Bücher veröffentlicht von Sunstone Press

Between 1850 and 1912, Territorial New Mexico was home to a diverse mix of peoples. Contesting with those who had lived in the region for thousands of years, an array of newcomers arrived: Hispanic settlers, Anglo homesteaders, ranchers, cowboys, sheepherders, merchants, railroad men and-perhaps its chief adventurers-treasure hunters and prospectors. "e;Lost Treasures & Old Mines"e; brims with stories of gold fever, copper ore and SILVER mining in the American Southwest. In 1541 when Coronado's conquistadors arrived in search of the fabled Seven Cities of Cibola, pre-Columbian natives had long been mining for turquoise. The stories in this collection tell of hidden Indian mines, treasures lost en route to Spain, gold heists on trains and stagecoaches, placer miners roaming the hills and chicanery among claim partners. Geronimo, Victorio, Billy the Kid and U.S. Calvary soldiers thread through these stories, along with lucky characters who strike the motherlode and hapless ones who lose their fortunes. The Lost Juan Mondragon Mine, The Dead Burro Mine, the Lost Mine of the Pedernal, the Adams Diggings, Elizabethtown and Pinos Altos--such places live as shining memories in these oral histories of fabulous fortunes lost and found. Between 1936 and 1940, field workers in the New Deal Works Project Administration's Federal Writers' Project recorded authentic accounts of life in the early days of New Mexico. These original documents, published here for the first time as a story collection, reflect the conditions of the New Mexico Territory as played out in dynamic clashes between individuals and groups competing for control of the land and resources. "e;Lost Treasures & Old Mines,"e; the third in the New Mexico Federal Writers' Project Book Series, features a lively collection of stories and historic photographs of the era. The first and second books in the series are "e;Outlaws & Desperados"e; and "e;Frontier Stories."e; Forthcoming volumes include Stories from Hispano New Mexico and a collection of cowboy adventures on cattle trails and ranches.

Sara Jane "e;Sally"e; Coffman, SWF, has suffered through blind dates, computer dates, disaster dates, and no dates. She has single-handedly organized a family reunion, planted grass in a drought, and had some of the worst hairdos in the history of Beauty-Related Lawsuits. Blessed with a quirky sense of humor, she has survived and lived to tell her tales. Sally finds humor in her mishaps, embarrassments, and misadventures. She says, "e;You can't wait for laughter to come to you. You have to go out and find it."e; And find it she does. Here is a collection of her humorous, and sometimes cautionary, tales celebrating the joys of being single. You don't have to be single or female to enjoy Sally's stories. Everyone will see themselves in her embarrassing, unusual, and awkward situations. Sally is a master storyteller. Come laugh at her misadventures and see which ones remind you of your own. Born in Bedford, Ohio, Sara Jane Coffman grew up in the neighboring town of Maple Heights (both suburbs of Cleveland). She earned her two degrees-a Bachelor of Arts in Radio/TV and a Masters in Speech Communication-from Purdue University. She is an instructional developer, study skills instructor, actress, and author. Her specialty is helping students learn.

Vanessa Sterling has abandoned the all consuming life of a Chicago corporate lawyer to begin a new life in the sleepy fishing village of Depoe Bay, Oregon. But a serious challenge arises when a long-lost son returns and the past reemerges to entangle her in a web of lies, deceit, and betrayal-the depths of which not only threaten her moral fiber, but her very existence. To save her son from his sordid past, this misguided mother begins to unravel deadly family secrets, pulling her into the seedy underworld of a drug czar, only to discover her son is not so innocent. A native of Detroit, Michigan, Fran Blacketer moved to California in the late 1970s where she earned a master's degree in psychology and taught at Saddleback College. She lived in Laguna Beach where she met her artist husband, Jim, and they moved to Depoe Bay, Oregon for six years before returning to southern California. While in Oregon she found the central coast to be a haven for writers where mystery and intrigue seemed to permeate the rugged coast line. "e;You Can't Kill a Dead Man"e; is the first novel in a series of Vanessa Sterling mysteries.

