Bücher veröffentlicht von University of Notre Dame Press

To an outside observer, the religious culture of the United States might seem astonishing. For German sociologist Michael Zoller, American Catholicism is more than that; it is a contradiction in terms. With its historical consciousness, emphasis on institutionalized structures, and combination of skepticism and assurance of grace, Catholicism seems to embody the very opposite of the American cultural principle. Zoller here reexamines widely held notions about secularization and the role of religion in civil society to show how Catholicism was integrated into the Protestant, egalitarian, and populist American culture and to determine what distinguishes American Catholics from both European Catholics and other Americans. Zoller traces the progress of Catholicism in the New World from earliest European settlement through the "e;Great Crisis"e; of the late nineteenth and early twentieth century to its acceptance in the mainstream of modern America. He tells how, despite the anti-Catholic sentiments of the founding fathers and Americans' deep suspicion of institutions, the Church has fared better in this religiously neutral republic than in the so-called Catholic countries where it was both privileged and persecuted. Because American Catholicism was preoccupied for so long with having to justify itself in both Rome and Washington while fighting internally for a proper balance between these loyalties, it acquired abilities that had never been necessary in the countries where it first flourished.

In Philosophy and the Christian Faith, Thomas V. Morris brings together prominent contemporary philosophers to examine a number of doctrines central to traditional Christian theology. The essays straddle a complete spectrum of topics such as original sin, salvation, the Trinity, and eschatological pragmatism, all to the end of launching new philosophical research into the foundational ideas of Christian faith. The perspectives peculiar to Christianity on human nature and the reality of God richly reward this philosophic investigation.

The SLF Album is the first comprehensive story of the University of Notre Dame's Sophomore Literary Festival. This portrait focuses primarily on the literary giants whose presence has made this festival one of the nation's most esteemed. It also gives us a fascinating, behind-the-scenes look at this thirty year-old phenomenon which has always been organized, coordinated, and managed by students.Established in 1967 as a week-long Faulknerian festival, in 1968 the Sophomore Literary Festival came into its own with a series of readings and workshops by some of the country's most prestigious writers, including Norman Mailer, Joseph Heller, Kurt Vonnegut, and Ralph Ellison. The precedent set in 1968 became a legacy which has carried through to 1996, and DeCicco's portrait presents each year as its own chapter. equal on importance and prestige to all previous years. In addition to providing excerpts from the writers' readings and lectures, DeCicco describes the sophomore committee's author selection process and events which shed light ion the fame and foibles of many literary greats.DeCicco's success in portraying the participating internationally acclaimed authors, who include Margaret Atwood, Allen Ginsberg, Arthur Miller, Robert Bly, Tennessee Williams, Joyce Carol Oates, Edward Albee, Susan Sontag, Gloria Naylor, is uniquely tied to the intimacy of the Notre Dame setting. Her record encompasses the mythical images of these world-renowned authors in the context of a modest student-run festival at a midwestern private university. This comprehensive history is important and fascinating reading for all who have experienced the magic of Notre Dame's Sophomore Literary Festival, as well as for anyone interested in the arts.

In the House of Blue Lights is an award-winning collection of short stories by Susan Neville. The house referred to in the title is a specific place in midwestern folklore, but the blue also refers to the blue of the globe as seen from space and the blue lights that flicker behind closed eyelids in the house of the imagination."It was January when he brought her here. She had accepted that on the maps of the world there were these green and brown places called continents floating in the cradle of blue, and that these continents had centers and that she would be living there and that it would take her for the rest of her life at least a full day, by train, to reach the ocean. She married my grandfather believing that their river would be blue. She pictured something like the Gulf, a warm vein in a landscape she'd seen only in photographs or paintings. She had never in her life seen snow. She pictured her married self as a blue-eyed princess living by the blue water in a world of snow and ice. With a blue sky that stretched from east to west . . .But you know how, when you head north toward the Great Lakes, somewhere in Tennessee or Kentucky you can see ahead of you, in the winter months, how the sky lowers its slab of gray and there's that line of opaque clouds like a wool blanket being pulled up over your head until you can't see anything outside of it?" -Excerpt from "Blue" by Susan Neville, In the House of Blue Lights

In Faith and Faithfulness Gilbert C. Meilaender suggests that Christians should not try to develop an autonomous ethic; neither, however, need they deny the common ground that exists with those who stand in other traditions. He then discusses human nature as creaturely, sinful, and justified--using these categories to think about such topics as the relation of humans to their environment, the meaning of personhood, and the meaning of original sin.

