Bücher veröffentlicht von University of Virginia Press

The author of this text set out to capture and relate the history of her ancestors - African Americans in central Virginia after the Civil War. Using plantation documents and oral histories in the form of stories, anecdotes and sayings, she has created a history of a slave community.

A documentary history of the Potomac River and its wide, fertile basin - the setting for much of early United States history. A collage of primary accounts, it extends from the first explorers and colonists, the building of the Capitol, and the incidents of the Civil War through the recent past.

Using national studies of Latinos, this study investigates whether they engage in bloc voting or are likely to do so in the future. It draws on Hispanics' political attitudes, values and behaviours, as well as on the histories of other ethnic groups.

<p><p> <i>Dunmore's New World</i> tells the stranger-than-fiction story of Lord Dunmore, the last royal governor of Virginia, whose long-neglected life boasts a measure of scandal and intrigue rare in the annals of the colonial world. Dunmore not only issued the first formal proclamation of emancipation in American history; he also undertook an unauthorized Indian war in the Ohio Valley, now known as Dunmores War, that was instrumental in opening the Kentucky country to white settlement. In this entertaining biography, James Corbett David brings together a rich cast of characters as he follows Dunmore on his perilous path through the Atlantic world from 1745 to 1809.</p><p>Dunmore was a Scots aristocrat who, even with a family history of treason, managed to obtain a commission in the British army, a seat in the House of Lords, and three executive appointments in the American colonies. He was an unusual figure, deeply invested in the imperial system but quick to break with convention. Despite his 1775 proclamation promising freedom to slaves of Virginia rebels, Dunmore was himself a slaveholder at a time when the African slave trade was facing tremendous popular opposition in Great Britain. He also supported his daughter throughout the scandal that followed her secret, illegal marriage to the youngest son of George IIIa relationship that produced two illegitimate children, both first cousins of Queen Victoria.</p> <p>Within this single narrative, Dunmore interacts with Jacobites, slaves, land speculators, frontiersmen, Scots merchants, poor white fishermen, the French, the Spanish, Shawnees, Creeks, patriots, loyalists, princes, kings, and a host of others. This history captures the vibrant diversity of the political universe that Dunmore inhabited alongside the likes of George Washington and Thomas Jefferson. A transgressive imperialist, Dunmore had an astounding career that charts the boundaries of what was possible in the Atlantic world in the Age of Revolution.</p></p>

John Stilgoe is just looking around. This is more difficult than it sounds, particularly in our mediated age, when advances in both theory and technology too often seek to replace the visual evidence before our own eyes rather than complement it. We are surrounded by landscapes charged with our past, and yet from our earliest schooldays we are instructed not to stare out the window. Someone who stops to look isn't only a rarity; he or she is suspect. Landscape and Images records a lifetime spent observing America's constructed landscapes. Stilgoe's essays follow the eclectic trains of thought that have resulted from his observation, from the postcard preference for sunsets over sunrises to the concept of "e;teen geography"e; to the unwillingness of Americans to walk up and down stairs. In Stilgoe's hands, the subject of jack o' lanterns becomes an occasion to explore centuries-old concepts of boundaries and trespassing, and to examine why this originally pagan symbol has persisted into our own age. Even something as mundane as putting the cat out before going to bed is traced back to fears of unwatched animals and an untended frontier fireplace. Stilgoe ponders the forgotten connections between politics and painted landscapes and asks why a country whose vast majority lives less than a hundred miles from a coast nonetheless looks to the rural Midwest for the classic image of itself.At times breathtaking in their erudition, the essays collected here are as meticulously researched as they are elegantly written. Stilgoe's observations speak to specialists-whether they be artists, historians, or environmental designers-as well as to the common reader. Our landscapes constitute a fascinating history of accident and intent. The proof, says Stilgoe, is all around us.