The stories in this book, recorded by the author from personal interviews with Native American storytellers, hold the conflicts and compliments of family and/or situations of testing in relationships. Native cultures have lessons to be learned here, just as every culture does. These stories are not unique, yet they may help educate many of us today in finding solutions to similar problems. Symbolic language holds teachings, but without respecting the old ways, many shall never learn. Human beings have lived throughout millenniums, through floods, enduring droughts, appreciating abundance of food, yet every generation has their own trials to overcome, goals to achieve and rewards to receive or lose. These stories are to remind us of how fragile each one of us is as we struggle to survive youth, middle age, and our older years. It is important to listen and remember, for once the truth is gone, we shall certainly be on our own. Some of the Native American people represented by these stories are the Paiute, Iroquois, Pima, Kiowa, Osage, and Cherokee.

In a small town in northern New Mexico a father's untimely death leads to mayhem and murder. Families find their lives threatened once the father's will is read for unlike his wife, he did not believe in primogeniture. Truth reveals that the father did not believe in his son Granger at all and herein begins the conflict. The father's death was to be Granger's salvation but Granger must now find a way to gain wealth in order to maintain a family male heir. The father's doctor and nurse know without a doubt that the father's death was not a natural one, but can they get the daughter Sophia to see the obvious as she suffers in her grief? Soon Granger is shown not to be as clever as he believes himself to be when someone else-someone who wants Granger's money and is equally as dangerous-comes on the scene and Granger soon becomes a victim. Sinister and clever machinations now outweigh truth and honesty. Sophia is not willing to let her home and her loved ones be separated from her without a fight as her relatives threaten to remove her from all she holds dear, including life itself. Can she survive and solve the mystery of her father's death? The body count piles up as the story unfolds. What appears obvious may not be easy to prove as the prodigal son falls. Includes Readers Guide. TERESA PIJOAN was born in Espanola, New Mexico, and grew up in Indian communities where she learned the ways and legends of the Native People. Her father was a public health doctor from Barcelona and her mother was a school teacher from New York. Her grandfather was the famous Spanish author, Jose Pijoan. Teresa Pijoan is a lecturer, storyteller, research writer, and teacher and has shared her storytelling throughout Central Europe, Mexico, and the United States. To storyteller Pijoan, myths are "magic lenses" through which cultures can be viewed, understood, and deeply appreciated. Other books by Teresa Pijoan are "Dead Kachina Man," "American Indian Creation Myths," "Healers on the Mountain," "Pueblo Indian Wisdom," "Native American Creation Stories of Family and Friendship" and "Ways of Indian Magic," all from Sunstone Press.

If you think your forties were challenging-wait until you're fifty. Just don't wait until you're fifty to read this book. It's easier to handle this momentous change of life if you're armed with good information, a sense of humor and, perhaps, a stiff drink. Fifty doesn't happen overnight-the journey into midlife takes years and it's different for everybody, female and male. Some start earlier, some start later, but in the end, it's all the same: By the time you're fifty adjustments are called for. This book is about helping women (and men, to some extent) navigate the changes that midlife brings. It gives credence, validity and voice to real concerns about entering middle age and practical advice on preserving and/or improving minds, bodies, desirability, confidence and creativity going forward. The book covers a broad range of topics from the perspective of midlife veterans, members of a silent majority of women that have a lot more to talk about than hot flashes and other physical manifestations of middle age. It is characterized by straightforward, conversational language, humorous anecdotes, helpful suggestions and an unwavering focus on reality, no matter how controversial or unorthodox. Women are hungry to hear about other women's experiences in this area-and men are anxious to learn how to relate to the changing women in their lives as they are going through their own changes. They are all looking for relief-comic and otherwise. "e;Wait Until You're Fifty"e; focuses less on menopause and more on the perspective changes, little murders and unexpected awakenings that midlife precipitates, such as: the permanently empty nest (farewell to fertility), midlife love (a whole other affair), and re-prioritizing friendship (who will be there for the back fifty?). MINDY LITTMAN HOLLAND wrote this book based on personal experience and interviews with dozens of women and men who had something to say about the joys and adversities of midlife. In addition to writing non-fiction, she writes long and short fiction. She lives in Santa Fe, New Mexico.

