Bücher veröffentlicht von Scarecrow Press

In Recording History, Peter Martland uses a range of archival sources to trace the genesis and early development of the British record industry from1888 to 1931. A work of economic and cultural history that draws on a vast range of quantitative data, it surveys the commercial and business activities of the British record industry like no other work of recording history has before. Martland's study charts the successes and failures of this industry and its impact on domestic entertainment. Showcasing its many colorful pioneers from both sides of the Atlantic, Recording History is first and foremost an account of The Gramophone Company Ltd, a precursor to today's recording giant EMI, and then the most important British record company active from the late 19th century until the end of the second decade of the twentieth century. Martland's history spans the years from the original inventors through industrial and market formation and final take-offincluding the riveting battle in recording formats. Special attention is given to the impact of the First World War and the that followed in its wake. Scholars of recording history will find in Martland's study the story of the development of the recording studio, of the artists who made the first records (from which some like Italian opera tenor Enrico Caruso earned a fortune), and the change records wrought in the relationship between performer and audience, transforming the reception and appreciation of musical culture. Filling a much-needed gap in scholarship, Recording History documents the beginnings of the end of the contemporary international record industry.

ΓÇ£The fusion of text with music is one of the most powerful methods by which a composer can express emotion to an audience, yet, all too often, the diction of choral groups is lacking to such a degree as to make the text unintelligible.ΓÇ¥ So argues Duane R. Karna, who in The Use of the International Phonetic Alphabet in the Choral Rehearsal brings together 30 essays by experts from around the world to describe how the character symbols of the International Phonetic Alphabet (IPA) can be used by singers in the choral rehearsal.In an effort to conquer one of the greatest challenges facing choral directors and their choirs, contributors explore the use of the IPA system in a vast range of languages. Readers will find essays devoted to the use of IPA on matters of lyric diction for the following tongues: Baltic Languages, Basque, Brazilian Portuguese, Chinese, Dutch, Ecclesiastical Latin, English, Finnish, French, Georgian, German, Germanic Latin, Greek, Hawaiian, Hebrew, Hungarian, Italian, Japanese, Korean, Norwegian, Polish, Romanian, Russian, Spanish, Swahili, and Swedish. Holding firmly to the belief that basic instruction in IPA character is part of a choir''s training, Karna and his contributors see enormous potential for choirs to expand considerably their foreign-language repertoire and save considerable rehearsal time.The Use of the International Phonetic Alphabet in the Choral Rehearsal is the ideal primer for choral directors and choirmasters as well as choir members.

Taiwan was able to solidly build and sustain a film industry only after locally-produced Mandarin films secured markets in Hong Kong and Southeast Asia during the 1960s and 1970s. Though only a small island with a limited population, in its heyday, Taiwan was among the top-10 film producing countries/areas in the world, turning out hundreds of martial arts kung fu films and romantic melodramas annually that were screened in theaters across Southeast Asia and other areas internationally. However, except for one acclaimed film by director King Hu, Taiwan cinema was nearly invisible on the art cinema map until the 1980s, when the films of Hou Hsiao-hsien, Edward Yang, and other Taiwan New Cinema directors gained recognition at international film festivals, first in Europe, and later, throughout the world. Since then, many other Taiwan directors have also become an important part of cinema history, such as Ang Lee and Tsai Ming-liang.The Historical Dictionary of Taiwan Cinema covers the history of cinema in Taiwan during both the Japanese colonial period (1895-1945) and the Chinese Nationalist period (1945-present). This is accomplished through a chronology highlighting the main events during the long period and an introduction which carefully analyses the progression. The bulk of the information, however, appears in a dictionary section including over a hundred very extensive entries on directors, producers, performers, films, film studios and genres. Photos are also included in the dictionary section. More information can be found through the bibliography. Taiwan cinema is truly unique and this book is a good place to find out more about it, whether you are a student, or teacher, or just a fan.

Lowell Mason, Horatio Parker, Amy Beach, Charles Ives, Edward MacDowell, and Arthur Foote are but some of the American composers featured in this guide.

