Bücher veröffentlicht von University of Oklahoma Press

One January day in 1923, a young boy came across the dead body of a twenty-year-old woman on a San Diego beach. When the police arrived on the scene, they found the woman's calling card, which read simply, "I am Fritzie Mann." Yet Fritzie's identity, as revealed in this compelling history, was anything but simple, and her death-eventually ruled a homicide-captured public attention for months. In Fritzie, historian Amy Absher reveals how broader cultural forces, including gendered violence, sexual liberation, and evolving urban conditions in the American West, shaped the course of Mann's life and contributed to her tragic death.Frieda "Fritizie" Mann had several identities during her brief life, and the mysterious circumstances of her death raise as many questions as they do answers. She was born in 1903 near the present border between Poland and Ukraine. She and her family were Jewish immigrants who traveled to San Diego to find security and prosperity.In the last year of her life, Mann became locally famous. She had reinvented herself as a flapper and "Oriental" dancer. She claimed to have friends in Hollywood and a movie contract. On the night of her murder, she said she was going to a party to meet her Hollywood friends; instead she traveled to an isolated roadside hotel where she met her death. An autopsy revealed that she was four and a half months pregnant.Absher guides the reader through the intricacies of this true crime story as it unfolded, from the initial flawed investigation to the sensationalized press coverage and the ultimate failure of the legal system to ensure justice on Mann's behalf. Like other "new women" of her era, Fritzie Mann adopted roles that promised liberation from the control of men. In the end, her life and early death suggest the opposite: she became the victim of a culture that consumed women even as it purported to celebrate them.

The history of indigenous peoples in North America is long and complex. Many scholarly accounts now rely on statistical data to reconstruct this past, but amid all the facts and figures, it is easy to lose sight of the human side of the story. How did Native people express their thoughts and feelings, and what sources of strength did they rely on to persevere through centuries of change? In this engaging narrative, acclaimed historian R. David Edmunds combines careful research with creative storytelling to give voice to indigenous individuals and families and to illustrate the impact of pivotal events on their lives. A nonfiction account accompanies each narrative to provide necessary historical and cultural context.Voices in the Drum features nine stories, each of which focuses on a fictional character who is a composite, or representation, of historical people. This series of portrayals takes the reader on an epic journey through time, beginning in the early 1400s with the Mound Builder cultures and ending with the modern-day urbanization of Native people. Along the way, we observe fictional characters interacting with real historical figures, such as Anthony Wayne, Tecumseh, and John Sutter, and taking part in actual events, such as the Battle of Fallen Timbers, the Trail of Tears, the California gold rush, and the forced removal of Native children to off-reservation boarding schools.The people portrayed in these pages belong to various tribes, including Potawatomis, Lakotas, Oneidas, and Cherokees. Their individual stories, ranging from humorous to tragic, give readers a palpable sense of how tribal peoples reacted to the disruptive changes forced on them by European colonizers and U.S. government policies.Both entertaining and insightful, the stories in this volume traverse a range of time periods, events, themes, and genres. As such, they reverberate like voices in the drum, inviting readers of all backgrounds to engage anew with the rich history and cultures of indigenous peoples.

This is the story of the antebellum frontier in Texas, from the Red River to El Paso, a raw and primitive country punctuated by chaos, lawlessness, and violence. During this time, the federal government and the State of Texas often worked at cross-purposes, their confused and contradictory policies leaving settlers on their own to deal with vigilantes, lynchings, raiding American Indians, and Anglo-American outlaws. Before the Civil War, the Texas frontier was a sectional transition zone where southern ideology clashed with western perspectives and where diverse cultures with differing worldviews collided.This is also the tale of the Butterfield Overland Mail, which carried passengers and mail west from St. Louis to San Francisco through Texas. While it operated, the transcontinental mail line intersected and influenced much of the region's frontier history. Through meticulous research, including visits to all the sites he describes, Glen Sample Ely uncovers the fascinating story of the Butterfield Overland Mail in Texas.Until the U.S. Army and Butterfield built West Texas's infrastructure, the region's primitive transportation network hampered its development. As Ely shows, the Overland Mail Company and the army jump-started growth, serving together as both the economic engine and the advance agent for European American settlement. Used by soldiers, emigrants, freighters, and stagecoaches, the Overland Mail Road was the nineteenth-century equivalent of the modern interstate highway system, stimulating passenger traffic, commercial freighting, and business.Although most of the action takes place within the Lone Star State, this is in many respects an American tale. The same concerns that challenged frontier residents confronted citizens across the country. Written in an engaging style that transports readers to the rowdy frontier and the bustle of the overland road, The Texas Frontier and the Butterfield Overland Mail offers a rare view of Texas's antebellum past.

