Eric has pocketed thousands of pounds through fraudulent DSS claims. When Norman (the lodger) opens the door to a DSS Inspector, deceptive mayhem follows. Meanwhile Linda (his wife) consults Dr Chapman regarding the discovery of her husband's lingerie (all part of his swindling activities)!
In this bubbling modern extravaganza for the young, the immaculate Miss Nadia Naive and her three pupils are swung into riotous Transylvanian happenings with the irrepressible Count and his gruesome acolytes. On the side of right are noble Nick Necrophilic, Father O'Stake, the cuddly Hansel and Gretel and the Fuddled Friends; can they prevail over the forces of darkness when these include the creme de la horrible creme such as the Countess Wraith, Genghis the groveling minion, the Zombies, the Fanged Brides and the dynamic sanguineous gentleman the Price of Vampireshimself? Plenty of good parts, a sizzling score and a fresh hilarious script.
Willis Hall brings Dumas' swashbuckling adventure to the stage in this tongue-in-cheek version of "The Three Musketeers". D'Artagnan, a poor, young Gascon gentleman, goes to Paris to join King Louis XIII's musketeers and is befriended by three members of that force and shares their adventures.
At the end of Noël Coward's Design for Living, two men and a woman embark on a menage a trois founded on mutual attraction and a conscious flouting of societal norms. This witty and warm hearted comedy continues their story.|2 women, 4 men
Troy has fallen ... The captains and the kings depart, some like Nestor to a happy homecoming, others like Agamemnon to a bloody one. Ulysses is condemned to ten years exile for offending the gods during the siege. The story of his wanderings is well known from Homer's Odyssey, here providing a marvellous stimulant to the youthful imagination. The Magical Voyage of Ulysses is an exciting and energetic play. The casting is very flexible and the text contains extensive production and rehearsal notes by the author.
A dramatisation of Hans Christian Andersen's classic story.Gerda, a little girl, searches for her friend Kay when he's kidnapped by the Snow Queen. With the help of a Crow and a Reindeer, Gerda travels to the Far North, where she confronts the Snow Queen in her ice palace and releases Kay.An abridged version in one act of Ron Nicol's full-length adaptation.
The Tucker women are up early to prepare a very important meal, or at least that's what Mama says. As the day wears on, the little dramas that always take place in the kitchen boil over, making a mess of everything. STEW explores the substance of that special stuff passed between kinswomen and how the secrets we keep from our mothers eventually become the secrets we keep from ourselves.
Follow the yellow brick road in this delightful stage adaptation of L. Frank Baum's beloved tale, featuring the iconic musical score from the MGM film.
Two generations of sisters navigate class, race, love and family on "Mud Row," an area in the East End of West Chester, Pennsylvania. Elsie hopes to move up in the world by marrying into "the talented tenth," while her sister Frances joins the fight for Civil Rights. Decades later, estranged sisters Regine and Toshi are forced to reckon with their shared heritage and each other, when Regine inherits granny Elsie's house."Morisseau gives exquisite voice to four women occupying the same four walls - and by doing so, an entire community sings." - The Philadelphia Inquirer"Morisseau's writing is rich and authentic. Tense, heartbreaking, and ultimately inspiring, Mud Row pulses with the the love Morisseau feels for her characters and the real life people who inspire them." - Talkin' Broadway"A tale so exciting and engrossing." - Broad Street Review
Isadora finds the strength to stand up to her abusive husband Septimo when he forces the very pregnant Yolot to stay against her will. While Septimo makes plans for the baby, Isadora and Yolot devise one of their own. And as a pack of wolves closes in on the hacienda, Isadora must decide what price she'll pay for her own freedom. Wolf at the Door is part of a cycle of fairy tales Marisela Treviño Orta is writing inspired by Latino folklore and mythology."A beautifully told Mesoamerican fairy tale... a story of self-deliverance and empowerment of those who survive." - Theater Jones"Absorbing... Wolf at the Door tells a magical story in a straightforward way, evoking the harsh realities of life with brutal honesty." - NJArts"Racked with pain... Marisela Trevino Orta... has fashioned a message drama around a more ethereal reverie about the afterlife, nature and the definition of evil." - Dallas Voice"A magical tale of those who are subject to tyrannical rule seeking freedom through the bond they have as women and as heirs to the wildness of nature. Wolf at the Door takes us through the darkness of the soul and offers us hope." - The Column Online"This riveting and resonant fairy tale is definitely for grownups... Orta's script develops the characters well beyond fairy tale tropes... they become fully fleshed-out beings, with backstories that matter. Particularly resounding is the theme of women banding together against a man who's kept them down." - The Oregonian
