Bücher veröffentlicht von The University of North Carolina Press

Examines the controversial Louisiana politician's past, his electoral success, his appeal, and his constituency. The contributors, including political scientists, journalists, historians, and activists, conclude that Duke appeals to a vast group of middle-class, white voters who feel that they have been ignored by the political scene and bypassed in economic terms.

Henry A. Wallace (1888-1965) remains one of the most puzzling figures of twentieth-century American politics. In this interpretive biography, Graham White and John Maze explore Wallace's political career, his enigmatic personality, and the origins and development of his social, political, and religious thought, including his mystical beliefs.

Examines the development of Latin American science fiction from the mid-nineteenth century until the early days of Modernsmo, via an in-depth discussion of the first three novels published in Spanish America. These novels incorporate all the attributes that consistently appear in a science fiction work through a blend of Darwinism and Spiritism.

The American Civil War is famous for epic battles involving massive armies outfitted in blue and gray uniforms, details that characterize conventional warfare. This title treats guerrilla warfare as critical to understanding the course and outcome of the Civil War.

Understanding the flowering plants of any region begins with the recognition of families. This remarkable volume, created to serve students, professionals, and other plant enthusiasts, covers 130 temperate to tropical families common in North America with detailed illustrations and modern referenced commentaries.

Written by George Edwin Butler (1868-1941) and composed only a year after Special Indian Agent Orlando McPherson's Indians of North Carolina report, this book was an appeal to the state of North Carolina to create schools for the "Croatans" of Sampson County. Butler's report would prove to be important in an evolving system of southern racial apartheid.

The extended title of The Cherokee Physician serves as an apt summary of its contents. The book was the result of a remarkable collaboration between James Mahoney, an Irish American and native Tennesseean, and Richard Foreman, whose parental ancestry was probably Scottish and Cherokee. Typical of its time, the book dispenses moral advice as cheerfully as medical advice.

Bringing together scholars from a range of disciplines to assess the use and meaning of language in the American South, this comprehensive edited collection reflects the cutting-edge research in this area. The contributors use innovative methodologies to pave new pathways for understanding the social dynamics that shape the language in the South today.

Bringing together scholars from a range of disciplines to assess the use and meaning of language in the American South, this comprehensive edited collection reflects the cutting-edge research in this area. The contributors use innovative methodologies to pave new pathways for understanding the social dynamics that shape the language in the South today.

Examining a wide range of forms and media, including sound recording, narrative journalism, drawing, photography, film, and video, this book is a daring interdisciplinary study of documentary culture and practice from 1945 to the present. Essays explore the activist impulse of documentarians who not only record reality but also challenge their audiences to take part in reality's remaking.

Examining a wide range of forms and media, including sound recording, narrative journalism, drawing, photography, film, and video, this book is a daring interdisciplinary study of documentary culture and practice from 1945 to the present. Essays explore the activist impulse of documentarians who not only record reality but also challenge their audiences to take part in reality's remaking.

Explores manifestations of the occult in modernist Hispanic short fiction, particularly that of Manuel Gutierrez Najera, Ruben Dario, and Leopoldo Lugones. The fascination of these modernist writers with such areas as alchemy, theosophy, and the supernatural expressed not only a residual Romantic literary sensibility but also the influence of numerous spiritualist movements around the world.

Bridget Aldaraca breaks new ground in the study of women, ideology, and the realist novel. Her book explores the ideology of domestic life in Spain as it relates to changing concepts of the family, women's roles in society, the division of social space into private and public spheres, and attitudes toward conspicuous consumption, sexuality, mental illness, and other social themes.

Fred M. Clark offers a semiotic analysis of three plays by Nelson Rodrigues, based in Charles S. Pierce's triadic concept of the sign: as sign, interpretant, and object, in regards to its production as perception and consciousness. Clark's use of this triad approach demonstrates the self-conscious plays of icons in Vestido de noiva, Album de familia, and Anjo negro, and offers a basis for the relevance of his conclusions to theatre at large. Based on this semiotic theory, Clark demonstrates the particular modes in which Nelson's theatre builds up fictional situations that transcend the pretense of the vanguard to become radically innovative and achieve a first-rate literary realization, equal of any occidental writer of the period. The author demonstrates the way in which Rodrigues dissects the difference between seeming and being, questioning the very notion of permanence and order.

Eduardo de Faria Coutinho's analysis of Grande Sertao: Veredas places the novel at the intersection of experience, literary history, and artistry. Walking the text's balance between the real and the imaginary, and focusing his reading on the thread of ambivalence that snakes its way throughout, Coutinho weaves together the text's dichotomies between ethics and aesthetics, rural regionalism and urban universalization, and socioeconomic and psychological epistemologies. This book also serves to place Grande Sertao: Veredas in the trajectory of the history of the Latin American novel, creating an accessible point of entry to the genre, and grounding the text firmly within the literary tradition.

