Bücher veröffentlicht von Routledge

Growing out of an International Society of the Study of Behavioral Development-sponsored symposium, this book discusses the basic assumptions that led the contributors to conduct research in the field of narrative development. This collection gathers their research reflections and varying approaches to narrative and its development. It illustrates each type of approach and highlights their respective motives. The book presents some of the basic motivating assumptions of each approach and provides insight into what holds each set of assumptions together, potentially transforming them into actions. This book will serve as an excellent text for courses emphasizing multiple approaches to the study of narrative. The editor has organized this volume in accordance with the six main points of the symposium: * Specification of the Domain--how narratives are defined in terms of textual structures, knowledge thereof, interactive moves, sociocultural conventions, and the like. * The Individual's Involvement in the Developmental Process--the relationship between some internal or external forces and the organism's own active participation in the developmental process. * The Course of Development--if it is continuous or discontinuous; whether it proceeds in an additive fashion or whether regressive phases occur; and what changes at different points in the developmental process signify. * The Goal of Development--the implicit notion of a telos, a target or end-point that needs to occur in the developmental process. * Mechanisms of Development--the forces and/or conditions that both instigate the developmental process and keep it moving toward its telos. * Methodology--where and how to look in the establishment of a developmental framework. This book is an indispensable text in the fields of narrative and/or discourse, linguistics, language studies, psychology, and education in general.

Drawing on archival and ethnographic work, this book analyzes how indigeneity, Christianity and state-making became intertwined in the Colombian Amazon throughout the 20th century.At the end of the 19th century, the state gave Catholic missionaries tutelage over Indigenous groups and their territories, but, in the case of the Colombian Amazon, this tutelage was challenged by evangelical missionaries that arrived in the region in the 1940s with different ideas of civilization and social change. Indigenous conversion to evangelical Christianity caused frictions with other actors, while Indigenous groups perceived conversion as way of leverage with settlers. This book shows how evangelical Christianity shaped new forms of indigeneity that did not coincide entirely with the ideas of civilization or development that Catholic missionaries and the state promoted in the region. Since the 1960s, the state adapted development policies and programs to Indigenous realities and practices, while Indigenous societies appropriated evangelical Christianity in order to navigate the changes brought on by colonization, modernity and state-formation.This study demonstrates that not all projects of civilization were the same in Amazonia, nor was missionization of Indigenous groups always subordinate to the state or resource extraction.

This book explores stage conjuring during its "golden age," from about 1860 to 1910. This study provides close readings highlighting four paradigmatic illusions of the time that stand in for different kinds of illusions typical of stage magic in the "golden age" and analyses them within their cultural and media-historical context: "Pepper's Ghost," the archetypical mirror illusion; "The Vanishing Lady," staging a teleportation in a time of a dizzying acceleration of transport; "the levitation," simulating weightlessness with the help of an extended steel machinery; and "The Second Sight," a mind-reading illusion using up-to-date communication technologies. These close readings are completed by writings focusing on visual media and expanding the scope backwards and forwards in time, roughly to 1800 and to 2000. This exploration will be of great interest to students and scholars in theatre and performance studies.

This book, first published in 1962, is a majestic survey of the whole structure of Chinese poetry. It is a critical introduction to the field as well as an exposition of Chinese views on the nature of poetry. It discusses the Chinese language as a poetic medium from various angles - visual, semantic, auditory, grammatical and conceptual. It also describes the bases of Chinese versification and the major verse forms, and offers interpretations of various schools of traditional Chinese criticisms of poetry. The author suggests a synthesis among the different schools and evolves a view of poetry from which critical standards for Chinese poetry can be derived. In applying these standards, he attempts a further synthesis - one between this mainly traditional Chinese view of poetry and the modern Western method of verbal analysis. Imagery, symbolism, allusions and other features of Chinese poetry are analysed critically.

Yoshi Oida is completely unique. A Japanese actor and director who has worked mainly in the West as a member of Peter Brook's theatre company in Paris, he blends the Oriental tradition of supreme and studied control with the Western performer's need to characterize and expose depths of emotion. In this practical and captivating study of the actor's art, Yoshi Oida provides performers with all the simple tools which help place the technique of acting behind a cloak of invisibility. Throughout, Lorna Marshall provides a running commentary on Oida's work and methods which helps the reader understand the achievement of this singular artist. A brilliant book, The Invisible Actor is filled with abundant insights to help actors perfect their craft.