In Performatively Speaking, Debra Rosenthal draws on speech act theory to open up the current critical conversation about antebellum American fiction and culture and to explore what happens when writers use words not just to represent action but to constitute action itself. Examining moments of discursive action in a range of canonical and noncanonical works-T. S. Arthur's temperance tales, Fanny Fern's Ruth Hall, Nathaniel Hawthorne's The Scarlet Letter, Harriet Beecher Stowe's Uncle Tom's Cabin, and Herman Melville's Moby-Dick-she shows how words act when writers no longer hold to a difference between writing and doing. The author investigates, for example, the voluntary self-binding nature of a promise, the formulaic but transformative temperance pledge, the power of Ruth Hall's signature or name on legal documents, the punitive hate speech of Hester Prynne's scarlet letter A, the prohibitory vodun hex of Simon Legree's slave Cassy, and Captain Ahab's injurious insults to second mate Stubb. Through her comparative methodology and historicist and feminist readings, Rosenthal asks readers to rethink the ways that speech and action intersect.

The statesman and reformer James Oglethorpe was a significant figure in the philosophical and political landscape of eighteenth-century British America. His social contributions-all informed by Enlightenment ideals-included prison reform, the founding of the Georgia Colony on behalf of the "e;worthy poor,"e; and stirring the founders of the abolitionist movement. He also developed the famous ward design for the city of Savannah, a design that became one of the most important planning innovations in American history. Multilayered and connecting the urban core to peripheral garden and farm lots, the Oglethorpe Plan was intended by its author to both exhibit and foster his utopian ideas of agrarian equality. In his new book, the professional planner Thomas D. Wilson reconsiders the Oglethorpe Plan, revealing that Oglethorpe was a more dynamic force in urban planning than has generally been supposed. In essence, claims Wilson, the Oglethorpe Plan offers a portrait of the Enlightenment, and embodies all of the major themes of that era, including science, humanism, and secularism. The vibrancy of the ideas behind its conception invites an exploration of the plan's enduring qualities. In addition to surveying historical context and intellectual origins, this book aims to rescue Oglethorpe's work from its relegation to the status of a living museum in a revered historic district, and to demonstrate instead how modern-day town planners might employ its principles. Unique in its exclusive focus on the topic and written in a clear and readable style, The Oglethorpe Plan explores this design as a bridge between New Urbanism and other more naturally evolving and socially engaged modes of urban development.

An ambitious but abortive plan to revolt that ended in the conviction and hanging of over two dozen men, Gabriel's Conspiracy of 1800 sought nothing less than to capture the capital city of Richmond and end slavery in Virginia. Whispers of Rebellion draws on recent scholarship and extensive archival material to provide the clearest view yet of this fascinating chapter in the history of slavery-and to question much about the case that has been accepted as fact.In his examination of the slave Gabriel and his group of insurgents, Michael Nicholls focuses on the neighborhood of the Brook, north of Richmond, as the plot's locus, revealing the area's economic and familial ties, the geographic proximity of the key conspirators, and how their contacts allowed their plan to spread across three counties and into the cities of Richmond and Petersburg. Nicholls explores underdocumented aspects of the conspiracy, such as the participants' recruitment and motives, showing them to be less ideologically driven than previously supposed. The author also looks at the state's swift and brutal response, and argues persuasively that, rather than the coalition between blacks and whites that has been described in other accounts, the participants were all slaves or free blacks, suffering under an oppressive white population and willing to die for their freedom.

Although frequently attacked for their partisanship and undue political influence, the American media of today are objective and relatively ineffectual compared to their counterparts of two hundred years ago. From the late eighteenth to the late nineteenth century, newspapers were the republic's central political institutions, working components of the party system rather than commentators on it. The Tyranny of Printers narrates the rise of this newspaper-based politics, in which editors became the chief party spokesmen and newspaper offices often served as local party headquarters. Beginning when Thomas Jefferson enlisted a Philadelphia editor to carry out his battle with Alexander Hamilton for the soul of the new republic (and got caught trying to cover it up), the centrality of newspapers in political life gained momentum after Jefferson's victory in 1800, which was widely credited to a superior network of papers. Jeffrey L. Pasley tells the rich story of this political culture and its culmination in Jacksonian democracy, enlivening his narrative with accounts of the colorful but often tragic careers of individual editors.

These papers from the poet and critic Randall Jarrell include letters from Jarrell to Peter Taylor, publication of which was withheld during Taylor's lifetime. These letters add a further dimension of friendship and intellect to this behind-the-scenes glimpse of American literary history.

