Bücher veröffentlicht von Random House USA Inc

In the first book in this new young graphic novel series, Jim Panzee, star of the #1 New York Times bestseller Grumpy Monkey, searches for the perfect orange stress ball.It's Wednesday! Which means it's time for Jim Panzee's weekly Wednesday walk. He wakes up, stretches a little, grabs his stress orange, and sets off. Jim's favorite part of the walk is the blissful silence. When he's alone, he can hear all the jungle sounds. Until . . . his best buddy, Norman, decides to join him. And before he knows it, Jim is followed by every animal in the jungle. It's all just too much.Jim grabs his stress orange to calm his nerves . . . but when he squeezes a bit too hard, the stress orange goes squish. So Jim and his not-so-helpful friends must cross the jungle to get another stress orange before it is too late!A laugh-out-loud chapter book graphic novel about how to handle all of life's ups and downs.#1 New York Times bestselling duo Jim and Norman continue to make kids laugh in this fun new chapter book graphic novel format!

The year was 1765. Eminent botanist Philibert Commerson had just been appointed to a grand new expedition: the first French circumnavigation of the world. As the ships' official naturalist, Commerson would seek out resources-medicines, spices, timber, food-that could give the French an edge in the ever-accelerating race for empire. Jeanne Baret, Commerson's young mistress and collaborator, was desperate not to be left behind. She disguised herself as a teenage boy and signed on as his assistant. The journey made the twenty-six-year-old, known to her shipmates as "Jean" rather than "Jeanne," the first woman to ever sail around the globe. Yet so little is known about this extraordinary woman, whose accomplishments were considered to be subversive, even impossible for someone of her sex and class. When the ships made landfall and the secret lovers disembarked to explore, Baret carried heavy wooden field presses and bulky optical instruments over beaches and hills, impressing observers on the ships' decks with her obvious strength and stamina. Less obvious were the strips of linen wound tight around her upper body and the months she had spent perfecting her masculine disguise in the streets and marketplaces of Paris. Expedition commander Louis-Antoine de Bougainville recorded in his journal that curious Tahitian natives exposed Baret as a woman, eighteen months into the voyage. But the true story, it turns out, is more complicated. In The Discovery of Jeanne Baret, Glynis Ridley unravels the conflicting accounts recorded by Baret's crewmates to piece together the real story: how Baret's identity was in fact widely suspected within just a couple of weeks of embarking, and the painful consequences of those suspicions; the newly discovered notebook, written in Baret's own hand, that proves her scientific acumen; and the thousands of specimens she collected, most famously the showy vine bougainvillea. Ridley also richly explores Baret's awkward, sometimes dangerous interactions with the men on the ship, including Baret's lover, the obsessive and sometimes prickly naturalist; a fashion-plate prince who, with his elaborate wigs and velvet garments, was often mistaken for a woman himself; the sour ship's surgeon, who despised Baret and Commerson; even a Tahitian islander who joined the expedition and asked Baret to show him how to behave like a Frenchman. But the central character of this true story is Jeanne Baret herself, a working-class woman whose scientific contributions were quietly dismissed and written out of history-until now. Anchored in impeccable original research and bursting with unforgettable characters and exotic settings, The Discovery of Jeanne Baret offers this forgotten heroine a chance to bloom at long last.

"A shockingly original exploration of class, race, and systemic violence. . . . Reminiscent . . . of Toni Morrison's Beloved. . . . And, like Morrison, Momplaisir uses the tropes of fantasy to try to assert truths that ordinary language and realistic imagery cannot communicate. . . . An author to watch." --Kirkus ReviewsA literary thriller about the complex underbelly of the immigrant American dream and the dangerous ripple effect one person's damages can have on the lives of others--told unexpectedly by a house that has held unspeakable horrors.When Lucien flees Haiti with his wife, Marie-Ange, and their three children to New York City's South Ozone Park, he does so hoping for reinvention, wealth, and comfort. He buys a rundown house in a community that is quickly changing from an Italian enclave of mobsters to a haven for Haitian immigrants and begins life anew. Lucien and Marie-Ange call their home La Kay--"my mother's house"--and it becomes a place where their fellow immigrants can find peace, a good meal, and legal help. But Lucien soon falls into his worst habits and impulses, with La Kay as the backdrop for his lasciviousness. What he can't even begin to fathom is that the house is watching, passing judgment, and deciding to put an end to all the sins it has been made to hold. But only after it has set itself aflame will frightened whispers reveal Lucien's ultimate evil. At once an uncompromising look at the immigrant experience and an electrifying page-turner, My Mother's House is a singular, unforgettable achievement.

“Not just a thorough guide to the history of apples and cider in this country but also an inspiring survey of the orchardists and cidermakers devoting their lives to sustainable agriculture through apples.”—Alice Waters  “Pucci and Cavallo are thorough and enthusiastic chroniclers, who celebrate cider’s pomologists and pioneers with infectious curiosity and passion.”—Bianca Bosker, New York Times bestselling author of Cork Dork Cider today runs the gamut from sweet to dry, smooth to funky, made from apples and sometimes joined by other fruits—and even hopped like beer. In American Cider, aficionados Dan Pucci and Craig Cavallo give a new wave of consumers the tools to taste, talk about, and choose their ciders, along with stories of the many local heroes saving apple culture and producing new varieties. Like wine made from well-known grapes, ciders differ based on the apples they’re made from and where and how those apples were grown. Combining the tasting tools of wine and beer, the authors illuminate the possibilities of this light, flavorful, naturally gluten-free beverage.And cider is more than just its taste—it’s also historic, as the nation’s first popular alcoholic beverage, made from apples brought across the Atlantic from England. Pucci and Cavallo use a region-by-region approach to illustrate how cider and the apples that make it came to be, from the well-known tale of Johnny Appleseed—which isn’t quite what we thought—to the more surprising effects of industrial development and government policies that benefited white men. American Cider is a guide to enjoying cider, but even more so, it is a guide to being part of a community of consumers, farmers, and fermenters making the nation’s oldest beverage its newest must-try drink.

The Golden Age is Vidal's crowning achievement, a vibrant tapestry of American political and cultural life from 1939 to 1954, when the epochal events of World War II and the Cold War transformed America, once and for all, for good or ill, from a republic into an empire. The sharp-eyed and sympathetic witnesses to these events are Caroline Sanford, Hollywood actress turned Washington D.C., newspaper publisher, and Peter Sanford, her nephew and publisher of the independent intellectual journal The American Idea. They experience at first hand the masterful maneuvers of Franklin Roosevelt to bring a reluctant nation into the Second World War, and, later, the actions of Harry Truman that commit the nation to a decade-long twilight struggle against Communism—developments they regard with a decided skepticism even though it ends in an American global empire. The locus of these events is Washington D.C., yet the Hollywood film industry and the cultural centers of New York also play significant parts. In addition to presidents, the actual characters who appear so vividly in the pages of The Golden Age include Eleanor Roosevelt, Harry Hopkins, Wendell Willkie, William Randolph Hearst, Dean Acheson, Tennessee Williams, Joseph Alsop, Dawn Powell—and Gore Vidal himself.The Golden Age offers up U.S. history as only Gore Vidal can, with unrivaled penetration, wit, and high drama, allied to a classical view of human fate. It is a supreme entertainment that is not only sure to be a major bestseller but that will also change listeners' understanding of American history and power.