This book examines the mediated shift in the contemporary human condition, focusing on the ways in which we synthesise with media content in daily life, essentially transmediating ourselves into new forms and (re)creating ourselves across media. Across an international roster of essays, this book establishes a transdisciplinary theory for the 'transmedia self', exploring how technological ubiquity and digital self-determination combine with themes and disciplines such as celebrity culture, fandom, play, politics, and ultimately broader self-conception and projection to inform the creation of transmedia identities in the twenty-first century. Specifically, the book repositions transmediality as key to understanding the formation of identity in a post-digital media culture and transmedia age, where our lives are interlaced, intermingled, and narrativised across a range of media platforms and interfaces. This book is ideal for scholars and students interested in transmedia storytelling, cultural studies, media studies, sociology, philosophy, and politics.

During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.

The focus of this book is medieval vernacular literature in Western Europe. Chapters are written by experts in the area and present the current scholarship at the time this book was originally published in 1996. Each chapter has a bibliography of important works in that area as well. This is a thorough and reliable guide to trends in research on medieval Arthuriana.

Contemporary Scenes for Actors: Women collects scenes from the most acclaimed and award-winning playwrights of the 1990s. It contains over 40 two-character scenes (for women/women and women/men), with the selection of scenes encompassing the widest range of styles from serious to comic and shades in between. A fuller appreciation of the dramatic context of the scenes is enhanced by the editors' introductions and commentaries. Each of the scenes offers the actor the opportunity to develop and explore the vital, dynamic and unique challenge of working with a partner on stage.

Boxing, Narrative and Culture: Critical Perspectives is the first interdisciplinary response to the dominant boxing narratives that are produced, performed, and circulated in commercial boxing culture.This collection includes global perspectives on boxing. It highlights the diverse range of bodies and communities that engage with boxing practices but are oftentimes overlooked and overwritten by popular narrative tropes and misconceptions of the sport. These interdisciplinary and global perspectives engage with boxing's shared narrative resources, offering new readings and insights on how and what boxing performs and for whom. The contributors to this collection are academics, artists, amateur boxers, and/or coaches who provide a culture critique of boxing. The work shows how boxing practices are performed and channelled by individuals and communities who access and utilise boxing culture as a means of physical enquiry, political statement, and community building. These contributions challenge the notion that boxing is a sport reserved for masculine bodies adorned as heroes, warriors, or victims of the sport.Exploring key themes in socio-cultural studies including gender, race, community, media, and performance, this book is fascinating reading for anybody with an interest in physical culture, sport studies, cultural studies, gender studies, cultural geography, critical race theory, labour studies, performance studies, or media studies.

Originally published in 1956, this book brings together from the canonical writings of Buddhism, Islam and Christianity the most important of the passages in which the view of the Founder is reflected.

This study, first published in 1945, gives a precise description of the unfolding of a great poet's craftsmanship and suggests alignments of the technical progression with the changes of the mind.Metrical analysis is given in order to throw light on Keats' general stylistic development using the simplest terminology and in a traditional manner. Earlier English prosodic writings are referred to throughout in order to place the style and development in the context of the period. Arranged chronologically, each chapter looks at a particular work or group of works drawing together evidence about Keats' poetic direction.This classic work from a well-known Keats scholar is an important enlightening contribution within the extensive study of Keats' poetry and letters.

Best known for his documentaries such as Drifters, North Sea, and Housing Problems, John Grierson was the most important figure in the British documentary film movement and one of the most influential of British film theorists.This major assessment of Grierson and the documentary film movement examines the intellectual and aesthetic influences on his work, focusing on the material he produced in the inter-war years and comparing the idealistic strain of Grierson's social commentary with other social reformists such as the Next Five Years Group and writers like Orwell and Priestley. Underlining the link between film and reform, the book clarifies the meaning and significance of Grierson's ideas and the historical role of the documentary film movement. Originally published in 1990.

