Bücher veröffentlicht von Sydney University Press

Penny Crook's research interests include 19th-century material culture, assemblage analysis, consumer studies, urban archaeology and digital data management. She pioneered the examination of quality in historical archaeological assemblage analysis as part of her doctoral research (completed in 2008) and conducted price and linguistic analysis of data from 19th-century store catalogues. In 2014 she commenced a DECRA fellowship to extend the quality research framework and re-examine the role of consumption in colonial Sydney using archaeological assemblages.Peter Davies is a research assistant in the Department of Archaeology, Environment and Community Planning at La Trobe University. He is the author of Henry's Mill: The Historical Archaeology of a Forest Community (2006) and coauthor (with Susan Lawrence) of An Archaeology of Australia Since 1788 (2011). He also co-edits the journal Australasian Historical Archaeology.Tim Murray joined the Program in 1986 as Lecturer and was appointed to the Chair of Archaeology in 1995. He has also taught at the University of New South Wales, the University of Sydney, Cambridge University, the University of Leiden (The Netherlands), the Université de Paris 1 (Panthéon-Sorbonne), and the Ecole des hautes etudes en sciences sociales (Paris), Peking University, Goteborg University, the Institute of Archaeology, University College London and the Nordic Graduate School in Archaeology. He was elected a Fellow of the Society of Antiquaries of London in 2003 and Fellow of the Academy of the Humanities in Australia in the same year. He is editor-in-chief of The Bulletin of the History of Archaeology. From 2009-2014 he was Executive Dean of the Faculty of Humanities and Social Sciences, and in 2010 was made Charles La Trobe Professor of Archaeology. In 2015 he became Director of the Centre for the Archaeology of the Modern World (CAMW) based at La Trobe University.

Lucinda Brayford (1946) chronicles three generations of an Anglo-Australian family around the turn of the twentieth century and contrasts both Australian and English societies.

The Man from Snowy River and other Verses was published in 1895 and contains many of Paterson's most famous works, including the title poem which is regarded as one of the quintessential national narratives. Among other poems, the work includes "Clancy of the Overflow", "How Gilbert Died", "A Bush Christening", "In Defence of the Bush" and "The Man from Ironbark". This new edition of The Man from Snowy River and other Verses, with an introduction by Peter Kirkpatrick, is a part of the Australian Classics Library series intended to make classic texts of Australian literature more widely available for the secondary school and undergraduate university classroom, and to the general reader. The series is co-edited by Emeritus Professor Bruce Bennett of the University of New South Wales and Professor Robert Dixon, Professor of Australian Literature at the University of Sydney, in conjunction with SETIS, Sydney University Press, AustLit and the Copyright Agency Limited. Each text is accompanied by a fresh scholarly introduction and a basic editorial apparatus drawn from the resources of AustLit. A.B. (Andrew Barton) Paterson (1864-1941) was born near Orange in New South Wales and achieved fame as a short story, ballad and legend writer, drawing on his experiences growing up near Yass. He is the major folk poet of Australian literature, publishing many books of verse, short stories and two novels.

The Eureka Stockade is Carboni's eccentric yet shrewd account of the events leading up to and beyond the miners' revolt on the Victorian goldfields in 1854.Raffaello Carboni (1817-1875) was born in Urbino, Italy. He arrived at the Victorian goldfields in 1853 and witnessed the attack on the Eureka Stockade in 1854 as a member of the miners central committee. He eventually returned to Italy to participate in the Risorgimento.

