Bücher veröffentlicht von University of Oklahoma Press

The most extensive reference available on the 7th CavalryMilitary Register of Custer's Last Command presents for the first time the complete military history of every enlisted man on the regimental roll, with particular attention devoted to the well-known campaigns from the Washita to Wounded Knee.As the first in-depth analysis of the statistics related to the battle, Military Register of Custer's Last Command is the most extensive work available on the 7th Cavalry. With its exhaustive bibliography, it will stand as a definitive resource for historians and enthusiasts and as a tribute to all enlisted soldiers on the western frontier.Roger L. Williams has spent 46 years researching the 7th Cavalry and the Battle of the Little Bighorn. Now retired after a 43-year career in the commercial airline industry, he resides with his wife Carol in Arizona.

Volume 231 in the Civilization of the American Indian SeriesMangas Coloradas led his Chiricahua Apache people for almost forty years. During the last years of Mangas's life, he and his son-in-law Cochise led an assault against white settlement in Apacheria that made the two of them the most feared warriors in the Southwest. In this first full-length biography of the legendary chief, Ed Sweeney vividly portrays the Apache culture in which Mangas rose to power and the conflict with Americans that led to his brutal death.A giant of a man, Mangas combined great physical strength with a sagacity and wisdom that had made him the acknowledged leader of the Chiricahuas by 1842.Retired as a professional accountant, Edwin R. Sweeney is an independent scholar and one of the preeminent historians of the Apaches. He is the author of FROM COCHISE TO GERONIMO: THE CHIRICAHUA APACHES, 1874-1886, and COCHISE: CHIRICAHUA APACHE CHIEF both published by the University of Oklahoma Press.

Authorized by Congress in 1889, the Cherokee Commission was formed to negotiate the purchase of huge areas of land from the Cherokees, Ioways, Pawnees, Poncas, Tonakawas, Wichitas, Cheyennes, Arapahos, Sac and Fox, and other tribes in Indian Territory. Some humanitarian reformers argued that dissolving tribal holdings into individual private properties would help "civilize" the Indians and speed their assimilation into American culture. Whatever the hoped-for effects, the coerced sales opened to white settlement the vast "unused" expanses of land that had been held communally by the tribes. In Taking Indian Lands, William T. Hagan presents a detailed and disturbing account of the deliberations between the Cherokee Commission and the tribes.Often called the Jerome Commission after its leading negotiator, David H. Jerome, the commission intimidated Indians into first accepting allotment in severalty and then selling to the United States, at it price, the fifteen million acres declared surplus after allotment. This land then went to white settlers, making possible the state of Oklahoma at the expense of the Indian tribes who had held claim to it.Hagan has mined nearly two thousand pages of commission journals in the National Archives to reveal the commissioners' dramatic rhetoric and strategies and the Indian responses. He also records the words of tribal leaders as they poignantly defended their attachment to the land and expressed their fears of how their lives would be changed.William T. Hagan is retired Professor of History at the University of Oklahoma. His numerous books on American Indian subjects include The Sac and Fox Indians; United States-Comanche Relations; Quanah Parker, Comanche Chief; and Theodore Roosevelt and Six Friends of the Indian, all published by the University of Oklahoma Press.

Step-by-step instructions with more than 300 illustrations"A look at the almost visionary techniques of one of the most revolutionary horsemen our country has seen."-Horse IllustratedMonte Foreman was one of America's foremost trainers of horses and riders, and many advances in western training have come from his years of research into the action and interaction of horse and rider-research aimed at improving their athletic ability as a team. It was Foreman who first applied still and motion-picture photography to the sport of riding, to determine beyond doubt how horses move most naturally and efficiently. His training methods are applicable to all kinds of western and English riding.Monte Foreman's Horse-Training Science introduces beginning and advanced riders to Foreman's method, which he taught successfully in clinics for many years with Patrick Wyse, his first accredited instructor. Step-by-step instructions and more than 300 photographs and drawings explain how to execute the turn on the forehand, the side pass, leads, the posting trot and the natural depart, flying lead changes, balanced stops, rolls, and spins. The horse-and-rider team that becomes proficient in the Foreman method will enter a whole new world of enjoyment, performance skill, and competitive achievement.Monte Foreman spent his professional life working with horses-as a cowboy, arena performer, U.S. cavalryman, polo player, competitor, and trainer. Patrick Wyse is a full-time professional riding instructor who trains and films the techniques of more than 600 students each year at Horse Wyse Ranch near Townsend, Montana.

