Bücher veröffentlicht von Rowman & Littlefield International

Explores how the political, social and cultural contexts of the early 21st century influenced the object and method of doing cultural studies. It uses the Centre for Contemporary Cultural Studies as a lens for thinking about the future of cultural studies as a field of inquiry.

Affective Labour explores four distinct landscapes in order to demonstrate how collective feelings are organized by social actors in order to both reproduce and contest hegemony. Utilizing a variety of methods, including participant observation, in-depth interviews across field sites, and content analysis of mass media, Correa and Thomas demonstrate the centrality of affective labor in enabling and constraining prevailing norms and practices of race, citizenship, class, gender, and sexuality across multiple spatial contexts: the U.S.- Mexico border, urban nightlife districts, American college campuses, and emergent social movements against the police state. The book demonstrates how the power of affective labour might be harnessed for progressively oriented world-building projects, including what the authors term an ';affective labour from below.' By tying an analysis of affective labour into movements for social justice, the authors aim to produce a critical theory of the world that can be practically applied.

A major new work that breaks ground in the political understanding of both theory and action.

In this book, Dickson and Kotso examine Agamben's more recent theologically-focused writing and its implications for philosophical thought.

This book explores how contemporary black literature challenges theoretical approaches of race, gender and sexualities.

This volume unpicks common assumptions about the global influence of China and India to examine their future impact on international society.

This volume unpicks common assumptions about the global influence of China and India to examine their future impact on international society.

This is an edited collection of original essays that combine philosophy, phenomenology, and literature to reflect on modern ideas about orientation and disorientation, grounds and groundlessness.

Philosophy, Myth and Epic Cinema looks at the power of cinema in creating ideas that inspire our culture. Sylvie Magerstdt discusses the relationship between art, illusion and reality, a theme that has been part of philosophical debate for centuries. She argues that with the increase in use of digital technologies in modern cinema, this debate has entered a new phase. She discusses the notion of illusions as a system of stories and values that inspire a culture similar to other grand narratives, such as mythology or religion. Cinema thus becomes the postmodern ';mythmaking machine' par excellence in a world that finds it increasingly difficult to create unifying concepts and positive illusions that can inspire and give hope.The author draws on the work of Friedrich Nietzsche, Siegfried Kracauer, and Gilles Deleuze to demonstrate the relevance of continental philosophy to a reading of mainstream Hollywood cinema. The book argues that our longing for illusion is particularly strong in times of crisis, illustrated through an exploration of the recent revival of historic and epic myths in Hollywood cinema, including films such as Troy, The Lord of the Rings Trilogy, and Clash of the Titans.

This book discusses the recent wave of global mobilisations from an unusual angle, explaining what aspects of protests spread from one country to another, how this happened, and why diffusion occurred in certain contexts but not in others

Oxi (Gr. Determiner, lit. ';No', fig. ';Resistance', pronounced ';ochi') retells Sophocles' Antigone through the contemporary Greek crisis and modern European philosophy. A collaboration between the renowned British auteur Ken McMullen and the literary theorist Martin McQuillan, the film draws upon and responds to the importance of the Antigone of modern thought (Hegel, Arendt, Lacan, Derrida, Butler), while coming up close to the politics of the street and the malign effects of the austerity experiment in Greece today. The screenplay weaves together a range of idioms, including performance, fiction, documentary, interview and literary collage. The result is an intensely moving reflection on the tragedy of austerity today, with contributions from Helene Cixous, Etienne Balibar and Antonio Negri, as well as several significant figures in Greek cultural life. The volume includes full transcripts of the interviews with Cixous, Balibar and Negri, and a previously unpublished interview with Jacques Derrida on the question of Oedipus, as well as critical commentary from the filmmakers.

Bringing together new theory and critical perspectives on a broad range of topics in animal ethics, this book examines the implications of recent developments in the various fields that bear upon animal ethics. Showcasing a new generation of thinkers, it exposes some important shortcomings in existing animal rights theory.