Rachel Berghash's lyrical, impressionistic memoir charts her relationship with her homeland during a lifelong journey of self-discovery, beginning with a child's-eye view of the city's sacred mysteries, her family's religious orthodoxy, and the underlying kinship between Israelis and Palestinians. At eighteen, she serves in the Israeli army, later attends the Rubin Academy of Music, and works as a secretary at the Israeli Parliament and "The Jerusalem Post." When she marries an American artist, she moves to New York City and raises a family. Living outside the homeland she loves and having abandoned her adherence to religious strictures, she shuttles between her original and adopted countries. Touching on issues of emigration, exile, family, and reawakening to religion, "Half the House" shows how Berghash builds a new house of the spirit, drawing on the foundation of her past while embracing her life's new possibilities. RACHEL BERGHASH is a prolific poet and Pushcart Prize nominee. Her poetry and translations appear in numerous literary magazines. She holds a master's degree in social work from Yeshiva University and is a longtime teacher of Interior Life seminars that use key philosophical, psychological, and religious texts. Her essays in this area, with co-author Katherine Jillson, have been published in "Tikkun," the "Journal of Religion and Health," and elsewhere. In the 1980s, Berghash produced a series for radio that featured interviews with prominent poets. Transcripts of these have appeared in the "Partisan Review" and the "American Poetry Review," and in essay collections from the University of Michigan Press.

Cloggers and sopranos, contortionists, Indian Club Swingers, ticket-of-leave men and ladies of the night, shepherds, saints, and devils-these are a few of the characters portrayed in the early amateur theatrical productions of Las Vegas, New Mexico, and nearby Fort Union. Between 1871 and 1899, this area hosted no fewer than eleven amateur acting troupes, an opera company, and an oratorio society. These home grown thespians performed both secular and non-secular plays in Spanish and English as well as musicals, variety acts, passion plays, and light operas. They played in courthouses, private "salas," grand opera houses, and performance halls that were occasionally stocked with hay and grain. The amateur troupers strutted their stuff before farmers, outlaws, hooligans, soldiers, and the local aristocracy. Between 1883 and 1886, the enlisted men of Fort Union formed several amateur companies and performed at the garrison. One group took its show on the road and played to Las Vegas audiences. During this brief period, fierce loyalties arose and a vicious rivalry played out in the pages of the Las Vegas newspapers. Entertainment of all sorts was an integral part of the booming western frontier. Although professional traveling troupes came by wagon and train, the homegrown companies-made up of butchers, seamstresses, homemakers, business leaders, and politicians-always drew large audiences. "Footlights in the Foothills" provides an overview of these amateur theatrical companies-the players, the plays, and the venues-in addition to stories of the social ties formed by the people who offered their talents and bared their egos to the audiences of "one of the hottest towns in the country."Edwina Portelle Romero first researched the amateur acting companies of Las Vegas in 1982 when writing publicity for The Las Vegas Players, a community theatre group. Since then, she earned a Master''s Degree from New Mexico Highlands University and a Doctorate from The University of New Mexico. She has published personal and scholarly essays, short fiction, and historical articles. Once an amateur performer, Romero experienced, first hand, the camaraderie and support such groups offer their members.

Recent retirees have a lot of adjustments to make, and we're not talking only pant size here. This entertaining book on aging offers hilarious suggestions for handling some of life's more daunting challenges--from prostate cancer to keeping fit, from overly complicated TV remotes to night driving. (McCoy wonders if other drivers in their 70s always see trees in the middle of the road after dark.) The author finds an amusing side to the problems of aging in this perceptive, on-the-mark collection of witty essays. There ARE ways of coping with growing older. As he points out, you don't have much choice in the matter, so you might as well enjoy it. Humor pieces by McCoy have appeared in numerous newspapers, including at least two that are no longer in business. He would like to think there was no connection between their demise and his writing. "e;Did I Really Change My Underwear Every Day?"e; is his first published book. He worked for more than 45 years as a news writer, editor, producer and manager in Chicago, Munich and New York. Many younger journalists have told him how much they learned watching him handle big stories. Even if they didn't mean it, he enjoyed hearing it. A native of Frankfort, Indiana, McCoy is a graduate of Indiana University as is his wife, Irene, a retired copywriter and publicist. They live on Long Island in New York.

