Bücher veröffentlicht von Routledge

Essays here explore the relationship between politics and explicitly political feature films from the beginning of the movie industry to World War I, and for each decade through to the 1980's. The included filmography is particularly useful. Originally published in 1990, the method of inquiry put forward in this text is nonetheless extendable to the decades following its publication.

Drawing on records of the Foreign and Commonwealth Office, this work focuses on Britain's role in the Mutual and Balanced Force Reductions in Vienna, and British policy towards the Soviet Union and its satellites. British reactions to detente between the superpowers are charted.

This book explores and expounds upon questions of paradox and contradiction in theology with an emphasis on recent contributions from analytic philosophical theology. It addresses questions such as: What is the place of paradox in theology? Where might different systems of logic (e.g., paraconsistent ones) find a place in theological discourse (e.g., Christology)? What are proper responses to the presence of contradiction(s) in one's theological theories? Are appeals to analogical language enough to make sense of paradox? Bringing together an impressive line-up of theologians and philosophers, the volume offers a range of fresh perspectives on a central topic. It is valuable reading for scholars of theology and philosophy of religion.

This book brings ethnicities into focus by presenting contemporary ethnic discourses that capture and highlight disjuncture within the concept of the idealized "globalizing" world. It was originally published as a special issue of Howard Journal of Communications.

Emphasizing the voices of activists, this book's diverse contributors examine communities' common experiences with environmental injustice, how they organize to address it, and the ways in which their campaigns intersect with related movements such as Black Lives Matters and Indigenous sovereignty.The global COVID-19 pandemic exposed the ways in which BIPOC (Black, Indigenous, People of Color) communities and white working-class communities have suffered disproportionately from the crisis due to sustained exposure to toxic land, air, and water, creating a new urgency for addressing underlying conditions of systemic racism and poverty in North America. In addition to exploring the historical roots of the Environmental Justice movement in the 1980s and 1990s, the volume offers coverage of recent events such as the DAPL pipeline controversy, the Flint water crisis, and the rise of climate justice. The collection incorporates the experiences of rural and urban communities, Alaska Natives, Native Hawaiians, Puerto Ricans, and Indigenous peoples in the U.S., Canada, and Mexico.The chapters offer instructors, undergraduate and graduate students, and general readers a range of accessible case studies that create opportunities for comparative and intersectional analysis across geographical and ethnic boundaries.

First published in 1970, The Way of Power is an exploration of the school of Mahayana Buddhism prevalent in Tibet and Mongolia, known as the Vajrayana. It will appeal to those with an interest in Buddhism, religious psychology, and religious history.

Women and Contemporary Art in the Gulf offers a unique focus on the roles of women in contemporary art, cultural production and arts institutions in the Gulf.Drawing on in-person experiences of the art and sites discussed, as well as research on regional artists and arts institutions, DeTurk argues that the Gulf Cooperation Council (GCC) countries of Bahrain, Kuwait, Oman, Qatar, Saudi Arabia and the United Arab Emirates have been largely excluded from the critical discourse about, and display of, contemporary Middle Eastern art. The book addresses this oversight by providing an examination of the work of several contemporary women artists from the Gulf region. DeTurk also discusses the role of women in museums and cultural institutions in the region, as well as the education systems available to emerging women artists. The discussion and analysis at the heart of the book connect to a range of larger themes, including the visual culture of patriarchy, connection to material culture and heritage, religious beliefs, trade and migration, rapid development, and the need to envision and create a post-oil economy. Women and Contemporary Art in the Gulf, with its examination of the critical role women play in the formation of the cultural landscape of the Gulf, is an important contribution to discourse around the changing role of the GCC. It will be essential reading for scholars and students engaged in the study of art history, visual culture, museums and heritage, and women and gender studies.

Offering a fresh critical perspective on this momentous event, Andrew Shennan examines both the continuities and discontinuities that resulted from the events of 1940. The main focus is on the French experience of the war, but this experience is framed within the larger context of France's - and Europe's - protracted mid-twentieth century crisis.