After a tornado barrels through town leaving nothing but death and destruction, only June and her pet goat Weezy live to tell the tale. When a prominent photographer visits to take pictures of June's scars, both are forced to reconcile the pain of loss and recovery. This all-female, darkly comic southern drama explores the meaning and purpose of art and the struggle of the lost and tortured souls that seek to create it.Alabaster is about an artist who lost her entire family (and nearly died herself) in an Alabama tornado. Three years since the devastation, June has isolated herself, along with her goats Wezzy and Bib, on what remains of her family farm. June, who suffers from agoraphobia and crippling PTSD, is covered, from head to toe... with scars. She gets up every day and feeds the goats, weeds the garden, and picks up her paintbrush. Alice, a world-renowned photographer, has come to take pictures of June for a series on women with scars. But Alice, a lesbian photographer from New York, is carrying scars of her own and is desperately trying to outrun her own pain. The sexual tension between June and Alice is immediate and ever-present. But what they need from each other transcends the physical. What does it mean to be truly "seen?" How do we pick up the pieces? How do we move forward? A play about women. About art. About healing.
Lady Susan, a young widow, flees London and arrives at the country home of her obliging brother-in-law and his suspicious wife. Soon to come - uninvited - are an eligible suitor, her willful daughter, her chatty confidante and a dimwitted bachelor. Lady Susan schemes, but all does not go according to plan as she and her daughter become rivals for the same man."Rob Urbinati's Lady Susan captures the essence of Jane Austen's story, as well as her humor. Today's women can easily understand that Lady Susan 'seduces and schemes' because she has no options - she cannot get a job or own property. The plight of a penniless widow trying to make a life for herself and her daughter is effectively conveyed with sympathy and biting wit. I enjoyed Jane Austen's Lady Susan very much!" - Carolyn Jack, The Jane Austen Society of North America
The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. As adapted for the stage, with great warmth and more than a touch of hilarity, this romantic fairy tale still warms the hearts of children and adults alike. This Enchanted Edition is inspired by the 1997 teleplay.Rodgers and Hammerstein's Cinderella premiered in a live television broadcast on March 31, 1957, starring Julie Andrews, a sparkling new star who had just triumphed in My Fair Lady. Richard Lewine, a distant cousin and close friend of Rodgers, produced and Ralph Nelson directed. Real-life spouses Howard Lindsay and Dorothy Stickney played the King and Queen; Jon Cypher played the Prince; Ilka Chase, Kaye Ballard and Alice Ghostley played the comical Stepmother and Stepsisters; and Edi Adams played the Fairy Godmother.Rodgers and Hammerstein approached the story with the honesty and simplicity that characterized all their work, and Cinderella was a smash hit. The live broadcast was viewed by more people than any other program in the history of television.In 1997, Cinderella was remade for television in a production adapted by Robert L. Freedman and directed by Robert Iscove, with choreography by Rob Marshall. Produced by Whitney Houston and Debra Martin Chase for Walt Disney Television, Rodgers and Hammerstein's Cinderella aired on November 2, 1997. This version featured a diverse cast, with Brandy Norwood as Cinderella, Whitney Houston as her fairy godmother, Bernadette Peters as Cinderella's stepmother, Paolo Montalbán as the prince, Whoopi Goldberg as the queen, Victor Garber as the king and Jason Alexander as Lionel, the herald. Several songs were added, including "The Sweetest Sounds" from No Strings, sung by Cinderella and the Prince, and "There's Music in You," written for the 1953 film Main Street to Broadway, sung as the finale by the Fairy Godmother. Sixty million viewers watched the broadcast, making it the most-watched television musical in decades, and earning ABC its highest Sunday-night ratings in 10 years.
