Bücher veröffentlicht von The University of Chicago Press

A thoroughly updated edition of a beloved classic that has guided generations of researchers in conducting effective and meaningful research. With more than a million copies sold since its first publication, The Craft of Research has helped generations of researchers at every level--from high-school students and first-year undergraduates to advanced graduate students to researchers in business and government. Conceived by seasoned researchers and educators Wayne C. Booth, Gregory G. Colomb, and Joseph M. Williams, this fundamental work explains how to choose significant topics, pose genuine and productive questions, find and evaluate sources, build sound and compelling arguments, and convey those arguments effectively to others. While preserving the book's proven approach to the research process, as well as its accessible voice and general structure, this new edition acknowledges the many ways research is conducted and communicated today. Thoroughly revised by Joseph Bizup and William T. FitzGerald, it recognizes that research may end in a product other than a paper--or no product at all--and includes a new chapter about effective presentations. It features fresh examples from a variety of fields that will appeal to today's students and other readers. It also accounts for new technologies used in research and offers basic guidelines for the appropriate use of generative AI. And it ends with an expanded chapter on ethics that addresses researchers' broader obligations to their research communities and audiences as well as systemic questions about ethical research practices. This new edition will be welcomed by a new and more diverse generation of researchers.

Considering humankind from the perspective of the actions of which it is capable, this text addresses diminishing human agency and political freedom - the paradox that as human powers increase through technology and inquiry, we are less equipped to control the consequences of our actions.

George Lakoff and Mark Johnson suggest that basic metaphors used in everyday speech not only affect the way we communicate ideas, but actually structure our perceptions and understandings from the beginning.

"Though there are many books about the history of the alphabet, virtually none address how that history came to be. In Inventing the Alphabet, Johanna Drucker guides readers from antiquity to the present to show how humans have shaped and reshaped their own understanding of this transformative writing tool. From ancient beliefs in the alphabet as a divine gift to growing awareness of its empirical origins through the study of scripts and inscriptions, Drucker describes the frameworks-classical, textual, biblical, graphical, antiquarian, archaeological, paleographic, and political-within which the alphabet's history has been and continues to be constructed. Drucker's book begins in ancient Greece, with the earliest writings on the alphabet's origins. She then explores biblical sources on the topic and medieval preoccupations with the magical properties of individual letters. She later delves into the development of modern archaeological and paleographic tools, and she concludes with the role of alphabetic characters in the digital era. Throughout, she argues that, as a shared form of knowledge technology integrated into every aspect of our lives, the alphabet performs complex cultural, ideological, and technical functions, and her carefully curated selection of images demonstrates how closely the letters we use today still resemble their original appearance millennia ago"--

Economics is not a field that is known for good writing. Charts, yes. Sparkling prose, no.   Except, that is, when it comes to Deirdre Nansen McCloskey. Her conversational and witty yet always clear style is a hallmark of her classic works of economic history, enlivening the dismal science and engaging readers well beyond the discipline. And now she's here to share the secrets of how it's done.  Economical Writing is itself economical: a collection of thirty-five pithy rules for making your writing clear, concise, and effective. Proceeding from big-picture ideas to concrete strategies for improvement at the level of the paragraph, sentence, or word, McCloskey shows us that good writing, after all, is not just a matter of taste--it's a product of adept intuition and a rigorous revision process. Debunking stale rules, warning us that "footnotes are nests for pedants," and offering an arsenal of readily applicable tools and methods, she shows writers of all levels of experience how to rethink the way they approach their work, and gives them the knowledge to turn mediocre prose into magic.   At once efficient and digestible, hilarious and provocative, Economical Writing lives up to its promise. With McCloskey as our guide, it's impossible not to see how any piece of writing--on economics or otherwise--can, and perhaps should be, a pleasure to read.

Wolves are some of the world's most charismatic and controversial animals, capturing the imaginations of their friends and foes alike. Highly intelligent and adaptable, they hunt and play together in close-knit packs, sometimes roaming over hundreds of square miles in search of food. Once teetering on the brink of extinction across much of the United States and Europe, wolves have made a tremendous comeback in recent years, thanks to legal protection, changing human attitudes, and efforts to reintroduce them to suitable habitats in North America. As wolf populations have rebounded, scientific studies of them have also flourished. But there hasn't been a systematic, comprehensive overview of wolf biology since 1970. In Wolves, many of the world's leading wolf experts provide state-of-the-art coverage of just about everything you could want to know about these fascinating creatures. Individual chapters cover wolf social ecology, behavior, communication, feeding habits and hunting techniques, population dynamics, physiology and pathology, molecular genetics, evolution and taxonomy, interactions with nonhuman animals such as bears and coyotes, reintroduction, interactions with humans, and conservation and recovery efforts. The book discusses both gray and red wolves in detail and includes information about wolves around the world, from the United States and Canada to Italy, Romania, Saudi Arabia, Israel, India, and Mongolia. Wolves is also extensively illustrated with black and white photos, line drawings, maps, and fifty color plates. Unrivalled in scope and comprehensiveness, Wolves will become the definitive resource on these extraordinary animals for scientists and amateurs alike.