The history of the NBA has been filled with superstars, names known to fans and non-fans alike. But while comparisons between athletes who competed against each other face-to-face is a common occurrence in the sports world, it is not quite as easy to compare players from different eras. How would Wilt Chamberlain stack up against Shaquille ONeal? What about LeBron James and Larry Bird, or Magic Johnson and Oscar Robertson? In Pro Basketball's All-Time All-Stars: Across the Eras, Robert Cohen not only examines the best players from each era, but also ranks the five greatest players at each position in the history of the pro game.Dividing the history of professional basketball into five distinct eras, this book first describes the style of play that prevailed during each period. From the slow-paced, rough-and-tumble style of play that characterized the NBA during its formative years, to the up-tempo, high-flying style that currently prevails, Pro Basketball's All-Time All-Stars gives an in-depth view of how the game has evolved. For each of the five eras, Cohen has selected the best players to man the five positions on the court, providing career bios for each. To determine the best of the best, Cohen considers the level of dominance each player reached during his time in the league, his individual statistics, the degree to which he impacted the fortunes of his team, and the extent to which he improved his teammates' level of play. Individual honors and quotes from teammates and opponents alike are used to support the rankings. Covering NBA greats such as Bob Pettit, Bill Russell, Kareem Abdul-Jabbar, Michael Jordan, and Kobe Bryant, this book will appeal to basketball fans of all generations, and to any NBA fan interested in the history of the game.

In this collection of essays written by the former head of the Library of Congress Chinese Collection, Chi Wang chronicles the modest beginnings of the Chinese Collection at the Library of Congress and his crusade to transform it into the largest collection and Chinese cultural presence outside Asia.For anyone who has ever wondered what goes on inside the marble walls of one of the country's oldest federal institutions, Wang relates an insider's account of the major milestones and changes to the administration of the Collection over the years. Readers will be surprised not only to learn about some of the rare and priceless books that have found their way to the Library of Congress but also by the candor with which Wang shares his story about serving under three different Librarians of Congress, each with a different mandate and mark they wanted to leave behind.Building a Better Chinese Collection for the Library of Congress has value as American library history but also serves as a useful introduction to Chinese historical archives and libraries. Select writings discuss publication and personnel exchanges with Chinese academic libraries, Chinese character encoding and library automation, and publishing activities in China.

Library marketing and advertising in schools are now very widespread practices. Since libraries and schools have been strongly linked to economic performance, adopting marketing and advertising techniques into them is often seen as a natural extension of that linkage. But should that be the case? John Buschman argues that as we shape and guide our educative institutions, we should carefully consider the consequences.In Libraries, Classrooms, and the Interests of Democracy: Marking the Limits of Neoliberalism, Dr. Buschman details the connections between our educative institutions and democracy, and the resources within democratic theory reflecting on the tensions between marketing, advertising, consumption, and democracy. Drawing on wide scholarship to explore some of the history of democratic theory and its intertwinements with capitalism, the author helps the reader think about how democracies can deal with the challenges of this current historical phase. The complex arguments of de Tocqueville, Dewey, Marx, and many others help clarify how the market has pierced classrooms and libraries with advertising and marketingand why this is of concern in the interests of democracy.In this volume, Buschman provides a history of marketing and advertising and their entanglements with democracy, education, and libraries. He then engages Democratic Theory and the framework it provides to critique neoliberalism's influences. A final chapter traces the trajectory of neoliberalism and educative institutions on our democracy. Throughout, the book makes clear that issues concerning public educative institutions in a democracy are political. A provocative and engaging book, Libraries, Classrooms, and the Interests of Democracy should be required reading for anyone interested in the challenges facing libraries today.