Using primary sources, this study of the relationship between three anti-Zionist bodies in Britain in the years that directly preceded the founding of the State of Israel also analyzes the Zionist attitude to the Jewish Fellowship, the Arab Office and the Committee for Arab Affairs.

In the 21st Century, broadcast television is an established part of the lives of many millions of people all over the world, bringing information and entertainment directly into our homes. The pieces in this volume date from 1879 to 1934 and consist of a selection of books, articles and news items relating to the first developmental period of television, before it became the ubiquitous medium that we know today. The selection is English language material only.

Growing out of an International Society of the Study of Behavioral Development-sponsored symposium, this book discusses the basic assumptions that led the contributors to conduct research in the field of narrative development. This collection gathers their research reflections and varying approaches to narrative and its development. It illustrates each type of approach and highlights their respective motives. The book presents some of the basic motivating assumptions of each approach and provides insight into what holds each set of assumptions together, potentially transforming them into actions. This book will serve as an excellent text for courses emphasizing multiple approaches to the study of narrative. The editor has organized this volume in accordance with the six main points of the symposium: * Specification of the Domain--how narratives are defined in terms of textual structures, knowledge thereof, interactive moves, sociocultural conventions, and the like. * The Individual's Involvement in the Developmental Process--the relationship between some internal or external forces and the organism's own active participation in the developmental process. * The Course of Development--if it is continuous or discontinuous; whether it proceeds in an additive fashion or whether regressive phases occur; and what changes at different points in the developmental process signify. * The Goal of Development--the implicit notion of a telos, a target or end-point that needs to occur in the developmental process. * Mechanisms of Development--the forces and/or conditions that both instigate the developmental process and keep it moving toward its telos. * Methodology--where and how to look in the establishment of a developmental framework. This book is an indispensable text in the fields of narrative and/or discourse, linguistics, language studies, psychology, and education in general.

Drawing on archival and ethnographic work, this book analyzes how indigeneity, Christianity and state-making became intertwined in the Colombian Amazon throughout the 20th century.At the end of the 19th century, the state gave Catholic missionaries tutelage over Indigenous groups and their territories, but, in the case of the Colombian Amazon, this tutelage was challenged by evangelical missionaries that arrived in the region in the 1940s with different ideas of civilization and social change. Indigenous conversion to evangelical Christianity caused frictions with other actors, while Indigenous groups perceived conversion as way of leverage with settlers. This book shows how evangelical Christianity shaped new forms of indigeneity that did not coincide entirely with the ideas of civilization or development that Catholic missionaries and the state promoted in the region. Since the 1960s, the state adapted development policies and programs to Indigenous realities and practices, while Indigenous societies appropriated evangelical Christianity in order to navigate the changes brought on by colonization, modernity and state-formation.This study demonstrates that not all projects of civilization were the same in Amazonia, nor was missionization of Indigenous groups always subordinate to the state or resource extraction.

This book explores stage conjuring during its "golden age," from about 1860 to 1910. This study provides close readings highlighting four paradigmatic illusions of the time that stand in for different kinds of illusions typical of stage magic in the "golden age" and analyses them within their cultural and media-historical context: "Pepper's Ghost," the archetypical mirror illusion; "The Vanishing Lady," staging a teleportation in a time of a dizzying acceleration of transport; "the levitation," simulating weightlessness with the help of an extended steel machinery; and "The Second Sight," a mind-reading illusion using up-to-date communication technologies. These close readings are completed by writings focusing on visual media and expanding the scope backwards and forwards in time, roughly to 1800 and to 2000. This exploration will be of great interest to students and scholars in theatre and performance studies.

Divided into two main sections, the Companion looks at "Reflections" - offers current thinking and definitions within health humanities, and "Applications" comprises a wide selection of a range of arts and humanities modalities from comedy and writing to dancing, yoga and horticulture.