This book, first published in 1988, compiles 77 songs and ballads (yüeh-fu) of early imperial China (200 BC - AD 300). Each song-text is newly translated and fully annotated and explicated. Dr Birrell deals systematically with problems of the earliest sources, dating, attribution, textual variants, multiforms, metre, generic title, song title and structure. This careful and thorough treatment is especially necessary for a corpus of anonymous popular texts which are often corrupt, structurally confusing, laconic and full of nonsense words and colloquialisms. Her introductory essay provides a socio-historical context for this material and charts its literary transmission, while singling out special characteristics of the genre, such as musical, oral and dramatic elements. The main text, arranged into eleven chapters plus an introduction, is supplemented by notes, appendices, maps, chronology, bibliography and index.

This book captures Donald J. Trump's presidency by addressing the remarkable tropes that defined that period. It offers research-based investigations of the communicative aspects of Trump's presidency, with a focus on race, immigration, xenophobia, and social conflicts as they interact with communication.

This book engages with contemporary cultural production in Africa, focusing on theatre in Sierra Leone as main case study. The author provides coverage of, and insights into, such themes as cultural globalisation, commodification, the global creative economy, culture and development, international relations and contemporary cultural production in Sierra Leone within the context of local and global flows of people, media, images, technologies, finance and ideas.Combining the analysis of theatre in Sierra Leone and its aesthetics with its policy, structural and institutional context, this book highlights in much detail and nuance the interconnectedness between the micro- and the macro-levels of cultural production, between the local and the global, and between aesthetics, politics, policy, governance structures and institutions. This book links the particular findings from the author's fieldwork to larger issues of contemporary local cultural production within the context of globalisation, commodification and decolonisation; adds a postcolonial perspective to existing theories and approaches to cultural production, management and policy, which is still largely missing from the existing discourse; and also contributes to addressing the gap in the knowledge about the context of contemporary cultural productions in diverse African contexts.This book will be particularly useful for both theatre scholars with an interest in the political economy of theatre and, more broadly, those seeking to understand the nuanced challenges and opportunities faced by policymakers, artists and arts managers to embrace the cultural and creative industries in this context. It also offers excellent insights for policymakers who wish to improve their understanding and interventions beyond superficial 'best practice' snippets and simplified 'success stories'.

Two decades before the war against Ukraine, a "special operation" was launched against the Russians' historical memory, aggressively reshaping the nation's understanding of its history and identity. The Kremlin's militarization of Russia through World War II propaganda is well documented, but the glorification of Russian medieval society and its warlords as a source of support for Putinism had not yet been explored. This book offers the first comparison of Putin's political neomedievalism and re-Stalinization and introduces the concept of mobmemory to the study of right-wing populism. It argues that the celebration of the oprichnina, Ivan the Terrible's regime of state terror (1565-1572), was fused with the rehabilitation of Stalinism to reconstruct the Russian Empire. The post-Soviet case suggests that the global obsession with the Middle Ages is not purely an aesthetic movement but a potential weapon against democracy.The book is intended for students, scholars, and non-specialists interested in understanding Russia's anti-modern politics and Russians' support for the terror unleashed against Ukraine.

This book traces the development of audio description (AD), a form of audiovisual translation delivered orally and consumed aurally that makes visual elements accessible primarily to people who are visually impaired, and in particular, art AD as an emergent sub-genre.Perego reflects on the static arts and the role of modern museums as key sites for art AD and multisensory environments that create memorable experiences for visitors. Based on professional, pre-recorded British and American English AD scripts, this book outlines the textual and linguistic features of art AD and its most relevant textual patterns. It explores diverse AD practices across different contexts, including stand-alone ADs for specific paintings and sculptures that can be consumed independently to enhance the appeal and accessibility of cultural environments. Moreover, the book investigates AD tours, which provide descriptions of a selection of interconnected artworks while also assisting, through focused instructions, visually impaired individuals in navigating the museum space, as well as touch tours, which incorporate procedural instructions on how to experience three-dimensional art or reproductions through tactile senses. Offering unique insights and future research directions for this growing area, this volume will be of interest to students and scholars in translation studies and media accessibility.