War is traditionally considered a male experience. By extension, the genre of war literature is a male-dominated field, and the tale of the battlefield remains the privileged (and only canonised) war story.In Australia, although women have written extensively about their wartime experiences, their voices have been distinctively silenced. Shooting Blanks at the Anzac Legend calls for a re-definition of war literature to include the numerous voices of women writers, and further recommends a re-reading of Australian national literatures, with women's war writing foregrounded, to break the hold of a male-dominated literary tradition and pass on a vital, but unexplored, women's tradition.Shooting Blanks at the Anzac Legend examines the rich body of World Wars I and II and Vietnam War literature by Australian women, providing the critical attention and treatment that they deserve. Donna Coates records the reaction of Australian women writers to these conflicts, illuminating the complex role of gender in the interpretation of war and in the cultural history of twentieth-century Australia.By visiting an astonishing number of unfamiliar, non-canonical texts, Shooting Blanks at the Anzac Legend profoundly alters our understanding of how Australian women writers have interpreted war, especially in a nation where the experience of colonising a frontier has spawned enduring myths of identity and statehood."This capstone book of Donna Coates's impressive and historic career will dramatically affect our ideas of the relationship between war and Australian writing. In her consideration of writers of the past such as Mollie Skinner and Lesbia Harford, and her reflections on how contemporary women writers are reframing the legacies of the two World Wars and the Vietnam War, Coates makes visible so much that previous critics had missed. Engagingly written and scrupulous in its attention to the archive, this wide-ranging and vigorously argued book reconceives our ideas of modern Australian literature.""Though largely overlooked, stories by women about and in war have always been significant. Donna Coates demonstrates that Australian women's contribution to war literature in particular is diverse, intriguing, and often unexpected."

These lectures from the 1930s on David Hume, Thomas Reid and William James trace the development of John Anderson's empirical realism, helping to distinguish his position from "English" empiricism, Scottish commonsense and direct realism, radical empiricism and pragmatism. They also demonstrate Anderson's approach to the study of the history of philosophy.The lectures on David Hume place Anderson in direct opposition to his teacher and colleague at Edinburgh, Norman Kemp Smith, who heavily influenced the direction of Hume studies in the twentieth century. The lectures on Thomas Reid are unique in Anderson's works in addressing this seminal figure in the Scottish philosophical tradition, providing background reflections upon his own theory of mind as feeling, and arguing for the critical importance of Freud for contemporary philosophical realists. The lectures on William James offer a final accounting with this major American influence on Anderson's early philosophical development.For Anderson there can be no reconciliation between rationalism and empiricism. The view of the development modern philosophy as an emerging synthesis of these competing epistemological positions must be rejected. Rationalism is a persistent source of philosophical error and the philosophies of the so-called "empiricists" are fundamentally weakened by their rationalist assumptions. The very idea of providing a foundation for knowledge in notions of self-certainty represents an inherently rationalist project and must be rejected by any truly empiricist philosophy.

Invasion to Embassy challenges the conventional view of Aboriginal politics to present a bold new account of Aboriginal responses to invasion and dispossession in New South Wales. At the core of these responses has been land: as a concrete goal, but also as a rallying cry, a call for justice and a focal point for identity.This rich story is told through the words and memories of many of the key activists who were involved in the struggles on the lands and in the towns of New South Wales. By exploring interactions between Aboriginal and non-Aboriginal people over land, this book enables us to understand our history through the reality of the conflicts, tensions, negotiations and cooperation which make up our experience of colonialism.Invasion to Embassy is unique in presenting NSW Aboriginal history as a history of activism, rather than a saga of passivity and victimisation. In telling this engrossing story, Heather Goodall reveals much about white Australians - not only as oppressors, but as allies and as newcomers who must in turn sort out their relations to the land.

The second edition of Beaches of the New South Wales Coast has been rewritten and expanded. It covers all of the state's 757 open coast beaches, as well as 120 beaches in five large bays, including Sydney Harbour, and the 15 beaches on Lord Howe Island - 892 beaches in all. It also covers 276 of NSW top surfing sites.This book has two aims. First, to provide the public with general information on the origin and nature of all NSW beaches, including the contribution of geology, oceanography, climate and biota to the beaches, and information on beach hazards and safety. Second, to provide a description of each beach, including its name(s), location, access, facilities, dimensions and the character of the beach and surf zone.The book comments on the suitability of the beach for bathing, surfing and fishing, with special emphasis on the natural hazards. Based on the physical hazards, all beaches are rated in terms of public safety and scaled from 1 (least hazardous) to 10 (most hazardous).