Spanish peasant Bartolome Sanchez believed that God had sent him in divine retribution for the crimes committed by the Inquisition. He soon found himself in the court he believed he was sent to destroy. This book considers the nature of religious inspiration, insanity, and criminal responsibility.

Explores the lives and work of fifteen black labor historians and social scientists as seen through the prisms of gender, class, and time. This biography offers portraits of these seminal figures, following them through their educations, their often groundbreaking work in economic and labor studies, and their invaluable public advocacy.

In Pulpit and Nation, Spencer McBride highlights the importance of Protestant clergymen in early American political culture, elucidating the actual role of religion in the founding era. Beginning with colonial precedents for clerical involvement in politics and concluding with false rumors of Thomas Jefferson's conversion to Christianity in 1817, this book reveals the ways in which the clergy's political activism-and early Americans' general use of religious language and symbols in their political discourse-expanded and evolved to become an integral piece in the invention of an American national identity. Offering a fresh examination of some of the key junctures in the development of the American political system-the Revolution, the ratification debates of 1787-88, and the formation of political parties in the 1790s-McBride shows how religious arguments, sentiments, and motivations were subtly interwoven with political ones in the creation of the early American republic. Ultimately, Pulpit and Nation reveals that while religious expression was common in the political culture of the Revolutionary era, it was as much the calculated design of ambitious men seeking power as it was the natural outgrowth of a devoutly religious people.

This is a collection of essays on the natural world connected by the theme of water: exploring issues as varied as the joy that water brings, the wistful rememberings it engenders, and its sacredness.

This title highlights forces and experiences that shaped 18th century black Virginians' lives in a tidewater slave community.

This collection of essays reflects the broad spectrum of scholarship arising from an expanded definition of African-American archaeology, treating such issues as the analysis and representation of cultural identity, cultural interaction and change, and the sociopolitics of archaeological practice.

This volume demonstrates how visions of home, past and present have helped to shape African-American's sense of place, often under hostile conditions. It focuses on the ways in which an exiled people has located itself through such activities as ""yard work"".

In 1958, facing court-ordered integration, a Virginia governor closed public schools in three cities. White moderates quickly protested against the school closings and eventually defeated the resistance to school desegregation in 1959. This text explores this period in the history of Virginia.

Interpreting three conversion accounts, the author emphasizes the categorical difference between the experience of conversion and written narratives about it. He explains why experience and text can only be related to each other in fictional ways.

No one working in Africa today or studying Africa in any discipline whatever can afford to ignore the anthropological literature. It has long been the foundational background for a variety of African studies. However, there has never been a succinct historical description of the way the Africanist field has evolved in anthropology, together with a broad bibliographical guide. This book supplies that basic information. But it does more It reviews the field as a controversial history of ideas. African studies in anthropology throw light on the way Anglo-Europeans and Americans have conceived of the rest of the world and the way academic disciplines have changed in this century.

This truly transnational history reveals the important role of Americans abroad in the Age of Revolution, as well as providing an early example of the limits of American influence on other nations. From the beginning of the French Revolution to its end at the hands of Napoleon, American cosmopolitans like Thomas Jefferson, Gouverneur Morris, Thomas Paine, Joel Barlow, and James Monroe drafted constitutions, argued over violent means and noble ends, confronted sudden regime changes, and negotiated diplomatic crises such as the XYZ Affair and the Louisiana Purchase. Eager to report on what they regarded as universal political ideals and practices, Americans again and again confronted the particular circumstances of a foreign nation in turmoil. In turn, what they witnessed in Paris caused these prominent Americans to reflect on the condition and prospects of their own republic. Thus, their individual stories highlight overlooked parallels between the nation-building process in both France and America, and the two countries' common struggle to reconcile the rights of man with their own national identities.

The author investigates the contradictory ways childhood has been formulated in the 20th century and the resulting ambivalence reflected in contemporary fiction.

Combining research, political philosophy, and intellectual history, this book explores the invention of universal emancipation - both in the context of the Age of Enlightenment and in relation to certain key figures and trends in contemporary political philosophy.