This book, first published in 1962, is a majestic survey of the whole structure of Chinese poetry. It is a critical introduction to the field as well as an exposition of Chinese views on the nature of poetry. It discusses the Chinese language as a poetic medium from various angles - visual, semantic, auditory, grammatical and conceptual. It also describes the bases of Chinese versification and the major verse forms, and offers interpretations of various schools of traditional Chinese criticisms of poetry. The author suggests a synthesis among the different schools and evolves a view of poetry from which critical standards for Chinese poetry can be derived. In applying these standards, he attempts a further synthesis - one between this mainly traditional Chinese view of poetry and the modern Western method of verbal analysis. Imagery, symbolism, allusions and other features of Chinese poetry are analysed critically.

Yoshi Oida is completely unique. A Japanese actor and director who has worked mainly in the West as a member of Peter Brook's theatre company in Paris, he blends the Oriental tradition of supreme and studied control with the Western performer's need to characterize and expose depths of emotion. In this practical and captivating study of the actor's art, Yoshi Oida provides performers with all the simple tools which help place the technique of acting behind a cloak of invisibility. Throughout, Lorna Marshall provides a running commentary on Oida's work and methods which helps the reader understand the achievement of this singular artist. A brilliant book, The Invisible Actor is filled with abundant insights to help actors perfect their craft.

This book examines the mediated shift in the contemporary human condition, focusing on the ways in which we synthesise with media content in daily life, essentially transmediating ourselves into new forms and (re)creating ourselves across media. Across an international roster of essays, this book establishes a transdisciplinary theory for the 'transmedia self', exploring how technological ubiquity and digital self-determination combine with themes and disciplines such as celebrity culture, fandom, play, politics, and ultimately broader self-conception and projection to inform the creation of transmedia identities in the twenty-first century. Specifically, the book repositions transmediality as key to understanding the formation of identity in a post-digital media culture and transmedia age, where our lives are interlaced, intermingled, and narrativised across a range of media platforms and interfaces. This book is ideal for scholars and students interested in transmedia storytelling, cultural studies, media studies, sociology, philosophy, and politics.

During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.

The focus of this book is medieval vernacular literature in Western Europe. Chapters are written by experts in the area and present the current scholarship at the time this book was originally published in 1996. Each chapter has a bibliography of important works in that area as well. This is a thorough and reliable guide to trends in research on medieval Arthuriana.

Contemporary Scenes for Actors: Women collects scenes from the most acclaimed and award-winning playwrights of the 1990s. It contains over 40 two-character scenes (for women/women and women/men), with the selection of scenes encompassing the widest range of styles from serious to comic and shades in between. A fuller appreciation of the dramatic context of the scenes is enhanced by the editors' introductions and commentaries. Each of the scenes offers the actor the opportunity to develop and explore the vital, dynamic and unique challenge of working with a partner on stage.

Boxing, Narrative and Culture: Critical Perspectives is the first interdisciplinary response to the dominant boxing narratives that are produced, performed, and circulated in commercial boxing culture.This collection includes global perspectives on boxing. It highlights the diverse range of bodies and communities that engage with boxing practices but are oftentimes overlooked and overwritten by popular narrative tropes and misconceptions of the sport. These interdisciplinary and global perspectives engage with boxing's shared narrative resources, offering new readings and insights on how and what boxing performs and for whom. The contributors to this collection are academics, artists, amateur boxers, and/or coaches who provide a culture critique of boxing. The work shows how boxing practices are performed and channelled by individuals and communities who access and utilise boxing culture as a means of physical enquiry, political statement, and community building. These contributions challenge the notion that boxing is a sport reserved for masculine bodies adorned as heroes, warriors, or victims of the sport.Exploring key themes in socio-cultural studies including gender, race, community, media, and performance, this book is fascinating reading for anybody with an interest in physical culture, sport studies, cultural studies, gender studies, cultural geography, critical race theory, labour studies, performance studies, or media studies.

Originally published in 1956, this book brings together from the canonical writings of Buddhism, Islam and Christianity the most important of the passages in which the view of the Founder is reflected.