It's really great. It's like they're all here. I hear all of these voices and I sing with them, you know? - Yikliya Eustace Tipiloura, senior songman and ElderPerhaps the most defining feature of Tiwi song is the importance placed on the creative innovation of the individual singer/composer. Tiwi songs are fundamentally new, unique and occasion specific, and yet sit within a continuum of an oral artistic tradition. Performed in ceremony, at public events, for art and for fun, songs form the core of the Tiwi knowledge system and historical archive. Held by song custodians and taught through sung and danced ritual, generations of embodied practice are still being created and accumulated as people continue to sing.In 2009 Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim over 1300 recordings of Tiwi songs, made between 1912 and 1981, that are held in the archives at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS). The Old Songs are Always New explores the return home of these recordings to the Tiwi Islands and describes the musical and vocal characteristics, performance context and cultural function of the twelve Tiwi song types, giving an overview of the linguistic and poetic devices used by Tiwi composers.For the past 16 years Campbell has been working closely with Tiwi song custodians, studying contemporary Tiwi song culture in the context of the maintenance of traditions and the development of new music forms. Their musical collaboration has resulted in public performances, community projects and recordings featuring current senior singers and the voices of the repatriated recordings. For this publication, Elders have enabled the transcription of many song texts and melodies for the first time, shedding light on how generations of Tiwi singers have connected the past with the present in a continuum of knowledge transmission and arts practice.

The lives of non-human animals, their ways of being and seeing, their experiences and knowledge, and their relationships with each other, continue to be ignored, discounted, written over and destroyed by anthropocentric practices and endeavours. Within the vestiges of colonialism, this silence and occlusion co-opts and consumes animals, physically and culturally, into the servitude of human interests, and selective narratives of history and progress. Decolonising Animals brings together critical interrogations, case studies and creative explorations that identify and examine how non-human animals are affected by and respond to colonial structures and processes. Included in this collection are the perspectives of Indigenous and non-Indigenous scholars, artists and activists and the ways in which they have questioned colonial ways of knowing, engaging with and representing animals. Importantly, the book presents suggestions for how humans can decolonise their relationships with non-human animals and with each other.

"For the first time, fish became our companions and a corner of many a Victorian parlour was given over to housing tiny fragments of their world enclosed in glass."The experience of seeing a fish swimming in a glass tank is one we take for granted now but in Victorian England this was a remarkable sight. People had simply not been able to see fish as they now could with the invention of the aquarium and everything that went with it.Goldfish in the Parlour looks at the boom in the building of public aquariums, as well as the craze for home aquariums and visiting the seaside, during the reign of Queen Victoria. Furthermore, this book considers how people see and meet animals and, importantly, in what institutions and in what contexts these encounters happen.John Simons uncovers the sweeping consequences of the Victorian obsession with marine animals by looking at naturalist Frank Buckland's Museum of Economic Fish Culture and the role of fish in the Victorian economy, the development of angling as a sport divided along class lines, the seeding of Empire with British fish and comparisons with aquarium building in Europe, USA and Australia.Goldfish in the Parlour interrogates the craze that took over Victorian England when aquariums "introduced" fish to parks, zoos and parlours.

