Bücher veröffentlicht von Red Hen Press

The Los Angeles Review is a literary journal of divergent literature with a West Coast emphasis. Established in 2003, LAR publishes both the stories of Los Angeles, endlessly varied, and those that grow outside our world of smog and glitter. LAR seeks voices with something wild in them, voices that know what it means to be alive, to be fallible, to be human.

A dynamic collection of contemporary fiction, poetry, and nonfiction by North American Muslims.

American Quasar is a visual-textual collaboration between poet David Campos and artist Maceo Montoya. What began as an exploration of the precipice of violence evolved into an excavation of self, a deep meditation on how country, family, and trauma affect the ability to love. The images and words build a poetic space where the body is understood in both physical and celestial terms, giving a spiritual dimension to the collection's larger claim that the political is personal.

Ghost in a Black Girl's Throat is an honest incantation and a forthright song to women of color grappling with the ever-present horrors and histories of the South.

The five sections in Kim Stafford's Singer Come from Afar hold poems that summon war and peace, pandemic struggles, Earth imperatives, a seeker's spirit, and forge kinship. The former poet laureate of Oregon, Stafford has shared poems from this book in libraries, prisons, on reservations, with veterans, immigrants, homeless families, legislators, and students in schools. He writes for hidden heroes, resonant places, and for our chance to converge in spite of differences. Poems like ';Practicing the Complex Yes' and ';The Fact of Forgiveness' engineer tools for connection with the self, the community, and the Earth: ';It is a given you have failed . . . [but] the world can't keep its treasures from you.' For the early months of the pandemic, Stafford wrote and posted a poem for challenge and comfort each day on Instagram and published a series of chapbooks that traveled hand to hand to far placesto Norway, Egypt, and India. He views the writing and sharing of poetry as an essential act of testimony to sustain tikkun olam, the healing of the world. May this book be the hidden spring you seek.

A woman is buried alive so a church might rise-this ancient tradition of immuring women alive continues today-Davis's collection The Walled Wife attempts to tear those walls down.

Issue 23 features work from Marcelo Hernandez Castillo, Oliver de la Paz, Pete Hsu, and more.

In two intertwined songs, a feminist epic poem and a dreamlike opera libretto, Among the Goddesses traces one woman's harrowing mythological journey of discovery. Tutored by encounters with seven Goddesses, both frightening and nurturing, Marie/Lily is tested by loss, rape, and abortion as she finds her community and her spiritual strength. This magical book embodies the goddesses in every woman and gives voice to the power of the feminist spirituality movement.

**Winner of the American Book Award**Silver Medalist for the California Book AwardSuck on the Marrow is a historical narrative, revolving around six main characters and set in mid-19th century Virginia and Philadelphia. The book traces the experiences of fugitive slaves, kidnapped Northern-born blacks, and free people of color, exploring the interdependence between plantation life and life in Northern and Southern American towns and illuminating the connections between the successes and difficulties of a wide range of Americans, free and slave, black and white, Northern and Southern. This neo-slave narrative treats the truths of lives touched by slavery with reverence but is not afraid to question the ways the old stories have too often been told. In addition to creating new stories, Suck on the Marrow develops new ways of telling those tales.

For what does the spirit yearn? To know God. Maurya Simon's wonderful new book, Ghost Orchid, throws fresh light on that traditional question and answer in poems full of the sensuous language of the "Song of Songs" and the graphic images of modern disaffection. She shows us good and evil, both conscious and unconscious, and, even as she doubts such a reality, asks for God's "touch upon our waking lives." The yearning to know God, the legacy of human generations, has its latest expression in these ravishing poems.

In Rebel: A Personal History of the 1960s, Tom Hayden, a seminal figure in the civil rights and anti-war movements of the 1960s, documents a period in U.S. history of major social and political change. Including excerpts from FBI files, speeches, and journal entries, Rebel provides wisdom to a new generation for whom the belief in non-violence and social change is as relevant as ever.