This book introduces debates about definitions of disability and explores intersectional approaches to disability and gender, race, class, sexuality and ethnicity. Divided broadly into sections according to literary genre, this is an important resource for those interested in exploring the field of literature and disability studies

This study, first published in 1945, gives a precise description of the unfolding of a great poet's craftsmanship and suggests alignments of the technical progression with the changes of the mind.Metrical analysis is given in order to throw light on Keats' general stylistic development using the simplest terminology and in a traditional manner. Earlier English prosodic writings are referred to throughout in order to place the style and development in the context of the period. Arranged chronologically, each chapter looks at a particular work or group of works drawing together evidence about Keats' poetic direction.This classic work from a well-known Keats scholar is an important enlightening contribution within the extensive study of Keats' poetry and letters.

Best known for his documentaries such as Drifters, North Sea, and Housing Problems, John Grierson was the most important figure in the British documentary film movement and one of the most influential of British film theorists.This major assessment of Grierson and the documentary film movement examines the intellectual and aesthetic influences on his work, focusing on the material he produced in the inter-war years and comparing the idealistic strain of Grierson's social commentary with other social reformists such as the Next Five Years Group and writers like Orwell and Priestley. Underlining the link between film and reform, the book clarifies the meaning and significance of Grierson's ideas and the historical role of the documentary film movement. Originally published in 1990.

This book, first published in 1988, compiles 77 songs and ballads (yüeh-fu) of early imperial China (200 BC - AD 300). Each song-text is newly translated and fully annotated and explicated. Dr Birrell deals systematically with problems of the earliest sources, dating, attribution, textual variants, multiforms, metre, generic title, song title and structure. This careful and thorough treatment is especially necessary for a corpus of anonymous popular texts which are often corrupt, structurally confusing, laconic and full of nonsense words and colloquialisms. Her introductory essay provides a socio-historical context for this material and charts its literary transmission, while singling out special characteristics of the genre, such as musical, oral and dramatic elements. The main text, arranged into eleven chapters plus an introduction, is supplemented by notes, appendices, maps, chronology, bibliography and index.

First published in 1997. The aim of this study is to re-appraise the evidence for planned communities in ancient Egypt by reviewing published and unpublished data along with my own fieldwork at the site of Deir el-Ballas.

This book captures Donald J. Trump's presidency by addressing the remarkable tropes that defined that period. It offers research-based investigations of the communicative aspects of Trump's presidency, with a focus on race, immigration, xenophobia, and social conflicts as they interact with communication.

The Routledge Companion to Crime Fiction is a comprehensive introduction to crime fiction and crime fiction scholarship today. Across forty-five original chapters, specialists in the field offer innovative approaches to the classics of the genre as well as ground-breaking mappings of emerging themes and trends.The volume is divided into three parts. Part I, Approaches, rearticulates the key theoretical questions posed by the crime genre. Part II, Devices, examines the textual characteristics of the genre. Part III, Interfaces, investigates the complex ways in which crime fiction engages with the defining issues of its context - from policing and forensic science through war, migration and narcotics to digital media and the environment. Engagingly written and drawing on examples from around the world, this volume is indispensable to both students and scholars of crime fiction.

This book engages with contemporary cultural production in Africa, focusing on theatre in Sierra Leone as main case study. The author provides coverage of, and insights into, such themes as cultural globalisation, commodification, the global creative economy, culture and development, international relations and contemporary cultural production in Sierra Leone within the context of local and global flows of people, media, images, technologies, finance and ideas.Combining the analysis of theatre in Sierra Leone and its aesthetics with its policy, structural and institutional context, this book highlights in much detail and nuance the interconnectedness between the micro- and the macro-levels of cultural production, between the local and the global, and between aesthetics, politics, policy, governance structures and institutions. This book links the particular findings from the author's fieldwork to larger issues of contemporary local cultural production within the context of globalisation, commodification and decolonisation; adds a postcolonial perspective to existing theories and approaches to cultural production, management and policy, which is still largely missing from the existing discourse; and also contributes to addressing the gap in the knowledge about the context of contemporary cultural productions in diverse African contexts.This book will be particularly useful for both theatre scholars with an interest in the political economy of theatre and, more broadly, those seeking to understand the nuanced challenges and opportunities faced by policymakers, artists and arts managers to embrace the cultural and creative industries in this context. It also offers excellent insights for policymakers who wish to improve their understanding and interventions beyond superficial 'best practice' snippets and simplified 'success stories'.