Bücher veröffentlicht von University of Exeter

Silent Features is a collection of essays on seventeen feature-length silent films and two silent serial features, their diverse stylistic, generic and structural characteristics, and the national, historical and industrial contexts from which they emerged. Of the 17 films discussed, 15 are still currently available on DVD. 200 b&w illustrations.

Tracing the development of the University of Exeter over the six decades since it was granted its royal charter in 1955, this book tells the history of the institution and its community. Jeremy Black draws on a wide range of resources, from archival material to the personal recollections of staff and students. He records and analyses the story of the university as it engaged with the need to expand and evolve while responding to constant financial and political pressures. The book includes interviews with leading university figures, contributions from former students, and a postscript looking to the future. It charts the University of Exeter's changing place in the world of higher education.from the author's Preface In 2013-14, I wrote The City on the Hill: A Life of the University of Exeter, which was published in 2015 as part of the university's Diamond Jubilee. That extensively illustrated and very heavy book is a worthy memorial. This is adifferent book: it draws on some additional research, while the opportunity to rewrite the study, and bring it up to date has proved welcome. The work has been greatly eased by the great friendship and wonderful co-operation I haveencountered. Staff and students, past and present, have given much time, to pass on information and opinion, to answer questions, and to read and comment on drafts.'

Privateering, ship design, English society, the lost colonists, the drawing of John White, and the adoption of Sir Walter Raleigh as an American folk hero are among the topics covered in this volume. Illustrated.

Charles Urban was a renowned figure in his time, and he has remained a name in film history chiefly for his development of Kinemacolor, the world's first successful natural colour moving picture system. He was also a pioneer in the filming of war, science, travel, actuality and news, a fervent advocate of the value of film as an educative force, and a controversial but important innovator of film propaganda in wartime.The book uses Urban's story as a means of showing how the non-fiction film developed in the period 1897-1925, and the dilemmas that it faced within a cinema culture in which the entertainment fiction film was dominant. Urban's solutions - some successful, some less so - illustrate the groundwork that led to the development of documentary film. The book considers the roles of film as informer, educator and generator of propaganda, and the social and aesthetic function of colour in the years when cinema was still working out what it was capable of and how best to reach audiences.Luke McKernan also curates a web resource on Charles Urban at www.charlesurban.com

This book explores the history of Cornwall`s portrayal on screen, from the earliest days of the moving image to the recent BBC adaptation of Winston Graham's Poldark books. Innovative new research looking at amateur film and newsreels, avant-garde and documentary works alongside mainstream popular film and television. 7 b&w and 13 col. illus.

Silent Features is a collection of essays on seventeen feature-length silent films and two silent serial features, their diverse stylistic, generic and structural characteristics, and the national, historical and industrial contexts from which they emerged. Of the 17 films discussed, 15 are still currently available on DVD. 200 b&w illustrations.

The demise of the Soviet Union, and the emergence of independent republics, have had profound implications for the regions on its periphery such as the Caucasus and Central Asia. This book explores the complex ways in which these republics have found both independence and a new regional identity in their relations with the neighbouring Middle East.

Eighteenth-Century Brechtians is a collection of essays by a well-known author on comic and radical political theatre. It looks at stage satires by John Gay, Henry Fielding, George Farquhar, Charlotte Charke, David Garrick and their contemporaries through the lens of Brecht's theory and practice. 15 b&w illustrations.

A new edition of Philip Payton's modern classic Cornwall: A History, published now by University of Exeter Press, telling the story of Cornwall from earliest times to the present day. This edition incorporates the latest research and brings the story of Cornwall right up to date, examining the events and debates of the early twenty-first century.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

The Voice of a Giant looks at seven masterpieces of Russian nineteenth-century prose fiction. Each chapter concentrates primarily on a detailed analysis of one of these works but reference is also made to historical background, the seven author's general attitudes and the distinguishing characteristics of Russian literature.

In this unique and entertaining collection of articles, a noted scholar and compiler of key works of reference reflects on the nature of language, the art of lexicography and the breath-taking developments in communication, the media and information technology in the late twentieth century.

A popular crowd-pleaser in the late 16th and mid-17th century, the dramatic jig was a short, comic, bawdy musical-drama which included elements of dance, slapstick and disguise. With a cast of ageing cuckolds and young head-strong wives, knavish clowns, roaring soldiers and country bumpkins, jigs often followed as afterpieces at London's playhouses, and were performed at fairs, in villages and in private houses. Troublesome to the authorities, they drew the crowds by offering a lively antidote to more sober theatrical fare.This performance edition presents for the first time nine examples of English dramatic jigs from the late sixteenth century through to the Restoration; the scripts are re-united as far as possible with their original tunes. It gives a comprehensive history, discusses sources, plots, instrumentation and dancing, and offers practical information on staging jigs today.Includes:Transcriptions of the original textsContextual notes: plot synopses and discussion of sources, themes and audience receptionMusical notation for each tune, with suggestions for underlay and chords, and notes on instrumention and styleAppendix of dance instructions and reconstructions

This book analyses the diverse historical and geographical circumstances in which audiences have viewed American cinema. It looks at cinema audiences ranging from Manhattan nickelodeons to the modern suburban megaplex, and from provincial, small-town or rural America to the shanty towns of South Africa.

This book examines recent views on the emerging settlement patterns of early medieval Britain and their relation to land use, drawing on both archaeological and documentary sources.

Devon shows perhaps one of the most varied displays of geology in the British Isles. The Geology of Devon covers the geological development of the county and adjacent areas from Devonian times to the present day. This is a reprint of the original edition of The Geology of Devon, first published in 1982 and reprinted three times.