"The masterful wedding of the narrative and the lyric in these poems (whose subject is the maturation of a sensibility, the coming-of-age of a young Englishwoman-the power of her ties to family, husband and her 'adopted' country, Nigeria-as well as the illumination of her own soul and that of the narrator's) fills the reader with both sorrow and wonder. It is an instructive tale for our age-its vision of the individual will and imagination resisting the madness of politics and the destruction of war is singular and profound."-Carol Muske-Dukes

Blase Bonpane is a new abolitionist who believes the war system can be replaced with a peace system. Guerrillas of Peace includes radio commentaries, interviews, and other works which examine and promote the ideology of peace.

A Life Above Water is a cycle of poems that examines both the natural and human worlds and explores the boundaries between the two. The manuscript is concerned with personal ecologies and mythologies the ways that things are interconnected and the stories that we create to explain those connections. The manuscript is arranged in three concentric sections, each subsequent division nesting within the previous one. The reader is drawn into the broad, inclusive view of All These Indigestible Parts with its focus on the animals of the forest and birds of the air, the apparent cruelty of the natural world and that which is human about the animal through Fellowship and Baked Goods which looks at peopled communities and the ways we interact with one another, to the tighter, more personal focus of The Great Slowing and its themes of loss, shortcoming and redemption. The poems are individually free-standing and complete, but taken as a whole form a broad yet detailed portrait of the world around us and our place within it. By turns analytical, scientific, lyrical, whimsical and spiritual, A Life Above Water is a book that fits neatly into the canon of contemporary poetry while offering a unique, fresh and accessible perspective.

The poems in Morning Glories possess a gracefulness, like the flower itself, taking on their own life Seeds, Planters, Growing, Blossoms. For Brooke Bognanni, the process of writing becomes spiritual, a meditation for which the purpose varies; often it is about the natural cycle of the things of this earth, and about saying good-bye. The book, in turn, becomes a marker of epiphanal self-discovery.

Fifty years from now, historians will be identifying the criminality of the George W. Bush Administration. As these academics document their task they will be dependent on authors who were \u0022in his face\u0022 at the time of these international crimes. Blase Bonpane believes that silence is complicity. Civilization is Possible identifies the crimes at the very time they were being committed. Aside from the weekly commentaries of Blase Bonpane, this volume also includes his personal interviews with like minded observers of the disastrous Bush years: Noam Chomsky, Chalmers Johnson, Robert Fisk, Greg Palast and Peter Laufer. These are voices crying in the wilderness of rampant militarism, torture and collateral damage (murder). This toxic mix was nurtured by literally hundreds of lies coming from a failed administration that blatantly abused the sacred trust of our citizens.These commentaries would have never been permitted by the rigid corporate media censorship which marks the Iraq War years. This exercise of free speech in Civilization is Possible was only made possible by \u0022fiercely independent\u0022 KPFK radio Los Angeles (listener supported and \u0022powered by the people\u0022) for the Pacifica Network.Civilization is Possible completes a trilogy of Blase Bonpane's books published by Red Hen Press. His previous books were: Guerrillas of Peace; Pacifica Radio Commentaries and Peace Reports from the Office of the Americas, second printing, 2002, and Common Sense for the Twenty-First Century, 2004, which in addition to his radio commentaries includes interviews with the Reverend James Lawson, Jonathan Schell and Chalmers Johnson.By selecting The Universal Declaration of Human Rights as the preface to Civilization is Possible, Blase Bonpane gives a hint about how his title might become a reality.

Physical and emotional pain, internal scarring, and explorations of social illness color the poems of this collection with hauntingly honest accounts, simultaneously filling readers with both a sense of hope and of surrender.

