The material is right there in front of you. You’ve known yourself for, well, a lifetime—and you finally feel ready to share your story with the world. Yet when it actually comes time to put pen to paper, you find that you’re stumped. Enter Adair Lara: award-winning author, seasoned columnist, beloved writing coach, and the answer to all of your autobiographical quandaries. Naked, Drunk, and Writing is the culmination of Lara’s vast experience as a writer, editor, and teacher. It is packed with insights and advice both practical (“writing workshops you pay for are the best--it’s too easy to quit when you’ve made no investment”) and irreverent (“apply Part A [butt] to Part B [chair]”), answering such important questions as: • How do I know where to start my piece and where to end it? • How do I make myself write when I’m too scared or lazy or busy?• What makes a good pitch letter, and how do I get mine noticed?• I’m ready to publish—now where do I find an agent?• If I show my manuscript to my mother, will I ever be invited to a family gathering again?As thorough and instructive as a personal writing coach (and cheaper, too), Naked, Drunk, and Writing is a must-have if you are an aspiring columnist, essayist, or memoirist—or just a writer who needs a bit of help in getting your story told.
This impolite, aromatic, and incredibly erudite flatulence compendium will astound you with:• The recent discovery of the world’s oldest joke, a proverb from the Old Babylonian period, that turned out to be—that’s right, folks—a fart joke.• A new reading of Emily Dickinson’s poetry that “reveals” the true meaning behind “They Have a Little Odor.”• A harrowing account of Apollo astronauts getting inner-space gas from hydrogen bubbles in their drinking water on their way to the moon.• The other Tiger Woods scandal—this one involving a mysterious cheek-squeak recorded while Tiger sized up an approach shot at the 2009 Buick Open. • A scientist who built the world’s biggest whoopee cushion and lived to tell about it . . . . . . and many more wacky but true tales from the fart historian who brought you the best-selling Who Cut the Cheese? and its combustible sequel, Blame It on the Dog. In this incomparable collection you’ll experience firsthand the Jungian implications of farting, the environmental import of “flatulence cards” in the carbon-offset market, and the brutally honest social commentary of a man whose office chair broadcasts his farts on Twitter. After reading this book you’ll proudly proclaim, “I fart, therefore I am.”
Continuing his epic trilogy of the Haitian slave uprising, Madison Smartt Bell’s Master of the Crossroads delivers a stunning portrayal of Toussaint Louverture, former slave, military genius and liberator of Haiti, and his struggle against the great European powers to free his people in the only successful slave revolution in history. At the outset, Toussaint is a second-tier general in the Spanish army, which is supporting the rebel slaves’ fight against the French. But w hen Toussaint is betrayed by his former allies and the commanders of the Spanish army, he reunites his army with the French, wresting vital territories and manpower from Spanish control. With his army one among several factions, Toussaint eventually rises as the ultimate victor as he wards off his enemies to take control of the French colony and establish a new constitution.Bell’s grand, multifaceted novel shows a nation, splintered by actions and in the throes of chaos, carried to liberation and justice through the undaunted tenacity of one incredible visionary.
When Warren Buffett was asked why the Gillette board of directors chose Jim Kilts to be CEO, he said, "Jim made as much sense in terms of talking about business as anybody I've ever talked to. If you listen to Jim analyze a business situation you get absolutely no baloney. And, frankly, finding someone like that is a rarity.” There is only one CEO in recent times who has faced—and succeeded at—the extraordinary challenges of leading three major companies—Gillette, Nabisco, and Kraft—into prosperous futures by doing what matters on the fundamentals. That CEO is Jim Kilts. In this vivid first-person account he reveals his system for success that is both cutting-edge and back-to-basics. Doing What Matters—the action plan for identifying and tackling what's important and ignoring the rest—is the key to winning in a warp-speed world where the need for revolutionary speed and decisiveness increases by the day. Kilts illustrates his ideas with colorful stories, such as "that little red razor.” A new product idea he proposed early on at Gillette, it was initially shelved because "everyone knew you couldn't sell a red razor,” but went on to become one of Gillette's biggest marketing successes ever. Jim Kilts's focus on both business fundamentals and personal attributes provides the "complete package,” showing how to get results that make a difference through:• Intellectual integrity: The ability to face the unvarnished truth about yourself and your business and using what you see as the basis for action.• Generating emotional engagement and enthusiasm: Using the force of your personality and ideas to infuse people and an entire organization with a sense of purpose and mission. • Action: Gillette, with just five product lines, had over 20,000 SKUs. After studying the issue for over two years, there were still 20,000. How Kilts got Gillette off the dime to pare down the number to 7,000 almost overnight is an astonishing example of getting the rubber to meet the road—with enormous benefits to the business. • Understanding the right things through an overarching concept to frame and filter issues: For Jim Kilts it was Total Brand Value, the framework he used in the consumer products industry for achieving better, faster, and more complete results than the competition.Whether you're CEO of a multibillion-dollar global company, the brand manager for a product, an entrepreneur starting a small business, or just beginning a career, Doing What Matters provides the practical ideas that get results—ranging from a day one action plan for starting a new job to a chorus of cheers and support to a program of total innovation that involves everyone in changes from small to "big bang.”