While work contrasting Polifemo and Galatea has been done previously, Kathleen Hunt Dolan's book elevates the level of that discourse and enriches the concept with its deeply researched comparative approach. The book explores Polifemo, tying him first to the pre-Ovidian, underworld-dwelling tradition of the Cyclops, then laying out his expansive semantic field.

Raser questions criticism's predilection for a scientific discourse, arguing that aesthetic categories are better indicators of a text's literary qualities. Although aesthetics has claimed subjective pleasure as its sole criterion since the time of Kant, aesthetic judgments tend always to ground themselves in logic or reference.

Through close readings of eight tales from the Conde Lucanor, Anibal A. Biglieri offers the foundation for a Poetics of short didactic narratives. Biglieri's point of entry into this canonical work is his analysis of the text's unique relation with reality. This book also offers insights about the significance of the frame story, the ethics of social position, and the relationship between the author and his text. Hacia una poetica del relato didictico reaffirms the foundational role that El Conde Lucanor plays in the development of narrative structures, and celebrates the complexity of this quintessential landmark of Hispanic literature.

In her exploration of the quest for God in Beckett's fiction, Barge discloses a powerful substratum of thematic and narrative movements underlying the rhetoric of Beckett's texts. By studying examples of myth-making structures in representative selections of the fiction, she reveals their profundity and centrality to the whole of Beckett's visionary thought and art.

Through a formalist, structuralist analysis, Rene Pedro Garay defines the Vicente comedias against their socio-historical backdrop, and the literary milieu that witnessed their creation. By doing so, Garay defends the un-Aristotelian medieval tradition, tracing the theory behind Vicente's comedies through Dante and the pre-sixteenth Century Iberian tradition.

Philip Stewart demonstrates that in each of three novels - Marivaux's La Vie de Marianne, Diderot's La Religieuse, and Rousseau's Julie ou la Nouvelle Heloise - the characters' sincerity disguises how incompletely the meaning of their own experience is resolved.

Provides the first critical analysis of the Catalan novel of chivalry, Tirant lo Blanch (1490). By breaking down the story into two fundamental narrative threads - the military and erotic exploits of the hero - Aylward reveals the two-pronged narrative scheme that supports Martorell's fast-paced and amusing account of romance and political intrigue in fifteenth-century Constantinople.

The undisputed masterpiece of fourteenth-century Spain by Juan Ruiz, Archpriest of Hita, affords a particularly privileged locus for the implementation of reader-response theory. As opposed to many medieval authors, Ruiz explicitly refuses to prescribe interpretation for his readership, a fact that has led to widely divergent critical readings of his fictional biography.

Questioning a particular tradition of reading, Carol Sherman writes a series of metacritical essays that revise many of our assumptions about Voltaire's stories, substantiate others, and attempt to account for the phenomenon of interpretation for the paradoxical case of fictions that proffer truths.

Offers the first book-length examination of a mythopoetic configuration that pervades Valery's entire textual universe. The Angel is linked to almost every one of its themes and informs all of its modes, which, in turn, form and deform it.

The first work of genuine literary merit in Old French is the Vie de saint Alexis, and later reworkings of it attest to its popularity. This volume offers two editions: a twelfth-century edition that was published inaccurately by Gaston Paris, and a thirteenth-century version that has not been published.

Germain Nouveau (1851-1920), poet and painter, friend of Rimbaud and Verlaine, discreet disciple of Mallarme, led a vie de boheme while composing poems of both religious and erotic inspiration. This book is both a biographical study and an introduction to the works of a long-neglected poet.

Challenges the notion that Lemaire's recourse to rhetoric was an artistic failure, arguing that rhetoric was actually his success. Jenkins demonstrates the importance of rhetoric in pre-Renaissance French literature, filling a crucial gap in previous scholarship. He provides an overview of rhetorical tradition and Lemair's knowledge of it.

The Instructions are Saint Louis's second set of recommendations, which he addressed to his daughter Isabelle, who later became Queen of Navarre. O'Connell's critical text is, for the most part, based on the non-Latinized manuscript ms. G (ca. 1300) and incorporates variants from E (the printed version of the Latinized manuscripts) and KMN (non-Latinized manuscripts).

This edition of Urban T. Holmes, Jr.'s exploration of medieval man includes an introduction and has been edited by his son. This is not an excessively theoretical text adhering tightly to the development of its argument. Instead, it allows the reader to meet not only medieval man in his own understanding of himself, but the author as well.