Bücher veröffentlicht von Scarecrow Press

Modeled on the brilliant approach first formulated by distinguished professor music and master clarinetist Michele Gingras in her Clarinet Secrets and More Clarinet Secrets (both available from Scarecrow Press), Tracy Heavner's Saxophone Secrets provides advanced saxophonists with 60 performance secrets that will assist in their musical development. This work is the result of 30 years of personal teaching and performance experience. Heavner offers both intermediate players and advanced professionals a wide variety of techniques, which will greatly improve any saxophonist's performance ability.Designed to be the go-to hands-on guide for practitioners, Heavner's strategies consider a vast array of issues for the saxophonist who needs to take that next big step up. Beginning chapters consider various brands of saxophones, mouthpieces, ligatures, reeds, and maintenance techniques that reflect the standard practices and expectations of the advanced performer. The secrets that follow develop and improve embouchure, tone, articulation, and finger technique, allowing saxophonists to analyze their own playing and adjust accordingly. Heavner pulls back the curtain further to introduce those secrets for developing the altissimo register and extended saxophone techniques, from circular breathing and multiphonics to slap and flutter tonguingall absolute necessities for saxophonists seeking to play contemporary classical, jazz, or commercial music. Finally, Heavner concludes by letting musicians in on those little-revealed secrets for taking their saxophones on the road.Saxophone Secrets is the ideal work for saxophonists, saxophone instructors, band teachers, and anyone looking to improve their saxophone performance skills or those of their students.

In The Pianist's Craft, Richard Anderson collects from his fellow pianist-scholars 18 articles on the teaching, preparation, and performance of works by the greatest composers in the standard piano repertoire. The contributors-all recognized nationally and internationally for their contributions as performing artists, teachers, recording artists, and clinicians-write thoughtfully about the composers whose work they have studied and played for years, examining questions of phrasing, tempo, articulation, dynamics, rhythm, color, gesture, lyricism, instrumentation, and genre. The Pianist's Craft is intended for teachers and students of the intermediate and advanced levels of piano, instructors and performers at the university level, and those who love piano and piano music generally.

The full range of Western music is explored through 21 concise chapters on such topics as melody, harmony, counterpoint, texture, melody types, improvisation, music notation, free imitation, canon and fugue, vibration and its relation to harmony, tonality, and the place of music in architecture and astronomy. Intended for amateurs and professionals, concert-goers and conductors, Helm offers in down-to-earth language an explanation of the foundations of our Western music heritage, deepening our understanding and the listening experience of it for all.

Building on the strengths of the first edition, the second edition of Latin American Classical Composers: A Biographical Dictionary presents expanded and updated coverage of its topic with an aim to be comprehensive. The authors have conducted exhaustive research to fill in gaps and correct minor errors in the first edition, adding young composers and documenting deaths since 1996, when the first edition appeared. Hundreds of composers are represented in this volume, which presents biographical data, including dates of birth and death, personal information about composers' background and training, and a selective listing of each composer's works. Sources for further study are noted within each entry. An index of composers by country rounds out this work.

This book presents a history of folk music festivals in the United States, beginning in the 19th century and ending in the early 21st century. The focus is on the proliferation and diversity of festivals in the 20th century.

