As Stella leaves her job at the shopping channel, Alex prepares for a night out, and Paula can’t stop thinking of the girl who’s gone missing, her face all over the news. Slowly the missing girl weaves her way through all their lives in the course of a very wet and wild night.
This collection includes: B-Storm by Ava Geyer - Sex sells. Even when you're selling chocolate syrup to little kids, unfortunately. New York ad execs are forced to confront past wounds and current crises when their new campaign hits a little stickily close to home. Open Venas by Exal Iraheta - In this comedic clash of cultures and generations, only-child Amelia must combat her meddling mother and grandmother when they invade her honeymoon to guarantee that she fulfills her "responsibility" to carry on the bloodline. My Yellow is Yours, Your Red is Mine by Keyanna Khatiblou - Two Iranian-American sisters attempt to celebrate Nowruz, the Persian New Year, for the first time since their family immigrated to the U.S. Suckers by SP O'Brien - Vacation has ended. All the children are back to school. These three elementary school teachers need a cigarette. Kill Me. Will Be Live by Micah Ariel Watson - Imani, Clara, and Mia bask fully in their womanhood after a party. But in an instant, joyful reminiscence becomes a plea for the value of Black lives. Not Only is Everyone as Wonderful by Celeste Yim - In a near-future department store where any purchase is a voice-automated command away, a young adult going through a breakup is opened to the opportunity of finding love again by the possibility of a shiny new crush.
Hansard; nounThe official report of all parliamentary debates. Hansard is an intimate domestic drama about a long and troubled marriage. It is also a comedy about politics and identity and the failings of the ruling class. Set around the passing of the Section 28 legislation in 1988, which banned the “promotion” of homosexuality.It is funny, tender, brutal, and ultimately devastating. Hansard premiered at the National Theatre, London,in August 2019.
“Are me feet off the floor yet? Are me feet off the floor?” In a rainy town in the north of England, there are strange goings-on. Dad is building a pair of wings, eating flies, and feathering his nest. Auntie Doreen is getting cross and making dumplings. Mr Poop is parading the streets, shouting louder and louder, and even Mr Mint, the head teacher, is getting in a flap. And watching it all is Lizzie, missing her mam and looking after her dad and thinking how beautiful the birds are. What’s behind it all? It’s the Great Human Bird Competition, of course. Who will be the first to fly across the River Tyne?David Almond’s barmy, tender and funny tale about wings and faith, written for the Young Vic to accompany their production of Skellig. It has since been performed many times around the world, and also adapted by Almond into a much-loved, much-translated novel, with illustrations by Polly Dunbar.
Man, bird or angel? Who, or what, is Skellig?Michael was looking forward to moving house. It was all going to be wonderful. But now his baby sister’s ill, his parents are frantic, and Doctor Death has come to call. Michael feels helpless. Then he steps into the crumbling garage. What is this thing beneath the spider webs and dead flies? A human being, or a strange kind of beast never seen before? The only person Michael can confide in is Mina. Together they carry the creature into the light, and Michael’s world changes for ever.David Almond’s own adaptation of his renowned novel, winner of The Carnegie Medal, The Whitbread Children’s Book Award, and a string of prizes around the world. A timeless classic, published in over 40 languages, it touches the minds, hearts and souls of people of all ages. The story has become a movie, an opera, a radio play and this stage play, first produced at the Young Vic, and directed by Trevor Nunn.
“We come into the world out of the dark. We haven’t got a clue where we’ve come from. We’ve got no idea where we’re going. But while we’re here in the world, if we’re brave enough, we’ll flap our wings and fly.” It’s easy. Running away from the children’s home, Whitegates. Erin and January do it all the time. But this time they’re going away downriver on a raft. They have their friend, Mouse, with them. Now they’re stranded in the night on the lethal Black Middens. They climb up onto an ancient quay. How could they imagine that they’d discover a girl called Heaven Eyes? Heaven Eyes, a girl who should have drowned at sea, a girl living her with her strange and dangerous Grampa. A girl with a secret history that only Grampa knows, and he isn’t telling. A tale of courage and adventure, and of the search for happiness and family.David Almond’s own adaptation of his acclaimed novel, shortlisted for The Carnegie Medal, and published in translation around the world.
When E meets the man of her dreams, a professional cyclist, love hits her in the pubic bone like a train. For a brief period she is high on life – he’s the answer to her crippling loneliness, her self-harm issues, her non-existent career. But when the cyclist cheats on her and ends the relationship E plummets into a black hole of heartbreak. She turns to her only friend – mustard.
Alice Sebold's novel The Lovely Bones is a unique coming-of-age tale that captured the hearts of readers throughout the world. Award-winning playwright Bryony Lavery has adapted it for this unforgettable play about life after loss.
England, 1820: The isolated town of Sleepy Hollow is disrupted by the arrival of a new schoolteacher, Ichabod Crane, who challenges the town's superstitions with science, reason and fact. The locals instantly mistrust him; but Katrina van Fleet, heiress to Sleepy Hollow's rich land is charmed by his intellect and passion. But Ichabod is mistaken: as behind each one of the villagers' tales lies a dark and bloody truth. As the spirits of the Hollow Wood grow restless, and as the hooves of the Headless Horseman thunder ever nearer, Katrina is forced to make a choice that will change the fate of Sleepy Hollow forever.Based on Washington Irving's infamous short story, The Legend of Sleepy Hollow is a powerful and atmospheric musical by Helen Watts and Eamonn O'Dwyer. It is a story of community; a story of faith, of blood and belief; a story that asks the simple question: what happens when good people make bad choices?