This book examines the ethical development of American lawyers against a historical, cultural, and religious backdrop. Goes beyond the rules and statements of professional organizations, such as the American Bar Association, and considers how lawyers actually perceive their responsibility for their communities and the ethical standards of their profession.

Arabic Disclosures presents readers with a comparative analysis of Arabic postcolonial autobiographical writing.In Arabic Disclosures Muhsin J. al-Musawi investigates the genre of autobiography within the modern tradition of Arabic literary writing from the early 1920s to the present. Al-Musawi notes in the introduction that the purpose of this work is not to survey the entirety of autobiographical writing in modern Arabic but rather to apply a rigorously identified set of characteristics and approaches culled from a variety of theoretical studies of the genre to a particular set of autobiographical works in Arabic, selected for their different methodologies, varying historical contexts within which they were conceived and written, and the equally varied lives experienced by the authors involved.The book begins in the larger context of autobiographical space, where the theories of Bourdieu, Bachelard, Bakhtin, and Lefebvre are laid out, and then considers the multiple ways in which a postcolonial awareness of space has impacted the writings of many of the authors whose works are examined. Organized chronologically, al-Musawi begins with the earliest modern example of autobiographical work in Taha Husayn's book, translated into English as The Stream of Days. Al-Musawi studies some of the major pioneers in the development of modern Arabic thought and literary expression: Jurji Zaydan, MikhaE il NuE aymah, Ahmad Amin, Salamah Musa, Sayyid Qutb, and untranslated works by the prominent critic and scholar Hammadi Sammud, the novelist E Aliah Mamduh, and others. He also examines the autobiographies of a number of women, including Nawal al-SaE dawi and Fadwa Tuqan, and fiction writers. The book draws a map of Arab thought and culture in its multiple engagements with other cultures and will be useful for scholars and students of comparative literature, Arabic studies, and Middle Eastern studies, intellectual thought, and history.

This comprehensive study investigates the role that Ignatian spirituality has played in the renewal of academic theology using three prominent Jesuits as case studies.Over several centuries, spirituality has come to define a field of concerns and themes increasingly treated separately from those of academic theology, as if the latter had little relation to the former. This raises the question for us today: How is spirituality related to the practice of theology? In Renewing Theology, J. Matthew Ashley provides an answer by turning to Ignatian spirituality and three prominent twentieth-century theologians who embraced its spiritual resources: Karl Rahner, Ignacio Ellacuria, and Jorge Mario Bergoglio-that is, Pope Francis.Ashley begins his investigation by considering the historical origins of the widening separation between spirituality and academic theology in the Christian West. He provides an initial overview of Ignatian spirituality, focusing on the openness and multidimensionality of Ignatius of Loyola's Spiritual Exercises, presented here as a text in which the conditions of modernity that defined its author's world are present, at least incipiently. Ashley then offers three case studies in order to show how each Jesuit-Rahner, Ellacuria, and Pope Francis-responded to the challenges of modernity in a way that is uniquely nourished and illuminated by themes constitutive of Ignatian spirituality. Their theologies, Ashley suggests, evince a particular clarity and force when the Ignatian spirituality that animates them is foregrounded. Providing new and productive avenues into understanding the theologies of these three individuals, this sophisticated and enlightening book will interest scholars and students of systematic theology, as well as readers who are interested in the future of theology and spirituality in a fragmented age.

Steven Rozenski reopens old discussions and addresses new ones concerning late medieval devotional texts, particularly those showing continental and German influences.For many, Martin Luther's translation of the Bible into German has come to define the spirit of the Protestant Reformation. But there existed a host of devotional and mystical writings translated into the vernacular that had more profound impacts upon lay religious practices and experiences well into the seventeenth century. Steven Rozenski explores this devotional and mystical literature in his focused study of English translations and adaptations of the works of Henry Suso, Catherine of Siena, and Thomas a Kempis, and the common devotional culture manifested in the work of Richard Rolle.In Wisdom's Journey, Rozenski examines the forms and strategies of late medieval translation, of early modern engagement with Continental medieval devotion, and of the latter's literary afterlives in English-speaking communities. Suso's Rhineland mysticism, the book shows, found initial widespread influence, translation, and adaptation followed by a gradual decline; Catherine of Siena's Italian spirituality saw continued use and retranslation in post-Reformation recusant communities paralleled by vehement denunciation by English Protestants; and Thomas a Kempis's Imitation of Christ attained a remarkably consistent expansion of popularity, translation, and acceptance among both Catholic and Protestant readers well into the nineteenth and twentieth centuries. Wisdom's Journey traces this path as it reshapes our understanding of English devotional and mystical literature from the 1400s to the 1600s, illuminating its wider European context before and after the Reformations of the sixteenth century. Written primarily for scholars in medieval mysticism, Reformation studies, and translation studies, the book will also appeal to readers interested in medieval studies and English literature more broadly.

