Bücher veröffentlicht von University of Minnesota Press

Can humans and other species continue to inhabit the earth together?

Challenging the view that caring is only human

Global warming is perhaps the most dramatic example of what Timothy Morton calls "hyperobjects"-entities of such vast temporal and spatial dimensions that they defeat traditional ideas about what a thing is in the first place. Morton explains what hyperobjects are and their impact on how we think, how we coexist, and how we experience our politics, ethics, and art.

2018┬áJames Beard Award Winner:┬áBest American Cookbook Named one of the Best Cookbooks of 2017 by NPR,┬áThe Village Voice,┬áSmithsonian Magazine, UPROXX,┬áNew York Magazine,┬áSan Francisco Chronicle, Mpls. St. PaulMagazine and others Here is real food—our indigenous American fruits and vegetables, the wild and foraged ingredients, game and fish. Locally sourced, seasonal, “clean” ingredients and nose-to-tail cooking are nothing new to Sean Sherman, the Oglala Lakota chef and founder of The Sioux Chef. In his breakout book, The Sioux Chef’s Indigenous Kitchen, Sherman shares his approach to creating boldly seasoned foods that are vibrant, healthful, at once elegant and easy.┬áSherman dispels outdated notions of Native American fare—no fry bread or Indian tacos here—and no European staples such as wheat flour, dairy products, sugar, and domestic pork and beef. The Sioux Chef’s healthful plates embrace venison and rabbit, river and lake trout, duck and quail, wild turkey, blueberries, sage, sumac, timpsula or wild turnip, plums, purslane, and abundant wildflowers. Contemporary and authentic, his dishes feature cedar braised bison, griddled wild rice cakes, amaranth crackers with smoked white bean paste, three sisters salad, deviled duck eggs, smoked turkey soup, dried meats, roasted corn sorbet, and hazelnut–maple bites.The Sioux Chef’s Indigenous Kitchen is a rich education and a delectable introduction to modern indigenous cuisine of the Dakota and Minnesota territories, with a vision and approach to food that travels well beyond those borders.

An exploration of the explosive illegal trade in succulents and the passion that drives it Cacti and succulents are phenomenally popular worldwide among plant enthusiasts, despite being among the world’s most threatened species. The fervor driving the illegal trade in succulents might also be driving some species to extinction. Delving into the strange world of succulent collecting, The Cactus Hunters takes us to the heart of this conundrum: the mystery of how and why ardent lovers of these plants engage in their illicit trade. This is a world of alluring desires, where collectors and conservationists alike are animated by passions that at times exceed the limits of law.    What inspires the desire for a plant? What kind of satisfaction does it promise? The answer, Jared D. Margulies suspects, might be traced through the roots and workings of the illegal succulent trade—an exploration that traverses the fields of botany and criminology, political ecology and human geography, and psychoanalysis. His globe-spanning inquiry leads Margulies from a spectacular series of succulent heists on a small island off the coast of Mexico to California law enforcement agents infiltrating a smuggling ring in South Korea, from scientists racing to discover new and rare species before poachers find them to a notorious Czech “cacto-explorer” who helped turn a landlocked European country into the epicenter of the illegal succulent trade.    A heady blend of international intrigue, social theory, botanical lore, and ecological study, The Cactus Hunters offers complex insight into species extinction, conservation, and more-than-human care.     Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Alligator hunters, mangroves, and the (mis)adventures of the Ashley Gang in the Florida Everglades.

Joanna Zylinska is professor of new media and communications at Goldsmiths, University of London. She is a photomedia artist, curator, and author of several books.

The first comprehensive account of Bitcoin's underlying right-wing politics

Presents various alternatives to capitalism and strategies for achieving them. This work reveals a landscape of economic diversity - one that is not exclusively or predominantly capitalist - and examines the challenges and successes of alternative economic interventions.

A groundbreaking book that combines the environmental humanities and social sciences to study the impact of environmental stories There is a growing consensus that environmental narratives can help catalyze the social change necessary to address today’s environmental crises; however, surprisingly little is known about their impact and effectiveness. In Empirical Ecocriticism, Matthew Schneider-Mayerson, Alexa Weik von Mossner, W. P. Malecki, and Frank Hakemulder combine an environmental humanities perspective with empirical methods derived from the social sciences to study the influence of environmental stories on our affects, attitudes, and actions.   Empirical Ecocriticism provides an approachable introduction to this growing field’s main methods and demonstrates their potential through case studies on topics ranging from the impact of climate fiction on readers’ willingness to engage in activism to the political empowerment that results from participating in environmental theater. Part manifesto, part toolkit, part proof of concept, and part dialogue, this introductory volume is divided into three sections: methods, case studies, and reflections. International in scope, it points toward a novel and fruitful synthesis of the environmental humanities and social sciences.   Contributors: Matthew Ballew, Yale U; Helena Bilandzic, U of Augsburg; Rebecca Dirksen, Indiana U; Greg Garrard, UBC Okanagan; Matthew H. Goldberg, Yale U; Abel Gustafson, U of Cincinnati; David I. Hanauer, Indiana U of Pennsylvania; Ursula K. Heise, UCLA; Jeremy Jimenez, SUNY Cortland; Anthony Leiserowitz, Yale U; David M. Markowitz, U of Oregon; Marcus Mayorga; Jessica Gall Myrick, Penn State U; Mary Beth Oliver, Penn State U; Yan Pang, Point Park U; Mark Pedelty, U of Minnesota; Seth A. Rosenthal, Yale U; Elja Roy, U of Memphis; Nicolai Skiveren, Aarhus U; Paul Slovic, U of Oregon; Scott Slovic, U of Idaho; Nicolette Sopcak, U of Alberta; Paul Sopcak, MacEwan U; Sara Warner, Cornell U.

The raw material and interviews behind Anthony Scaduto's iconic biography of Bob Dylan draw an intimate and multifaceted portrait of the singer-songwriter who defined his era  When Anthony Scaduto's Bob Dylan: An Intimate Biography was first published in 1971, the Nobel Prize-winning songwriter, at thirty, had already released some of the most iconic albums of the 1960s, including Highway 61 Revisited and Blonde on Blonde. Scaduto's book was one of the first to take an investigative journalist's approach to its subject and set the standard for rock music biography. The Dylan Tapes, compiled from thirty-six hours of interviews, is a behind-the-scenes look at the making of Scaduto's landmark book?and a close-up encounter with pivotal figures in Dylan's life. These reel-to-reel tapes, found in a box in Scaduto's basement, are a never-bootlegged trove of archival material about Dylan, drawn from conversations with those closest to him during the early years of his career.In the era of ten-second takes, these interviews offer uncommon depth and immediacy as we listen to friends and lovers recall the Dylan they knew as he created his professional persona and perfected his craft?from folk music, protest songs, and electric rock through the traumatic impact of a motorcycle crash to his later, more self-reflecting songwriting. Echo Helstrom, Dylan's "Girl from the North Country,? is here, as are Suze Rotolo, who graced the cover of the Freewheelin' album, and Joan Baez, remembering her relationship "to Bobby.? We hear from Mike Porco, who gave Dylan his first gig in New York City; Sid and Bob Gleason, who introduced him to his hero Woody Guthrie; folk artists from Greenwich Village, like Phil Ochs and Ramblin' Jack Eliot; John Hammond Sr., who gave him his first record contract; plus a host of musicians, activists, folk historians, and archivists?and, of course, Dylan himself.From these reflections and frank conversations, many published here for the first time, a complex, finely observed picture emerges of one of the best known yet most enigmatic musicians of our time.