Bücher veröffentlicht von Scribner Book Company

An eye-opening account of the last chapter in the life of Fidel Castro: his near death, his enemies and their fifty-year failed battle to eliminate him, and the carefully planned succession and early reign of his brother Raul.

Part memoir, part scholarship, part manifesto for a vital approach to life, David Hazony’s book tackles some of the most painful human questions that stand at the heart of who we are as modern, thinking people and offers answers that are sure to start a new discussion about the meaning of one of our most enduring, yet least understood, traditions.Across the Western World, the Ten Commandments have become a source of both inspiration and controversy, whether in Supreme Court rulings, in film and literature, or as a religious icon gracing houses of worship of every Christian and Jewish denomination. But what do the commandments really stand for? According to polls, less than half of all Americans can even name more than four of them. Fewer still can name all ten or have a clear idea of the ideals they were meant to promote. For most of us, agnostics and faithful alike, they have been relegated to the level of a symbol, and the teachings they contain are all but forgotten. In Western life today, the Ten Commandments are everywhere— except where we need them most. In The Ten Commandments, David Hazony offers a powerful new look at our most venerable moral text. Combining a fresh reading of the Old Testament’s most riveting stories and ancient rabbinic legends with a fearless exploration of what ails society today, Hazony shows that the Ten Commandments are not just a set of obscure laws but encapsulate a deeply valuable approach to life—one that is as relevant now as it was when they first appeared more than two millennia ago.

Offering an abundance of information and inspiration, Homemade is a revelatory addition to the craft world—the ultimate reference book on crafting and also a warm, engagingly written book that combines history and personal narrative with the science that makes a craft possible and the passion that inspires it.Offering an abundance of information and inspiration, Homemade is a revelatory addition to the craft world—the ultimate reference book on crafting and also a warm, engagingly written book that combines history and personal narrative with the science that makes a craft possible and the passion that inspires it. Carol Endler Sterbenz is a crafter, a teacher, a homemaker, a wife, and a mother. Raised by immigrant parents who taught her the enduring value of resourcefulness and creativity, she makes her lifetime of experience and infinite enthusiasm the foundation for Homemade. Sterbenz provides readers with not only practical information and direction but also a philosophy and methodology of crafting that build confidence and ability, making it easy to achieve truly professional results. Teeming with clear, reliable, and thorough information on everything from tools and materials to techniques, Homemade is an essential guide to seven of the most beloved crafts: beading, the flower arts, paper crafting, hand printing, decoupage, decorative embellishing, and children’s arts and crafts. Crafters—beginners and veterans alike—can turn to Homemade to learn which glues and finishes to use, how to form a perfect beaded loop, assemble a miniature robot, hollow out an egg, emboss paper, make a hand-tied bouquet, or transform a chandelier. Overflowing with hundreds of techniques; easy-to-follow step-by-step directions supported by more than eight hundred beautiful and precise hand-drawn illustrations, diagrams, and patterns; and countless insider secrets and troubleshooting tips, Homemade is an indispensable go-to reference no crafter should be without.

It was the mystery that gripped the nation during the summer of 2001: the sudden disappearance of Chandra Levy, a young, promising intern, and the possible involvement of Congressman Gary Condit. And then the case went cold. By 2007, satellite trucks and reporters had long since abandoned the story of the congressman and the intern in search of other news, fresh scandals. Across the country, Chandra’s parents tried to resume their daily lives, desperately hoping that someday there might be a break in the investigation.And in Washington, the old game of who’s up and who’s down played on without interruption. But Chandra Levy haunted. Six years after the young intern’s disappearance, investigative editors of the Washington Post pitched two Pulitzer Prize– winning reporters their idea: Revisit the unsolved case and find out what happened to Chandra, a task that had eluded police and the FBI. Scott Higham and Sari Horwitz went to work. e result was a thirteen-part series in the Washington Post that focused on a prime suspect the police and the FBI had passed over years before. They had wrongly pursued Condit and chased numerous false leads, including a claim that Chandra had been kidnapped and taken to the Middle East. But the most likely culprit was far less glamorous: an immigrant from El Salvador, a young man in the clutches of alcohol, drugs, and violence who had been stalking the running paths of Rock Creek Park, assaulting female joggers at knifepoint. He had attacked again, even as the police and the press concentrated on a congressman romantically linked to the intern. Finding Chandra explores the bungled police efforts to locate the crime scene and catch a killer, the ambition and hubris of Washington’s power elite and press corps, the twisted culture of politics, the dark nature of political scandal, and the agony of parents struggling to comprehend the loss of a child. Above all, it is a quintessential portrait of a cast of outsiders who came to Washington with dreams of something better, only to be forever changed.