"Rather than speak of Dante's 'minor works,' according to an age-old tradition of Dante scholarship going back at least to the eighteenth century, this volume puts forward the designation 'other works' both in light of their enhanced status and as part of a general effort to reaffirm their value as autonomous works. Indeed, had Dante never written the Commedia, he would still be considered the most important writer of the late Middle Ages for the originality and inventiveness of the other works he wrote besides his monumental poem, including the Rime, the Fiore, the Detto d'amore, the Vita nova, the Epistles, the Convivio, the De vulgari eloquentia, the Monarchia, the Egloge, and the Questio de aqua et terra. Each contributor to this volume addresses one of the 'other works' by presenting the principal interpretative trends and questions relating to the text, and by focusing on aspects of particular interest. Two essays on the relationship between the 'other works' and the issues of philosophy and theology are included."--Back cove

In The Etiquette of Early Northern Verse, Roberta Frank peers into the northern poet's workshop, eavesdropping as Old English and Old Norse verse reveal their craft secrets.This book places two vernacular poetries of the long Viking Age into conversation, revealing their membership in a single community of taste, a traditional stylistic ecology that did serious political and historical work. Each chapter seeks the codes of a now-extinct verse technique. The first explores the underlying architecture of the two poetries, their irregularities of pace, startling formal conventions, and tight verbal detail work. The passage of time has worn away most of the circumstantial details that literary scholars in later periods take for granted, but the public relations savvy and aural and syntactic signals of early northern verse remain to some extent retrievable and relatable, an etiquette prized and presumably understood by its audiences. The second and longest chapter investigates the techniques used by early northern poets to retrieve and organize the symmetries of language. It illustrates how supererogatory alliteration and rhyme functioned as aural punctuation, marking off structural units and highlighting key moments in the texts. The third and final chapter describes the extent to which both corpora reveled in negations, litotes, indirection, and down-toners, modes that forced audiences to read between half-lines, to hear what was not said. By decluttering and stripping away excess, by drawing words through a tight mesh of meter, alliteration, and rhyme, the early northern poet filtered out dross and stitched together a poetics of stark contrasts and forebodings. Poets and lovers of poetry of all periods and places will find much to enjoy here. So will students in Old English and Old Norse courses.

Who Are My People? explores the complex relationship between identity, violence, and Christianity in Africa.In Who Are My People?, Emmanuel Katongole examines what it means to be both an African and a Christian in a continent that is often riddled with violence. The driving assumption behind the investigation is that the recurring forms of violence in Africa reflect an ongoing crisis of belonging. Katongole traces the crisis through three key markers of identity: ethnicity, religion, and land. He highlights the unique modernity of the crisis of belonging and reveals that its manifestations of ethnic, religious, and ecological violence are not three separate forms of violence but rather modalities of the same crisis. This investigation shows that Christianity can generate and nurture alternative forms of community, nonviolent agency, and ecological possibilities.The book is divided into two parts. Part One deals with the philosophical and theological issues related to the question of African identity. Part Two includes three chapters, each of which engages a form of violence, locating it within the broader story of modern sub-Saharan Africa. Each chapter includes stories of Christian individuals and communities who not only resist violence but are determined to heal its wounds and the burden of history shaped by Africa's unique modernity. In doing so, they invent new forms of identity, new communities, and a new relationship with the land. This engaging, interdisciplinary study, combining philosophical analysis and theological exploration, along with theoretical argument and practical resources, will interest scholars and students of theology, peace studies, and African studies.

