Bücher veröffentlicht von University of Nebraska Press

This collection of poems examines the varied ways women navigate gender roles, while examining praise for success within roles where imagination about female ability is limited. The Kitchen-Dweller's Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another.

Sylvia Beach was intimately acquainted with the expatriate and visiting writers of the Lost Generation, a label that she never accepted. This book evokes the zeitgeist of an era through its revealing glimpses of James Joyce, Ernest Hemingway, Scott Fitzgerald, Sherwood Anderson, Andre Gide, Ezra Pound, and others already famous or soon to be.

Winner of the Sillerman First Book Prize for African Poets The poems in Leaked Footages carry urgent subjects, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing often manifested in contemporary poets such as Garous Abdolmalekian and Ilya Kaminsky, but they extend that tradition by the medium through which they witness: the technical and the technological. Here, the camera, the closed-circuit TV, cinematographic techniques, and the cyborg are trusted for truth-telling. Reality is represented in footage seen through the eyes of multifaceted speakers. In Abu Bakr Sadiq's exploration of northern Nigeria in speculative poetry, the lyrical meets the chronicle. In this fusion of Afrofuturism with experimental poetic techniques, the reader witnesses a country ravaged by terrorism and the consequences of war, as well as the effects of these on those who survive. While the tone is grave with concern and conscience, the poems do not take the easy route of sentiment. Instead, attention is paid to structure--from the erasure poems that are informed by the theme of disappearance to the contrapuntal poems that are influenced by the testaments of leaving.

The quick spread of posthumanism and of critiques of anthropomorphism in the past few decades has resulted in greater attention to concrete objects in critical theories and in philosophy. This new materialism or new object philosophy marks a renewal of interest in the existence of objects. Yet while their mode of existence is independent of human cognition, it cannot erase the relation of subject to object and the foundational role of our experience of things in our mental activity. These developments have important implications for narratology. Traditional conceptions of narrative define its core components as setting, characters, and plot, but nonhuman entities play a crucial role in characterizing the setting, in enabling or impeding the actions of characters, and thus in determining plot. Marie-Laure Ryan and Tang Weisheng combine a theoretical approach that defines the basic narrative functions of objects with interpretive studies of narrative texts that rely more closely on ideas advanced by proponents of new object philosophy. Object-Oriented Narratology opens new theoretical horizons for narratology and offers individual case studies that demonstrate the richness and diversity of the ways in which narrative, both Western and non-Western, deals with humans' relationships to their material environment and with the otherness of objects.

Knowing Native Arts brings Nancy Marie Mithlo's Native perspective to understanding the significance of Indigenous arts in national and global settings.

Apple, Tree features a slate of compelling essayists who eloquently consider a trait they've inherited from a parent. Together, these all-new essays form a prismatic meditation on how we make fresh sense of ourselves and our parents when we see the traces of them that live on in us.

The Greatest Upset Never Seen relives the 1982-83 season, when Chaminade University put small-college basketball and Hawaii on the national sports map.

The 1890s was the peak of the American bicycle craze, and consumers, including women, were buying bicycles in large numbers.┬áDespite critics who tried to discourage women from trying this new sport, women took to the bike in huge numbers, and mastery of the bicycle became a metaphor for women’s mastery over their lives. Spurred by the emergence of the “safety” bicycle and the ensuing cultural craze, women’s professional bicycle racing thrived in the United States from 1895 to 1902. For seven┬áyears, female racers drew large and enthusiastic crowds across the country, including Cleveland, Detroit, Indianapolis, Chicago, Minneapolis, St. Louis, Kansas City, and New Orleans—and many smaller cities in between. Unlike the trudging, round-the-clock marathons the men (and their spectators) endured, women’s six-day races were tightly scheduled, fast-paced, and highly competitive. The best female racers of the era—Tillie Anderson, Lizzie Glaw, and Dottie Farnsworth—became household names and were America’s first great women athletes.┬áDespite concerted efforts by the League of American Wheelmen to marginalize the sport and by reporters and other critics to belittle and objectify the women, these athletes forced turn-of-the-century America to rethink strongly held convictions about female frailty and competitive spirit. By 1900 many cities began to ban the men’s six-day races, and it became more difficult to ensure competitive women’s races and attract large enough crowds.┬áIn 1902 two racers died, and the sport’s seven-year run was finished—and it has been almost entirely ignored in sports history, women’s history, and even bicycling history. Women on the Move tells the full story of America’s most popular arena sport during the 1890s, giving these pioneering athletes the place they deserve in history.