When my first book of poetry, "Driving Toward the Moon," was published in 2005 I had no thoughts of a second volume. For the first book, I had the luxury of selecting what I considered my best poems from a bounty of material written over the past 25 years. Then nearing my 70th birthday, it seemed unlikely that I would have another 25 years of writing ahead of me. Yet three years later, I had enough poems which I felt were worthy of a second book, "The Earth Behind My Thumb," published in 2008. "Here I am, back again. This time, the road had more obstacles and distractions along the way, but I hope the resulting small collection will succeed in evoking the pleasures and pains of common memories."Barbara Berkenfield grew up amid the noise and soot of Pittsburgh, Pennsylvania during its heyday as a city of belching steel mills and clanging street cars .Elected to Phi Beta Kappa at Wellesley College, she graduated Summa Cum Laude with a BA in History of Art. In New York City, she found both her niche as a research consultant at the Wildenstein Gallery and her husband John Berkenfield. John''s career eventually took them abroad with two young sons. They loved the vibrant energy of Paris, and came to cherish the beauties and traditions of France. After seven years, the return to their home in New York suburbia provided severe culture shock, which was eventually alleviated by their move to Santa Fe in 1989. Today Barbara is a free-lance writer, a sales associate at Gallery 822 on Canyon Road in Santa Fe, New Mexico, and a docent at El Rancho de las Golondrinas. Like the poems of her first two books, these poems of the past three years have been polished, and sometimes written, on their treasured road trips in the Southwest.

This compilation of stories was written alternatively and chronologically by a couple who lived on three continents in the decade between 1956 and 1966. Eric Ericson writes of his search for oil in the jungles of Bolivia during communist agitation, the Basque mountains of northern Spain under the dictatorship of Generalissimo Franco, and Nigeria at the dawn of Nigerian Independence and prior to the Biafran War. Gulf Oil''s Okan I was the first off-shore discovery in Nigeria and produced one billion barrels of oil by the year 2000. Libby Ericson tells of raising their two sons, and giving birth to their third, in difficult and challenging places and situations, and of the generosity and kindness always found in these very different cultures. Eric retired from Gulf Oil in 1981, began his own consulting business in Boulder, Colorado, and continues his keen interest in the oil and gas industry. They moved to Santa Fe, New Mexico in 1995 where Libby pursues her love of art. They spend their summers in the Colorado Rockies near where they met at the University of Colorado.

Poetry is to be found in everything around us, in the simple everyday events of our lives, in the small things we think and feel and do, in our most private thoughts and innermost concerns. All we have to do is pause and take the time to look and listen and heed. The poems in this book are gleaned from a kind of poetic journal kept by the author over a period of time to record whatever he was thinking and whatever was of immediate importance. Taken all together they trace an intellectual as well as an actual journey through the inner thoughts and outward events of a lifetime. They are crafted in a modern idiom out of plain, unadorned words in free verse lines that mirror the patterns and natural rhythms of spoken language, creating a connection between the poet and the man on the street. These are private poems, made no less private by sharing them, conceived and written with no real thought of anyone ever reading them. They were impelled nevertheless by that most basic of all human impulses, the need to communicate with others. And in that spirit they are presented here.Thomas Grissom is also the author of three other collections of poems: Other Truths, One Spring More, and Neither Here Nor There, all from Sunstone Press. He lives in Albuquerque, New Mexico and is Emeritus Member of the Faculty at The Evergreen State College in Olympia, Washington. In addition to poetry Grissom is the author of several works of fiction as well as non-fiction.

The small art colony of La Villa Real in the Sangre de Cristos dozed while the interesting mix of residents go about their business. Only newly transplanted Mary McIntire suspects that there is more under the New Mexican sun than meets the eye. Three of the "old guard" artists at the Art Association have recently died of tragic accidents. Is this changing of the guard a natural progression or is there something more sinister afoot? Mary finds herself in the unnerving position of being the only one taking this seriously and also being close friends with every possible suspect. Is there no one who is what appears on the surface? Mary puts herself in deadly danger to find out. This mystery set in the early 1950s about the author''s adopted town gives the reader a tantalizing glimpse of a more laid-back and calmer time. The characters and the passions that drive them, however, still move about the streets of any artist colony, at any time.Elspeth Grant Bobbs was born and educated in England. Initially studying law at Oxford University, she finished her degree at Liverpool when war broke out. She moved to Santa Fe in 1943 where she met her husband, Howard Bobbs. During the setting of her novel, the 1950s, she and her husband lived on Canyon Road. There was a studio gallery for him and a small bookshop for her, with three little girls in the back. It was a happy time. She is a "Santa Fe Living Treasure" and is known for her fabulous gardens and philanthropy work.

The arrangement of the eighty-one poems inside "Circus Americana" creates a story arc. The first two sections-"Not Getting Along" and "Bewilderment"-set the stage for the third section, "Burned Out." The last two sections, "Friends" and "I Love You," share incitements for enjoying more of the show. For you, my reader, I wish a sense of enlightenment (however false, however fleeting) and a little fun.Yale University graduate Michael Scofield received his MFA in Writing from Vermont College of Fine Arts in 2002. In 2006, Sunstone Press published "Whirling Backward into the World," his second collection, and "Acting Badly," the first novel in his Santa Fe trilogy, followed by "Making Crazy" and "Smut Busters."