This book provides an in-depth analysis of authority structures in Saudi Arabia during the twentieth century, as presented in two leading Western newspapers, The London Times and The New York Times. Beginning with a history of Saudi Arabia - from the building of the Kingdom in 1901, when Ibn Saud left his exile in Kuwait to recover Riyadh back from Al-Rasheed's rule, until the death of King Fahd in 2005 - the author then outlines the theoretical framework of the book, specifically Weber's original conception of authority. Weber's notion of authority as having three types - traditional, charismatic, and rational-legal - is applied to an analysis of the two newspapers over the course of the twentieth century. A timeline is devised to aid this analysis, based on significant turning points in Saudi history, including Ibn Saud's declaration of the Kingdom in 1932 and King Faisal's assassination in 1975. Ultimately, this analysis discloses the many ways in which conceptions of authority in the Middle East were presented to Western audiences, whilst illuminating the political agendas inherent to this coverage in the UK and the US. This book is vital reading for anyone interested in Saudi Arabian history, Western perspectives of the Middle East, and the sociology of media.

Drawing on the frameworks of peace journalism, this book offers new insights into the Pakistani media coverage of Afghan refugees and their forced repatriation from Pakistan.

The historical context of family violence is explored, as well as the various forms of violence, their prevalence in specific stages of life, and responses to it made by the criminal justice system and other agencies. The linkage among child abuse, partner violence and elder abuse is scrutinized, and the usefulness of the life-course approach is couched in terms of its potential effect on policy implications; research methods that recognize the importance of life stages, trajectories, and transitions; and crime causation theories that can be enhanced by it.

The Great War is a landmark history that firmly places the First World War in the context of imperialism. Set to overturn conventional accounts of what happened during this, the first truly international conflict, it extends the study of the First World War beyond the confines of Europe and the Western Front.By recounting the experiences of people from the colonies especially those brought into the war effort either as volunteers or through conscription, John Morrow's magisterial work also unveils the impact of the war in Asia, India and Africa.From the origins of World War One to its bloody (and largely unknown) aftermath, The Great War is distinguished by its long chronological coverage, first person battle and home front accounts, its pan European and global emphasis and the integration of cultural considerations with political.

Of all the pioneers of the cinema, the Soviet film director Sergei Eisenstein has exerted the most enduring hold on the popular imagination. This book offers a unique portrait of the director based on the personal recollections of those who knew him. Originally published in 1976, it is illustrated with over forty photographs, stills and drawings, among them Eisenstein's delightful childhood sketches and some of his designs for the theatre and the cinema.The recollections were mostly originally recorded by Norman Swallow for a film made for the BBC over a period of two years in Moscow, Leningrad, Riga and Odessa, as well as in Western Europe and the USA. The result is a vivid composite portrait of one of the greatest, as well as one of the most controversial, figures in the history of the cinema.

Fraseología, lingüística cognitiva y español LE/L2 es la primera obra que ofrece una introducción teórica a la fraseología del español desde la perspectiva cognitiva y que proporciona unas bases metodológicas para su enseñanza en el aula. Este libro se apoya en una investigación original galardonada con el Premio ASELE-Routledge 2020.Sus principales características son: presentación de los contenidos en un recorrido que va de lo teórico a lo aplicado y experimental; explicaciones con abundantes ejemplos de unidades fraseológicas en contextos reales de uso; orientaciones metodológicas y estrategias didácticas de corte cognitivo para una aplicación directa en el aula; actividades para enseñar y aprender fraseologismos idiomáticos del español acompañadas de soluciones; estudio empírico sobre una propuesta didáctica de base cognitiva para la adquisición de un conjunto de locuciones del español; glosario bilingüe español-inglés de términos clave de la fraseología y la lingüística cognitiva para acercar estos dos ámbitos hasta los docentes. Lingüistas, fraseólogos, profesores de español y estudiantes de Lingüística y Estudios hispánicos encontrarán en este libro las claves de las principales aportaciones de la lingüística cognitiva al estudio de la fraseología en su vertiente teórica y aplicada a la enseñanza-aprendizaje de las unidades fraseológicas.Fraseología, lingüística cognitiva y español LE/L2 is the first work to offer a theoretical introduction to Spanish phraseology from a cognitive perspective and to provide a methodological basis for its teaching in the classroom. This volume is based on original research awarded the ASELE-Routledge Book Prize 2020.Its main features are: presentation of the contents in a path from the theoretical to the applied and experimental; explanations with abundant examples of phraseological units in real contexts of use; methodological orientations and didactic strategies of a cognitive nature for direct application in the classroom; activities for teaching and learning Spanish idiomatic phraseological idioms accompanied by answer key; empirical study of a cognitive-based didactic proposal for the acquisition of a set of Spanish idioms; a bilingual Spanish-English glossary of key terms in phraseology and cognitive linguistics to bring these two fields closer to teachers. Linguists, phraseologists, teachers of Spanish and students of Linguistics and Hispanic studies will find in this book the keys to the main contributions of cognitive linguistics to the study of phraseology in its theoretical and applied aspects to the teaching-learning of phraseological units.