A version of Aesop's Fables finds two friends, a grasshopper and an ant, who each spend their time differently preparing for winter in a tale of friendship, betrayal, and survival.

For seven months, Manny Howard—a lifelong urbanite—woke up every morning and ventured into his eight-hundred-square-foot backyard to maintain the first farm in Flatbush, Brooklyn, in generations. His goal was simple: to subsist on what he could produce on this farm, and only this farm, for at least a month. The project came at a time in Manny’s life when he most needed it—even if his family, and especially his wife, seemingly did not. But a farmer’s life, he discovered—after a string of catastrophes, including a tornado, countless animal deaths (natural, accidental, and inflicted), and even a severed finger—is not an easy one. And it can be just as hard on those he shares it with. Manny’s James Beard Foundation Award–winning New York magazine cover story—the impetus for this project—began as an assessment of the locavore movement. We now think more about what we eat than ever before, buying organic for our health and local for the environment, often making those decisions into political statements in the process. My Empire of Dirt is a ground-level examination—trenchant, touching, and outrageous—of the cultural reflex to control one of the most elemental aspects of our lives: feeding ourselves. Unlike most foodies with a farm fetish, Manny didn’t put on overalls with much of a philosophy in mind, save a healthy dose of skepticism about some of the more doctrinaire tendencies of locavores. He did not set out to grow all of his own food because he thought it was the right thing to do or because he thought the rest of us should do the same. Rather, he did it because he was just crazy enough to want to find out how hard it would actually be to take on a challenge based on a radical interpretation of a trendy (if well-meaning) idea and see if he could rise to the occasion. A chronicle of the experiment that took slow-food to the extreme, My Empire of Dirt tells the story of one man’s struggle against environmental, familial, and agricultural chaos, and in the process asks us to consider what it really takes (and what it really means) to produce our own food. It’s one thing to know the farmer, it turns out—it’s another thing entirely to be the farmer. For most of us, farming is about food. For the farmer, and his family, it’s about work.

From an award-winning sports journalist and college football expert: “A beautifully written mix of memoir and reportage that tracks college ball through fourteen key games, giving depth and meaning to all” (Sports Illustrated), now with a new Afterword about the first ever College Football Playoff.Every Saturday in the fall, it happens: On college campuses, in bars, at gatherings of fervent alumni, millions come together to watch a sport that inspires a uniquely American brand of passion and outrage. This is college football. Since the first contest in 1869, the game has grown from a stratified offshoot of rugby to a ubiquitous part of our national identity. Right now, as college conferences fracture and grow, as amateur athlete status is called into question, as a playoff system threatens to replace big-money bowl games, we’re in the midst of the most dramatic transitional period in the history of the sport. Season of Saturdays examines the evolution of college football, including the stories of iconic coaches like Woody Hayes, Joe Paterno, and Knute Rockne; and programs like the USC Trojans, the Michigan Wolverines, and the Alabama Crimson Tide. Michael Weinreb considers the inherent violence of the game, its early seeds of big-business greed, and its impact on institutions of higher learning. He explains why college football endures, often despite itself. Filtered through journalism and research, as well as the author’s own recollections as a fan, Weinreb celebrates some of the greatest games of all time while revealing their larger significance. “Wry, quirky, fascinating...This surely is one of the most enjoyable books of the college football season...Weinreb wrestles in captivating prose with the violence, hypocrisy, and corruption that are endemic to the sport at its most cutthroat level” (The Plain Dealer, Cleveland).

Like Graham Greene and Mary McCarthy before him, MacDonald Harris has written a thriller. And like them, he brings to his story the alchemical talent of a first-class novelist: The Treasure of Sainte Foy is not only gripping, but also transcendent.In the picturesque, isolated French village of Conques stands the Abbey of Sainte Foy. The church houses a priceless medieval treasure whose centerpiece is a magnificent, three-foot-high statue of the holy martyr Sainte Foy, bejeweled and covered with gold, its strange alabaster eyes gazing ahead as if at a nearby invisible world. To a small group of political terrorists in Toulouse, the treasure is an irresistible target. Working with them is Patrick, a disaffected American art historian, who recruits into the band Marie-Ange, the guide to the church. We see their methodical preparations for the robbery, the growing attraction between Patrick and Marie-Ange, the implacable pursuit of the police—all cool, dramatic, and passionate as a Bogart film. But we also sense the mysterious underworld of the Languedoc, a region of heretics and saints, criminals and martyrs; the stakes of the novel subtly change and ramify; we are caught up in a gorgeous and mystical endgame as the forces of retribution close in; we get the uncanny feeling that at play in the novel are forces unseen and unseeable. What is really at play, of course, is the masterful hand of MacDonald Harris. A native Californian, Harris is best known for The Balloonist, nominated for the National Book Award and translated into half a dozen language, and Pandora's Galley, his mesmerizing tale of the last days of the Venetian Republic. In The Treasure of Sainte Foy, Harris has written a novel that is spellbinding in every sense of the world.

