Bücher veröffentlicht von Shanti Arts LLC

Upstream is a continuation of Eric Wade''s wilderness story begun in his earlier book, Cabin. For many years, Wade has traveled twice a year to his cabin on a river for an extended stay in the Alaska boreal forest. There he and his wife, Doylanne, built a rewarding life among bear, moose, owls, grouse, and fish. But their recent trips carry a different feeling as they face the challenges that come with aging. Wade gives us a look at his pain and frustration as he needs to adjust his behaviors to suit his physical changes, having reached the point in life when he transitions from building and growing to slowing down and letting go. Beautifully written, Upstream is a meditation on a life spent in the wilderness and the realization that one''s dream doesn''t fade as the years go by, but one must be prepared to make some changes. 

"Like a good friend, coffee is always around no matter the weather, situation, or location. Come along with Sheree K. Nielsen as she shares her love affair and life with coffee through poems and photographs"--

"The poems in this award-winning collection take the reader on a ride with things that fly, including the poet's grandmother (who was an aerialist with Barnum and Bailey Greatest Show on Earth), birds, ghosts, insects, ancestors, an angel or two, as well as humans attempting to flee. The manuscript was a finalist for The Blue Lynx Poetry Prize, The May Sarton New Hampshire Poetry Prize, The Sally Albiso Poetry Book Award, The Barry Spacks Poetry Prize, and The Brighthorse Prize. One of the poems, "Offering," won the 2018 E.E. Cummings Award from New England Poetry Club, and another, "Appropriation," was awarded a Florida Review 2018 Editors' Prize. Arresting images by artist Rachel Brumer interlace the poems in this extraordinary collection, enhancing their sense of wonder and surprise"--

Cheryl J. Fish first visited Finland as a Fulbright professor in 2007. Since then she has returned many times to research protest and resistance to mining and extraction in Arctic Fennoscandia in the works of Sami filmmakers, photographers, and artists. However, the landscapes and experiences of the country''s saunas, lakes, villages, homes, streets, and parks evoked rich stories and poetry. This unique collection of poems, The Sauna Is Full of Maids, is a reflection on how present-day Finnish life intertwines with folklore and mythology-expressed in the Kalevala, a work of epic poetry compiled from long-lived ballads, songs, and incantations-and advancing modern developments. Accompanied by many of the poet''s own photographs, this collection has the kind of rich cultural detail that warms and satisfies the reader with insight and appreciation.

Rainer Maria Rilke wrote in a letter-later collected in the posthumous book Letters to a Young Poet-that a writer always has a storehouse of inspiration to draw upon from childhood memories. Wally Swist''s seventeenth full-length collection of poetry, Taking Residence, begins with poems regarding childhood memories and, in quite a symphonic manner, concludes with them. A collection containing poems honoring the natural world, a suite written as a tribute to a friend who passed, twenty-six poems that are translations from the Spanish of Federico Garcia Lorca and St. John of the Cross and from the Italian of Giuseppe Ungaretti; the poet drawing from mindfulness practice and the practice of presence, the political cacophony of the last presidential administration, and spiritual and substantive nourishment Gastronomique-these are poems that address what it is to take residence in the heart, which Carl Jung spoke to when he offered that after a long life of studying the psyche and the soul, he just might have started to live his life at the level of the heart chakra. Taking Residence is a multifaceted and layered book of poetry built upon the foundational notion that "learning what it is that is taking residence in the heart" is a worthwhile and lifelong pursuit.

Here, in Stacie Smith''s fifth collection of poems, are dispatches from these times, personal reports from the confluence of three streams: the realm of human events and behaviors, the realm of nature''s ways, and the realm of possibility created by their merging. All but one of the sixty poems in this collection were written in the years between 2018 and 2020, years that will long be remembered for a world-wide pandemic as well as social unrest and despair, years during which the stream of possibility appeared dry and deserted.

Here in Gary Glauber''s timely collection are crafted reminders of a world gone awry despite best intentions, discrete memories of humanity''s misguided longings. This narrative playbook implicates us in a collection of challenges and pain, questioning each wry surrender to time''s inevitable passage, transformed via poetry asking a careful contrition for all. 

Though mainly a prolific personal essayist, Naomi Beth Wakan admits that poetry in the form of haiku, tanka, and free verse has occupied a large percentage of her waking hours and many of her sleeping ones too. This exceptional collection, Wind on the Heath, includes poems written when Wakan was in her twenties along with many written in recent years, thus spanning roughly sixty years of inquisitive thinking and creative writing. The foundation of Wakan''s work is her dedication to living an examined life, which Wakan describes in this way: Seeking in the darkness/a crack through/which we may glimpse reality. Her poetry, superbly presented in this life-spanning collection, allows readers to see the flicker of light showing through the crack. This is poetry to live by.