Like other major music genres, ska reflects, reveals, and reacts to the genesis and migration from its Afro-Caribbean roots and colonial origins to the shores of England and back across the Atlantic to the United States. Without ska music, there would be no reggae or Bob Marley, no British punk and pop blends, no American soundtrack to its various subcultures. In Ska: The Rhythm of Liberation, Heather Augustyn examines how ska music first emerged in Jamaica as a fusion of popular, traditional, and even classical musical forms. As a genre, it was a connection to Africa, a means of expression and protest, and a respite from the struggles of colonization and grinding poverty. Ska would later travel with West Indian immigrants to the United Kingdom, where British youth embraced the music, blending it with punk and pop and working its origins as a music of protest and escape into their present lives. The fervor of the music matched the energy of the streets as racism, poverty, and violence ran rampant. But ska called for brotherhood and unity. As series editor and pop music scholar Scott Calhoun notes: ';Like a cultural barometer, the rise of ska indicates when and where social, political, and economic institutions disappoint their people and push them to re-invent the process for making meaning out of life. When a people or group embark on this process, it becomes even more necessary to embrace expressive, liberating forms of art for help during the struggle. In its history as a music of freedom, ska has itself flowed freely to wherever people are celebrating the rhythms and sounds of hope.'Ska: The Rhythm Liberation should appeal to fans and scholars alikeindeed, any enthusiast of popular music and Caribbean, American, and British history seeking to understand the fascinating relationship between indigenous popular music and cultural and political history. Devotees of reggae, jazz, pop, Latin music, hip hop, rock, techno, dance, and world beat will find their appreciation of this remarkable genre deepened by this survey of the origins and spread of ska.

In Experiencing Jazz: A Listener's Companion, writer, teacher, and renowned jazz drummer Michael Stephans offers a much-needed survey in the art of listening to and enjoying this dynamic, ever-changing art form. More than mere entertainment, jazz provides a pleasurable and sometimes dizzying listening experience with an extensive range in structure and form, from the syncopated swing of big bands to the musical experimentalism of small combos. As Stephans illustrates, listeners and jazz artists often experience the essence of the music togetheran experience unique in the world of music.Experiencing Jazz demonstrates how the act of listening to jazz takes place on a deeply personal level and takes readers on a whirlwind tour of the genre, instrument by instrumentoffering not only brief portraits of key musicians like Joe Lovano and John Scofield, but also their own commentaries on how best to experience the music they create. Throughout, jazz takes center stage as a personal transaction that enriches the lives of both musician and listener. Written for anyone curious about the genre, this book encourages further reading, listening, and viewing, helping potential listeners cultivate an understanding and appreciation of the jazz art and how it can helpin drummer Art Blakey's words';wash away the dust of everyday life.'

Renaissance Music for the Choral Conductor is the ideal textbook for choral literature and choral conducting classes on the undergraduate and graduate levels. It can serve as a reference for anyone who wishes to program and explore music from this period in greater depth, including church musicians and conductors of professional ensembles. The book concludes with a bibliography, glossary, and selected discography.

In recent years, interest in International Librarianship has grown rapidly and will continue to grow as globalization influences education and librarianship. In countries around the world, public and school libraries have unique roles and their staffs collaborate across types of libraries to varying degrees. The essays in Youth-Serving Libraries in Japan, Russia, and the United States address the universal and culture-specific aspects of library services to children and teens in these three countries. This collection shows how libraries have developed in light of each country's political, educational, and social history. The chapters highlight unique collections and services within each country and also show how librarians deal with the challenges they encounter, both from within their culture as well as from outside-including natural disasters. This book will be of interest to youth-serving librarians around the world, library educators, and for those studying international and young adult librarianship.

James M. Cain wrote some of the grittiest novels in American literature, including such classics as The Postman Always Rings Twice, Double Indemnity, and Mildred Pierce. James M. Cain: Hard-Boiled Mythmaker is a critical overview of the authors life, work, and legacy. An updated and expanded edition of two of David Maddens scholarly works on Cain, this new book improves upon the previous works by collecting the most essential writing on Cain by Madden into one volume. In addition to melding existing material, this work contains updated and new material, including fresh commentaries on later books, such as Rainbows End, Cloud Nine, and The Enchanted Isle, as well as later film adaptations, including Butterfly. It also responds to 40 years worth of criticism on Cain and reevaluates his influence.Providing an overview of all of Cains fiction, including an analysis of the major themes of his entire literary career, the book also describes Cains impact on and importance in 20th-century culture, film in particular. In addition to a biographical summary and thematic outline of Cains nearly 50-year career, Madden and Mecholsky examine how Cains works explore the nightmare consequences of the persistent American dream. Finally, Madden and Mecholsky consider Cains technical innovations of the novel and survey the major film adaptations of Cains novels.With its significant in-depth analysis and a foreword by Edgar-award winning author Max Allan Collins, this volume will be of interest to Cain scholars as well as anyone interested in 20th century American literature and film.