"Ron Koertge can elevate the ordinary places of America?-the backyard, the classroom, the mall-?into scenes of mock-epic significance. He can just as easily lower the mythic worlds of Superman, Ozymandias and Cinderella to a level just a few inches above the bathetic. And he does all this with a charming combination of wit and empathy, satire and sweetness."-Billy Collins"I would think a poem entitled Getting Tough with John Ruskin,? ?Ozymandias and Harriet,? or ?Teen Jesus? would be enough to entice any reader. But permit it to be known that Koertge also carries around a lexicon that includes locutions such as ?snazzy,? a word I haven?t heard since my last Canasta game in 1959. We all know who said that poetry begins in delight and ends in wisdom, but Koertge might have said it because his poems are delight and wisdom all the way through. They are also very funny, the way the truly serious often is. This is a snazzy book, also a beautiful one, and I strongly urge you to buy it."-?B.H. Fairchild

Blending features of speculative fiction, the occult, and the spiritual quest, Paper Crown details an unusual story of initiation. Traumatized by the mysterious circumstances of his mother's death, Chuck runs away from his Southern California home and lands in Colorado Springs where he becomes involved with Frank Posner and his mother, Lyuba. Leaders of an ancient and highly secretive family of travelers who have incredible powers, they take Chuck on a psychological journey in which he must face his disturbing past and confront a frightening and uncertain future. With a cast of vivid and sometimes bizarre characters, Paper Crown unfolds a classic story of loss, struggle, and renewal.

"Camille Dungy has a garden of verses that spring up with the sunshine or hide with you in the dusk. "Cleaning" best sums up What to Eat, What to Drink, What to Leave for Poison, an amazing poetry collection, when Dungy pens "understanding clearly/what is fatal to the body./I only understand too late/what can be fatal to the heart." Take an ice tea and sit on the veranda or take a glass of wine and prop up in bed but whatever way you like your poetry, this book is a must."-Nikki Giovanni, author of The Collected Poems of Nikki Giovanni and Black Feeling, Black Talk"The sorrow here is ironic and unsentimental and yet Camille Dungy's vision is all joy. Even as anti-psalms, these poems are pure transcendence."-Chris Abani, author of GraceLand and Dog Woman"Camille Dungy shares with us in this manuscript her sharp, clear and honest ear and her unswerving commitment to the voice of life. She is a brave poet writing true poems and I salute the music and courage of her work."-Lucille Clifton, author of Blessing the Boats and Mercy

"Volando bajito is a strong, raw, transparent book that makes us tremble. Readers can feel every poem with their entire body, their entire soul. Alicia Partnoy had to fly low, otherwise she couldn't have tracked down all that blood, all those scattered bones, all those spirits left hanging from the windmills' sails. It is a book of testimonial poems that forces us to remember that tender girl who always waits for us, a girl called Solidarity."-Claribel Alegría"The terse sensuality of these poems - their gentleness and unflinching courage in the face of devestation, of genocide - is so much more than instructive. It is poetry with the subtlety and insight of our greatest resources, intelligence and compassion."-Gail Wronsky

In Fault, Katharine Coles continues to explore her abiding interest in the intersections of science, culture, and history, but the book is perhaps best described as an extended meditation on love. Ranging across time and continents, Coles addresses such figures as Newton, Kepler, and Vesalius, not only with intellectual rigor but also with a humor, intimacy, and buoyant optimism that render her subjects-the figures and the science-accessible within the capacious intellectual, emotional, and physical landscapes of the poems.

Letters To Guns represents a collection of poems that examine the para-physical natures of love and history, at times re-imagining both. As the poems progress, eight letters arrive written by non-human addressees (a nightgown, a grove of trees, a wooden spoon, others) at random points over the last 2,200 years. They are messages from home and pleas for understanding, warnings and promises of change. These in turn ignite other poems and themes which anticipate the next arrival. Taken together, the letters form an armature, a living skeleton fleshed by real and metaphenomenal experience. Throughout, a variety of styles appear and no single approach to poetry pervades. Singly, these poems should challenge and entertain. As a group they must transform and evolve our experience of sitting down with a book of poems.