"Rather than speak of Dante's 'minor works,' according to an age-old tradition of Dante scholarship going back at least to the eighteenth century, this volume puts forward the designation 'other works' both in light of their enhanced status and as part of a general effort to reaffirm their value as autonomous works. Indeed, had Dante never written the Commedia, he would still be considered the most important writer of the late Middle Ages for the originality and inventiveness of the other works he wrote besides his monumental poem, including the Rime, the Fiore, the Detto d'amore, the Vita nova, the Epistles, the Convivio, the De vulgari eloquentia, the Monarchia, the Egloge, and the Questio de aqua et terra. Each contributor to this volume addresses one of the 'other works' by presenting the principal interpretative trends and questions relating to the text, and by focusing on aspects of particular interest. Two essays on the relationship between the 'other works' and the issues of philosophy and theology are included."--Back cove

Catholics without Rome examines the dawn of the modern, ecumenical age, when "e;Old Catholics,"e; unable to abide Rome's new doctrine of papal infallibility, sought unity with other "e;catholics"e; in the Anglican and Eastern Orthodox churches.In 1870, the First Vatican Council formally embraced and defined the dogma of papal infallibility. A small and vocal minority, comprised in large part of theologians from Germany and Switzerland, judged it uncatholic and unconscionable, and they abandoned the Roman Catholic Church, calling themselves "e;Old Catholics."e; This study examines the Old Catholic Church's efforts to create a new ecclesiastical structure, separate from Rome, while simultaneously seeking unity with other Christian confessions. Many who joined the Old Catholic movement had long argued for interconfessional dialogue, contemplating the possibility of uniting with Anglicans and the Eastern Orthodox. The reunion negotiations initiated by Old Catholics marked the beginning of the ecumenical age that continued well into the twentieth century. Bryn Geffert and LeRoy Boerneke focus on the Bonn Reunion Conferences of 1874 and 1875, including the complex run-up to those meetings and the events that transpired thereafter. Geffert and Boerneke masterfully situate the theological conversation in its wider historical and political context, including the religious leaders involved with the conferences, such as Dollinger, Newman, Pusey, Liddon, Wordsworth, Ianyshev, Alekseev, and Bolotov, among others. The book demonstrates that the Bonn Conferences and the Old Catholic movement, though unsuccessful in their day, broke important theological ground still relevant to contemporary interchurch and ecumenical affairs. Catholics without Rome makes an original contribution to the study of ecumenism, the history of Christian doctrine, modern church history, and the political science of confessional fellowships. The book will interest students and scholars of Christian theology and history, and general readers in Anglican and Eastern Orthodox churches interested in the history of their respective confessions.

Visual Translation breaks new ground in the study of French manuscripts, contributing to the fields of French humanism, textual translation, and the reception of the classical tradition in the first half of the fifteenth century.While the prominence and quality of illustrations in French manuscripts have attracted attention, their images have rarely been studied systematically as components of humanist translation. Anne D. Hedeman fills this gap by studying the humanist book production closely supervised by Laurent de Premierfait and Jean Lebegue for courtly Parisian audiences in the first half of the fifteenth century.Hedeman explores how visual translation works in a series of unusually densely illuminated manuscripts associated with Laurent and Lebegue circa 1404-54. These manuscripts cover both Latin texts, such as Statius's Thebiad and Achilleid, Terence's Comedies, and Sallust's Conspiracy of Cataline and Jurguthine War, and French translations of Cicero's De senectute, Boccaccio's De casibus virorum illustrium and Decameron, and Bruni's De bello Punico primo. Illuminations constitute a significant part of these manuscripts' textual apparatus, which helped shape access to and interpretation of the texts for a French audience. Hedeman considers them as a group and reveals Laurent's and Lebegue's growing understanding of visual rhetoric and its ability to visually translate texts originating in a culture removed in time or geography for medieval readers who sought to understand them. The book discusses what happens when the visual cycles so carefully devised in collaboration with libraries and artists by Laurent and Lebegue escaped their control in a process of normalization. With over 180 color images, this major reference book will appeal to students and scholars of French, comparative literature, art history, history of the book, and translation studies.

"One of the major civilizations of the first millennium was that of the Iranian linguistic and cultural world, which stretched from today's Iraq to what is now the Xinjiang Autonomous Region of China. No other region of the world underwent such radical transformation, which fundamentally altered the course of world history, as this area did during the centuries of transition from the pre-Islamic to the Islamic period. This transformation included the religious victory of Islam over Buddhism, Nestorian Christianity, and the other religions of the area; the military and political wresting of Inner Asia from the Chinese to the Islamic sphere of primary cultural influence; and the shifting of Central Asia from a culturally and demographically Iranian civilization to a Turkic one. This book contains essays by many of the preeminent scholars working in the fields of archeology, history, linguistics, and literature of both the pre-Islamic and the Islamic-era Iranian world, shedding light on some of the most significant aspects of the major changes that this important portion of the Asian continent underwent during this tumultuous era in its history. This collection of cutting-edge research will be read by scholars of Middle Eastern, Central Asian, Iranian, and Islamic studies and archaeology."--Publisher description.