Rodgers + Hammerstein's Cinderella is the new Broadway adaptation of the classic musical. This contemporary take on the classic tale features Rodgers & Hammerstein's most beloved songs, including "In My Own Little Corner," "Impossible/It's Possible" and "Ten Minutes Ago," alongside an up-to-date, hilarious and romantic libretto by Tony Award-nominee Douglas Carter Beane.Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was twice remade for television, first in 1965 for Lesley Ann Warren and again in 1997, featuring Brandy and Whitney Houston. The original Broadway production of Rodgers + Hammerstein's Cinderella opened in 2013 and starred Laura Osnes, Santino Fontana, Victoria Clark and Harriet Harris.Nominee: Nine 2013 Tony Awards, including Best Book of a Musical and Best Revival of a MusicalWinner! 2014 Tony Award for Best Costume Design for a MusicalWinner! Three 2013 Drama Desk Awards, including Outstanding Orchestrations
The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm, and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. Its re-creation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother.In 1956 Richard Rodgers and Oscar Hammerstein II were indisputably the world's most successful writers of musicals. Julie Andrews was a sparkling new star, having just triumphed in My Fair Lady. When her agent approached Rodgers and Hammerstein and suggested that the television audience would welcome a musical version of "Cinderella," it was an irresistible temptation for all.Everything about the project was right from the start. The CBS production team was quickly assembled. Richard Lewine, a distant cousin of Rodgers and a close friend, was the producer, Ralph Nelson the director. Howard Lindsay and his wife, Dorothy Stickney, were signed for the King and Queen; Jon Cypher played the Prince; the Stepmother and Stepsisters were made less frightening and more comic by Ilka Chase, Kaye Ballard and Alice Ghostley; rather than the standard old crone, the beautiful Edie Adams played the Godmother.Rodgers and Hammerstein approached the story with the honesty and simplicity that characterized all their work. They purposely did not seek to improve a story they felt was dramatically sound, as many writers are prone to do, instead concentrating on bringing the characters to life. Rodgers wrote in his autobiography Musical Stages, "In writing the story and the songs, Oscar and I felt that it was important to keep everything as traditional as possible, without any 'modernizing' or reaching for psychological significance." When Hammerstein was asked where he found the version of Cinderella story he based his adaptation upon, he answered, "I looked it up in the encyclopedia."The marriage of music, lyrics and story in Cinderella exemplified their artistic philosophy; all elements held together integrally to illuminate the characters. As Rodgers explained, "Although a few of its songs have become popular, our score for Cinderella is another example of what theatre music is really about. No matter what the medium, a score is more than a collection of individual songs. It is, or should be, a cohesive entity whose word and music are believable expressions of the characters singing them...Like a symphony, concerto or opera, some portions have greater appeal than others, but it is the work as a whole that makes the overall impression."Cinderella succeeded. When it was broadcast on March 31, 1957, it was viewed by more people than any other program in the history of television.
Rodgers and Hammerstein's first collaboration remains, in many ways, their most innovative, setting the standards and rules of modern musical theatre. In a Western territory just after the turn of the 20th century, a high-spirited rivalry between local farmers and cowboys provides a colorful background for Curly, a charming cowboy, and Laurey, a feisty farm girl, to play out their love story. Their romantic journey, as bumpy as a surrey ride down a country road, contrasts with the comic exploits of brazen Ado Annie and hapless Will Parker in a musical adventure embracing hope, determination and the promise of a new land.Oklahoma! opened at the St. James Theatre on Broadway on March 31, 1943. At that time, the longest-running show in Broadway history had run for three years. Oklahoma! surpassed that record by two more years, running for a marathon 2,212 performances. The US national tour played for an unprecedented ten and a half years, visiting every single state and playing before a combined audience of more than 10 million people. In 1947, Oklahoma! opened at the Theatre Royal, Drury Lane, London, where it ran for 1,548 performances, the longest run of any show up to that time in the 267-year history of the theatre. In 1953, the Oklahoma State Legislature named "Oklahoma" the official state song. In 1955, the motion picture version of Oklahoma!, starring Gordon MacRae and Shirley Jones and produced by Rodgers and Hammerstein, was released to great success.