A moving collection of intimate portraits of farm animals who somehow escaped the typical fate of their kind and got to experience old age. These photos have so much personality, and Leshko supplements them with accounts of each animal's life and her experience photographing them.

Brian Ladd examines the ongoing conflicts radiating from the fusion of architecture, history and national identity in present-day Berlin. He surveys the urban landscape and deconstructs the public debates and political controversies emerging from Berlin's past.

Fully updated for the digital age, this new edition of How to Lie with Maps examines the myriad ways that technology offers new opportunities for cartographic mischief, deception, and propaganda.

While the natural world is often described as organic, it is in fact structured to the very molecule, replete with patterned order that can be decoded with basic mathematical algorithms and principles. In a nautilus shell one can see logarithmic spirals, and the Golden Ratio can be seen in the seed head of the sunflower plant. These patterns and shapes have inspired artists, writers, designers, and musicians for thousands of years. "Patterns in Nature: Why the Natural World Looks the Way It Does" illuminates the amazing diversity of pattern in the natural world and takes readers on a visual tour of some of the world s most incredible natural wonders. Featuring awe-inspiring galleries of nature s most ingenious designs, "Patterns in Nature" is a synergy of art and science that will fascinate artists, nature lovers, and mathematicians alike."

Distant relatives of modern lobsters, horseshoe crabs, and spiders, trilobites swam the planet's prehistoric seas for 300 million years, from the Lower Cambrian to the end of the Permian eras - and they did so very capably. This is a revealing guide to these surreal arthropods of ancient Earth.

A unique and haunting first-person Holocaust account by Zalmen Gradowski, a Sonderkommando prisoner killed in Auschwitz. On October 7, 1944, a group of Jewish prisoners in Auschwitz obtained explosives and rebelled against their Nazi murderers. It was a desperate uprising that was defeated by the end of the day. More than four hundred prisoners were killed. Filling a gap in history, The Last Consolation Vanished is the first complete English translation and critical edition of one prisoner's powerful account of life and death in Auschwitz, written in Yiddish and buried in the ashes near Crematorium III. Zalmen Gradowski was in the Sonderkommando (special squad) at Auschwitz, a Jewish prisoner given the unthinkable task of ushering Jewish deportees into the gas chambers, removing their bodies, salvaging any valuables, transporting their corpses to the crematoria, and destroying all evidence of their murders. Sonderkommandos were forcibly recruited by SS soldiers; when they discovered the horror of their assignment, some of them committed suicide or tried to induce the SS to kill them. Despite their impossible situation, many Sonderkommandos chose to resist in two interlaced ways: planning an uprising and testifying. Gradowski did both, by helping to lead a rebellion and by documenting his experiences. Within 120 scrawled notebook pages, his accounts describe the process of the Holocaust, the relentless brutality of the Nazi regime, the assassination of Czech Jews, the relationships among the community of men forced to assist in this nightmare, and the unbearable separation and death of entire families, including his own. Amid daily unimaginable atrocities, he somehow wrote pages that were literary, sometimes even lyrical--hidden where and when one would least expect to find them. The October 7th rebellion was completely crushed and Gradowski was killed in the process, but his testimony lives on. His extraordinary and moving account, accompanied by a foreword and afterword by Philippe Mesnard and Arnold I. Davidson, is a voice speaking to us from the past on behalf of millions who were silenced. Their story must be shared.

"These days, the world wide web has become the Wild West. We are faced with a seemingly endless source of information, all of it difficult to evaluate. Trusted sources can be full of ads, bad actors can slip under the radar, and seemingly questionable databases might hold a helpful treasure trove. Historian Sam Wineburg and media literacy guru Mike Caulfield are here to help with this informative, approachable guide to navigating the internet. With this illustrated tool kit, readers will learn to identify red flags, get quick context, and make better use of common tools like Google and Wikipedia that have the ability to help and hinder in equal measure"--

"A distinguished geologist and a popular science writer Charles Frankel turns his attention in his latest book to the mass extinctions on our planet, considering what the past can tell us about the future. Explaining Earth's past mass extinctions, Frankel suggests that, each time, a decrease in biodiversity created fragile conditions that eventuated into widespread and cataclysmic disappearances. The rise of mammals led to the rise of humans, who, over the past 200,000 years, have become their own geological force, forever affecting the bio-environment, from the massacre of megafauna in the Ice Age to the impoverishment of soils and pollution of waterways and air, to the unwitting transfer of invasive species from one part of the globe to another. After a compelling account of the latest research, Frankel ends with speculations on planetary peril and whether the widespread extinctions, climate change, and loss of biodiversity that we are currently experiencing can be slowed or even reversed. His answer inspires hope and urgency. If humans can redirect and curb some of our basic behaviors (like the obsession to kill and consume other species), we might stand a chance. Still, he eloquently explains that, even if we succeed in this, our way of life and even some of our ways of being human will be transformed forever. As extinction repeatedly shows those who survive, life is not eternal"--