Bringing together new theory and critical perspectives on a broad range of topics in animal ethics, this book examines the implications of recent developments in the various fields that bear upon animal ethics. Showcasing a new generation of thinkers, it exposes some important shortcomings in existing animal rights theory.

There has been a resurgence of interest in the problem of realism, the idea that the world exists in the way it does independently of the mind, within contemporary Continental philosophy. Many, if not most, of those writing on the topic demonstrates attitudes that range from mild skepticism to outright hostility. Richard Sebold argues that the problem with this is that realism is correct and that the question should then become: what happens to Continental philosophy if it is committed to the denial of a true doctrine?Sebold outlines the reasons why realism is superior to anti-realism and shows how Continental philosophical arguments against realism fail. Focusing on the work of four important philosophers, Kant, Hegel, Nietzsche, and Husserl, all of who have had a profound influence on more recent thinkers, he provides alternative ways of interpreting their apparently anti-realist sentiments and demonstrates that the insights of these Continental philosophers are nevertheless valuable, despite their problematic metaphysical beliefs.

Explores how UK politicians and the press mobilise support for 'austerity' through appealing to socially conservative conceptions of work and community. It examines the techniques of anti-austerity social movements in challenging the prevailing mood of guilt, nostalgia and resentment and how these may offer radical alternatives for social change.

A collection of original essays developing a Confucian political and legal theory, focusing on South Korea, traditionally the most Confucian East Asian country in its legal, political, and cultural practices.

A collection of original essays developing a Confucian political and legal theory, focusing on South Korea, traditionally the most Confucian East Asian country in its legal, political, and cultural practices.

The first book length study of the conceptualization and representation of islands in popular fiction.

Examines the cultural significance of the North American trickster figure Brer Rabbit.

Drawing from comparative politics and historical institutionalism in particular, as well as international political economy, this book answers these questions by examining the particular institutional frictions which characterise global financial governance.

Engaging Enemies examines how key thinkers on the British left have responded to the work of Friedrich Hayek, one of the gurus of Thatcherism, and attempts to rethink socialism in response to neoliberalism.

Modern civilization and the social reproduction of capitalism are bound inextricably with fossil fuel consumption. But as carbon energy resources become scarcer, what implications will this have for energy-intensive modes of life? Can renewable energy sustain high levels of accumulation?? Or will we witness the end of existing capitalist economies?This book provides an innovative and timely study that mobilizes a new theory of capitalism to explain the rise and fall of petro-market civilization. Di Muzio investigates how theorists of political economy have largely taken energy for granted and illuminates how the exploitation of fossil fuels increased the universalization and magnitude of capital accumulation. He then examines the likelihood of renewable resources providing a feasible alternative and asks whether they can beat peak oil prices to sustain food production, health care, science and democracy. Using the capital as power framework, this book considers the unevenly experienced consequences of monetizing fossil fuels for people and the planet.

Integrating Indifference explores the various faces of citizens' indifference, from fatalism, to detachment, via sheer indecision.

A major collection of essays by a panel of leading Nietzsche scholars exploring Nietzsche's philosophy of the free spirit.

Is Stuart Hall a Cultural Studies Scholar or a Postcolonial Scholar? Or is it better to engage with his work as an intellectual of both fields?Postwar Britain witnessed the concurrent evolution of two new intellectual movements which have since become institutionalized as two major academic fields of enquiry; Cultural Studies and Postcolonial Studies. Although both fields are enormously diverse they have developed a parallel focus around the place of individuals in terms of race, ethnicity, class and gender.Beyond Britain offers a history of the major ideas that have shaped the evolution of a shared space of inquiry in British Cultural Studies and Postcolonial Studies. It uses the work of Stuart Hall, a figure a uniquely well positioned in both fields, to offer a rich cultural-historical study of the evolution of both movements. It argues that the questions which both movements have continued to preoccupy themselves, are as relevant today as they were when they first originated, which was also a moment of challenging a conformist, exclusivist, and self-sufficient nation's view of itself.