An exciting history told with a novelist's eye and filled with intimate details of the longest and largest battle of WWII—the fight for the Atlantic Ocean.Of all the threats that faced his country in World War II, Winston Churchill said, just one really scared him—what he called the "measureless peril" of the German U-boat campaign. In that global conflagration, only one battle—the struggle for the Atlantic—lasted from the very first hours of the conflict to its final day. Hitler knew that victory depended on controlling the sea-lanes where American food and fuel and weapons flowed to the Allies. At the start, U-boats patrolled a few miles off the eastern seaboard, savagely attacking scores of defenseless passenger ships and merchant vessels while hastily converted American cabin cruisers and fishing boats vainly tried to stop them. Before long, though, the United States was ramping up what would be the greatest production of naval vessels the world had ever known. Then the battle became a thrilling cat-and-mouse game between the quickly built U.S. warships and the ever-more cunning and lethal U-boats. The historian Richard Snow captures all the drama of the merciless contest at every level, from the doomed sailors on an American freighter defying a German cruiser, to the amazing Allied attempts to break the German naval codes, to Winston Churchill pressing Franklin Roosevelt to join the war months before Pearl Harbor (and FDR’s shrewd attempts to fight the battle alongside Britain while still appearing to keep out of it). Inspired by the collection of letters that his father sent his mother from the destroyer escort he served aboard, Snow brings to life the longest continuous battle in modern times. With its vibrant prose and fast-paced action, A Measureless Peril is an immensely satisfying account that belongs on the small shelf of the finest histories ever written about World War II.

When playboy Max Jeopard is killed at his own engagement party, Inspector Luke Thanet is called in to investigate and uncovers a host of suspects, including his fiancée, a jealous brother, an ex-girlfriend, and the victim’s future in-laws. “This English village ‘cozy’ goes down well” (Library Journal). “A master at plot manipulation, Ms. Simpson cunningly strews clues right and left…The pleasure here is watching Thanet meticulously pick his way through ‘the complex web of relationships’ to arrive at an understanding of what would make a person kill for love.” —The New York Times Book Review

Serious crime isn't supposed to happen in elegant English country homes, especially not in such families as that of Queen's counsel Ralph Mintar, a prominent barrister who's destined to become a high-court judge. So it's particularly shocking when Mintar's attractive wife, Virginia, goes missing just after a small dinner party. Her disappearance is eerily reminiscent of the day four years before, when the Mintars' adult daughter Caroline left the house, never to return. Caroline seems to have vanished off the face of the earth, but Virginia's body is soon found at the bottom of a garden well, and Inspector Luke Thanet and his partner, Sergeant Mike Lineham, who are called in to investigate, quickly discard any idea of accidental death. Virginia was the perfect murder victim. Her outrageous flirting made her many enemies, several of whom were there on the night of her death. They had both reason and opportunity to kill her, but which one took the final, fatal step? Who wanted Virginia dead and gone? Who was Virginia's latest lover? What does her mother-in-law have to hide? What about Caroline's younger sister and her womanizing fiancé? Thanet and Lineham wonder how they can even begin to unravel the morass of family secrets that complicate this case. Distracted by his own daughter Bridget's dangerous pregnancy and pushed by his boss to find hard evidence in this high-profile homicide, Luke Thanet feels pressured as never before as he probes into the life and death of one of the most poignant and, finally, shocking cases of his career. Always a skilled mistress of the classic British crime novel, award-winning author Dorothy Simpson is at the top of her form in this powerful novel of family love gone tragically wrong.