In African American Folksong and American Cultural Politics: The Lawrence Gellert Story, scholar and musician Bruce Conforth tells the story of one of the most unusual collections of African American folk music ever amassedand the remarkable story of the man who produced it: Lawrence Gellert. Compiled between the World Wars, Gellerts recordings were immediately adopted by the American Left as the voice of the true American proletariat, with the songslargely variants of traditional work songs or bluesdubbed by the Left as songs of protest. As both the songs and Gellert's standing itself turned into propaganda weapons of left-wing agitators, Gellert experienced a meteoric rise within the circles of left-wing organizations and the American Communist party. But such success proved ephemeral, with Gellert contributing to his own neglect by steadfastly refusing to release information about where and from whom he had collected his recordings. Later scholars, as a result, would skip over his closely held, largely inaccessible research, with some asserting Gellert's work had been doctored for political purposes. And to a certain extent they were correct. Conforth reveals how Gellert at least assisted in the creation of some of his more political material. But hidden behind the few protest songs that Gellert allowed to become public was a vast body of legitimate African America folksongsenough to rival the work of any of his contemporary collectors.Had Gellert granted access to all his material, scholars would have quickly seen that it comprised an incredibly complete and diverse collection of all African American song genres: work songs, blues, chants, spirituals, as well as the largest body of African American folktales about Irish Americans (what were referred to as One Time Ishman tales). It also included vast swaths of African American oral literature collected by Gellert as part of the Federal Writers Project.In African American Folksong and American Cultural Politics, Conforth brings to light for the first time the entire body of work collected by Lawrence Gellert, establishing his place, and the place for the material he collected, within the pages of American folk song scholarship. In addition to shedding new light on the concept of protest music within African American folk music, Conforth discusses the unique relationship of the American Left to this music and how personal psychology and the demands of the American Communist party would come to ruin Gellert's life.African American Folksong and American Cultural Politics will appeal to students and scholars in the fields of American social and political history, African American studies, the history of American folk music, and ethnomusicology.

This book supplies conductors, music administrators, and librarians with all the information needed to plan performances of modern chamber music. It provides details on 4,000 titles composed during the 20th or 21st centuries, and the appendix allows users to search for pieces based on various criteria.

Jewish conductor Hermann Levi strove for excellence and recognition as a composer and conductor of classical music in 19th-century Germany. He unerringly devoted himself to the orchestral performance of works by the two major figures of the time: Johannes Brahms and Richard Wagner. In spite of the anti-Semitic atmosphere, Levi saw the conducting of Wagner''s works as a major calling: one that pinnacled in the premier performance of Parsifal in Bayreuth. In this biography, newly translated into English by Cynthia Klohr, opera scholar and conductor Fritjof Haas surveys the life and work of this remarkable individual. Born of a long line of rabbis and raised on the ideals of political emancipation of Europe''s Jews, Levi sought to break the social constraints and boundaries imposed upon him because of his religious heritage by the power brokers of the classical music scene. Like so many German Jews of his generation, Levi struggled nearly all his life to dissolve the battle between personal lot and social prejudice. Drawing on the wealth of material from the "Leviana" repository in Munich, Germany, Haas artfully weaves together Levi''s personal history with his musical milieu to paint a portrait of this ambitious and ambivalent figure in the world of 19th-century German music. This work will be of special interest to musicologists, musicians, opera fans, classical music listeners, and historians and scholars of Judaic studies.

First broadcast in the not too distant past on a television station in Minnesota, Mystery Science Theater 3000 soon grew out of its humble beginnings and found a new home on cable television. This simple show about a man and two robots forced to watch bad movies became a cult classic, and episodes of the series continue to be packaged in DVD collections to this day. In Reading Mystery Science Theater 3000: Critical Approaches, Shelley S. Rees presents a collection of essays that examine the complex relationship between narrative and audience constructed by this baffling but beloved television show. Invoking literary theory, cultural criticism, pedagogy, feminist criticism, humor theory, rhetorical analysis, and film and media studies, these essays affirm the show's narrative and rhetorical intricacy.

