the stock market by bringing Wall Street to Main Street, setting up offices in far-flung cities and towns long ignored by the giants of finance. With its "thundering herd" of financial advisers, perhaps no other business, whether in financial services or elsewhere, so epitomized the American spirit. Merrill Lynch was not only "bullish on America," it was a big reason why so many average Americans were able to grow wealthy by investing in the stock market. Merrill Lynch was an icon. Its sudden decline, collapse, and sale to Bank of America was a shock. How did it happen? Why did it happen? And what does this story of greed, hubris, and incompetence tell us about the culture of Wall Street that continues to this day even though it came close to destroying the American economy? A culture in which the CEO of a firm losing $28 billion pushes hard to be paid a $25 million bonus. A culture in which two Merrill Lynch executives are guaranteed bonuses of $30 million and $40 million for four months' work, even while the firm is struggling to reduce its losses by firing thousands of employees.Based on unparalleled sources at both Merrill Lynch and Bank of America, Greg Farrell's Crash of the Titans is a Shakespearean saga of three flawed masters of the universe. E. Stanley O'Neal, whose inspiring rise from the segregated South to the corner office of Merrill Lynch-where he engineered a successful turnaround-was undone by his belief that a smooth-talking salesman could handle one of the most difficult jobs on Wall Street. Because he enjoyed O'Neal's support, this executive was allowed to build up an astonishing $30 billion position in CDOs on the firm's balance sheet, at a time when all other Wall Street firms were desperately trying to exit the business. After O'Neal comes John Thain, the cerebral, MIT-educated technocrat whose rescue of the New York Stock Exchange earned him the nickname "Super Thain." He was hired to save Merrill Lynch in late 2007, but his belief that the markets would rebound led him to underestimate the depth of Merrill's problems. Finally, we meet Bank of America CEO Ken Lewis, a street fighter raised barely above the poverty line in rural Georgia, whose "my way or the highway" management style suffers fools more easily than potential rivals, and who made a $50 billion commitment over a September weekend to buy a business he really didn't understand, thus jeopardizing his own institution. The merger itself turns out to be a bizarre combination of cultures that blend like oil and water, where slick Wall Street bankers suddenly find themselves reporting to a cast of characters straight out of the Beverly Hillbillies. BofA's inbred culture, which perceived New York banks its enemies, was based on loyalty and a good-ol'-boy network in which competence played second fiddle to blind obedience.Crash of the Titans is a financial thriller that puts you in the theater as the historic events of the financial crisis unfold and people responsible for billion of dollars of other people's money gamble recklessly to enhance their power and their paychecks or to save their own skins. Its wealth of never-before-revealed information and focus on two icons of corporate America make it the book that puts together all the pieces of the Wall Street disaster.