Bücher veröffentlicht von University of Georgia Press

Born into slavery in Hampton County, Virginia, orphaned soon thereafter, and raised for almost two years among Native Americans, the charismatic Rev. Peter Thomas Stanford (c. 1860-May 20, 1909) rose from humble and challenging beginnings to emerge as an inventive and passionate activist and educator who championed social justice. During the post- Reconstruction era and early twentieth century, Stanford traversed the United States, Canada, and England advocating for the rights of African Americans, including access to educational opportunities; attainment of the full rights and privileges of citizenship; protections from racial violence, social stereotyping, and a predatory legal system; and recognition of the artistic contributions that have shaped national culture and earned global renown. His imprint on working-class urban residents, Afro-Canadian settlements, and African American communities survives in the institutions he led and the works that presented his imaginative, literate, ardent, and often comic voice. With a reflection by Highgate Baptist Church's former pastor, Rev. Dr. Paul Walker, this collection highlights Stanford's writings: sermons, lectures, newspaper columns, entertainments, and memoirs. Editors Barbara McCaskill and Sidonia Serafini annotate his life and work throughout the volume, placing him within the context of his peers as a writer and editor. As an American expatriate, Stanford was seminal in redirecting antislavery activism into an international antilynching movement and a global campaign to dismantle slavery and slave trading. This book squarely inserts this influential thinker and activist in the African American literary canon.

A seventy-year-old Northwestern journalism professor and two twenty-something Northwestern journalism students emabarked on 14,063-mile road trip in search of America's identity. The result is this book - part oral history, part shoe-leather reporting, part search for America's future, part memoir, and part travel journal.

Although Malcolm Lowry (1909-1957) published only two novels-Ultramarine and Under the Volcano-in his lifetime, numerous other works, most of which have since been edited for publication, were in various stages of composition at his death. La Mordida, the longest and most significant of the manuscripts that have not been previously published, is a draft of a novel based on Lowry's visit to Mexico in 1945-46, which ended in the arrest and deportation of Lowry and his wife following a nightmarish run-in with corrupt immigration authorities. On its most immediate level, the title La Mordida-which means "the little bite," Mexican slang for the small bribe that officials are apt to demand in order to expedite matters-refers to the autobiographical protagonist's legal difficulties. In a larger sense, however, it also represents his inability to escape his past, to repay the fine, or debt, that he owes.The central narrative of La Mordida involves a descent into the abyss of self, culminating in the protagonist's symbolic rebirth at the book's end. Lowry planned to use this basic narrative pattern as the springboard for innumerable questions about such concerns as art, identity, the nature of existence, political issues, and alcoholism. Above all, La Mordida was to have been a metafictional work about an author who sees no point in living events if he cannot write about them and who is not only unable to write but suspects that he is just a character in a novel.A reading of La Mordida in the context of Lowry's aesthetic theories and psychological problems shows why he dreaded the completion of his projects to such an extent that he called success a "horrible disaster" and compared death to "the accepted manuscript of one's life." The reason, La Mordida makes clear, lies partly in the aesthetic theories that led Lowry to attempt a book that he prophetically called "something never dreamed of before, a work of art so beyond conception it could not be written."Patrick A. McCarthy's edition of La Mordida is based on materials held in the Malcolm Lowry Archive at the University of British Columbia. Its publication provides essential evidence for a balanced assessment of Lowry's creative processes and his achievement as a writer.

"If they are going to kill us anyway, we might as well die in our lands." With these words and a shrug of shoulders, a leader of the Unified Peasant Movement of the Aguán (MUCA) explains their decision to occupy more than 20,000 hectares of oil palm plantations in the Bajo Aguán region in Northern Honduras after the military coup that ousted President Manuel Zelaya on June 28, 2009. The Coup under the Palm Treesinterrogates the Honduran present, through an exploration of the country's spatiotemporal trajectory of agrarian change since the mid-twentieth century. It tells the double history of how the Aguán region went from a set of "empty" lands to the centerpiece of the country's agrarian reform in the 1980s and a central site for the palm oil industry and drug trade, while a militarized process of state formation took place between the coups of 1963 and 2009. Rather than a case of failed democratic transition, the book shows how the current Honduran crisis--exemplified by massive outmigration towards the United States, blatant narco-state links, and the 2009 coup--is better understood within longer historical processes in which violence, exclusion, and dispossession became the central organizational principles of the state.