An up-close account of the experience of inner city New York kids—black and Latino, from ghettos and projects—who spent a summer in an Amish and Mennonite farm community in Central Pennsylvania in the late 1970s, sponsored by the Fresh Air Fund. City Chidren, Country Summer follows these children as they navigate two very different worlds, from Lawrence Wright, author of The Looming Tower: Al-Qaeda and the Road to 9/11, winner of the 2007 Pulitzer Prize for General Nonfiction.

“A darkly funny memoir about family reckonings” (O, The Oprah Magazine)—the story of a young man who, by handling the dead, makes peace with the living.Andrew Meredith’s father, a literature professor at La Salle University, was fired after unspecified allegations of sexual misconduct. It’s a transgression that resulted in such long-lasting familial despair that Andrew cannot forgive him. In the wake of the scandal, he frantically treads water, stuck in a kind of suspended adolescence—falling in and out of school, moving blindly from one half-hearted relationship to the next. When Andrew is forced to move back home to his childhood neighborhood in Northeast Philadelphia and take a job alongside his father as a “remover,” the name for those unseen, unsung men whose charge it is to take away the dead from their last rooms, he begins to see his father not through the lens of a wronged and resentful child, but through that of a sympathetic, imperfect man. Called “artful” and “compelling” by Thomas Lynch in The Wall Street Journal, Meredith’s poetic voice is as unforgettable as his story, and “he tucks his bittersweet childhood memories between tales of removals as carefully as the death certificates he slips between the bodies he picks up and the stretcher-like contraption that transports each body to the waiting vehicle” (Minneapolis Star-Tribune). “Potent” (Publishers Weekly), and “ultimately rewarding” (The Boston Globe), The Removers is a searing, coming-of-age memoir with “lyrical language and strong sense of place” (The Philadelphia Inquirer).

Chronicles the harrowing forty-day period following the disappearance of the author's mother, an emotional journey of detective interviews and wild hopes before her mother's body was found in the ocean and their family was forced to confront painful truths.

"A compelling, deeply rewarding novel from a unique southern storyteller, American Ghost is Janis Owens' richly woven story about how unresolved family history and the racial tensions of the past threaten a love affair between two young Floridians"--

Smith, a "funny, poignant, evocative" (Dennis Lehane) crime novelist, debuts a new series set in upstate New York featuring jack-of-all trades Virgil Cain, who must clear his name of two murders while on the run from the law.

This eagerly awaited volume in the celebrated Best American Poetry series reflects the latest developments and represents the last word in poetry today. Paul Muldoon, the distinguished poet and international literary eminence, has selected -- from a pool of several thousand published candidates -- the top seventy-five poems of the year. "The all-consuming interests of American poetry are the all-consuming interests of poetry all over," writes Muldoon in his incisive introduction to the volume. The Best American Poetry 2005 features a superb company of artists ranging from established masters of the craft, such as John Ashbery, Adrienne Rich, and Charles Wright, to rising stars like Kay Ryan, Tony Hoagland, and Beth Ann Fennelly. With insightful comments from the poets elucidating their work, and series editor David Lehman's perspicacious foreword addressing the state of the art, The Best American Poetry 2005 is indispensable for every poetry enthusiast.

It’s the thirty-fourth century and the nuclear apocalypse has come and gone. Civilization has rebuilt itself, and the results are eerily similar to the early part of the twenty-first century. But there are a few notable differences. Visa owns everything. Deer are the most common domesticated animal. And misinterpretations of preapocalyptic history run amuck (e.g., Sarah Palin established the theory of natural selection). But what hasn’t changed is the nature of good and evil.The Good and the Ghastly centers on two people linked through violence. Mobster Junior Alvarez has risen from street thug to criminal overlord. He will go to incredible lengths to get what he wants—and he desires to live however he pleases, without compromise. The intensity of his quest is matched only by that of the mother of one of Alvarez’s first victims. She has gone vigilante and is hunting down mobsters. The two are prepared to go to the ends of the earth to manifest their wills—one good, one ghastly, both ruthless.A wild satire of our own society, The Good and the Ghastly is a visceral novel informed by Boice’s unnerving sense of reality and pathology. It is also an honest, old-fashioned good-versus-evil story—with a twist of modern-day madness.

