Bücher veröffentlicht von Sunstone Press

In his introduction to the 1927 edition of "e;Riata and Spurs,"e; Gifford Pinchot said that "e;Charlie Siringo's story of his life is one of the best, if not the very best, of all books about the Old West, when cowpunchers actually punched cows."e; He goes on to say that "e;it is worth something to be able to lay your hand on a book written by a man who is the real thing, and who tells the truth."e; Others might not have the same opinion about the book and some might argue about Siringo's memories of things that happened during his lifetime. But, in any event, the book is a colorful portrayal of the ins and outs of cowboys, bad men, and the one detective who took out after them. Siringo originally had references to his experiences with the Pinkerton Agency, but which objected to his statements and they do not appear in the 1927 edition. There's plenty left, however, including stories about Billy the Kid, Kid Curry, Butch Cassidy, and even a mention of Will Rogers. All in all, this fascinating book will give today's readers a rare glimpse of what was once called "e;the Old West"e; and is now gone forever. This new edition includes a new foreword by New Mexico historian Marc Simmons.

Miguel Antonio Otero (1859-1944) not only distinguished himself as a political leader in New Mexico and lived out his life as a champion of the people, but he is also highly recognized for his career as an author. He published his legendary "e;My Life on the Frontier, 1864-1882,"e; in 1935, followed by "e;The Real Billy the Kid: With New Light on the Lincoln County War"e; in 1936, "e;My Life on the Frontier, 1882-1897"e; in 1939, and "e;My Nine Years as Governor of the Territory of New Mexico, 1897-1906"e; in 1940. These books, of which this is one in Sunstone's Southwest Heritage Series, are filled with the raw power and intrigue of the Wild West written by one who lived it. One would expect no less from such a vibrant personality who filled the pages of his monumental history with the passionate memories of an exciting era. Otero was born in St. Louis, Missouri. His father, who bore the same name, and who was born in Valencia, New Mexico in 1829, had built up a stellar career in the East. Miguel Antonio Otero, Jr. was brought up in a family of wealth and influence, but he also experienced the hardships of growing up in a household that was always on the move. His family's sojourns took him from one town to another across Missouri, Kansas, Colorado, and New Mexico. During Miguel A. Otero's travels and frequent stopovers in Wild Western towns he came into contact with notorious outlaws like Clay Allison and popular lawmen such as Wild Bill Hickok, Pat Garrett, Elfego Baca, and other well known figures including Doc Holliday, William F. Cody ("e;Buffalo Bill"e;), General George A. Custer, and frontiersman Christopher "e;Kit"e; Carson. In fact, Otero was such an adventurous soul that he always sought out, or was in close contact with, anyone making headlines during the turbulent era he lived in. He even published a short lived newspaper called the "e;Otero Optic,"e; which eventually became the "e;Las Vegas Daily Optic."e; He began his illustrious career in politics as Las Vegas City Clerk, San Miguel County probate clerk, county clerk, and recorder, and district court clerk. Then in 1892 President William McKinley appointed Miguel Antonio Otero as governor of the New Mexico territory where he served until 1906. Includes foreword to original edition by George P. Hammond and a new foreword to this new Sunstone Press edition by Ray John de Aragon.

Miguel Antonio Otero (1859-1944) not only distinguished himself as a political leader in New Mexico and lived out his life as a champion of the people, but he is also highly recognized for his career as an author. He published his legendary "e;My Life on the Frontier, 1864-1882,"e; in 1935, followed by "e;The Real Billy the Kid: With New Light on the Lincoln County War"e; in 1936, "e;My Life on the Frontier, 1882-1897"e; in 1939, and "e;My Nine Years as Governor of the Territory of New Mexico, 1897-1906"e; in 1940. These books, of which this is one in Sunstone's Southwest Heritage Series, are filled with the raw power and intrigue of the Wild West written by one who lived it. One would expect no less from such a vibrant personality who filled the pages of his monumental history with the passionate memories of an exciting era. Otero was born in St. Louis, Missouri. His father, who bore the same name, and who was born in Valencia, New Mexico in 1829, had built up a stellar career in the East. Miguel Antonio Otero, Jr. was brought up in a family of wealth and influence, but he also experienced the hardships of growing up in a household that was always on the move. His family's sojourns took him from one town to another across Missouri, Kansas, Colorado, and New Mexico. During Miguel A. Otero's travels and frequent stopovers in Wild Western towns he came into contact with notorious outlaws like Clay Allison and popular lawmen such as Wild Bill Hickok, Pat Garrett, Elfego Baca, and other well known figures including Doc Holliday, William F. Cody ("e;Buffalo Bill"e;), General George A. Custer, and frontiersman Christopher "e;Kit"e; Carson. In fact, Otero was such an adventurous soul that he always sought out, or was in close contact with, anyone making headlines during the turbulent era he lived in. He even published a short lived newspaper called the "e;Otero Optic,"e; which eventually became the "e;Las Vegas Daily Optic."e; He began his illustrious career in politics as Las Vegas City Clerk, San Miguel County probate clerk, county clerk, and recorder, and district court clerk. Then in 1892 President William McKinley appointed Miguel Antonio Otero as governor of the New Mexico territory where he served until 1906.