- Breaks Down the Business of Screenwriting - Explains What the Buyer Looks For - Shows You What to Do to Get in the Door - Tackles the Pitching Process - Provides Personal Insights from Famous Screenwriters Everybody has a story to tell. Everybody wants to write the great American screenplay. But what do you do after it’s written? How do you sell it? Studio honchos. Development Executives. Independent Producers. What do they want? Do you need an agent or manager to get it into production? Selling a screenplay can mean earning $250,000 or more, so competition is fierce. Syd Field gives you an insider’s look at the movie and TV industry, packed with essential tips from the pros. Selling a Screenplay is a must-have guide for every screenwriter, filled with frank real-life advice from Hollywood’s most powerful deal makers and most celebrated screenwriters. They all started somewhere.
The series of essays that comprise The Federalist constitutes one of the key texts of the American Revolution and the democratic system created in the wake of independence. Written in 1787 and 1788 by Alexander Hamilton, James Madison, and John Jay to promote the ratification of the proposed Constitution, these papers stand as perhaps the most eloquent testimonial to democracy that exists. They describe the ideas behind the American system of government: the separation of powers; the organization of Congress; the respective positions of the executive, legislative, and judiciary; and much more. The Federalist remains essential reading for anyone interested in politics and government, and indeed for anyone seeking a foundational statement about democracy and America.This new edition of The Federalist is edited by Robert Scigliano, a professor in the political science department at Boston College. His substantive Introduction sheds clarifying new light on the historical context and meaning of The Federalist. Scigliano also provides a fresh and definitive analysis of the disputed authorship of several sections of this crucial work.
Dalal is a young woman living in a crowded Baghdad apartment with the childless aunt and uncle who raised her. In the same building, Umm Mazin, a fortune-teller, offers her customers cures for their physical and romantic ailments, Saad the hairdresser attends to a dwindling number of female customers, and Ilham, a nurse, escapes the stark realities of her hospital job in dreams of her long-lost French mother. Despite the damaging effects of bombings and international sanctions on their world, all the residents try to maintain normal lives.Hoping to bring in much-needed cash by selling honey, Dalal's uncle becomes a beekeeper, enlisting Dalal's help in the care of these temperamental creatures. Meanwhile, Dalal falls in love for the first time-against a background of surprise arrests, personal betrayals, and a crumbling social fabric that turns neighbors into informants.Tightly crafted and full of vivid, unforgettable characters, Absent is a haunting portrait of life under restrictions, the fragile emotional ties among family and friends, and the resilience of the human spirit.
In a small Southern town, a white man murders a black man, then throws his body in the weeds. With this act of violence--which is loosely based on the notorious 1955 killing of Emmett Till--James Baldwin launches an unsparing and at times agonizing probe of the wounds of race. For where once a white storekeeper could have shot a "boy" like Richard Henry with impunity, times have changed. And centuries of brutality and fear, patronage and contempt, are about to erupt in a moment of truth as devastating as a shotgun blast.In his award-winning play, Baldwin turns a murder and its aftermath into an inquest in which even the most well-intentioned whites are implicated--and in which even a killer receives his share of compassion.