The Great Basin, a stark and beautiful desert filled with sagebrush deserts and mountain ranges, is the epicenter for public lands conflicts. Arising out of the multiple, often incompatible uses created throughout the twentieth century, these struggles reveal the tension inherent within the multiple use concept, a management philosophy that promises equitable access to the region's resources and economic gain to those who live there.Multiple use was originally conceived as a way to legitimize the historical use of public lands for grazing without precluding future uses, such as outdoor recreation, weapons development, and wildlife management. It was applied to the Great Basin to bring the region, once seen as worthless, into the national economic fold. Land managers, ranchers, mining interests, wilderness and wildlife advocates, outdoor recreationists, and even the military adopted this ideology to accommodate, promote, and sanction a multitude of activities on public lands, particularly those overseen by the Bureau of Land Management. Some of these uses are locally driven and others are nationally mandated, but all have exacted a cost from the region's human and natural environment.In The Size of the Risk, Leisl Carr Childers shows how different constituencies worked to fill the presumed "empty space" of the Great Basin with a variety of land-use regimes that overlapped, conflicted, and ultimately harmed the environment and the people who depended on the region for their livelihoods. She looks at the conflicts that arose from the intersection of an ever-increasing number of activities, such as nuclear testing and wild horse preservation, and how Great Basin residents have navigated these conflicts.Carr Childers's study of multiple use in the Great Basin highlights the complex interplay between the state, society, and the environment, allowing us to better understand the ongoing reality of living in the American West.

Col. George Wright's campaign against the Yakima, Spokane, Coeur d'Alene, Palouse, and other Indian peoples of eastern Washington Territory was intended to punish them for a recent attack on another U.S. Army force. Wright had once appeared to respect the Indians of the Upper Columbia Plateau, but in 1858 he led a brief war noted for its violence, bloodshed, and summary trials and executions. Today, many critics view his actions as war crimes, but among white settlers and politicians of the time, Wright was a patriotic hero who helped open the Inland Northwest to settlement. "Hang Them All" offers a comprehensive account of Wright's campaigns and explores the controversy surrounding his legacy.Over thirty days, Wright's forces defeated a confederation of Plateau warriors in two battles, destroyed their food supplies, slaughtered animals, burned villages, took hostages, and ordered the hanging of sixteen prisoners. Seeking the reasons for Wright's turn toward mercilessness, Cutler asks hard questions: If Wright believed he was limiting further bloodshed, why were his executions so gruesomely theatrical and cruel? How did he justify destroying food supplies and villages and killing hundreds of horses? Was Wright more violent than his contemporaries, or did his actions reflect a broader policy of taking Indian lands and destroying Native cultures?Stripped of most of their territory, the Plateau tribes nonetheless survived and preserved their cultures. With Wright's reputation called into doubt, some northwesterners question whether an army fort and other places in the region should be named for him. Do historically based names honor an undeserving murderer, or prompt a valuable history lesson? In examining contemporary and present-day treatments of Wright and the incident, "Hang Them All" adds an important, informed voice to this continuing debate.

Today, Peru is rightly recognized as the number one food destination on the planet. But twenty-five years ago, the world's culinary critics were focusing their attention elsewhere. Fortunately, wine merchant-turned-archaeologist and art historian Robert C. Bradley was in Peru. This delightful book is the product of twenty-five years of exquisite digressions from what Bradley might call his "real job"-the culmination of decades of personal discoveries about the food of Peru and the history that led to its current culinary florescence.Bradley's book is a tour of the most delicious facts and foods revealed to him while he traveled Peru, with several recipes thrown in for good measure. Journeying from coasts to highlands and back, the intrepid author introduces us to the most interesting aspects of Peruvian cuisine that he encounters along the way: How the tomato got to Italy. Why Tabasco sauce is misnamed. What the superfoods of Peru are. Where the potato rose and fell. And of course, when coca leaves gave real meaning to Coca-Cola's "pause that refreshes." Bradley sizzles about Peruvian ceviche, pisco and the pisco sour, and the country's best restaurants, all the while sampling food lore, Andean anthropology, history, linguistics, and the pleasures and perils of travel. He makes a knowledgeable, congenial guide, and his book, a generous companion.For the armchair tourist or the actual traveler, the gourmet and the gourmand, and the merely curious, Eating Peru offers a welcome break from everyday fare, and a once-in-a-lifetime invitation to a taste of Peru.