This collection of short stories and prose chronicles events observed by the author during her lifetime in Northern New Mexico. Family, relatives, friends and strangers (real or imaginary) are caught off guard in everyday occurrences that evoke laughter, tears, or memories of the past. The names have, of course, been changed, and much embellishment has been added to stories which may or may not be true. Stories of innocence, family dynamics, relationships and injustice combine to bring a tongue in cheek narrative to the reader. The author adds: "e;My inner barrio is full of observations, whether from the neighborhood where I grew up in Santa Fe or from watching ordinary people interact with each other. I try to see the humor in whatever life throws at us and hope some of these stories will bring a chuckle or a hearty laugh to anyone willing to let their guard down as they read on."e; Born in Santa Fe, MARIE ROMERO CASH is an award-winning folk artist/santera who has been exhibiting her colorful works for over thirty years. She is also a writer, having authored several books on Northern New Mexican culture, shrines, saints and churches including: BUILT OF EARTH AND SONG: A GUIDEBOOK TO NORTHERN NEW MEXICO'S VILLAGE CHURCHES; LIVING SHRINES: DEVOTIONAL SPACES IN NORTHERN NEW MEXICO HOMES; SANTOS, A COLORING BOOK OF NEW MEXICO SAINTS (also from Sunstone Press); and her memoir about growing up in Santa Fe, TORTILLA CHRONICLES.

For a number of years prior to 1922, one of Santa Fe, New Mexico's most colorful and famous residents was Charles Angelo Siringo (1855-1928), popularly known as "the cowboy detective." A small, wiry man, he was friends with practically everyone in town. In 1916 Governor William C. McDonald persuaded Siringo to accept a commission as a New Mexico Mounted Ranger for the state Cattle Sanitary Board. The only thing unusual about that was Charlie Siringo's age, a ripe 61. Undaunted, he saddled up and with a pack horse started for his headquarters at Carrizozo in Lincoln County. His duty was to run down outlaws and stock thieves in southern New Mexico. "During my two years as a ranger," Siringo said, "I made many arrests of cattle and horse thieves and had many close calls with death staring me in the face." Obviously, Governor McDonald had made a wise choice when he tapped this hard-riding, fast-shooting "senior citizen" for the dangerous ranger job. But Siringo was more than a law man. He put in countless nights writing up his experiences. When his book," A Texas Cowboy," appeared, its author achieved fame overnight. "A Lone Star Cowboy," published in 1919, and which Sunstone Press has chosen to include in its Southwest Heritage Series, contained many of the stories in his earlier books and the author says in his preface: "This volume is to take the place of A Texas Cowboy." Meanwhile, soon after publishing his recollections, Siringo joined the renowned Pinkerton Detective Agency, whose branch offices covered the West. He remained with the firm for two decades. After leaving the Pinkertons, Charlie Siringo did a good bit of roaming before settling in Santa Fe. Because of the name he'd made in publishing, he had access to many persons, on both sides of the law. From them he got first hand information that he later incorporated in a new book called "Riata and Spurs." In that work, the writer had wanted to include some of his own daring adventures while serving with the Pinkertons. But the Agency threatened a lawsuit if he revealed any of their professional secrets. So the cowboy detective had to delete some of his best material. Siringo's experiences as the quintessential cowboy and determined detective helped romanticize the West and its myth of the American cowboy.

The American Southwest possesses an extraordinary depth of cultural heritage and much of its history is preserved in its architecture. Particularly prominent in the region's man-made landscape are the historic structures made from the earth itself-adobe. Attention has turned to ways of preserving and maintaining the old buildings of the Southwest partly because of the growing national interest in historic preservation. However, in the Southwest there has also been an increased awareness of the inherent viability of native architecture. Adobe structures present unique challenges and require special treatment and until now, much of that information has been unpublished. AGELESS ADOBE provides practical details on methods of preservation and maintenance for old adobe buildings. The over 200 illustrations in the book along with directions on "e;how-to"e; will enable the do-it-yourself home owner as well as the professional architect or contractor to plan and carry out renovation. The author presents solutions to the problems of keeping an historic structure intact while repairing it and making it 20th century livable. The issue of energy conservation is discussed at length and the premise of the book is that historic integrity does not have to be sacrificed for energy efficiency. Rehabilitation is always preferable, usually possible and often more profitable than demolition.