With about one billion members, the Catholic Church is one of the world's largest religious bodies, and its history is crucially linked to global events. In the Historical Dictionary of Catholicism, author William J. Collinge provides the reader with a comprehensive introduction to the theology, doctrines, and worship of the religion. He covers the entire Catholic tradition from the time of Jesus to the present, including the periods before the present division of Christianity into Roman Catholic, Eastern Orthodox, and Protestant. Collinge has also included entries on heretical, schismatic, and dissident movements within Catholicism, and he covers the relation of Catholicism to other Christian traditions, to the major non-Christian religions, and to Western cultural and philosophical traditions.The second edition of the Historical Dictionary of Catholicism has been updated to reflect recent developments in the Catholic Church, most notably the death of Pope John Paul II and his succession by Pope Benedict XVI. An updated introduction precedes the main body of the dictionary, which contains more than 500 alphabetical, cross-referenced entries covering persons, organizations, places, events, titles, and concepts. The entries are followed by several appendixes on popes, ecumenical councils, the documents of Vatican Council II, major papal encyclicals, and Catholic prayers, and a comprehensive bibliography provides the researcher with further readings. The second edition of the Historical Dictionary of Catholicism is an ideal access point for students, researchers, or anyone interested in the history of the Catholic Church.

Tackles the difficult problem of preservation of music in all of its formats-scores, parts, and all types of recordings.

This book covers the proceedings of the March 1985 Music Library Association Preconference.

You are getting ready for a performance of Donizetti's L'elisir d'amore and you have a few questions. How many clarinets are in the orchestra? How many orchestra members appear onstage? How many different sets are there? How long does the opera typically run? What are the key arias? Are any special effects or ballet choreography required? Who owns the rights? Where was it premiered? What are the leading and supporting roles?The Opera Manual is the only single source for the answers to these and other important questions. It is the ultimate companion for opera lovers, professionals, scholars, and teachers, featuring comprehensive information about, and plot summaries for, more than 550 operasincluding every opera that is likely to be performed today, from standard to rediscovered contemporary works. The book is invaluable, especially for opera professionals, who will find everything they need for choosing and staging operas. But it is also a treasure for listeners. Similar reference books commonly skip over scenes and supporting characters in their plot summaries, lacking even the most basic facts about staging, orchestral, and vocal requirements. The Opera Manual, based on the actual scores of the works discussed, is the only exhaustive, up-to-date opera companiona ';recipe book' that will enable its readers to explore those operas they know and discover new ones to sample and enjoy.

This Music Leaves Stains presents the full story behind the Misfits and their ubiquitous, haunting skull logo, a story of unique talent, strange timing, clashing personalities, and incredible music that helped shape rock as we know it today. James Greene, Jr., maps this narrative from the band's birth at the tail end of the original punk movement through their messy dissolve at the dawn of the 1980s right on through the legal warring and inexplicable reunions that helped carry the band into the 21st century.

Handbook of Warning Intelligence: Assessing the Threat to National Security was written during the cold war and was classified for 40 years. The majority of this manual, however, is now finally available to the general public. An abridged version, Anticipating Surprise: Analysis for Strategic Warning, was published, but this original document goes into much greater detail about the fundamentals of intelligence analysis and forecasting. It discusses military analysis, as well as the difficulties in understanding political, civil, and economic analysis and assessing what it means for analysts to have warning judgment.Much of what Grabo writes in her book seems to appear in many of the numerous commission reports that emerged after the 9/11 attacks. However, this book was written in response to the surprise attack of the Soviet Unions invasion of Czechoslovakia in 1968. According to the author, that event was no surprise. And while analysts have to take some of the blame for their failure to strenuously present their case that the threat was real and imminent, what occurred was a failure by policymakers to listen to the warning intelligence reports that were written at the time.

This important volume in onomastics, the study of names, presents a listing of Yiddish first names in the modern period: 1750 to the present day. Yiddish Given Names: A Lexicon resumes, collects, documents, and corrects the available body of research on Yiddish given names. It aims to establish the modern corpus and give the origins of the names therein. Rella Israly Cohn has amassed and preserved a number of names that have become extremely rare, almost to the point of disappearing, and correctly identified their sources using a number of works both commonly available and difficult to find.The book begins with preliminary material that orients the reader, explains technical terms and classifications, and describes the evolution of Yiddish names throughout their history. Following is the lexicon itself, which is comprised of over 250 names with variant forms and alphabetized according to the English transliteration. Each entry relates the Yiddish name to its source language, shows a source form, and gives the attestations of the name in its various forms in the earliest written works. Concluding with several appendixes that offer additional information and assist in reference and accessibility, this significant work will serve scholars in onomastics, linguistics, and Yiddish and will be of interest to both scholars and laypersons researching their family history or the cultural legacy of the Jewish community worldwide.