The final collaboration between Rodgers & Hammerstein was destined to become the world's most beloved musical. Featuring a trove of cherished songs, including "Climb Ev'ry Mountain," "My Favorite Things," "Do Re Mi," "Sixteeen Going on Seventeen" and the title number, The Sound of Music won the hearts of audiences worldwide, earning five Tony Awards and five Oscars. The inspirational story, based on the memoir of Maria Augusta Trapp, follows an ebullient postulate who serves as governess to the seven children of the imperious Captain Von Trapp, bringing music and joy to the household. But as the forces of Nazism take hold of Austria, Maria and the entire Von Trapp family must make a moral decision.The Sound of Music opened at Broadway's Lunt-Fontanne Theatre on November 16, 1959, and Rodgers & Hammerstein's last musical was a triumph. It ran for 1,443 performances and earned five Tony Awards, including Best Musical. In addition, the cast album earned a Gold Record and the Grammy Award. Florence Henderson starred in the first national tour, which played for over two years. Jean Bayless created the role of Maria in the original London production, which ran for over six years, long holding the record as the longest-running American musical in London.
Winner! TMA/Barclays Equity Award for Best Show for Children and Young People 2002. Tuesday 17 September 1940: two fifteen-year-old child evacuees, Bess Walder and Beth Cummings, are fast asleep on board a steam passage ship, The City of Benares, sailing away from World War Two torn Britain and relentless German bombing. Just before midnight they are violently awoken when the ship is hit by a German torpedo and starts to sink. Bess and Beth join the stampede to the lifeboats. Then begins their desperate battle to survive, clinging on to an upturned lifeboat for a night and a day, in the icy waters of the North Atlantic. Out of ninety children on board The City of Benares, Bess and Beth were among only a few who survived. Based on an extraordinary true story, Lifeboat is a tale of courage in the face of overwhelming danger, lifelong friendship and the will to survive.
Adrian is about to introduce his fianc¿e Grace to his parents at a birthday party, but they are worried that Grace doesn't know about Adrian's alleged reputation. As more birthdays unfold, the truth about the suburban closet Lothario is revealed...
M2 F3. A living-room It is the 1950s and this charming comedy introduces the Nightingales, members of a theatrical family who perform more at home than they do on the stage.
When Robert kicks his sister's beloved piggy bank, Trevor, out of the window he sets in motion a chain of events that results in the unexpected demise of a local fishmonger. Having developed a taste for blood and sick to death of sneering, imbecilic adults, Robert sets about becoming the real murderer he has always dreamed of being, all the while egged on by the newly-talking Trevor. Meanwhile, in the mind-numbingly boring offices of local paper The Kent Clarion, work experience student Philip Bottering wishes for something, anything to report on - preferably a juicy disaster. Based on the novel by Doctor Who's Tom Baker, this madly-hilarious, frenetic scream of a show, which includes shark-mauling beach-goers, burning vicars and even waltzing rats, is a multi-rolling masterpiece that tells the gloriously grisly tale of one scoundrel's attempt at infamy.
In this modern revenge play, Brenda Hendricks has her hands full dealing with her son Noah after he is expelled from a prestigious college and unexpectedly returns to their isolated Northern California home. When a mysterious woman arrives on their doorstep, Brenda and Noah find their world turned upside down in ways both intimate and epic.
Years of success, meticulous planning, and an eye for detail have in no way prepared Vivienne Avery for her mother's slide into the grip of dementia. Initially hiding behind insomnia-fueled baking and a polite smile, stories about her mother leave Vivienne's inner turmoil quietly laid bare in a juxtaposition of stories, theatrical gestures, and a children's story-esque Alzheimer's "creation myth."
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