Bücher veröffentlicht von University of Exeter Press

A much-feared supernatural being from the north of England, the boggart survives against the odds whether in place-names or the pages of Harry Potter. Using long-forgotten sources, this ground-breaking book reveals that almost everything we thought we knew about the Boggart is wrong.

Through a detailed study of the circulation of European silent film in Australasia in the early twentieth century, this book challenges the historical myopia that treats Hollywood films as having always dominated global film culture.Before World War I, European silent feature films were ubiquitous in Australia and New Zealand, teaching Antipodean audiences about Continental cultures and familiarizing them with glamorous European stars, from Asta Nielsen to Emil Jannings. After the rise of Hollywood and then the shift to sound film, this history-and its implications for cross-cultural exchange-was lost. Julie K. Allen recovers that history, with its flamboyant participants, transnational currents, innovative genres, and geopolitical complications, bringing it all vividly to life.Making ground-breaking use of digitized Australian and New Zealand newspapers, the author reconstructs the distribution and exhibition of European silent films in the Antipodes, along the way incorporating compelling biographical sketches of the ambitious pioneers of the Australasian cinema industry. She reveals the complexity and competitiveness of the early cinema market, in a region with high consumer demand and low domestic production, and frames the dramatic shift to almost exclusively American cinema programming during World War I, contextualizing the rise of the art film in the 1920s in competition with mainstream Hollywood productions.

This new book in Critical Discourse Studies uses detailed and systematic analysis of the discursive construction of Austrian identities across a period of 20 years - from 1995 to 2015 - to trace the re-emergence of nationalism in the media, popular culture and politics, and the normalization of far-right nativist ideologies and attitudes. Contradictory and intertwined tendencies towards re-nationalization and trans-nationalization have always framed debates about European identities, but during the so-called refugee crisis of 2015, the debates became polarized. During the COVID-19 pandemic, nation states first reacted by closing borders, while symbols of banal nationalism proliferated. The data, drawn from a variety of empirical studies, suggests changes in memory politics - the way past events are remembered - are due to a range of factors, including the growth of migrant societies; the influence of financial and climate crises; changing gender politics; and a new transnational European politics of the past. The authors assess the challenges to liberal democracies and fundamental human and constitutional rights, and analyze how the pandemic contributes to a new re-nationalization across Europe and beyond. DOI:https://doi.org/10.47788/RLNW3226

Cinema on the Front Line offers the first comprehensive history and analysis of how the medium of cinema intersected with the lives of British soldiers during the First World War. Documenting the use of cinema from domestic recruitment drives to make-shift theatrical venues established on the front line, and then in convalescent hospitals and camps, the book provides evidence of the previously unacknowledged importance of cinema as recreational support and entertainment for soldiers living through the trauma of the First World War. Chris Grosvenor makes extensive use of war diaries and other military records to foreground the voices and perspectives of British soldiers themselves. The book includes discussion of over 70 films.DOI: https://doi.org/10.47788/LAML7430

This book is one of the first to study the role of women in public and professional life from a regional point of view. It breaks new ground in considerations of gender in the early twentieth century and the history of Devon in the modern period.

This book sheds new light on the under-researched period of early British cinema through a history of the British and Colonial Kinematograph Company in the years 1908-1916, when it became one of Britain's leading film producers. The book provides an account of its films and personalities, and explores its production methods and business practices.

This Reader brings together for the first time key works by Steve Neale, one of the founding figures of UK film studies. It includes selections of his influential writing on genre, together with other critical work encompassing film analysis, representation, cinema history, technology, and the film industry.

An amusing tale of late twelfth-century social mobility, the romance tells of a bewildering series of adventures that befall a fictitious king who deliberately abandons his royal status to enter the 'real' world of knights, wolves, pirates and merchants. He and his family are finally reunited at Yarmouth thanks to a climactic stag hunt.

New understandings of the middle order and of the post-1688 English Parliament have shifted the focus from Westminster to the constituencies in the study of eighteenth-century politics. It was the towns, and especially the smaller parliamentary boroughs, that set much of the legislative agenda and which defined partisanship. This is also where religious tension was most intense and enduring.Yet there has never been a thoroughgoing comparative study of small-town economy, religion, government and politics. Deep in the archives, the history of a clutch of towns in south-west England in the early years of the eighteenth century offers revelatory insights. Their diverse economic structure and religious divisions made these towns extraordinarily difficult to govern, while late Augustan partisanship spread into the streets and taverns, threatening urban order. This precipitated heady local realignments, with three or even four factions in each place cutting across Whig and Tory lines in the pursuit of consensus. In this intensely urban politics, government patronage was peripheral; area gentry were drawn in but had little control. The impact of this many-sided partisanship on national politics was profound.Building a clearer picture of significant change around the time of the Hanoverian accession, this book proposes a fresh approach both to the study of early modern politics and of towns far beyond its immediate region. It will be an important asset to scholars and students of both.DOI:https://doi.org/10.47788/ITUP3527