Ida Greaves, who was born in Barbados in 1907, is one of the "missing female voices" of early development economics. This biography, the first for Ida Greaves, attempts to construct her career and era before the past wholly disappears.

The tenth volume in the Routledge-TIRF series, this book features research on the teaching and learning of English in the Middle East and North Africa (MENA). With chapters written by TIRF Doctoral Dissertation Grant awardees and internationally known scholars, the volume addresses contemporary challenges and considerations to teaching English in the MENA context. With empirical research covering a wide range of under-studied contexts, this book provides important insights and future directions to improve research and instruction. Offering up-to-date research at the primary, secondary, and post-secondary levels, this volume is an essential resource for language education programs and pre-service teachers.

Offering a reading of the intermarriage debate and expulsion of the foreign women in Ezra 9-10, this book engages with the production and performance of masculinities in this biblical text, shifting the focus away from the 'foreign women' to the men who are the primary actors in this work.This approach addresses the diversity of masculinities and the ways in which they are implicated in the production of power relations in the text. It explores the 'feminized' masculinity of the peoples-of-the-lands, the unstable masculinity of the golah, Ezra's performance of penitential masculinity, and the rehabilitation of divine masculinity. The rejection of the marriages and the call for the expulsion of the women and children are addressed as sites on which masculinities and power relations are configured. In doing so, this book sheds light on how women and the traits and performances culturally ascribed to women, femininity and inferior masculinities, are appropriated to produce masculinities and negotiate power relations between men. It posits that the debate in Ezra 9-10 is not, ultimately, about the women themselves, but about bringing the masculinities, bodies and practices of dissenting men under the 'management' of those who wield the Torah in the narrative world of the text.Men, Masculinities and Intermarriage in Ezra-9-10 is of interest for scholars and students working on the Book of Ezra specifically, as well as the Hebrew Bible and its world more broadly. It is also a valuable study for those working on masculinities and gender in the biblical world and ancient Near East.

This book provides a range of highly accessible approaches from Discourse Studies for analyzing legal language in legislation, documents, proceedings and media reporting. It is a key resource for academics, researchers, and advanced students of law, language and linguistics, discourse studies, sociology, and media and cultural studies.

The Synergy of Music and Image in Audiovisual Culture: Half-Heard Sounds and Peripheral Visions asks what it means to understand music as part of an audiovisual whole, rather than separate components of music and film. Bringing together revised and updated essays on music in a variety of media--including film, television, and video games--this book explores the importance of partially perceived and registered auditory and visual elements and cultural context in creating unique audiovisual experiences. Critiquing traditional models of the film score, The Synergy of Music and Image in Audiovisual Culture enables readers across music, film, and cultural studies to approach and think about audiovisual culture in new ways.

Heritage, Indigenous Doing and Wellbeing presents an Aboriginal Australian relational understanding of the world that offers a counter-narrative to the Western notion of heritage and new insights into the potential for sustaining the complex systems that support all life.From an Indigenous Australian perspective, the Western concept of heritage is intentionally exclusionary and supports social, political, economic, and environmental injustice. Aboriginal People engage with landscape every day in entirely, different ways, seeing Country as a living 'heritage', but in a unique relationship form that engages the individual with place, ancestors, language, and wellbeing. However, Country is most often relegated by heritage proponents to 'intangible heritage', and this results in the concept having little legislative, legal, or administrative weight. Drawing on a common understanding of Country as sacred, living, and sentient, rather than as objectified property or resource, the contributors to this book explore a diversity of relationships with Country that demonstrate the richness and the practical utility of this relational understanding.Heritage, Indigenous Doing, and Wellbeing foregrounds the voices of Australian Aboriginal People who are involved in 'Caring for Country'. It will be an essential resource for those engaged in the study of Country, heritage, museums, Indigenous Peoples, landscape architecture, environmental studies, planning, and archaeology. It will also be of great interest to heritage practitioners working around the globe.