Eleanor Dark (1901-85) is one of Australia's most innovative 20th-century writers. Her extensive oeuvre includes ten novels published from the early 1930s to the late 1950s, and represents a significant engagement with global modernity from a unique position within settler culture. Yet Dark's contribution to 20th-century literature has been undervalued in the fields of both Australian literary studies and world literature. Although two biographies have been written about her life, there has been no book-length critical study of her writing published since 1976.Middlebrow Modernism counters this neglect by providing the first full-length critical survey of Eleanor Dark's writing to be published in over four decades. Focusing on the fiction that Dark produced during the interwar years and reading this in the context of her larger body of work, this book positions Dark's writing as important to the study of Australian literature and global modernism.Melinda Cooper argues that Dark's fiction exhibits a distinctive aesthetic of middlebrow modernism, which blends attributes of literary modernism with popular fiction. It seeks to mediate and reconcile apparent binaries: modernism and mass culture; liberal humanism and experimental aesthetics; settler society and international modernity. The term middlebrow modernism also captures the way Dark negotiated cosmopolitan commitments with more place-based attachments to nation and local community within the mid-20th century. Middlebrow Modernism posits that Dark's fiction and the broader phenomenon of Australian modernism offer essential case studies for larger debates operating within global modernist and world literature studies, providing perspectives these fields might otherwise miss.

Who keeps telling smokers they can't quit without help?For decades there have been far more ex-smokers than smokers, and an estimated 75% of smokers quit without drugs or professional help.But smoking cessation is a global phenomenon serviced by multibillion-dollar industries, including the pharmaceutical and e-cigarette sectors and health professionals. These industries try to denigrate unassisted cessation and promote their products and services - "weapons of mass distraction" - as essential to successful quitting.This contributes to the medicalisation of a process that, before these products were available, had a natural history where drugs and expertise were absent, yet millions of people around the world still quit.Simon Chapman AO is one of Australia's foremost experts on strategies to minimise harm from tobacco. In Quit Smoking Weapons of Mass Distraction, he reviews the early history of quitting smoking and the rise of assisted quitting, and gives insight into the forces that have tried to undermine smokers' agency to stop. Chapman also provides actionable policy solutions to help people actually quit smoking.

Australian Animal Law: Context and Critique provides comprehensive information about the legal and regulatory framework governing the interaction between humans and animals.By relating specific content areas to the discipline's broader characteristics and themes, researcher Elizabeth Ellis exposes the systemic nature of current problems and the consequent need for significant change. This book also illustrates the role of official animal protection narratives in legitimising the existing system despite the many factual flaws they contain.Ellis covers the major areas of animal law in detail, incorporating accessible contextual material and allowing readers to consolidate their understanding and build upon their knowledge. Key areas include the concept of unnecessary animal suffering, the effective exemption of most animals from the operation of cruelty laws, regulatory conflicts of interest, the hidden nature of animal use and the lack of transparency in animal law.Australian Animal Law is an essential resource, inviting reflection on the way the law helps to construct the relationship between human and non-human animals, including through its silences and omissions.

Made in Chinatown delves into a little-known aspect of Australia's past: its hundreds of Chinese furniture factories. These businesses thrived in the post-goldrush era, becoming an important economic activity for Chinese immigrants and their descendants and a vital part of Australia's furniture industry. Yet, owing to an exclusionary vision for Australia as a bastion of 'white' industry and labour, these factories were targeted by anti-Chinese political campaigns and legislative restrictions. Guided by Chinese manufacturers' and workers' own reflections and records, this book examines how these factories operated under the exclusionary vision of White Australia.Historian Peter Gibson uses previously untapped archival sources to investigate the local and international factors that boosted the industry, and the business and labour practices associated with factory operation. He explores the strategies employed in efforts to resist injustice, and the place of Chinese furniture factories within the contexts of Australian enterprise, work and consumerism more broadly. Made in Chinatown argues that Chinese Australian furniture manufacturers and their employees were far more adaptable, and the White Australia vision less pervasive, than most histories would suggest.

Since its publication in 1903, Joseph Furphy's Such is Life has become established as an Australian classic. But which version of the novel is the authoritative text, and what does its history reveal about Australian cultural life?From Furphy's handwritten manuscript through numerous editions, a controversial abridgement for the British market (condemned by A.D. Hope as a "mutilation"), and periods of obscurity and rediscovery, the text has been reshaped and repackaged by many hands. Furphy's first editors at the Bulletin diluted his socialist message and "corrected" his Australian slang to create a more marketable book. Later, literary players including Vance and Nettie Palmer, Miles Franklin, Kate Baker and Angus & Robertson all took an interest in how Furphy's work should be published.In a fascinating piece of literary detective work, Osborne traces the book's journey and shows how economic and cultural forces helped to shape the novel we read today.