With Central City's Joy and Pain, Jerome E. Morris explores complex social issues through personal narrative. He does so by blending social-science research with his own memoir of life in Birmingham, Alabama. As someone who lived in the Central City housing project for two transitional decades (1968-91) and whose family continued to reside there until 1999, when the city razed the community, the author provides us with the often unexplored bottom-up perspective on Black public-housing residents' experiences. As Morris's experiential and authoritative narrative voice unfolds in the pages of Central City's Joy and Pain, both the scholarly and lay reader are brought on a journey of what life is like for people who live and die at the intersection of race and poverty in a rapidly evolving southern urban center. The setting of a historic public-housing community provides a rich canvas on which to paint a world through the author's personal experience of growing up there--and his later observations as a researcher and academic. Through its syncopation of personal stories and scholarly research, Central City's Joy and Pain captures what it means to be Black, poor, and full of dreams. In this setting, dreams are realized by some and swallowed up for others in the larger historical, social, economic, and political context of African Americans' experiences during and after the civil rights movement.

"At Treasure Island, a humanly made island in the San Francisco Bay, a performance troupe dressed in hazmat suits articulate gestures that resemble toxic remediation. As they become more attuned to the site and to its history and ecology, enigmatic presences infiltrate their spacetime. Are they from the past, the present, or the future? What is the significance of their sudden arrival? What happens when historical and geological eras converge? Meanwhile, elsewhere, various earth scientists at sites around the globe search for the "golden spike": a telltale geologic marker that synchronously indicates a definitive time change in the strata-a change from the Holocene epoch to the Anthropocene. Within their data is Earth's biography, but how is humanity insinuated within this chronology? Throughout Presence, encounter and contact are the major elements of consequence, action, implication, and resounding significance. Encounter and contact between timeframes, cultures, ecologies, persons, intuitions, ways of living, and worlding. At these junctures are the moments of possibility-of violence and/or of budding community"--

With Central City's Joy and Pain, Jerome E. Morris explores complex social issues through personal narrative. He does so by blending social-science research with his own memoir of life in Birmingham, Alabama. As someone who lived in the Central City housing project for two transitional decades (1968-91) and whose family continued to reside there until 1999, when the city razed the community, the author provides us with the often unexplored bottom-up perspective on Black public-housing residents' experiences. As Morris's experiential and authoritative narrative voice unfolds in the pages of Central City's Joy and Pain, both the scholarly and lay reader are brought on a journey of what life is like for people who live and die at the intersection of race and poverty in a rapidly evolving southern urban center. The setting of a historic public-housing community provides a rich canvas on which to paint a world through the author's personal experience of growing up there--and his later observations as a researcher and academic. Through its syncopation of personal stories and scholarly research, Central City's Joy and Pain captures what it means to be Black, poor, and full of dreams. In this setting, dreams are realized by some and swallowed up for others in the larger historical, social, economic, and political context of African Americans' experiences during and after the civil rights movement.

"If they are going to kill us anyway, we might as well die in our lands." With these words and a shrug of shoulders, a leader of the Unified Peasant Movement of the Aguán (MUCA) explains their decision to occupy more than 20,000 hectares of oil palm plantations in the Bajo Aguán region in Northern Honduras after the military coup that ousted President Manuel Zelaya on June 28, 2009. The Coup under the Palm Trees interrogates the Honduran present, through an exploration of the country's spatiotemporal trajectory of agrarian change since the mid-twentieth century. It tells the double history of how the Aguán region went from a set of "empty" lands to the centerpiece of the country's agrarian reform in the 1980s and a central site for the palm oil industry and drug trade, while a militarized process of state formation took place between the coups of 1963 and 2009. Rather than a case of failed democratic transition, the book shows how the current Honduran crisis--exemplified by massive outmigration towards the United States, blatant narco-state links, and the 2009 coup--is better understood within longer historical processes in which violence, exclusion, and dispossession became the central organizational principles of the state.

Survival Strategies is a love story wrapped in a reckoning. Arranged in three parts, this collection of poems follows a narrative arc.The speaker, who is returning to the Sonoran of her birth after many years away, takes us with her on a journey of enlightenment. In the course of the first section, "The Sunniest Place on Earth," we learn that the speaker has developed a deep hatred of the desert (a reflection of herself) due to the way she was treated and what she witnessed while being raised there. As we move through to part 2, "Estivate So You Don't Die," we see the speaker grappling with her past as a sensitive person amid the rugged realities of life in the Southwest. As this section closes, there is a long-form prose poem assembled as a mythopoetic fable titled, "The Mother and the Mountain," that explores her mother's childhood. This section brings revelation to some of what precedes it and reveals the speaker as the buttress of this family who, though an outsider, walks a path first laid by her mother. The final section is titled simply, "After," and as its title suggests, is a short set of poems that wrap up the arc and bring peace to our speaker as she comes to realize she never hated the desert, nor herself, as she is set free by the ocean of the Pacific Northwest.