In 1579 Philip II awarded a large territory in New Spain to a Portuguese man named Luis de Carvajal. That territory included a significant portion of present day Mexico, as well as portions of Texas and New Mexico. This remarkable man discovered, conquered, and settled most of that territory. He also brought a large group of settlers from Spain and Portugal whose impact on its cultural development was very significant. Many of those settlers were of Jewish descent and some of them were tried by the Inquisition for practicing the faith of their ancestors. This book is a biography of Carvajal and is based on documents that were written during his life or soon after his death. The narrative follows him from birth to death and describes the actions he took to give rise to Nuevo Reino de Le├│n. These included explorations and discoveries; battles with free Indians; pacifications of Indian uprisings; and legal fights with Crown officials who were determined to eliminate him and to end his government. In the end his enemies defeated him with the help of the Inquisition, but the political entity he gave rise to did not die with him.Samuel Temkin is Professor Emeritus, Rutgers University. He received a PhD in Engineering from Brown University and has been a visiting professor in Chile, Germany, Israel, Italy, The Netherlands, Norway, Sweden and Spain. Professor Temkin is the author of "Elements of Acoustics and Suspension Acoustics: An Introduction to the Physics of Suspensions" as well as numerous research articles on Acoustics and Fluid Dynamics, and of many research articles, on the topic of this book. Dr. Temkin was born in Mexico City and was raised in Monterrey, Mexico, the capital city of what once was Nuevo Reino de Le├│n.

Jake Rivers, driving his father''s ''58 Chevy pickup with a learners'' permit, hauls his horse across Texas the day after Christmas. When he gets lost in a snowstorm, Will Tom Sunday helps him find his new home. The family''s new Panhandle house and farm seem harsh and desolate to Jake. After spending the worst six months of his life bullied and humiliated at his new school, Jake changes schools and starts to love the Panhandle. But when Jake spends a moonlit night on the sprawling Matador Ranch with the daughter of a local minister, the minister and his family leave the church and the community without notice. Jake, feeling his life changed forever, causes his father to suffer a permanent injury.Jim Ainsworth spent three of his formative years in the Texas Panhandle. These years had a deep and permanent impact. Jim is the author of "Biscuits Across the Brazos" and "Home Light Burning," as well as "Rivers Flow," "Rivers Ebb," and "Rivers Crossing" in his Follow the Rivers Trilogy, all from Sunstone Press. He knows the area he writes about because he lives there-knows the people because he is one of them. Find out more about Jim or contact him at www.jimainsworth.com.

Aaron Turner returned from the devastating War Between the States to find Texas prostrate under the heel of Yankee soldiers, carpetbaggers and scalawags during Reconstruction. Texans'' rights were swept away in a tide of vengeful reforms only to be regained through much tribulation. The economy of Texas was in shreds. "King Cotton" was dead. Taxes and property appraisals increased to the point where choice land was being confiscated at an astonishing rate. The river bottoms, cane breaks, and prairies were filled with unclaimed longhorn cattle, waiting for any man tough enough to use a rope and a branding iron. Aaron and his friends, like many young Texans, caught these mavericks by the tens of thousands and drove them north to exchange them for Yankee silver dollars. This influx of desperately needed cash kept the hopes of Texans alive until times improved."Up from the Ashes," the sixth book in the Western Quest Series, is the story of how Aaron rose to the challenge of the horrors of Reconstruction and assumed the mantle of family leadership. He met the challenges of crooked politicians, Klansmen, and the loss of political rights with determination and persistence to see the return of a free Texas in 1874.Stephen L. Turner was born a fifth generation son of Texas. His youth was steeped in the history and culture of his heritage. A graduate of Texas Tech School of Medicine, he has practiced pediatrics in rural Plainview, Texas since 1984. Turner is married with two married children. Besides his medical practice and writing, he runs their panhandle ranch. He enjoys training horses and hunting. Dr. Turner is a member of Hood''s Texas Brigade Association, Sons of Confederate Veterans and the Texas Genealogical Society. In 2011, he was inducted into the Western Writer''s of America. His other works include "Out of the Wilderness," "On the Camino Real," "Under Troubled Skies," "Ride for the Lone Star" and "On the Road to Glory."