She survived her own innocence, and the treachery of Europe's royal courts; The Last Boleyn is the story of the rise and fall of the Boleyns, one of England's most powerful families, through the eyes of the eldest daughter, Mary. Although her sister, Anne, the queen; her brother, George, executed alongside Anne; and her father, Thomas, are most remembered by history, Mary was the Boleyn who set into motion the chain of events that brought about the family's meteoric rise to power, as well as the one who managed to escape their equally remarkable fall. Sent away to France at an extraordinarily young age, Mary is quickly plunged into the dangerous world of court politics, where everything is beautiful but deceptive, and everyone she meets is watching and quietly manipulating the events and people around them. As she grows into a woman, Mary must navigate both the dangerous waters ruled by two kings and the powerful will of her own family in order to find a place for herself and the love she so deeply desires.
The third installment in the Modern Library's Paris Review "Writers at Work" series, this is an all-new gathering of interviews with the most important and compelling playwrights of our time. Their singular takes on their craft, their influences, their lives, the state of contemporary theater, and the tricks of the trade create an illuminating and unparalleled record of the life of the theater itself."At its best, theater is an antidote to the whiff of barbarity in the millennial air. 'My feeling is that people in a group, en masse, watching something, react differently, and perhaps more profoundly, than they do when they're alone in their living rooms,' Arthur Miller says here. In the dark, facing the stage, surrounded by others, the paying customer can let himself go; he is emboldened. The theatrical encounter allows a member of the public to think against received opinions. He can submerge himself in the extraordinary, admit his darkest, most infantile wishes, feel the pulse of the contemporary, hear the sludge of street talk turned into poetry. This enterprise can be joyous and dangerous; when the theater's game is good and tense, it is both."--from the Introduction by John Lahr
A woman's desire...With dreams of a great romantic love, Abigail Carrington sails to England to marry the man she has loved since childhood, Michael Ingram, Marquis of Darfield. She believes her betrothed is a generous and noble man who has been longing for her. But the handsome man waiting for her at the altar is a dark, brooding stranger who rushes her into marriage, then abandons her at his country estate. Only the passion of Michael's kiss gives her hope that theirs can be more than a marriage of convenience.A man's need... With scandal shadowing his past, Michael, the Devil of Darfield, had no need for a wife. Remembering only the little hellion who made life miserable for him aboard her father's ship, he resents the agreement he made to marry her so he could save his ancestral home. Though determined to ignore her, he cannot stop thinking about his lovely violet-eyed bride. Her beauty tempts him. Her charm bedevils him. He tries to drive her away until he almost loses her. Then he vows to regain her love—before it is too late....
As long as there has been culture, there has been counterculture. At times it moves deep below the surface of things, a stealth mode of being all but invisible to the dominant paradigm; at other times it's in plain sight, challenging the status quo; and at still other times it erupts in a fiery burst of creative-or destructive-energy to change the world forever. But until now the countercultural phenomenon has been one of history's great blind spots. Individual countercultures have been explored, but never before has a book set out to demonstrate the recurring nature of counterculturalism across all times and societies, and to illustrate its dynamic role in the continuous evolution of human values and cultures.Countercultural pundit and cyberguru R. U. Sirius brilliantly sets the record straight in this colorful, anecdotal, and wide-ranging study based on ideas developed by the late Timothy Leary with Dan Joy. With a distinctive mix of scholarly erudition and gonzo passion, Sirius and Joy identify the distinguishing characteristics of countercultures, delving into history and myth to establish beyond doubt that, for all their surface differences, countercultures share important underlying principles: individualism, anti-authoritarianism, and a belief in the possibility of personal and social transformation.Ranging from the Socratic counterculture of ancient Athens and the outsider movements of Judaism, which left indelible marks on Western culture, to the Taoist, Sufi, and Zen Buddhist countercultures, which were equally influential in the East, to the famous countercultural moments of the last century-Paris in the twenties, Haight-Ashbury in the sixties, Tropicalismo, women's liberation, punk rock-to the cutting-edge countercultures of the twenty-first century, which combine science, art, music, technology, politics, and religion in astonishing (and sometimes disturbing) new ways, Counterculture Through the Ages is an indispensable guidebook to where we've been . . . and where we're going.
