Bücher veröffentlicht von University of Exeter Press

Cinema on the Front Line offers the first comprehensive history and analysis of how the medium of cinema intersected with the lives of British soldiers during the First World War. Documenting the use of cinema from domestic recruitment drives to make-shift theatrical venues established on the front line, and then in convalescent hospitals and camps, the book provides evidence of the previously unacknowledged importance of cinema as recreational support and entertainment for soldiers living through the trauma of the First World War. Chris Grosvenor makes extensive use of war diaries and other military records to foreground the voices and perspectives of British soldiers themselves. The book includes discussion of over 70 films.DOI: https://doi.org/10.47788/LAML7430

This book sheds new light on the under-researched period of early British cinema through a history of the British and Colonial Kinematograph Company in the years 1908-1916, when it became one of Britain's leading film producers. The book provides an account of its films and personalities, and explores its production methods and business practices.

This book is one of the first to study the role of women in public and professional life from a regional point of view. It breaks new ground in considerations of gender in the early twentieth century and the history of Devon in the modern period.

This Reader brings together for the first time key works by Steve Neale, one of the founding figures of UK film studies. It includes selections of his influential writing on genre, together with other critical work encompassing film analysis, representation, cinema history, technology, and the film industry.

An amusing tale of late twelfth-century social mobility, the romance tells of a bewildering series of adventures that befall a fictitious king who deliberately abandons his royal status to enter the 'real' world of knights, wolves, pirates and merchants. He and his family are finally reunited at Yarmouth thanks to a climactic stag hunt.

New understandings of the middle order and of the post-1688 English Parliament have shifted the focus from Westminster to the constituencies in the study of eighteenth-century politics. It was the towns, and especially the smaller parliamentary boroughs, that set much of the legislative agenda and which defined partisanship. This is also where religious tension was most intense and enduring.Yet there has never been a thoroughgoing comparative study of small-town economy, religion, government and politics. Deep in the archives, the history of a clutch of towns in south-west England in the early years of the eighteenth century offers revelatory insights. Their diverse economic structure and religious divisions made these towns extraordinarily difficult to govern, while late Augustan partisanship spread into the streets and taverns, threatening urban order. This precipitated heady local realignments, with three or even four factions in each place cutting across Whig and Tory lines in the pursuit of consensus. In this intensely urban politics, government patronage was peripheral; area gentry were drawn in but had little control. The impact of this many-sided partisanship on national politics was profound.Building a clearer picture of significant change around the time of the Hanoverian accession, this book proposes a fresh approach both to the study of early modern politics and of towns far beyond its immediate region. It will be an important asset to scholars and students of both.DOI:https://doi.org/10.47788/ITUP3527

Once notorious but now largely forgotten, the political idealist and radical John Baxter Langley was typical of the well-educated and ethical Victorians who struggled to create a fairer, more equal society. Through a long and wide-ranging career of political agitation he was a journalist, editor and owner of several newspapers, was prominent in the call for franchise reform, and opposed religious legislation that prevented Sunday entertainment and education for working men and women.Langley was also integral to the founding of a trade union, campaigned for an end to public executions and built affordable housing in Battersea. Internationally, he condemned the Second Opium War, exposed British brutality in India and worked covertly for Lincoln's administration. He was a fellow-traveller for many other key radicals of the day, while his founding of the 'Church of the Future' garnered the support of Charles Darwin, James Martineau and John Stuart Mill.Through a chronological narrative of Langley's activities, this book provides an overview of many of the most significant political causes of the mid- to late nineteenth century. These include electoral reform, feminism, slavery, racism, trade unionism, workers' rights, the free press, leisure, prostitution, foreign relations and espionage. A neglected but important figure in the history of nineteenth-century radicalism, this work gives John Baxter Langley the attention he deserves and reveals the breadth of his legacy.DOI: https://doi.org/10.47788/LVPH3819

What's a djibbah, how long has the old school tie been around and do yellow petticoats really repel vermin? This book will provide answers to these questions and more, in an engaging foray into 500 years of British school uniform history from the charity schools of the sixteenth century through the Victorian public schools to the present day.

This book tackles fragmentation in mental health discourse and in particular the relationship between academic discourse in different disciplinary silos and public discourse in the media. It argues that fragmentation in public discourse does harm, and that an approach is needed that is able to integrate across perspectives holistically.

This book "e;decodes"e; 1930s Hollywood movies and explains why they looked and behaved in the way they did. Organized through a series of related case studies, the book exposes Classical Hollywood movies to a detailed analysis of their historical, industrial and cultural contexts. In the process it utilizes industry data, aesthetic analysis and the insights of New Cinema History to explain why and how these movies assumed their familiar forms.The book represents the summation of Richard Maltby's four decades of scholarship in the field of Hollywood cinema. The essays presented here share an assumption that has increasingly informed the author's critical method over the years: that any historical understanding of the films of this period requires a deep contextualization in the social circumstances surrounding both their production and consumption. In this way, the book introduces an innovative, overarching research methodology that synthesizes branches of research that are typically employed in isolation, including production, distribution, reception, film aesthetics, and cultural and historical context.Of the book's nine chapters, three are presented here for the first time, and four have been substantially revised and extended from their original publication.