In The Art of Touch: Prose and Poetry from the Pandemic and Beyond, the unique voices of thirty-nine of some of the most creative thinkers of our times have been brought together to consider the profound impact of one of our five main senses: touch. Psychologists, healers, massage therapists, academics, creative writers, and others reflect on or tell personal stories about what it means to be able to touch or experience touch, or to have to go without it--as so many did and still do because of the COVID-19 pandemic. They explore how transmissions such as texting may impede opportunities for touch, while those like Zoom may make it possible for people who otherwise might be left behind to stay "in touch." From the experience of touching beloved animals to the life-changing ways in which books and performances can touch us, virtually all aspects of touch are acknowledged in these pages.

With Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem's ear toward a confluence of history, labor, and languages, while also enacting a kind of "telephone" between cultures. Invested in the circuitry and circuitous routes of migration and labor, Som's lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwise-one attuned to the echo in the hecho, the oracle in the órale. .

The influence of sedimentary geology on the strategy, combat, and tactics of the American Civil War is a subject that has been neglected by military historians. Sedimentary geology influenced everything from the nature of the landscape (flat vs. rolling terrain) to the effectiveness of the weapons (a single grain of sand can render a rifle musket as useless as a club). Sand, Science, and the Civil War investigates the role of sedimentary geology on the campaigns and battles of the Civil War on multiple scales, with a special emphasis on the fighting along the coastlines. At the start of the Civil War the massive brick citadels guarding key coastal harbors and shipyards were thought to be invincible to artillery attack. The Union bombardment of Savannah's key defensive fortification, Fort Pulaski, demonstrated the vulnerability of this type of fortress to the new rifled artillery available to the Union; Fort Pulaski surrendered within a day. When the Union later tried to capture the temporary sand fortifications of Battery Wagner (protecting Charleston) and Fort Fisher (protecting Wilmington) they employed similar tactics but with disastrous results. The value of sand in defensive positions vastly minimized the Federal advantage in artillery, making these coastal strongpoints especially costly to capture. Through this geologically centered historic lens, Scott Hippensteel explores the way sediments and sedimentary rocks influenced the fighting in all theaters of war and how geologic resources were exploited by both sides during the five years of conflict.

A waterfall is a perfect destination for a day hike. In this revised and updated guide, native South Carolinian, photographer, and hiker Thomas E. King lists 147 waterfall destinations in the mountains of Upstate South Carolina. Ranging from easy-to-access roadside locations to those that require a six-mile trek, these hikes feature some of the most famous, and some of the most remote, waterfalls in the region. The guide can be used by those of all levels of hiking ability, whether expert or novice. These easy-to-reach waterfalls of Upstate South Carolina are a fun and fascinating retreat for the entire family. Most of these falls are within the ability of the average hiker to reach on a day hike. Some sites are of particularly easy access, such as the pristine falls in the Blue Ridge Mountains, which families with young children and mature adults are encouraged to visit. King has provided the most recent trail directions and waterfall locations available to the public. He also lists and catalogs many remote or hard-to-find waterfalls and waterfalls that nature has reclaimed because the trails have ceased to be maintained. Each entry includes complete driving and hiking directions, trail length and estimated hiking time, a difficulty rating, and a detailed description of the waterfall itself, including a photograph.

This book makes a case for a reorientation of the nuclear nonproliferation regime, posing an alternative conceptualization of nuclear order centered on the regional level. It draws on an array of theoretical tools from the literatures on regionalism, security governance, and international institutions, developing a framework that analyzes the conditions that would allow for more robust regional nuclear cooperation. These include the presence of (1) institutional architecture, (2) political, economic, and military relations among states, and (3) fundamental regional awareness and identity.Wan then deploys this theoretical approach to several case studies, including Northeast Asia, Southeast Asia, and the Middle East, focusing on two interrelated questions. First, what is the viability of a stronger regional nuclear order in the region? Second, what form would such an order most likely take? In the process, the book identifies the magnitude and character of the proliferation challenge specific to each region. It also considers the existing character of nuclear cooperation at the regional level.Wan presents the historical development of regional nuclear order in Latin America as a model for the rest of the world. In this area, regional institutions - ranging from organizations to dialogues to ad hoc arrangements - gradually became more involved across economic, environmental, and human security domains, providing the foundation for multilateral cooperation in the nuclear arena. As his analysis shows, in light of the contemporary proliferation landscape, the establishment and strengthening of such regional nuclear orders is essential.