Peter McAuslan heeded Mormon missionaries spreading the faith in his native Scotland in the mid-1840s. The uncertainty his family faced in a rapidly industrializing economy, the political turmoil erupting across Europe, the welter of competing religions-all were signs of the imminent end of time, the missionaries warned. For those who would journey to a new Zion in the American West, opportunity and spiritual redemption awaited. When McAuslan converted in 1848, he believed he had a found a faith that would give his life meaning.A few years later, McAuslan and his family left Scotland for Utah, but soon after he arrived, his doubts grew about the religious community he had joined so wholeheartedly. Historian Polly Aird tells the story of how McAuslan first embraced, then came to question, and ultimately renounced the Mormon faith and left Utah. It would be the most courageous act of his life.In Mormon Convert, Mormon Defector, Aird tells of Scottish emigrants who endured a harrowing transatlantic and transcontinental journey to join their brethren in the valley of the Great Salt Lake. But to McAuslan and others like him, the Promised Land of Salt Lake City turned out to be quite different from what was promised: droughts and plagues of locusts destroyed crops and brought on famine, and U.S. Army troops threatened on the borders. Mormon leaders responded with fiery sermons attributing their trials to divine retribution for backsliding and sin. When the leaders countenanced violence and demanded absolute obedience, Peter McAuslan decided to abandon his adopted faith. With his family, and escorted by a U.S. Army detachment for protection, he fled to California.Mormon Convert, Mormon Defector reveals the tumultuous 1850s in Utah and the West in vivid detail. Drawing on McAuslan's writings and other archival sources, Aird offers a rare interior portrait of a man in whom religious fervor warred with indignation at absolutist religious authorities and fear for the consequences of dissension. In so doing, she brings to life a dramatic but little-known period of American history.

While the Western was dying a slow death across the cultural landscape, it was blazing back to life as a video game in the early twenty-first century. Rockstar Games' Red Dead franchise, beginning with Red Dead Revolver in 2004, has grown into one of the most critically acclaimed video game franchises of the twenty-first century. Red Dead Redemption: History, Myth, and Violence in the Video Game West offers a critical, interdisciplinary look at this cultural phenomenon at the intersection of game studies and American history.Drawing on game studies, western history, American studies, and cultural studies, the authors train a wide-ranging, deeply informed analytic perspective on the Red Dead franchise-from its earliest incarnation to the latest, Red Dead Redemption 2 (2018). Their intersecting chapters put the series in the context of American history, culture, and contemporary media, with inquiries into issues of authenticity, realism, the meaning of play and commercial promotion, and the relationship between the game and the wider cultural iterations of the classic Western. The contributors also delve into the role the series' development has played in recent debates around working conditions in the gaming industry and gaming culture.In its redeployment and reinvention of the Western's myth and memes, the Red Dead franchise speaks to broader aspects of American culture-the hold of the frontier myth and the "Wild West" over the popular imagination, the role of gun culture in society, depictions of gender and ethnicity in mass media, and the increasing allure of digital escapism-all of which come in for scrutiny here, making this volume a vital, sweeping, and deeply revealing cultural intervention.

Written in the fourth century BCE, Philebus is likely one of Plato's last Socratic dialogues. It is also famously difficult to read and understand. A multilayered inquiry into the nature of life, Philebus has drawn renewed interest from scholars in recent years. Yet, until now, the only English-language commentary available has been a work published in 1897. This much-needed new commentary, designed especially for philosophers and advanced students of ancient Greek, draws on up-to-date scholarship to expand our understanding of Plato's complex work.In his in-depth introduction, George Rudebusch places the Philebus in historical, philosophical, and linguistic context. As he explains, the dialogue deals with the question of whether a good life consists of pleasure or knowing. Yet its exploration of this question is riddled with ambiguity. With the goal of facilitating comprehension, particularly for students of philosophy, Rudebusch divides his commentary into twenty discrete subarguments. Within this framework, he elucidates the significance-and possible interpretations-of each passage and dissects their philological details. In particular, he analyzes how Plato uses inference indicators (that is, the Greek words for "therefore" and "because") to establish the structure of the arguments, markers difficult to present in translation.A detailed and thorough commentary, this volume is both easy to navigate and conducive to new interpretations of one of Plato's most intriguing dialogues.