"e;To attain some sort of universal value,"e; Veronique Tadjo has said, "e;a piece of work has to go deep into the particular in order to reveal our shared humanity."e; In Far from My Father, the latest novel from this internationally acclaimed author, a woman returns to the Cte d'Ivoire after her father's death. She confronts not only unresolved family issues that she had left behind but also questions about her own identity that arise amidst the tensions between traditional and modern worlds. The drama that unfolds tells us much about the evolving role of women, the legacy of polygamy, and the economic challenges of daily life in Abidjan. On a more autobiographical level, the author depicts a daughter's efforts to come to terms with what she knew and did not know about her father. Set against the backdrop of civil strife that has wracked the Cte d'Ivoire since the turn of the century, this story shows Tadjo's remarkable ability to inhabit a character's inner world and emotional landscape while creating a narrative of great historic and cultural dimensions.CARAF Books: Caribbean and African Literature Translated from the French

The growth of the Latino population is the most significant demographic shift in the United States today. Yet growth alone cannot explain this population's increasing impact on the electorate; nor can a parsing of its subethnicities. In the most significant analysis to date on the growing political activation of Latinos, Ricardo Ramrez identifies when and where Latino participation in the political process has come about as well as its many motivations. Using a state-centered approach, the author focuses on the interaction between demographic factors and political contexts, from long-term trends in party competition, to the resources and mobilization efforts of ethnic organizations and the Spanish-language media, to the perception of political threat as a basis for mobilization.The picture that emerges is one of great temporal and geographic variation. In it, Ramrez captures the transformation of Latinos' civic and political reality and the engines behind the evolution of this crucial electorate.Race, Ethnicity, and Politics

Most Americans believe that the ratification of the Constitution in 1788 marked the settlement of post-Revolutionary disputes over the meanings of rights, democracy, and sovereignty in the new nation. In The Citizenship Revolution, Douglas Bradburn undercuts this view by showing that the Union, not the Nation, was the most important product of independence.In 1774, everyone in British North America was a subject of King George and Parliament. In 1776 a number of newly independent "e;states,"e; composed of "e;American citizens"e; began cobbling together a Union to fight their former fellow countrymen. But who was an American? What did it mean to be a "e;citizen"e; and not a "e;subject"e;? And why did it matter?Bradburn's stunning reinterpretation requires us to rethink the traditional chronologies and stories of the American Revolutionary experience. He places battles over the meaning of "e;citizenship"e; in law and in politics at the center of the narrative. He shows that the new political community ultimately discovered that it was not really a "e;Nation,"e; but a "e;Union of States"e;-and that it was the states that set the boundaries of belonging and the very character of rights, for citizens and everyone else. To those inclined to believe that the ratification of the Constitution assured the importance of national authority and law in the lives of American people, the emphasis on the significance and power of the states as the arbiter of American rights and the character of nationhood may seem strange. But, as Bradburn argues, state control of the ultimate meaning of American citizenship represented the first stable outcome of the crisis of authority, allegiance, and identity that had exploded in the American Revolution-a political settlement delicately reached in the first years of the nineteenth century. So ended the first great phase of the American citizenship revolution: a continuing struggle to reconcile the promise of revolutionary equality with the pressing and sometimes competing demands of law, order, and the pursuit of happiness.

In Writing through Jane Crow, Ayesha Hardison examines African American literature and its representation of black women during the pivotal but frequently overlooked decades of the 1940s and 1950s. At the height of Jim Crow racial segregation-a time of transition between the Harlem Renaissance and the Black Arts movement and between World War II and the modern civil rights movement-black writers also addressed the effects of "e;Jane Crow,"e; the interconnected racial, gender, and sexual oppression that black women experienced. Hardison maps the contours of this literary moment with the understudied works of well-known writers like Gwendolyn Brooks, Zora Neale Hurston, Ann Petry, and Richard Wright as well as the writings of neglected figures like Curtis Lucas, Pauli Murray, and Era Bell Thompson.By shifting her focus from the canonical works of male writers who dominated the period, the author recovers the work of black women writers. Hardison shows how their texts anticipated the renaissance of black women's writing in later decades and initiates new conversations on the representation of women in texts by black male writers. She draws on a rich collection of memoirs, music, etiquette guides, and comics to further reveal the texture and tensions of the era.A 2014 CHOICE Outstanding Academic Title