Includes articles first published in The Journal of William Morris Studies and new pieces written for this book. Subjects incl. promotion of craft skills and meaningful work, division of labour, education, environment, art and architecture and the contrasts between Ruskin's (1819-1900) Tory paternalism and Morris's (1834-1896) revolutionary socialism.

Includes articles first published in The Journal of William Morris Studies and new pieces written for this book. Subjects incl. promotion of craft skills and meaningful work, division of labour, education, environment, art and architecture and the contrasts between Ruskin's (1819-1900) Tory paternalism and Morris's (1834-1896) revolutionary socialism.

A core text for upper undergraduates and postgraduates taking language, applied linguistics, translation and cultural studies courses in the UK and abroad. Of interest to teachers of languages, other applied linguists, and practising translators and interpreters. Fully revised and expanded edition.

This book brings together a number of specialist scholarly articles published previously in the series Cornish Studies, and presents them in revised form as a history of Cornwall in the early modern period, focusing especially on issues of language, identity and rebellion in the period 1490-1690.

This book is the first sustained and dispassionate study of the role of Freemasonry in everyday social and economic life: why men joined, what it did for them and their families, and how it affected the development of communities and local economies.

From Mimesis to Interculturalism offers a series of critical readings of key texts in the history of European and American theatrical and performance theory. It answers the need for a detailed critique of theatrical theory from its origins in Greek antiquity to the present day.

Silent Features is a collection of essays on seventeen feature-length silent films and two silent serial features, their diverse stylistic, generic and structural characteristics, and the national, historical and industrial contexts from which they emerged. Of the 17 films discussed, 15 are still currently available on DVD. 200 b&w illustrations.

Piskies, mermaids, giants, and a revenant bridegroom: the stuff of legend. In the hands of skilled storytellers - the famed droll tellers of Cornwall - the result was magical. Considered in the context of narratives throughout Northern Europe, enchantment can be understood as well as enjoyed in this new way to look at Cornwall. 10b&w illus.

Tracing the development of the University of Exeter over the six decades since it was granted its royal charter in 1955, this book tells the history of the institution and its community. Jeremy Black draws on a wide range of resources, from archival material to the personal recollections of staff and students. He records and analyses the story of the university as it engaged with the need to expand and evolve while responding to constant financial and political pressures. The book includes interviews with leading university figures, contributions from former students, and a postscript looking to the future. It charts the University of Exeter's changing place in the world of higher education.from the author's Preface In 2013-14, I wrote The City on the Hill: A Life of the University of Exeter, which was published in 2015 as part of the university's Diamond Jubilee. That extensively illustrated and very heavy book is a worthy memorial. This is adifferent book: it draws on some additional research, while the opportunity to rewrite the study, and bring it up to date has proved welcome. The work has been greatly eased by the great friendship and wonderful co-operation I haveencountered. Staff and students, past and present, have given much time, to pass on information and opinion, to answer questions, and to read and comment on drafts.'

Privateering, ship design, English society, the lost colonists, the drawing of John White, and the adoption of Sir Walter Raleigh as an American folk hero are among the topics covered in this volume. Illustrated.

Charles Urban was a renowned figure in his time, and he has remained a name in film history chiefly for his development of Kinemacolor, the world's first successful natural colour moving picture system. He was also a pioneer in the filming of war, science, travel, actuality and news, a fervent advocate of the value of film as an educative force, and a controversial but important innovator of film propaganda in wartime.The book uses Urban's story as a means of showing how the non-fiction film developed in the period 1897-1925, and the dilemmas that it faced within a cinema culture in which the entertainment fiction film was dominant. Urban's solutions - some successful, some less so - illustrate the groundwork that led to the development of documentary film. The book considers the roles of film as informer, educator and generator of propaganda, and the social and aesthetic function of colour in the years when cinema was still working out what it was capable of and how best to reach audiences.Luke McKernan also curates a web resource on Charles Urban at www.charlesurban.com

This book explores the history of Cornwall`s portrayal on screen, from the earliest days of the moving image to the recent BBC adaptation of Winston Graham's Poldark books. Innovative new research looking at amateur film and newsreels, avant-garde and documentary works alongside mainstream popular film and television. 7 b&w and 13 col. illus.

Silent Features is a collection of essays on seventeen feature-length silent films and two silent serial features, their diverse stylistic, generic and structural characteristics, and the national, historical and industrial contexts from which they emerged. Of the 17 films discussed, 15 are still currently available on DVD. 200 b&w illustrations.

The demise of the Soviet Union, and the emergence of independent republics, have had profound implications for the regions on its periphery such as the Caucasus and Central Asia. This book explores the complex ways in which these republics have found both independence and a new regional identity in their relations with the neighbouring Middle East.

A new edition of Philip Payton's modern classic Cornwall: A History, published now by University of Exeter Press, telling the story of Cornwall from earliest times to the present day. This edition incorporates the latest research and brings the story of Cornwall right up to date, examining the events and debates of the early twenty-first century.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.