The summer of 1865 marked the transition from the Civil War to Indian war on the western plains. With the rest of the country's attention still focused on the East, the U.S. Army began an often forgotten campaign against the Sioux, Cheyenne, and Arapaho. Led by Gen. Patrick Connor, the Powder River Indian Expedition into Wyoming sought to punish tribes for raids earlier that year. Patrick Connor's War describes the troops' movement into hostile territory while struggling with bad weather, supply shortages, and communication problems.David E. Wagner's carefully assembled account carries readers along the trail of Connor's men and allows soldiers to give firsthand impressions of the land and campaign. The author draws on journals, letters, and reports-especially the James H. Kidd Papers, a copy of Connor's expedition report previously believed burned, and the newly discovered C. M. Lee diary-to reconstruct a day-by-day chronology that finds the men trudging, sometimes barefoot and half starved, over unforgiving terrain. The thrill and danger of buffalo hunts and skirmishes with Indians punctuated an arduous trek across the northern plains.Copious maps tie narrative to topography by plotting Connor's route and the paths of the units under him. Also included is a detailed account of the civilian road-building expedition of James Sawyers, whose fate became intertwined with the Powder River expedition. Two dozen illustrations and biographical sketches of main players round out the work.This first major campaign of the post-Civil War Indian wars has been largely overlooked by historians-but should be no longer. Patrick Connor's War breaks new ground by bringing the expedition to life in fascinating detail that will satisfy scholars and engage general readers.

Don Bartolomé de Alva was a mestizo who rose within New Spain's ecclesiastical hierarchy when people of indigenous heritage were routinely excluded from the priesthood. In 1640 and 1641 he translated several theatrical pieces from Spanish into Nahuatl, yet this prodigious accomplishment remained virtually unknown for centuries.Nahuatl Theater, Volume 3 presents for the first time in English the complete dramatic works of Alva, the only known plays from Spain's Golden Age adapted into the lively world of Nahuatl-language theater. Alva's translations-"The Great Theater of the World," "The Animal Prophet and the Fortunate Patricide," "The Mother of the Best," and a farcical intermezzo-represent ambitious attempts to add complex, Baroque dramatic pieces by such literary giants as Lope de Vega and Pedro Calderón de la Barca to the repertory of Nahuatl theater, otherwise dominated by sober one-act religious plays grounded in medieval tradition. The Spanish sources and Alva's Nahuatl, set on facing pages with their English translations, show how Alva "Mexicanized" the plays by incorporating Nahuatl linguistic conventions and referencing local symbolism and social life. In their introductory essays, the editors offer contextual and interpretive information that provides an entrée into this rich material.As the only known adaptations of these theatrical works into a Native American language, these plays stand as fine literature in their own right.

A newly minted second lieutenant fresh from West Point, Hugh Lenox Scott arrived on the northern Great Plains in the wake of the Little Bighorn debacle. The Seventh Cavalry was seeking to subdue the Plains tribes and confine them to reservations, and Scott adopted the role of negotiator and advocate for the Indian "adversaries." He thus embarked on a career unique in the history of the U.S. military and the western frontier. Hugh Lenox Scott, 1853-1934: Reluctant Warrior is the first book to tell the full story of this unlikely, self-avowed "soldier of peace," whose career, stretching from Little Bighorn until after World War I, reflected profound historical changes.The taste for adventure that drew Scott to the military also piqued his interest in the tenacity of Native cultures in an environment rife with danger and uncertainty. Armand S. La Potin describes how Scott embraced the lifeways of the Northern Plains peoples, making a study of their cultures, their symbols, and most notably, their use of an intertribal sign language to facilitate trade. Negotiating with dissident bands of Indians whose lands were threatened by Anglo settlers and commercial interests, he increasingly found himself advocating federal responsibility for tribal welfare and assuming the role of "Indian reformer."La Potin makes clear that "reform" was understood within the context of Scott's own culture, which scaled "civilization" to the so-called Anglo race. Accordingly, Scott promoted the "civilization" of Native Americans through assimilation into Anglo-American society-an approach he continued in his later interactions with the Moro Muslims of the southern Philippines, where he served as a military governor.Although he eventually rose to the rank of army chief of staff, over time Scott the peacemaker and Indian reformer saw his career stall as Native tribes ceased to be seen as a military threat and military merit was increasingly defined by battlefield experience. From these pages the picture emerges of an uncommon figure in American military history, at once at odds with and defined by his times.