Everything You Need to Know to Become a Film-Industry InsiderHave you ever wondered what the difference is between a gaffer and a grip? Or what makes the best boy so great? In Strike the Baby and Kill the Blonde,* Dave Knox, a top camera operator and longtime veteran of the film industry, gives you the inside story on the lingo and slang heard on the set. This is an A-to-Z guide to making a movie: the equipment, the crew, and the sometimes hilarious terminology—everything you need to know to sound like a seasoned pro.* Remove the small spotlight from the set and switch off the two-kilowatt quartz light.
In his highly influential book The Threatening Storm, bestselling author Kenneth Pollack both informed and defined the national debate about Iraq. Now, in The Persian Puzzle, published to coincide with the twenty-fifth anniversary of the Iran hostage crisis, he examines the behind-the-scenes story of the tumultuous relationship between Iran and the United States, and weighs options for the future.Here Pollack, a former CIA analyst and National Security Council official, brings his keen analysis and insider perspective to the long and ongoing clash between the United States and Iran, beginning with the fall of the shah and the seizure of the American embassy in Tehran in 1979. Pollack examines all the major events in U.S.-Iran relations-including the hostage crisis, the U.S. tilt toward Iraq during the Iran-Iraq war, the Iran-Contra scandal, American-Iranian military tensions in 1987 and 1988, the covert Iranian war against U.S. interests in the Persian Gulf that culminated in the 1996 Khobar Towers terrorist attack in Saudi Arabia, and recent U.S.-Iran skirmishes over Afghanistan and Iraq. He explains the strategies and motives from American and Iranian perspectives and tells how each crisis colored the thinking of both countries' leadership as they shaped and reshaped their policies over time. Pollack also describes efforts by moderates of various stripes to try to find some way past animosities to create a new dynamic in Iranian-American relations, only to find that when one side was ready for such a step, the other side fell short.With balanced tone and insight, Pollack explains how the United States and Iran reached this impasse; why this relationship is critical to regional, global, and U.S. interests; and what basic political choices are available as we deal with this important but deeply troubled country.
Ever since Herodotus reported that it was home to gold-digging ants, travelers have been intrigued by India in all its beguiling complexity. This superb anthology gives us some of the best fiction, nonfiction, and poetry that has been written about the world's second most populous nation over the past two centuries.From Mark Twain's puzzled fascination with Indian castes and customs, to Allen Ginsberg's awe at the country's spiritual and natural splendors, or from J. R. Ackerley's delightful recollections of his visits with an eccentric gay Maharajah, to Gore Vidal's unforgettable scene in his novel Creation, in which his character finally meets the Buddha and is bewildered-all twenty-five selections in India in Mind reveal a place that evokes, in the traveler, reactions ranging from fear and perplexity to astonishment and wonder. Edited and with an introduction and chapter notes by the award-winning novelist Pankaj Mishra, India in Mind is a marvel of sympathy, sensitivity, and perception, not to mention outstanding writing.
Here are the major texts of American pragmatism, from William James, John Dewey, Oliver Wendell Holmes, and Charles Sanders Peirce to Cornell West, Richard Rorty, Hilary Putnam, Richard Posner, and Richard Poirier, now collected and reprinted unabridged. All are remarkable for the wit and vigor of their prose and the mind-clearing force of their ideas. They reflect the vital role that pragmatism has played in almost every area of American intellectual and cultural life, inspiring judges, educators, politicians, poets, and social prophets. Edited and introduced by Louis Menand, Pragmatism: A Reader is an invaluable resource-and an absorbing read-for everyone who is interested in American culture.
Make storytime a little spookier this fall with fantasy master Ray Bradbury as he takes readers on a riveting trip though space and time to discover the true origins of Halloween. Join the shadowy Carapace Clavicle Moundshroud as he takes eight trick-or-treaters on an unforgettable journey to find their missing friend, Pip. Travel through space and time, from the tombs of ancient Egypt to the gargoyles of Notre-Dame Cathedral, all the way to the cemeteries of Mexico on el Día de Los Muertos, the Day of the Dead. Is Pip still alive? And if so, can his friends save him from a ghastly fate before it's too late? "If you want to know what Halloween is, or if you simply want an eerie adventure, take this mystery history trip. You couldn't ask for better than master fantasizer Ray Bradbury." --The Boston Globe
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