Arranged in three sections-Law and Policy, Information Technology, and Other Perspectives-this collection of essays by respected scholars address a number of privacy issues.

This series on Emigration from the United Kingdom to America concentrates on U.K. emigration in the period 1870-1897, listing migrants from the U.K. who arrived in New York. The original passenger lists transcribed by shipping agents and ship's officers and filed by all vessels entering U.S ports have been used in the preparation of Emigration from the United Kingdom to America. Presented in chronological order by each ship's date of arrival, these passenger lists provide the names of ships, ports of departure, and arrival and debarkation dates. The researcher can also locate data regarding a person's age, sex, and occupation, as well as village of origin and destination when reported.

This translation is the starting volume of Janita Hall-Swadley's The Collected Writings of Franz Liszt, the very first production of Liszt's entire literary collection in English. In Volume 1, Liszt provides insight into Chopin's early childhood and musical development, the cultural traditions and customs that inspired the polonaises and mazurkas, and the final days and hours of the composer before he died. It includes a thorough discussion of Liszt as an author and the tainted past that surrounded his writings beginning in the 1930s. Finally, a discussion of the professional and personal relationship between Chopin and Liszt is provided, making this volume a valuable addition to the study of both composers.

Keeping U.S. Intelligence Effective: The Need for a Revolution in Intelligence Affairs explores whether the U.S. intelligence enterprise will be able to remain effective in todays security environment. Based on the demands currently being placed upon the intelligence community, the analysis concludes that the effectiveness of U.S. intelligence will decline unless it embarks upon an aggressive, transformational course of action to reform various aspects of its operations.In keeping with the emerging literature on this subject, the book asserts that a so-called Revolution in Intelligence Affairs is needed. The need for a Revolution in Intelligence Affairs implies that no amount of evolutionary adjustments to existing intelligence community practices will keep U.S. intelligence effective. While evolutionary reforms might be necessary, they will not be sufficient to permit the intelligence community to target successfully the various threats and emerging issues that populate todays and tomorrows security environment.

In Pope Pius XII on the Economic Order, economist Rupert J. Ederer explores the views of Eugenio Pacelli, who served as pope during the tumultuous period of 1939 to 1958. Prodigious in his output, Pius XII produced 40 encyclicals, 19 highly regarded Christmas messages, and series of addresses to groups and organizations, laying the groundwork for the economic views of his successors. According to Ederer, it "e;is safe to say that no Roman pontiff has addressed the problems confronting the social order as frequently and as widely outside the formal structure of encyclicals as Pius XII. This applies in a special way to his masterful and prophetic Christmas Messages."e; Through the study of Pius XIIs encyclicals and Christmas messages, Ederer examines this important pontiffs views on economics and the social order, the world of work, agriculture and farmers, food and population, the middle class, and the world of money and finance.Students and scholars interested in the history of Pius XIIs papacy will find in Ederers analysis an insightful study of Catholic economic thought during an era when nations representing the forces of capitalism, fascism, and Communism were joined in a fierce battle for dominance.

This book discusses the benefits of managing knowledge in projects and provides techniques that will increase the rate of return on projects. Addressing strategy and deployment issues, this volume also provides case studies, making this an invaluable tool for the success of projects and sustainability/growth of organizations.

This book examines the career of Polish pianist and composer, Maria Szymanowska (1789-1831), through extensive use of primary source material. After a thorough biography, a comprehensive bibliography lists all of the composer's works and literature, including letters written by Szymanowska, her family, and contemporaries and 19th-century concert reviews, providing important historical context and details about the difficulties and successes of a 19th-century woman musician.

This collection of essays represents key contributions to 'transgression cinema:' overlooked, forgotten, or under-analyzed movies that walk the fine line between 'arthouse' and 'grindhouse' film.

The A to Z of Ancient India provides information ranging from the earliest Paleolithic cultures in the Indian subcontinent to 1000 CE. The ancient history of this country is related in this book through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on rulers, bureaucrats, ancient societies, religion, gods, and philosophical ideas.