This is a new critical edition of an unjustly forgotten drama by Alphonse de Lamartine, written in the early 1840s but only given its first, and last, performance in Paris in 1850. It draws a compelling image of Toussaint Louverture, the father of Haitian Independence. Lamartine proved something of a visionary by stressing his hero's search for a coherent racial and national ideology, a theme which has become fundamental in Negritude and post-colonial literatures.This edition is the first to provide a critical apparatus covering the history of the text, the political and social background against which it should be read, the reception of the work from the time of its original performance to today, and to offer notes on the historical figures included in the cast of characters, as well as a selection of variants, explanatory footnotes and an extensive bibliography.This volume is in the series Textes littraires/Exeter French Texts. The text, intorudcution and essential notes are all in French.

This new edition of Bernardin de Saint-Pierre's play Empsael et Zoraide, presented in a modernised spelling, makes available a text which illustrates his abolitionist stance through its central irony: the masters are black and their slaves white, joining forces in the antislavery debate which reached its height with the French Revolution.

This is the first critical edition of a neglected version of the Life of Saint Alexis found in a late twelfth century manuscript written in England containing several other saints' lives, and now, after many adventures, in the Bibliotheque nationale.

This is a comparative and interdisciplinary book exploring a variety of perspectives on the artistic culture of France, and its neighbours, in the period 1870-1914. Part One centres on France, and assembles essays on the prose, poetry and painting of Symbolism and Decadence, on avant-garde dance and performance, on women's writing and on early cinema.Part Two explores the relations between France and several cultures in which the debt to France was amply and originally repaid, ranging from the Anglo-Celtic "e;Rhymers' Club"e; to the Italian "e;Crepusculari"e;. The essays consistently point beyond the late nineteenth century and into the twentieth, as they explore the multiple beginnings-as well as the false starts-that characterize the period. All foreign language quotations are translated.

A striking and famous feature of the English landscape, Dartmoor is a beautiful place, with a sense of wildness and mystery. This book provides a new perspective on an important aspect of Dartmoor's past. Its focus is transhumance: the seasonal transfer of grazing animals to different pastures.In the Middle Ages, intensive practical use was made of Dartmoor's resources. Its extensive moorlands provided summer pasture for thousands of cattle from the Devon lowlands, which flowed in a seasonal tide, up in the spring and down in the autumn. This book describes, for the first time, the social organisation and farming practices associated with this annual transfer of livestock. It also presents evidence for a previously unsuspected Anglo-Saxon pattern of transhumance in which lowland farmers spent the summers living with their cattle on the moor.Winner of the Devon Book of the Year Award 2013.

The Futurist opera Victory over the Sun, first staged in 1913 in St Petersburg, was a key event of the Russian avant-garde, notorious for its libretto, its unconventional score and its pioneering abstract sets and costumes designed by Kazimir Malevich. The iconic importance of Victory over the Sun as a theatrical event is universally acknowledged.This volume brings together the first fully annotated translation of the libretto of this ';anti-opera' and other important primary source materials, including the score, the set and costume designs and contemporary newspaper reviews. The second part of the volume provides a wide-ranging collection of interpretive essays which explore the artistic, literary and musical dimensions of the staging, its theatrical and historical context, its relationship to Italian Futurism, and its position within the Russian modernist movement.You can read more about the Pushkin House event on 22 November 2012 on the Russian Art and Culture website by following this link http:// www.russianartandculture.com/victory-over-sun-book-launch-pushkin-house/ (will open in a new window).And you can see and hear more in Alexander Kan's report on the BBC Russian site by following this link http://www.bbc.co.uk/russian/multimedia/2012/11/121127_futuristic_dinner.shtml (will open in a new window).In 1913, the year in which the Romanovs celebrated their tercentenary, the premieres of two revolutionary theatrical events brought Russian artists to the forefront of the European avant-garde. With its nonsensical ';trans-sense' libretto by Aleksei Kruchenykh andVelimirKhlebnikov, experimental score by Mikhail Matiushin and pioneering abstract sets and costumes by Kazimir Malevich, the Futurist opera Victory over the Sun may be compared in terms of its radical assault on artistic convention to Igor Stravinsky's ballet The Rite of Spring.This interdisciplinary volume brings together a distinguished team of international scholars to discuss the artistic significance of this epoch-making ';anti-opera', which is now recognised as a key event of avant-garde cultural production, and a turning point in stage history.The book offers new insight into the theatre practice and history of Russian Futurist performance, which, to date, has received little attention from theatre scholars despite its influence on the development of European drama in the twentieth century.As well as an annotated translation of the libretto, the book includes reproductions of the score and contemporary newspaper reviews.Illustrated throughout, and with a colour plate section containing twenty-seven colour images of costume designs, posters and other work by the abstract artist Kazimir Malevich

Quintessentially English, Betjeman was an 'outsider' in England - and doubly so in Cornwall where he was a `foreigner'. And yet, as this book describes, Betjeman also strove to acquire a veneer of `Cornishness', cultivating an alternative Celtic identity, and finding inspiration in Cornwall's Anglo-Catholic tradition.

This book explores an industry that was of profound importance both in terms of the local economy and the history of mining nationally, but is long forgotten: the late medieval royal silver mines at Bere Ferrers in the Tamar Valley.The Bere Ferrers silver mines employed up to 400 men, mining on a scale and at depths not previously possible, and changed forever the way that mining was carried out in medieval Britain.

TEACHING RELIGION is the first book to trace the developments in religious education in England and Wales in the half century to 1994. It starts with the 1944 Butler Act and ends with the DFE Circular of 1994 which was issued to take further the RE provision in the 1988 Education Reform Act.