Words are everywhere. Ubiquitous, pervasive. Yet our relations with words are narrowly defined. How does the sound, feel, touch, taste, place, position, speed, and direction of words come to matter in their uses? Word begins from the premise that, if we consider words only in terms of language and as images, we overlook a range of bodily, sensory, affective and non-conscious relations with words. We overlook, too, their epistemological, methodological, experiential and political implications. This book seeks to redress this neglect by exploring words themselves in histories of language and contemporary theory, in print and typography, and through a series of empirical examples which include religion, embodiment, photography and performance. Word is a reminder that words live richly in the world. It is an invitation to recognise those non-linguistic word-relations that are already existing, and to bring new and generative encounters with words into being.

Desire is a term often used in conjunction with the subject. This desire is directed towards the real, which is defined as the generic core of the linguistic order. As a result of the focus on affect, the three termsdesire, the subject, the realhave been fundamentally shaken up and called into question. Affect, in various forms, is now a matter of concern across a wide range of disciplines including neuroscience, psychology, the humanities, and social sciences. All of these fields have a declared interest in affect, in emotions and sensations, in pathos, passions, and the senses.Desire After Affect argues that this affective euphoria cannot be explained solely in terms of a repression of language, logos, and reason. It argues that the affective turn is symptomatic of a fundamental shift in modes of thinking about the human condition. It explores what this means for the human and the posthuman, animal and machine, and calls for a new theory of subjectivation, a philosophy of media affect.

The image of the Caribbean figure has been reconfigured by photography from the mid-19th century onwards. Initial images associated with the slave and indentured worker from the locations and legacies associated with plantation economies have been usurped by visual representations emerging from struggles for social, political and cultural autonomy. Contemporary visual artists engaging with the Caribbean as a 21st century globalised space have focused on visually re-imagining historical material and events as memories, histories and dreamscapes. Creole in the Archive uses photographic analysis to explore portraits, postcards and social documentation of the colonial worker between 1850 and 1960 and contemporary, often digital, visual art by post-independent, postcolonial Caribbean artists. Drawing on Derridean ideas of the archive, the book reconceptualises the Caribbean visual archive as contiguous and relational. It argues that using a creolising archive practice, the conjuncture of contemporary artworks, historical imagery and associated locations can develop insightful new multimodal representations of Caribbean subjectivities.

Political and economic models of society often operate at a level of abstraction so high that the connections between them, and their links to culture, are beyond reach. Bearing Society in Mind challenges these disciplinary boundaries and proposes an alternative frameworkthe social formation. The theory of social formation demonstrates how the fabric of society is made up of threads that are simultaneously economic, political, and cultural. Drawing on the work of theorists including Marx, Althusser, Butler, Zizek and Ranciere, Bearing Society in Mind makes the strongest case possible for the theoretical importance and political necessity of this concept. It simultaneously demonstrates that the social formation proves to be a very particular and peculiar type of ';concept'it is not a reflection or model of the world, but is definitively and concretely bound up with and constitutive of the world.

The notion of conscience remains one of the most widely used moral concepts and a cornerstone of ordinary moral thinking. This book explores where this widespread confidence in conscience stems from, examining the history of conscience as a moral concept and its characteristic moral phenomenology.Jason Howard provides a comprehensive reassessment of the function of conscience in moral life, detailing along the way the manifold problems that arise when we believe our conscience is more reliable than is actually warranted. The result is a step-by-step evaluation of our most accepted assumptions. Howard goes on to argue, from a phenomenological perspective, that conscience is indispensable for understanding moral experience. He capitalizes on a dialectical perspective developed by Hegel and Ricoeur, in which conscience is seen as the recognition of the other, and integrates this with work in the philosophy of emotion, arguing that conscience is best seen in terms of the function it serves in moderating the moral emotions of shame, guilt and pride.