In this book, Michael Cramer views the Society for Creative Anachronism (SCA), an organization that studies and recreates the middle ages, as a case study for a growing fascination with medieval fantasy in popular culture. He explores the act of medieval re-creation as performance by focusing on the SCA, describing the group's activities, investigating its place in popular culture, and looking at the SCA not so much as a historical society but as an on-going work of performance art; a postmodern counter-culture riff on what it means to be 'medieval.' Cramer examines the group's activities, from persona and character development to theatrical performance and personal interaction; from the complex official ceremonies to full contact armored combat with mock broadswords. He explores the SCA in detail to discover how its members adapt and employ ideas about the Middle Ages in performance, ritual reenactment, living history, and re-creation, analyzing the performance of identity through ritual, sport, drama, and personal interaction, and he focuses on the reconstruction of the medieval 'king game,' a game in which a mock king is chosen to reign over a mock court. The book also studies various ideas about medievalism, including the contrast between reenactment and re-creation, and places these activities in the context of contemporary American society. With three appendixes, a bibliography, and a selection of photos, Cramer demonstrates how and why medieval fantasy is increasingly used in popular culture and analyzes the dissatisfaction with contemporary culture that leads people into these realms of fantasy.

Celebrating 100 years of Peter Pan, this fourth volume in the Centennial Studies series explores the cultural contents of Barrie's creation and the continuing impact of Peter Pan on children's literature and popular culture today, especially focusing on the fluctuations of time and narrative strategies.

This collection of essays explores the social and cultural aspects of steampunk, examining the various manifestations of this multi-faceted genre, in order to better understand the steampunk sub-culture and its effect on-and interrelationship with-popular culture and the wider society.

Undead in the West is a collection of essays that explore the many tropes and themes through which undead Westerns make the genre's inner plagues and demons visible, and lay siege to a frontier tied to myths of strength, ingenuity, freedom, and independence. Featuring several illustrations and a filmography, the volume is divided into three sections: "Reanimating Classic Western Tropes" examines traditional Western characters, symbolism, and plot devices and how they are given new life in undead Westerns; "The Moral Order Under Siege" explores the ways in which the undead confront classic values and morality tales embodied in Western films; and "And Hell Followed with Him" looks at justice, retribution, and retaliation at the hands of undead angels and avengers.

In this unique work of scholarship, Edd Applegate surveys the key figures and events that transformed the American business landscape from its colonial beginnings to that Mad Men moment when advertising ';went professional.' In The Rise of Advertising in the United States: A History of Innovation to 1960, Applegate traces how the explosion of newspapers in the American colonies laid the groundwork for the first advertising agents, leading to America's first class of professional marketers. This entrepreneurial class of new white-collar professionals thrived on innovation in the quest for more publicity, larger clients, and greater sales. Some of the thought-leaders in what remained a novel, ever-changing form of communication include:*; P. T. Barnum, master of the advertising ';gimmick'*; Lydia Pinkham, queen of the patent medicine cure*; John Wanamaker, progenitor of modern retail advertising*; Albert Lasker, the formulator of ';reason why' advertising*; Stanley Resor, the consummate market researcher*; Elliott White Springs, the groundbreaking purveyor of the sexual innuendoApplegate records the achievements of these individuals and others up until 1960, when advertising underwent a remarkable change, becoming a post-war subject of study and scholarship in America's colleges and universities. Written for those interested in learning about a select group of movers and shakers in this key area of American business, The Rise of Advertising in the United States should appeal to anyone interested in American business history.

