Bücher veröffentlicht von Seagull Books London Ltd

A captivating and wide-ranging interpretation of accidental dismounting.   In Pascal Quignard's writing, philology hunts for wild game in a dark forest. The Unsaddled, which features horses as its central figure, is no exception. Taking off from puns, multifarious imagery, and metaphorical meanings-"to be baffled," "to be thrown"-that the book's title provides, Quignard focuses on life-changing moments. We meet George Sand (whose father died after being thrown from his horse), Saint Paul, Abelard, Agrippa d'Aubigné, and countless other writers, philosophers, theologians, or kings who fell off their horses-not to forget Jean-Jacques Rousseau, who was knocked over by a dog. Being "unsaddled" can also be associated, as Quignard shows in regard to Nietzsche, with an "overturning" of values. Scenes of war, hunting, "fleeing" or sexuality-"When lovers have a horse ride, they gallop in another world"-come before our eyes, each time from those unsettling vantage points that Quignard knows how to find. As ever, he ranges far and wide in his intense quest, taking examples from across human history, from the neolithic age to his own childhood memories of postwar Le Havre in northern France.

In June 1939 Annemarie Schwarzenbach and fellow writer Ella Maillart set out from Geneva in a Ford, heading for Afghanistan. The first women to travel Afghanistan's Northern Road, they fled the storm brewing in Europe to seek a place untouched by what they considered to be Western neuroses. This title documents that Afghan journey.

A unique and modern approach to money, wealth, greed, and financial ignorance presented via a story of a family in the Munich suburbs. The Federmanns live a pleasant but painfully normal life in the Munich suburbs. All that the three children really know about money is that there‿s never enough of it in their family.   Every so often, their impish Great-Aunt Fé descends on the city. After repeated cycles of boom and bust, profligacy and poverty, the grand old lady has become enormously wealthy and lives alone in a villa on the shore of Lake Geneva. But what does Great-Aunt Fé want from the Federmanns, her only surviving relatives? This time, she invites the children to tea at her luxury hotel where she spoils, flummoxes, and inspires them. Dismayed at their ignorance of the financial ways of the world, she gives them a crash course in economics that piques their curiosity, unsettles their parents, and throws open a whole new world. The young Federmanns are for once taken seriously and together they try to answer burning questions: Where does money come from? Why are millionaires and billionaires never satisfied? And why are those with the most always showered with more?   In this rich volume, the renowned poet, translator, and essayist Hans Magnus Enzensberger turns his gimlet eye on the mechanisms and machinations of banks and politicians‿the human greed, envy, and fear that fuels the global economy. A modern, but moral-less fable, Money, Money, Money! is shot through with Enzensberger‿s trademark erudition, wit, and humanist desire to cut through jargon and forearm his readers against obscurantism. Â

Master storyteller Ngugi wa Thiong'o blends myth and folklore with insight into the human psyche and the patterns of politics in this fable of how humans came to walk upright, set to appeal to both adults and children. Sunandini Banerjee illustrates.

Nations need identities. These are created from perceptions of how societies have evolved. In this, history plays a central role. Insisting on reliable history is therefore crucial to more than just a pedagogic cause. Delicate relationships between the past and present or an exacting understanding of the past, call for careful analyses. Understanding India's past is of vital importance to the present. Many popularly held views about the past need to be critically enquired into before they can be taken as historical. Why is it important for Indian society to be secular? When did communalism as an ideology gain a foothold in the country? How and when did the patriarchal system begin to support a culture of violence against women? Historian Romila Thapar has investigated, analyzed, and interpreted the history that underlies such questions throughout her career. Through the incisive essays in The Past as Present, she argues that it is of critical importance for the Indian past to be carefully and rigorously explained if the legitimacy of the present, wherever it derives from the past, is to be portrayed as accurately as possible. This is particularly crucial given the attempts by unscrupulous politicians, religious fundamentalists, and their ilk to wilfully misrepresent and manipulate the past in order to serve their present-day agendas. The Past as Present is an essential and necessary book at a time when sectarianism, false nationalism, and the muddying of historical facts are increasingly becoming a feature of our public, private, and intellectual lives.

"Originally published in Arabic in 1995"--Title page verso.