Elspeth and Arthur are celebrating forty years of quiet, safe, unspectacular, ordinary marriage. Or so most of the guests attending their anniversary party are led to believe. But knowing her and knowing him as they do, their son and daughter know differently.
“As with the commander of an army, so is it with the mistress of a house”. Isabella Beeton was only twenty three years old when she penned these words in Mrs Beeton’s Book of Household Management, first published in 1861. She could not have predicted how they would resonate with the women of England, nor could she have imagined how her name would become synonymous with culinary expertise and domestic bliss for generations to come.Mrs Beeton Says… is a charming and vibrant musical examining the life and legacy of this extraordinary woman: a spirited journalist, a tireless entrepreneur, and if not a perfect homemaker, then certainly a queen of organization. In a world where a woman could not vote, own a house, nor even ride a bicycle, Mrs Beeton’s book gave the women of England something they desperately wanted: a bit of control.
It is 1934. Winsome Manor is in financial difficulties and, with a heavy heart, the widowed Lady Winsome needs to fire long-standing servants Joe the gardener and James the chauffeur. However, unbeknown to Lady Winsome, James has been using the estate's Rolls Royce for a taxi business and Joe has been profiting from the garden produce.
Zinnie Harris reimagines this ancient drama, using a contemporary sensibility to rework the stories, placing the women in the centre. Orestes' leading role is replaced by his sister Electra, who as a young child witnesses her father's murder and is compelled to take justice into her own hands until she too must flee the Furies.
Zinnie Harris reimagines this ancient drama, using a contemporary sensibility to rework the stories, placing the women in the centre. Orestes' leading role is replaced by his sister Electra, who as a young child witnesses her father's murder and is compelled to take justice into her own hands until she too must flee the Furies.
Robert Caplan and his wife are entertaining her brother and sister-in-law. Because Robert insists on uncovering the truth about his brother Martin's 'suicide', many unpalatable revelations ensue which cause Robert to shoot himself. At this point, the opening scene is repeated, but this time they bypass the dangerous corner at which the truth is demanded, thus averting the disaster. Written in 1932 this forms one of the three 'time plays'.
In Here We Go, Churchill confronts the topic of aging and death, told in 3 separate sections.
Caryl Churchill's Pigs and Dogs is substantially based on material from Boy Wives and Female Husbands by Stephen O. Murray and Will Roscoe. It premiered at the Royal Court in 2016.
Catherine has spent years caring for her brilliant but unstable father, Robert. When he dies she has more than grief to deal with: there’s her estranged sister, Claire, and Hal, a former student of her father’s who hopes to find valuable work in the 103 notebooks that Robert left behind. And a further problem: how much of her father’s madness – or genius – will Catherine inherit?Gwyneth Paltrow starred in this Pultizer Prize-winning play which opened at the Donmar Warehouse in 2001.
Three old friends and a neighbour. A summer of afternoons in the back yard. Tea and catastrophe. Escaped Alone premiered at the Royal Court Theatre, London, in 2016, in a production directed by James Macdonald.
Daughter of the Left Hand centres around the household of Rex Hallam. Rex introduces Nicola, a young girl who, he states, is his daughter by a former mistress. Her arrival causes considerable consternation, and her reception, particularly by Rex's severe and spinsterish elder daughter, is anything but friendly. Shrewd, forthright and understandably resentful of her treatment, Nicola either indirectly by her mere presence, or later directly by her own actions brings disaster to the entire family, and her final surprise to the entire family does nothing to amend matters. - 7 women, 3 men
This is a comedy of confusion. One member arrives at a women's guild meeting to run a jumble sale, others to demonstrate unusual cookery, home-made wine-making and string lampshades respectively. To add to the chaos, an eccentric outsider comes to talk about flower arranging without flowers. They then try competing for five minutes each to decide who should perform at the next meeting. Extraordinary things happen. Then the surprise ending reveals why the misunderstand was, in fact, planned all along. 6 women
SHAFTED moves forwards and backwards over time, starting after the miners strike in 1984. Act One demonstrates the depression and hopelessness which engulfed a West Yorkshire mining village post the strike and the plethora of menial jobs which HARRY found in order to try to make a living. By the late 1990's DOT had suggested they move to Bridlington to start a new life running a Boarding House. Act Two starts in 2016 with DOT suffering from cancer, immobile in a wheelchair, the act moves backwards thought to success of the boarding house and their new life together, to the time they left UPTON to run the boarding house in the 1990's.
Time and Tide is an LGBTQ themed comedy drama about a Norfolk community struggling with change.
A small cast, short version of an intimate psychological thriller taken from Philomel Cottage. Enid rejects her fiancé for newcomer Gerald and moves to a remote country cottage with him – where a dark and terrible climax takes place.
The love between a mother and daughter turns to jealousy and bitterness in this intense and personal drama. Ann Prentice falls in love with Richard Caulfield and hopes for a new life and happiness. Only her daughter, Sarah, takes an instant, jealous dislike to him. Resentment slowly corrodes their relationship as each seeks comfort in the formidable and knowing Dame Laura Whitstable who remarks, “The trouble with sacrifice is that once it’s made it’s not over and done with.”“Christie is beady-eyed and brutally honest on the psychology of the motherdaughter relationship.”THE GUARDIAN“The play is a revelation and its emotional intensity is at variance with most of her crime plays. This is Christie writing with her heart rather than her head. She is not concerned with clues and suspects and alibis but with human dilemmas and life choices.”THE GUARDIAN
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