"The freedoms established by the Bill of Rights are celebrated as a part of America's national identity. But are they everything? Do freedoms from government persecution offer enough to live the American Dream? In Freedom Is Not Enough, economist Mark Paul considers the history of American rights and freedoms as determinants of American economic well-being. The failed promise of FDR's New Deal and LBJ's Great Society programs to secure positive rights for all Americans-the right to a decent education, a good job, adequate health care, and a greater capacity for economic flourishing-have left the country fractured by inequality and stifled in social mobility. Paul traces this shift not only to the unrealized promise of the twentieth-century reforms, but to the simultaneous rise of neoliberalism-the conflation of freedom and markets, the vilification of government intervention in public life-as a persisting source of American injustice. Building on the history of this trend, he offers policy prescriptions to reinvigorate American equality and mobility, including economic prescriptions for the most American question of all: how do you pay for it? A trenchant and deeply researched synthesis of economics, history, and public policy, Freedom Is Not Enough is a new case for one of America's founding promises. It promises to serve as a blueprint for positive change in a challenging time"--

"Deep South was originally published in 1941, documenting in startling detail the nuances, character, and lived realities of racism in a southern town. Allison Davis and his co-authors, Burleigh and Mary Gardner, all went undercover, not revealing their scholarly project or even their association with one another. Their analysis notably revealed the importance of caste and class to both Black and White worldviews, and it anatomized how those are constructed, reified, and reinforced. Deep South is freshly relevant today to those interested in the concept of caste and how it continues to inform the many flavors of American inequality"--

"In the seventeenth century some of the most advanced painting in Europe was produced in the Netherlands. Rembrandt dominated the radical progress of painting in Amsterdam, and Vermeer did so in Delft. Frans Hals led the vanguard in Haarlem where he painted some of the most animated, individualized portraits of the era, or of any era, for that matter. Now, Steven Nadler has produced the first biography of this elusive Dutch artist to be published in many years. Hals left behind no letters or other personal papers, though luckily a wealth of other sources offer details of his life and personality. Nadler has fleshed out Hals's biography by casting it against the drama of Holland's revolution against Spanish rule, the acute struggles between Protestantism and Catholicism in the Low Countries, and the rise of Holland as a colonial power and center of industry and commerce. The result is an authoritative picture of Hals and life in his studio and a robust work of seventeenth-century social and cultural history. Nadler serves up the sights, smells, and sounds of life in Haarlem. He takes us into cloth factories, taverns, busy studios, and bustling markets. He takes us behind the scenes of the picture trade. He leads us along the newly invented shorelines where weavers laid out large, billowing lengths of cloth to bleach in the sun. He takes us into new Protestant churches and into old Catholic ones. We witness the bloody politics of the long Reformation and the 1635 plague that devastated the Dutch Republic. What emerges is a deftly written story of a complex artist and the tumultuous world he inhabited. Accented with images of life in seventeenth-century Holland and a color gallery of works by Hals and his peers, The Portraitist is a work of great charm and importance and will stand as the first full biography of one of Europe's most important artists for many years"--

Crap. We all have it. Filling drawers. Overflowing bins and baskets. Proudly displayed or stuffed in boxes in basements and garages. Big and small. Metal, fabric, and a whole lot of plastic. So much crap. Abundant cheap stuff is about as American as it gets. And it turns out these seemingly unimportant consumer goods offer unique insights into ourselves--our values and our desires. In Crap: A History of Cheap Stuff in America, Wendy A. Woloson takes seriously the history of objects that are often cynically-made and easy to dismiss: things not made to last; things we don't really need; things we often don't even really want. Woloson does not mock these ordinary, everyday possessions but seeks to understand them as a way to understand aspects of ourselves, socially, culturally, and economically: Why do we--as individuals and as a culture--possess these things? Where do they come from? Why do we want them? And what is the true cost of owning them? Woloson tells the history of crap from the late eighteenth century up through today, exploring its many categories: gadgets, knickknacks, novelty goods, mass-produced collectibles, giftware, variety store merchandise. As Woloson shows, not all crap is crappy in the same way--bric-a-brac is crappy in a different way from, say, advertising giveaways, which are differently crappy from commemorative plates. Taking on the full brilliant and depressing array of crappy material goods, the book explores the overlooked corners of the American market and mindset, revealing the complexity of our relationship with commodity culture over time. By studying crap rather than finely made material objects, Woloson shows us a new way to truly understand ourselves, our national character, and our collective psyche. For all its problems, and despite its disposability, our crap is us.