Nahuatl drama, one of the most surprising results of the Catholic presence in colonial Mexico, merges medieval European religious theater with the language and performance traditions of the Aztec (Nahua) people of central Mexico. Franciscan missionaries, seeking effective tools for evangelization, fostered this new form of theater after observing the Nahuas' enthusiasm for elaborate performances. The plays became a controversial component of native Christianity, allowing Nahua performers to present Christian discourse in ways that sometimes effected subtle changes in meaning. The Indians' enthusiastic embrace of alphabetic writing enabled the use of scripts, but the genre was so unorthodox that Spanish censors prevented the plays' publication. As a result, colonial Nahuatl drama survives only in scattered manuscripts, most of them anonymous, some of them passed down and recopied over generations. Aztecs on Stage presents accessible English translations of six of these seventeenth- and eighteenth-century Nahuatl plays. All are based on European dramatic traditions, such as the morality and passion plays; indigenous actors played the roles of saints, angels, devils-and even the Virgin Mary and Jesus Christ. Louise M. Burkhart's engaging introduction places the plays in historical context, while stage directions and annotations in the works provide insight into the Nahuas' production practices, which often incorporated elaborate sets, props, and special effects including fireworks and music. The translations facilitate classroom readings and performances while retaining significant artistic features of the Nahuatl originals. Louise M. Burkhart is Professor of Anthropology at the State University of New York, Albany, and co-editor and co-translator of Nahuatl Theater, the four-volume set of plays from which this collection is drawn.

Who conceived of the Hoover, Bonneville, and Grand Coulee dams? Who laid the financial foundations for the Golden Gate and San Francisco Bay bridges? In Big Dams and Other Dreams, Donald E. Wolf recounts how the interests of the visionary men behind these projects coincided during the early twentieth century, what they accomplished, and what has become of the empires they created.

From 1855 to 1856 in western Oregon, the Native peoples along the Rogue River outmaneuvered and repeatedly drove off white opponents. In The Rogue River Indian War and Its Aftermath, 1850-1980, historian E. A. Schwartz explores the tribal groups' resilience not only during this war but also in every period of federal Indian policy that followed.

Recounts the rise and fall of this famous 1960s community Sex, drugs, and rock 'n' roll. In popular imagination, these words seem to capture the atmosphere of 1960s hippie communes. Yet when the first hippie commune was founded in 1965 outside Trinidad, Colorado, the goal wasn't one long party but rather a new society that integrated life and art. In Droppers, Mark Matthews chronicles the rise and fall of this utopian community, exploring the goals behind its creation and the factors that eventually led to its dissolution. Seeking refuge from enforced social conformity, the turmoil of racial conflict, and the Vietnam War, artist Eugene Bernofsky and other founders of Drop City sought to create an environment that would promote both equality and personal autonomy. These high ideals became increasingly hard to sustain, however, in the face of external pressures and internal divisions. In a rollicking, fast-paced style, Matthews vividly describes the early enthusiasm of Drop City's founders, as Bernofsky and his friends constructed a town in the desert literally using the "detritus of society." Over time, Drop City suffered from media attention, the distraction of visitors, and the arrival of new residents who didn't share the founders' ideals. Matthews bases his account on numerous interviews with Bernofsky and other residents as well as written sources. Explaining Drop City in the context of the counterculture's evolution and the American tradition of utopian communities, he paints an unforgettable picture of a largely misunderstood phenomenon in American history.A former wildland firefighter and freelance journalist, Mark Matthews is the author of Smoke Jumping on the Western Fire Line: Conscientious Objectors during World War II and A Great Day to Fight Fire: Mann Gulch, 1949.