Once notorious but now largely forgotten, the political idealist and radical John Baxter Langley was typical of the well-educated and ethical Victorians who struggled to create a fairer, more equal society. Through a long and wide-ranging career of political agitation he was a journalist, editor and owner of several newspapers, was prominent in the call for franchise reform, and opposed religious legislation that prevented Sunday entertainment and education for working men and women.Langley was also integral to the founding of a trade union, campaigned for an end to public executions and built affordable housing in Battersea. Internationally, he condemned the Second Opium War, exposed British brutality in India and worked covertly for Lincoln's administration. He was a fellow-traveller for many other key radicals of the day, while his founding of the 'Church of the Future' garnered the support of Charles Darwin, James Martineau and John Stuart Mill.Through a chronological narrative of Langley's activities, this book provides an overview of many of the most significant political causes of the mid- to late nineteenth century. These include electoral reform, feminism, slavery, racism, trade unionism, workers' rights, the free press, leisure, prostitution, foreign relations and espionage. A neglected but important figure in the history of nineteenth-century radicalism, this work gives John Baxter Langley the attention he deserves and reveals the breadth of his legacy.DOI: https://doi.org/10.47788/LVPH3819

What's a djibbah, how long has the old school tie been around and do yellow petticoats really repel vermin? This book will provide answers to these questions and more, in an engaging foray into 500 years of British school uniform history from the charity schools of the sixteenth century through the Victorian public schools to the present day.

This book tackles fragmentation in mental health discourse and in particular the relationship between academic discourse in different disciplinary silos and public discourse in the media. It argues that fragmentation in public discourse does harm, and that an approach is needed that is able to integrate across perspectives holistically.

This book "e;decodes"e; 1930s Hollywood movies and explains why they looked and behaved in the way they did. Organized through a series of related case studies, the book exposes Classical Hollywood movies to a detailed analysis of their historical, industrial and cultural contexts. In the process it utilizes industry data, aesthetic analysis and the insights of New Cinema History to explain why and how these movies assumed their familiar forms.The book represents the summation of Richard Maltby's four decades of scholarship in the field of Hollywood cinema. The essays presented here share an assumption that has increasingly informed the author's critical method over the years: that any historical understanding of the films of this period requires a deep contextualization in the social circumstances surrounding both their production and consumption. In this way, the book introduces an innovative, overarching research methodology that synthesizes branches of research that are typically employed in isolation, including production, distribution, reception, film aesthetics, and cultural and historical context.Of the book's nine chapters, three are presented here for the first time, and four have been substantially revised and extended from their original publication.

Includes articles first published in The Journal of William Morris Studies and new pieces written for this book. Subjects incl. promotion of craft skills and meaningful work, division of labour, education, environment, art and architecture and the contrasts between Ruskin's (1819-1900) Tory paternalism and Morris's (1834-1896) revolutionary socialism.

Includes articles first published in The Journal of William Morris Studies and new pieces written for this book. Subjects incl. promotion of craft skills and meaningful work, division of labour, education, environment, art and architecture and the contrasts between Ruskin's (1819-1900) Tory paternalism and Morris's (1834-1896) revolutionary socialism.

A core text for upper undergraduates and postgraduates taking language, applied linguistics, translation and cultural studies courses in the UK and abroad. Of interest to teachers of languages, other applied linguists, and practising translators and interpreters. Fully revised and expanded edition.

This book brings together a number of specialist scholarly articles published previously in the series Cornish Studies, and presents them in revised form as a history of Cornwall in the early modern period, focusing especially on issues of language, identity and rebellion in the period 1490-1690.

This book is the first sustained and dispassionate study of the role of Freemasonry in everyday social and economic life: why men joined, what it did for them and their families, and how it affected the development of communities and local economies.

From Mimesis to Interculturalism offers a series of critical readings of key texts in the history of European and American theatrical and performance theory. It answers the need for a detailed critique of theatrical theory from its origins in Greek antiquity to the present day.

This compact book reproduces fifty-two memorials in Latin taken from churches situated largely in the West Country. Each memorial is accompanied by a translation and by notes on the grammar.The book is aimed at all who would like to be able to read Latin epitaphs in churches, and whose knowledge of the language may be sketchy.The introduction explains the conventions involved in lettering, abbreviations, Latinized personal names, and stock phrases. It is followed by a very brief Latin grammar and notes on Roman numerals and dates. At the back of the book there is a word list containing all those words found in the inscriptions with numbered references, plus a selection of words which are commonly found in inscriptions generally, though not in those printed here.By combining these resources in one book, the author equips the reader with the tools to tackle other epitaphs beyond the pages of this book and further afield.Every attempt is made to help the reader understand the context in which each inscription was composed. For instance it is stressed that the composers of such epitaphs were skilled Latin scholars, and that there are very few errors to be seen. Errors attributable to the stonemasons or sign-writers are noted and corrected.

The New Germany provides a picture of contemporary Germany from a variety of perspectives, establishing relationships between recent political events and society and cultural life.

Widely regarded by historians of the early moving picture as the best work yet published on pre-cinema, The Great Art of Light and Shadow: Archaeology of the Cinema throws light on a fascinating range of optical media from the twelfth century to the turn of the twentieth. First published in French in 1994 and now translated into English, Laurent Mannoni's account projects a broad picture of the subject area now known as 'pre-cinema'.Starting from the earliest uses of the camera obscura in astronomy and entertainment, Mannoni discusses, among many other devices, the invention and early years of the magic lantern in the seventeenth century, the peepshows and perspective views of the eighteenth century, and the many weird and wonderful nineteenth-century attempts to recreate visions of real life in different ways and forms. This fully-illustrated and accessible account of a strange mixture of science, magic, art and deception introduces to an English-speaking readership many aspects of pre-cinema history from other European countries.