The true story of the intrepid woman whose life-long determination to protect America’s mustangs captured the heart of the country.In 1950, Velma Johnston was a thirty-eight-year-old secretary enroute to work near Reno, Nevada, when she came upon a truck of battered wild horses that had been rounded up and were to be slaughtered for pet food. Shocked and angered by this gruesome discovery, she vowed to find a way to stop the cruel round-ups, a resolution that led to a life-long battle that would pit her against ranchers and powerful politicians—but eventually win her support and admiration around the world. This is the first biography to tell her courageous true story. Like Dian Fossey, Jane Goodall, or Temple Grandin, Velma Johnston dedicated her life to public awareness and protection of animals. Wild Horse Annie and the Last of the Mustangs follows Velma from her childhood, in which she was disfigured by polio, to her dangerous vigilante-style missions to free captured horses and document round-ups, through the innovative and exhaustive grassroots campaign which earned her the nickname “Wild Horse Annie” and led to Congress passing the “Wild Horse Annie Bill,” to her friendship with renowned children’s author and horse-lover Marguerite Henry. A powerful combination of adventure, history, and biography, Wild Horse Annie and the Last of the Mustangs beautifully captures the romance and magic of wild horses and the character of the strong-willed woman who made their survival her legacy.

In this richly imagined, utterly original debut, a mother-daughter road trip leads a young girl, a precocious Civil War buff, to a hard-won understanding of the American history she loves and the personal history she inherits. Eleven-year-old Katherine McConnell is so immersed in Civil War history that she often imagines herself a general, leading troops to battle. When Kat’s beautiful, impulsive mother wakes her early one morning in the summer of 1968 to tell her they will be taking a road trip from Georgia to Maine to find antiques for a shop she wants to open, Kat sees the opportunity for adventure and a respite from her parents’ troubled marriage. Armed with a road atlas and her most treasured history books, Kat cleverly charts a course that will take them to battlefields and historic sites and, for her mother’s sake she hopes, bring them home a success. But as the trip progresses, Kat’s experiences test her faith in her mother and her loyalty to the South, bringing her to a difficult new awareness of her family and the history she reveres. And when their journey comes to an abrupt and devastating halt in Gettysburg, Kat must make an irrevocable choice about their ultimate destination. Deftly narrated with the beguiling honesty of a child’s perspective and set against the rich backdrop of the South during the 1960s, The Confederate General Rides North gracefully blends a complex mother-daughter relationship, the legacy of the Civil War, and the ache of growing up too soon.

Written with compassion and a true understanding of the current politics and business world of the Middle East, The Desert Contract paints a dead-on portrait of Saudi Arabia’s near future and, at the same time, deftly examines what happens when passion, commitment, and loyalties collide.Late at night on the eleventh-floor balcony of a deserted building on the Persian Gulf, American businessman Steve Kemp finds himself falling back in love with Helen—the Irishwoman he’d left more than a decade before—as bombs explode below. Kemp returned to the Eastern Province of Saudi Arabia as a last attempt to find success. Fired from his job in L.A. and divorced from his wife, he hoped to salvage his finances in a peaceful part of the Middle East. But he arrived to find a country on the verge of a political meltdown, where an explosive mix of resentment, revolt, and jihadists threatened the regime. And he found his old flame Helen, who was now married to a diplomat at the end of his career. The overextended military props up the crumbling monarchy, buying a little time—time Kemp and Helen use to rekindle their affair. As the country plunges into violent political crisis, Kemp focuses on financing his escape with Helen. All he needs is one last big sale—their contract out. The country enters its final descent when Kemp’s sale at last appears. The deal will be complete once Kemp visits a correspondent bank. It is standard procedure. But suddenly the picture darkens. The bank is on the wrong side of an obscure island. Helen, and even her husband, may have had a hand in the sale. And the terms may be more ambiguous—and more dangerous—than Kemp had thought.

In 2004 on Palm Island, an Aboriginal settlement in the "Deep North" of Australia, a thirty-six-year-old man named Cameron Doomadgee was arrested for swearing at a white police officer. Forty minutes later he was dead in the jailhouse. The police claimed he'd tripped on a step, but his liver was ruptured. The main suspect was Senior Sergeant Christopher Hurley, a charismatic cop with long experience in Aboriginal communities and decorations for his work. Chloe Hooper was asked to write about the case by the pro bono lawyer who represented Cameron Doomadgee's family. He told her it would take a couple of weeks. She spent three years following Hurley's trail to some of the wildest and most remote parts of Australia, exploring Aboriginal myths and history and the roots of brutal chaos in the Palm Island community. Her stunning account goes to the heart of a struggle for power, revenge, and justice. Told in luminous detail, Tall Man is as urgent as Bury My Heart at Wounded Knee and The Executioner's Song. It is the story of two worlds clashing—and a haunting moral puzzle that no reader will forget.