Progress on the nation's second transcontinental railroad slowed in 1873. The Northern Pacific's proposed middle-the 250 miles between present Billings and Glendive, Montana-had yet to be surveyed, and Sioux and Cheyenne Indians opposed construction through the Yellowstone Valley, the heart of their hunting grounds. A previous surveying expedition along the Yellowstone River in 1872 had resulted in the death of a prominent member of the party, the near-death of the railroad's chief engineer, the embarrassment of the U.S. Army, and a public relations and financial disaster for the Northern Pacific.Such is the backdrop for Custer and the 1873 Yellowstone Survey, the story of the expedition told through documents selected and interpreted by historian M. John Lubetkin. The U.S. Army was determined to punish the Sioux, and the Northern Pacific desperately needed to complete its engineering work and resume construction. The expedition mounted in 1873-larger than all previous surveys combined-included "embedded" newspaper correspondents and 1,600 infantry and cavalry, the latter led by George Armstrong Custer.Lubetkin has gathered firsthand accounts from the correspondents, diarists, and reporters who accompanied this important expedition, including that of news correspondent Samuel J. Barrows. Barrows's narrative-written in a series of dispatches to the New York Tribune-provides a comprehensive, often humorous description of events, and his proficiency with shorthand enabled him to capture quotations and dialogue with an authenticity unmatched by other writers on the survey.The expedition marched west from the Missouri River in mid-June of 1873 and, in three months, covered nearly 1,000, often grueling miles. Encompassing the saga of transcontinental railroading, cultural conflict on the northern plains, and an array of important Indian and Anglo-American characters, Custer and the 1873 Yellowstone Survey will fascinate Custer fans and anyone interested in the history of the American West.

Born on a farm in the Cherokee Nation near present Oologah, Oklahoma, in 1879, Will Rogers shared his rural, agricultural beginnings with many Americans at the turn of the century. But Rogers brought his small-town talents to a national audience, becoming a mainstay of early American mass culture. Although Rogers is remembered today for his success in vaudeville and the nascent American film industry, history has largely forgotten his considerable influence as a political commentator, an aspect of Rogers's life that Gary Clayton Anderson explores at length in this brief but complete biography.Rogers's contributions to early American mass culture, the catalog of powerful personages that he counted among his friends, and his extensive writings about the political issues of the day make Rogers an ideal figure through which to explore the American interwar period. High school and college students will relate well to Rogers, whose political opinions evolved as he gained exposure to people, places, organizations, and ideas beyond rural Oklahoma. Rogers's conflicted relationship with his indigenous American heritage also provides a window on the history of race relations in America.This paperback edition includes a new afterword by the author, along with study and discussion questions for every chapter.

In 1792, Spanish naval officer and explorer Juan Francisco de la Bodega y Quadra sailed from San Blas, Mexico, to Nootka Sound, on the west coast of present-day Vancouver Island. For nearly three years, he had been immersed in the aftermath of the Nootka Crisis of 1789, a dispute between Britain and Spain over sovereignty in the North Pacific. He was journeying north as his government's commissioner to hand over Spanish-occupied territory at Nootka. This book offers the first published English translation of Bodega's journal, a remarkable account of his travels along the Northwest Coast of America, encounters with Native peoples-most notably, Chief Maquinna-and the friendship that developed between Bodega and his British counterpart, George Vancouver.Until now, Bodega's journal has been available only in Spanish publications or in manuscript form. This much-needed English-language edition results from the collaboration of three preeminent scholars of the Pacific Northwest, who provide an in-depth introduction and extensive footnotes that make the translation accessible to a contemporary audience.Also included in this edition is a generous selection of Bodega's original charts and illustrations created by the artists who worked with José Mariano Moziño and José Maldonado, two scientists who-at Bodega's insistence-accompanied him on his expedition to Nootka.