This book demystifies many of the practices of academic writing for students in an Australian university. It covers the major types of academic texts and guides students through carefully annotated examples. These are supported by a broad selection of strategies and easy-to-follow practical activities.

Drilling down through layers of theory, policy and politics, Amanda Walsh surveys how globalisation has played out in regional Australia.

In Ambivalent Macbeth,renowned Shakespeare scholar R.S. White explores how radical ambivalence permeates the atmosphere,imagery, themes and characterisation of 'the Scottish play'. Heconsiders Shakespeare's historical context and source material, andexamines key cinematic, theatrical and other adaptations of the play.

One of the giants of Australian literature and the only Australian writer to have won the Nobel Prize for Literature, Patrick White received less acclaim when he turned his hand to playwriting.In Patrick White's Theatre, Denise Varney offers a new analysis of White's eight published plays, discussing how they have been staged and received over a period of 60 years. From the sensational rejection of The Ham Funeral by the Adelaide Festival in 1962 to 21st-century revivals incorporating digital technology, these productions and their reception illustrate the major shifts that have taken place in Australian theatre over time. Varney unpacks White's complex and unique theatrical imagination, the social issues that preoccupied him as a playwright, and his place in the wider Australian modernist and theatrical traditions.

COUNT YOUR DEAD is the first novel written about the Vietnam War by a professional soldier. John Rowe served in Vietnam as an Australian Major attached to the 173rd US Airborne Brigade and as a Senior Intelligence Officer for the Australian Task Force. A fictional story with drama, violence, strong characters and poignant moments.

Playing in the bush is an engaging account of the ways the national parks of New South Wales have been used over the past 130 years. Researched and written by seven young historians from the University of Sydney, the book weaves together stories of diverse experiences in our national parks

Australia and the World celebrates the pioneering role of Neville Meaney in the formation and development of foreign relations history in Australia and his profound influence on its study, teaching and application.

As a poet, editor and author, Richard Appleton was driven by a love of language and ideas, and a desire that Australians might better understand their country and themselves.

John Shaw Neilson (1872-1942) is Australia's great lyric poet. A new introduction by Dr Helen Hewson explores some of the influences which have shaped Neilson's poetry.

Pip Smith's Too Close for Comfort, is the inaugural winner of the Helen Anne Bell Poetry Bequest, a biennial prize for a book of poetry by an Australian female poet which deals in some way with Australian culture.

Combining literary criticism with book history, Carter and Osborne explore how Australian authors and their books fared in the US market from the 1840s through to the 1940s, most notably in the 1880s and 1890s and then between the two World Wars.

In The Fiction of Tim Winton, Lyn McCredden explores the work of a major Australian author who bridges the literary-popular divide.Tim Winton has won the Miles Franklin Literary Award a record four times and has twice been shortlisted for the Man Booker Prize. His novels and short stories are widely studied in schools and universities, and have been lauded by critics both in Australia and internationally. Unusually for an Australian literary author, he is also one of the country's most enduringly popular writers: Cloudstreet was voted 'Australia's favourite book' in a poll conducted by the ABC, his books regularly appear on bestseller lists, and his stories have been adapted for the stage, television, cinema and opera.In this wide-ranging study of Winton's work and career, McCredden considers how Winton has sustained a strong mainstream following while exploring complex themes and moving between genres. Attending to both secular and sacred frames of reference, she considers his treatment of class, gender, place, landscape and belonging, and shows how a compassion for human falling and redemption permeates his work. She demonstrates how his engagement with these recurring ideas has deepened and changed over time, and how he has moved between - and challenged - the categories of the 'popular' and the 'literary'.