Ridgeway (Reggie) Callow began his film career in the early 1930s and for four decades worked as an assistant director on some of the most memorable films in Hollywood history. In the early 1970s, over a period of several months, film historian Rudy Behlmer conducted interviews with Callow, and the result is this edited version of many hours of relatively informal conversations recorded between the two men.In these extracts, Callow recounts what it was like to work on such celebrated films as Gone with the Wind, Rebecca, Mutiny on the Bounty, and The Sound of Music, recalling the work of filmmakers Alfred Hitchcock, Howard Hughes, David O. Selznick, Michael Curtiz, John Huston, Carol Reed, Lewis Milestone, and Robert Wise. Callow also provides first-hand knowledge and inside information about stars of the period, including Clark Gable, Humphrey Bogart, Spencer Tracy, Grace Kelly, James Cagney, Elizabeth Taylor, Bette Davis, Marlon Brando, Julie Andrews, and others. Callow does not romanticize the glamour of Hollywood or echo carefully nurtured myths of legendary pioneer creative figures but rather recounts the workaday world of film business with revelations about major productions and personalities.

In A Style and Usage Guide to Writing About Music, Thomas Donahue presents a collection of guidelines to help express through the written word the special notations, terms, and concepts found in the discipline of music. It concentrates on questions of style and format in the interest of good formal writing within the context of United-States English, so that writers may communicate their ideas clearly and effectively.While compiling the guidelines, Donahue reviewed content from many other music and general guides. He documented the most common formats in order to assist the writer in selecting an appropriate format for the given circumstance when more than one may apply. The book draws on profuse musically-oriented examples and is arranged by topics both musical and typographic, such as the proper use and spelling of composer names and musical concepts; the use of notes, pitches, and octave delineations; letters and numbers employed to describe form and harmony; when, where, and how to apply compound words and hyphenation of terms and names; and the proper citation of musical and audiovisual sources. The book concludes with a glossary of typographic terms, a bibliography, and a comprehensive index, making this a valuable resource for students, scholars, teachers, and writers.

With the advent of the Information Society, access to resources is vital to the ordinary citizen, the academic, and the career professional, as well as in public administration and private enterprise. Information Pathways: A Problem-Solving Approach to Information Literacy is designed to serve as a textbook for courses that address the need of college students to develop a basic knowledge of the complex matrix of core resources for the retrieval, management, and exploitation of information. This book shows students how to:*; Build effective search strategies for solving information problems*; Evaluate and use information and information sources*; Apply information skills to the writing process*; Be at ease with numeric information*; Integrate information skills for smooth problem solving*; Maintain their new fluency with informationOrganized into chapters that examine different ways in which information is structured, Information Pathways will help students develop and evaluate strategies for finding and adopting information.

The Grosse Fuge, composed by Ludwig van Beethoven in his late period, has an involved and complicated history. Written for a string quartet but published as an independent work, the piece raises interesting questions about whether music without words can have meaning, and invokes speculation about the composer and his frame of mind when he wrote it. Kahn looks closely at the musical, aesthetic, philosophical, and historical problems the work raises, considering its history, structure and development, meaning, and response among critics and contemporaries. Kahn also studies Beethovens difficulties with publishers and sponsors, his everyday life, and his character in light of recent advances in the pharmacology of depressive illness.The book places both Beethoven and the Grosse Fuge in their historic and social contexts, arguing that Beethoven intended the Fuge as the finale of his String Quartet Opus 130 and created a substitute finale for the quartet at his publishers urging; not because he was unhappy with the work. Beethoven is examined as a freelance musician: a vocation whose members were frequently excluded from society and the protection of its laws, including respect for copyright. Viewed in this light, Beethovens famous quirks and resentments become understandable, even rational. Kahn also devotes a chapter to the phenomenon of synesthesiaa sense of motion through three-dimensional volumes of spaceexamining how some works of Western music can evoke synesthesia in listeners. He also speculates that Beethovens creative dry spell in his late 40s was caused by an extended bout with clinical depression. Written for a general audience and including a bibliography and index, this fascinating study will interest scholars and fans of classical music and Beethoven.