Lesotho is rather different from most other African countries. For starters, it is a kingdom, which preserves a traditional hierarchy and customs, and its population consists of one fairly homogenous ethnic group, although admittedly there are differences and occasional rifts within it. Then, it is a landlocked country, completely surrounded by South Africa on which is depends heavily. Economically, it has not been doing particularly well, this partly because the country is so poorly endowed by nature, and its people often eke out a living abroad. Politically, there have been ups and downs, the downs fortunately lying in the past, with Lesotho doing somewhat better since the latest elections. Socially and culturally, as hinted, it is quite unique and this can be gathered from reading the book.This second edition of Historical Dictionary of Lesotho covers the full scope of Lesotho's ancient, colonial, and independence eras. It gives greater emphasis to the more recent period and brings the book fully up-to-date. This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on civil society, key events, leaders, governmental, international, religious, and other private organizations, policies, political movements and parties, economic elements, and many other areas that have shaped the country's trajectory. This book is an excellent access point for students, researchers, and anyone wanting to know more about Lesotho.

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing's reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 19101919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title AuthorTheatrePerformersPersonnelOpening and closing dates Number of performancesOther details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics.A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the materialin particular, information on adaptations and translations, plot sources, and commentsis new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 19101919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

Young adults often struggle with confusion or guilt because they perceive themselves as different from others, especially their peers. For some of these individuals, the arts can help them cope with adolescent turmoil, allowing them to express their emotions in poems, stories, painting, songs, and other creative outlets. Sensitive teachers and parents know how important it is for young people to realize that they are not alone in their quest for self-knowledge and finding their way in the world. It can make a difference when readers find something in a book that helps them understand more about who they are and helps them understand others. In Portrait of the Artist as a Young Adult: The Arts in Young Adult Literature, Lois Thomas Stover and Connie S. Zitlow examine books in which the coming-of-age for young adults is influenced by the arts. Stover and Zitlow consider the connection between the arts and a young person's developing sense of self, the use of art to cope with loss and grief, and how young adults can use art to foster catharsis and healing. The young people in these books either identify as artists or use the arts in intentional ways to explore their identities. They often have artistic gifts that make them stand outside the norms of teenage life, yet those gifts also help them find a sense of community. Artists considered in this book include painters, photographers, sculptors, actors, directors, choreographers, dancers, composers, musicians, graffiti artists, and others. The books discussed also explore the ways adults can nurture the artist's development and understand the way young people sometimes use the arts to form their unique identity. Included is an annotated bibliography organized by art discipline, as well as an appendix about using the arts pedagogically, making Portrait of the Artist as a Young Adult a valuable resource for educators, parents, librarians, and young adults.

Since the beginning of network television, many shows have been preceded by an announcement or theme song that served various purposes. In the 1950s and '60s, it was common for announcers to declare that a program had been ';brought to you by' a sponsor who paid for the privilege of introducing a show. Other programs, such as The Twilight Zone, Star Trek, and The Odd Couple, provided a brief encapsulation of the show's subject matter, a practice that has continued for recent shows like Alias, Battlestar Galactica, Person of Interest, and the various editions of Law & Order. In Television Introductions: Narrated TV Program Openings since 1949, Vincent Terrace has assembled openings for more than nine hundred television shows from the past seven decades. The only documented history of narrated television program introductions, this volume is arranged by type of programming, such as comedy, drama, Western, game show, soap opera, and children's show. In addition to quoting the opening material, entries provide information about each show's network history and years of broadcast. Many entries include descriptions of the show, the names of announcers, and a list of main cast members, as well as a sponsor pitch exactly as spoken. Openings for programs with multiple introductions like The Adventures of Ozzie and Harriet and Charlie's Angels are also included. For programs that featured new guest stars every episodesuch as game shows and variety programsTerrace has selected a representative introduction. In addition to the theme song credits found in the main text, there are also appendixes of theme songs and their composers and/or singers, as well as a listing of commercial releases (on DVD, VHS, CD, and LP) of shows and their soundtracks. A comprehensive resource for researchers and pop culture aficionados alike, Television Introductions provides a fascinating look at this neglected part of TV history.