A New Birth of Marriage provides a history of the changes to marriage throughout the American experience and a theoretical argument for the goodness of the traditional American family in fostering private happiness and the public good.A New Birth of Marriage argues that the American Founders placed marriage as the cornerstone of republican liberty. The Founders' vision of marriage relied on a liberalized form of marital unity that honored human equality, rights, and the beauty of intimate marital love. This vision of marriage remained largely healthy in the culture until the Progressive Era and persisted in law until the 1960s. A New Birth of Marriage vindicates the Founders' understanding of marriage and argues that a prudential return toward this understanding is vital to America's political health and Americans' private happiness.Brandon Dabling argues that Founders at the state and national level shaped marriage law to reflect five vital components of marital unity: the equality and complementarity of the sexes, consent and permanence in marriage, exclusivity in marriage, marital love, and a union oriented toward procreation and childrearing. Devoting a chapter to each of these principles, A New Birth of Marriage gives a thorough account of how each tenet has been challenged and stands now vindicated in American political thought. The book provides a philosophical and political case for the beauty and vitality of each of these components to the nature of marriage and will appeal to students and scholars of marriage, family, the American founding, democracy, and liberalism.

"For Balthasar, the Eucharist is Christ's thanksgiving to the Father in heaven for having given Him the gift of giving Himself for all. Ciraulo shows in a convincing way that this eternal thanksgiving is given to us as God's most precious gift that moves us toward fulfillment in heaven." -Fr Jacques Servais, editor of Hans Urs von Balthasar on the Spiritual Exercises

Future Peace urges extreme caution in the adoption of new weapons technology and is an impassioned plea for peace from an individual who spent decades preparing for war.Today's militaries are increasingly reliant on highly networked autonomous systems, artificial intelligence, and advanced weapons that were previously the domain of science fiction writers. In a world where these complex technologies clash with escalating international tensions, what can we do to decrease the chances of war? In Future Peace, the eagerly awaited sequel to Future War, Robert H. Latiff questions our overreliance on technology and examines the pressure-cooker scenario created by the growing animosity between the United States and its adversaries, our globally deployed and thinly stretched military, the capacity for advanced technology to catalyze violence, and the American public's lack of familiarity with these topics.Future Peace describes the many provocations to violence and how technologies are abetting those urges, and it explores what can be done to mitigate not only dangerous human behaviors but also dangerous technical behaviors. Latiff concludes that peace is possible but will require intense, cooperative efforts on the part of technologists, military leaders, diplomats, politicians, and citizens. Future Peace amplifies some well-known ideas about how to address the issues, and provides far-, mid-, and short-term recommendations for actions that are necessary to reverse the apparent headlong rush into conflict. This compelling and timely book will captivate general readers, students, and scholars of global affairs, international security, arms control, and military ethics.

This book traces the history of Argentine and Chilean pan-Americanism and asks why pan-Americanism came to define inter-American relations in the twentieth century.The Southern Cone and the Origins of Pan America, 1888-1933 offers new perspectives on the origins of the inter-American system and the history of international cooperation in the Americas. Mark J. Petersen chronicles the story of pan-Americanism, a form of regionalism launched by the United States in the 1880s and long associated with U.S. imperial pretensions in the Western hemisphere. The story begins and ends in the Rio de la Plata, with Southern Cone actors and Southern Cone agendas at the fore. Incorporating multiple strands of pan-American history, Petersen draws inspiration from interdisciplinary analysis of recent regionalisms and weaves together research from archives in Argentina, Chile, the United States, and Uruguay. The result is a nuanced and comprehensive account of how Southern Cone policy makers used pan-American cooperation as a vehicle for various agendas-personal, national, regional, hemispheric, and global-transforming pan-Americanism from a tool of U.S. interests to a framework for multilateral cooperation that persists to this day. Petersen decenters the story of pan-Americanism and orients the conversation on pan-Americanism toward a more complete understanding of hemispheric cooperation. The book will appeal to students and scholars of inter-American relations, Latin American (especially Chile and Argentina) and U.S. history, Latin American studies, and international relations.