"e;Having written about New Mexico history for more than forty years,"e; explains the author, "e;it was perhaps inevitable that in time I should publish a few articles on Billy the Kid. After all, he is the one figure from this state's past whose name is known around the world. The Kid's career, although astonishingly short, nonetheless, left an indelible mark in the annals of the Old West. And his name, William H. Bonney, alias Billy the Kid, seems locked forever into the consciousness of the starry-eyed public. Upon request,"e; the author continues, "e;I was able to assemble a collection of my varied writings pertaining to some of Billy's real or imagined deeds. Each section opens a small window on an aspect of his tumultuous life, or casts light upon others whose fortunes intersected with his. In this book, I have stalked Billy in an erratic rather than a systematic way, taking pleasure merely in adding a few new and unusual fragments to his biography. I trust that readers who have a fascination with the history and legend of Billy the Kid will find in these pages something of interest and value. As Eugene Cunningham wrote more than seventy years ago, 'in our imagination the Kid still lives--the Kid still rides.'"e;

This exciting story introduces the use of the Native American "e;talking stick"e; and the "e;lightning stick"e; through the unique, black and white painted pottery images used by the Mimbres Indians of southwest New Mexico. The story centers on five Mimbres children who empower themselves to become active, contributing citizens of their village. Their life experiences teach them courage, empathy, tolerance and determination on their journey toward adulthood. The children are brought to life through the illustrated scenes of everyday activity as depicted on the pottery bowls by Mimbres artists of a thousand years ago. This book, focusing on the theme of citizenship, is the second in a series to help children learn how to develop good character traits. Teachers, librarians and children of all ages will enjoy this pictorial narrative. Twin sisters Carilyn Alarid and Marilyn Markel are dedicated to helping children learn how to have respect for the individual and cultural differences of all people. With a Master's degree in Special Education and pursuing a Master's degree in History respectively, Carilyn synthesizes classroom instruction to emphasize the importance of character development and Marilyn teaches about the increasing need to preserve our archaeological treasures. Born and raised in New Mexico, these sisters have the utmost respect for native cultures both past and present. The other books in the "e;talking stick"e; series include OLD GRANDFATHER TEACHES A LESSON, HITS WITH HIS FIST GIVES A HELPING HAND, RUNS LIKE THE WIND STOPS IN HER TRACKS, and THINKS A LOT HAS HER HEAD IN THE CLOUDS, all published by Sunstone Press.

Willa Cather, in the historical novel "e;Death Comes for the Archbishop,"e; depicts Padre Antonio Jose Martinez as an unscrupulous backward rogue priest and Archbishop Jean Baptiste Lamy as a civilizing, heroic and monumental figure. Countering Cather's assessment and portrayal of these two larger-than-life Southwestern folk heroes, Ray John de Aragon attempts to set the historical record straight. Padre Martinez (1793-1867) is viewed as a genius who was ahead of his time. Recognized as a champion of the poor, defender of the Native Americans and proponent of human rights, it was inevitable that he would clash with Lamy. Bishop Lamy (1814-1888), who also had his followers, emerges as someone whose understanding of native New Mexican cultures was lacking, but one whose intentions were to do good as a missionary in a strange and foreign land.

In March of 1924, D. H. Lawrence, Frieda Lawrence and the Honorable Dorothy Brett went to Taos, New Mexico, to absorb the color and romance of what was to them a mysterious and compelling land. Dorothy Brett recreated those days in this fascinating first-hand account, and also writes of when she was the close friend of Aldous Huxley, Lytton Strachey, Katherine Mansfield, and other important literary and artistic figures. But more importantly, she focused on her relationship with Lawrence and the book was specifically addressed to him as if he were to read it, reminding him personally of her long-standing devotion. Such devotion was not rebuffed by Lawrence, it seems, but it was met differently by the two other women orbiting the famous writer: his wife, Frieda Lawrence, and Mabel Dodge Luhan. They were in turn cross and conciliatory to her. But it seems that she just accepted them as other intense admirers of Lawrence, took it all simply and wrote it all down with a minimum of comment. When this book was first published in 1933, it was praised by critics as well as the general public. Alfred Stieglitz said: "e;It was a rare spiritual experience--no student of Lawrence can afford to miss this book.. There is an integrity in the book--a sense of the eternal--a sense of Light--which raises it above all the other books I have read about Lawrence."e; And, interestingly, Mabel Dodge Luhan called it "e;clearly and explicitly drawn."e; Here it all is again with additional material added by Dorothy Brett herself when the 1974 edition was first published by Sunstone Press.