The Nature of Revolution provides the first account of art and politics under the brutal Khmer Rouge regime in Cambodia. James A. Tyner repositions Khmer Rouge artworks within their proper political and economic context: the materialization of a political organization in an era of anticolonial and decolonization movements. Consequently, both the organization's policies and practices-including the production of poetry, music, and photography-were incontrovertibly shaped by and created to further the Khmer Rouge's agenda.Theoretically informed and empirically grounded, Tyner's work examines the social dimensions of the Khmer Rouge, while contributing broadly to a growing literature on the intersection of art and politics. Building on the foundational works of theorists such as Jacques Rancière, Theodor Adorno, and Walter Benjamin, Tyner explores the insights of Leon Trotsky and his descriptions of the politics of aesthetics specific to socialist revolutions. Ultimately, Tyner reveals a fundamental tension between individuality and bureaucratic control and its impact on artistic creativity and freedom. .

During the American Civil War, Maryland did not join the Confederacy but nonetheless possessed divided loyalties and sentiments. These divisions came to a head in the years that followed the war. In Loyalty on the Line, David K. Graham argues that Maryland did not adopt a unified postbellum identity and that the state remained divided, with some identifying with the state's Unionist efforts and others maintaining a connection to the Confederacy and its defeated cause. Depictions of Civil War Maryland, both inside and outside the state, hinged on interpretations of the state's loyalty. The contested Civil War memories of Maryland not only mirror a much larger national struggle and debate but also reflect a conflict that is more intense and vitriolic than that in the larger national narrative. The close proximity of conflicting Civil War memories within the state contributed to a perpetual contestation. In addition, those outside the state also vigorously argued over the place of Maryland in Civil War memory in order to establish its place in the divisive legacy of the war. By using the dynamics interior to Maryland as a lens for viewing the Civil War, Graham shows how divisive the war remained and how central its memory would be to the United States well into the twentieth century.

Gettin' Around examines how the global jazz aesthetic strives, in various ways, toward an imaginative reconfiguration of a humanity that transcends entrenched borders of ethnicity and nationhood, while at the same time remaining keenly aware of the exigencies of history. Jürgen E. Grandt deliberately refrains from a narrow, empirical definition of jazz or of transnationalism and, true to the jazz aesthetic itself, opts for a broader, more inclusive scope, even as he listens carefully and closely to jazz's variegated soundtrack. Such an approach seeks not only to avoid the museal whiff of a "golden age, time past" but also to broaden the appeal and the applicability of the overall critical argument. For Grandt, "international" simply designates currents of people, ideas, and goods between distinct geopolitical entities or nation-states, whereas "transnational" refers to liminal dynamics that transcend preordained borderlines occurring above, below, beside, or along the outer contours of nation-states. Gettin' Around offers a long overdue consideration of the ways in which jazz music can inform critical practice in the field of transnational (American) studies and grounds these studies in specifically African American cultural contexts.

Recent discoveries in psychology and neuroscience have improved our understanding of why our decision making processes fail to match standard social science assumptions about rationality. As researchers such as Daniel Kahneman, Amos Tversky, and Richard Thaler have shown, people often depart in systematic ways from the predictions of the rational actor model of classic economic thought because of the influence of emotions, cognitive biases, an aversion to loss, and other strong motivations and values. These findings about the limits of rationality have formed the basis of behavioral economics, an approach that has attracted enormous attention in recent years. This collection of essays applies the insights of behavioral economics to the study of nuclear weapons policy. Behavioral economics gives us a more accurate picture of how people think and, as a consequence, of how they make decisions about whether to acquire or use nuclear arms. Such decisions are made in real-world circumstances in which rational calculations about cost and benefit are intertwined with complicated emotions and subject to human limitations. Strategies for pursuing nuclear deterrence and nonproliferation should therefore, argue the contributors, account for these dynamics in a systematic way. The contributors to this collection examine how a behavioral approach might inform our understanding of topics such as deterrence, economic sanctions, the nuclear nonproliferation regime, and U.S. domestic debates about ballistic missile defense. The essays also take note of the limitations of a behavioral approach for dealing with situations in which even a single deviation from the predictions of any model can have dire consequences.