In this life-size game of Clue, six psychiatric patients in Paris's Saint Anne's Hospital are suspects in the murder of Dr. Black. Though Not a Clue tells the stories of these possible assassins, their lives, and what has brought them to the hospital, the true focus of Chloé Delaume's intense and tumultuous novel is not merely to discover the identity of the murderer. Rather, by cleverly combining humor with the day-to-day effects of life's unrelenting compromises, Not a Clue is an astute commentary on the current state of literary production and consumption.Masterfully juggling an omniscient narratrix, an accusing murder victim, at least six possible suspects as well as their psychiatrists, and a writer who intervenes by refusing to intervene, Delaume uses the characters, weapons, and rooms of the board game Clue to challenge--sometimes violently, sometimes playfully--the norms of typography, syntax, and narrative conventions.

Inspired by a deep passion for wine, an Italian heritage, and a desire for a land somewhat wilder than his home in southern France, Robert V. Camuto set out to explore Sicily's emerging wine scene. What he discovered during more than a year of travelling the region, however, was far more than a fascinating wine frontier.

Treats many dualities of particular interest in women's writing, among them youth versus aging, marriage or domesticity versus career and self-realization, and conventional sexuality versus a greater sexual equality. This work explores a woman's fears of being abandoned, of being alone, and of dying.

A memoir by the author who presents an account of the horrifying moment in July 1942 when her father, the rabbi of a small synagogue, was dragged by police from the family home on Rue Ordener in Paris, then transported to Auschwitz. It recounts the horrors of her childhood.

A collection of stories ranging from rural tales of death to a retelling of the biblical Job story, in which a skeletonized Job trades barbs and blows with a murderous lumberjack.

Draws on Curt Smith's extensive background as a former White House presidential speechwriter to chronicle the historic relationship between baseball, the ""most American"" sport, and the US presidency.

A fitful interloper among the Surrealists, the author rejected all forms of dogmatic thought, whether religious, philosophical, aesthetic, or political. He combined his skepticism about Western metaphysics with mystic's effort to maintain intense wakefulness to the present moment and to the irreducible particularity of all objects and experience.

Engineer Bartley Alexander appears to have happy life in Boston with a successful career and a beautiful wife. He has been commissioned to design Moorlock Bridge in Canada, the important project of his career. With the onset of middle age, he grows restless, that he reignites love affair with sweetheart of his youth, Irish actress Hilda Borgoyne.

Why did New England settlers believe that the Native peoples had vanished? This work reveals that, in the late eighteenth century, the Natick tribe experienced a process of "dispossession by degrees" that rendered them invisible within the larger context of the colonial social order, thus enabling the construction of the myth of Indian extinction.

Beginning in 1907, the anthropologist Robert H. Lowie visited the Crow Indians at their reservation in Montana. He listened to tales that for many generations had been told around campfires in winter. These tales were originally published in 1918. Myths and Traditions of the Crow Indians is now reprinted with a new introduction by Peter Nabokov.

When pregnant Rosie Carpe, her fatherless five-years-old son in tow, arrives in Guadeloupe looking for her elusive brother, Lazare, the world already seems a plenty confusing place. Could the man who comes to meet her, an elegant black man calling himself Lagrand, actually be her disheveled white brother?

A work about the voices, clashes, and traffic of Sao Paulo, a city in the middle of rapid change. It includes public documents as well as dialogue and narration, giving a panorama of the city in a sequence of colorful slices. It dramatizes the problems of exploitation, poverty, racial prejudice, prostitution, state repression, and neocolonialism.

Examines the ways in which Shakespeare used the law for dramatic effect and incorporated the passion for justice into his great tragedies and comedies, and considers the modern legal relevance of his work. This is a study in the field of literature and the law.