The Appalachian dulcimer is one of Americas major contributions to world music and folk art. Homemade and handmade, played by people with no formal knowledge of music, this beautiful instrument entered the post-World-War-II Folk Revival with virtually no written record. Appalachian Dulcimer Traditions tells the fascinating story of the effort to recover the instruments lost history through fieldwork in the Southern mountains, finding of old instruments, and listening to the tales of old folks.After reviewing the instruments distinctive musical features, Ralph Lee Smith presents the dulcimers story chronologically, tracing its roots in a Renaissance German instrument, the scheitholt; describing the early history of the scheitholt and the dulcimer in America; and outlining the development of distinctive dulcimer styles in Virginia, West Virginia, North Carolina, and Kentucky. The story continues into the 20th Century, through the final group of tradition-based Appalachian makers whose work flowed into the national scene of the Folk Revival.This fully revised edition provides expanded information about the history of the scheitholt and the dulcimer before the Civil War and discusses traditions and types that are still being discovered and documented. Smith also adds his personal adventures in searching for the dulcimers history. A new final chapter describes types and styles that do not fit conveniently into the mainstream development of the instrument. The book concludes with several appendixes, including measurements of representative dulcimers and listings of dulcimer recordings in the Archive of Folk Culture of the Library of Congress.

This collection of essays focuses on numerous contexts to emphasize why film adaptations matter to students of literature. Written by specialists in a variety of fields, ranging from film, radio, theater, and even language studies, it is the first such volume devoted exclusively to teaching adaptations from a practical, teacher-centered angle.

At the request of her many fans, Patty Campbell, editor of the Scarecrow Studies in Young Adult Literature series, has selected some of her best essays, articles, columns, and speeches in Campbells Scoop. These pieces define the boundaries between childrens and adult literature and review the trends, censorship, problems, and glories of the genre. Other essays reflect on some concerns and interests of young adult literature as it has matured: the verse novel, ambivalent endings, violence, the sometimes dubious value of awards and honor lists, the graphic novel, and the difficulties of the genres recent overwhelming success. A section titled "e;Inside ALA"e; looks at the authors many years of service to that organization with, among other pieces, a firsthand look at the Best Books committee at work and a report of her attempt to unite booksellers and librarians in common cause.Many of these selections show the idiosyncratic wit and passion that have made Campbells column a favorite with Horn Book readers: an exploration of the meaning of the glut of YA novels with death as a theme or character; an indignant denunciation of the fictional abuse of animals; a snarky analysis of "e;chick lit;"e; and a technical review from the belly-dancing critic of a YA novel featuring that ancient art. On a more serious note, Campbell pleads for what she calls "e;Godsearch"e; in books for teens and pays tribute to her late friend Robert Cormier. Without question, the essays in Campbells Scoop provide readers with the unique insights of an advocate who is passionate about young adult literature and its future.

No art can survive without an understanding of, and dedication to, the values envisioned by its creators. No culture over time has existed without a belief system to sustain its survival. Black music is no different. In Cultural Codes: Makings of a Black Music Philosophy, William C. Banfield engages the reader in a conversation about the aesthetics and meanings that inform this critical component of our social consciousness.By providing a focused examination of the historical development of Black music artistry, Banfield formulates a useable philosophy tied to how such music is made, shaped, and functions. In so doing, he explores Black music culture from three angles: history, education, and the creative work of the musicians who have moved the art forward. In addition to tracing Black music from its African roots to its various contemporary expressions, including jazz, soul, R&B, funk, and hip hop, Banfield profiles some of the most important musicians over the last century: W.C. Handy, Scott Joplin, Louis Armstrong, Duke Ellington, Count Basie, Mary Lou Williams, John Coltrane, James Brown, Jimi Hendrix, and Stevie Wonder, among others. Cultural Codes provides an educational and philosophical framework for students and scholars interested in the traditions, the development, the innovators, and the relevance of Black music.

Women Singer-Songwriters in Rock provides an overview of the women's singer-songwriter movement during the 1990s with detailed analyses of the music of Alanis Morissette, PJ Harvey, Courtney Love, Liz Phair, Tori Amos, Sarah McLachlan, and Sheryl Crow. The book focuses on the exploration of women's issues within the music, examining how the music's feminist content was able to filter into the popular culture.