Bücher veröffentlicht von University of Wisconsin Press

Chasing leads, Sheriff Dave Cubiak suddenly finds himself amid a troupe of live-action role players living in an ersatz Camelot. In a setting where pretense in the norm, Cubiak must determine if suspects are who they say they are or if their made-up identities conceal a ruthless killer.

When Tave wakes up alone in the hospital, she barely remembers the car wreck. Far from home, dazed, and despondent, she struggles to face the challenges of her new paralysis-all while worrying about her partner, Les, also severely injured in the accident, now cared for by her homophobic parents who refuse to allow contact.In rehab, Tave relearns life skills and comes to recognize that her future will be completely different than she'd imagined. Where will she live? How will she find the help she needs? Can her friends rise to the occasion? Or will she be forced to move back in with her mother, putting up with endless talk of faith healers? Her one beacon of hope is Beth, her physical therapist. But Beth's relationship problems with her own girlfriend push her toward overinvolvement-and risk damaging both her career and Tave's recovery.A story of courage, resilience, and love, Unswerving challenges readers' preconceived notions of disability, of limitations, and of the inevitability of fate.

Originally published in 1970, Germans and Jews brings together George L. Mosse's thoughts on a critical time in German history when thinkers on both the left and the right shared a common goal. In the late nineteenth and early twentieth centuries, intellectuals across the political spectrum aimed to solve the problems of contemporary society by creating a force that would eliminate both state Marxism and bourgeois society: a "third force" beyond communism and capitalism. This pervasive turn in ideology had profound effects on German history. In Mosse's reading, left-wing political efforts became increasingly unrelated to reality, while the right finally discovered in fascism the force it had been seeking. This innovative perspective has implications for understanding not only the rise of fascism and Nazism in Germany but also the rise and fall of the New Left in the United States and Europe, which was occurring at the time of Mosse's writing. A new critical introduction by Sarah Wobick-Segev, research associate at the University of Hamburg, places Mosse's work in its historical and intellectual contexts and draws lessons for students and scholars today.

William Somerset Maugham (1874-1965) was one of the most prominent and productive authors of the twentieth century-and his works have been among the most cinematically transformed in history. For more than five decades, adaptations of his plays, stories, and novels dominated movie theaters and, later, television screens. More than ninety individual works were filmed, and for many filmgoers his name was a greater draw than that of the director. Works such as Of Human Bondage, "The Letter," The Painted Veil, "Rain," The Razor's Edge, and others were produced multiple times, with starring roles sought by actors like Bette Davis, Gloria Swanson, Greta Garbo, Lionel Barrymore, Charles Laughton, and Bill Murray.This study of the famous author explores the relationship between literature and film, what is involved in adaptation, and how best to judge films based on celebrated books. Robert Calder, the world's leading scholar of Maugham's work, offers fascinating production histories, insight into both fortunate and misguided casting decisions, shrewd analyses of performances and film techniques, and summaries of public and critical responses. Maugham's characters were often conflicted, iconoclastic, and morally out of step with their times, which may have accounted for the popularity of his fiction. Most of Maugham's works could be adapted to satisfy the tastes of moviegoers and the demands of the Hays Office censors, if not the expectations of their author.

Imperial Rome privileged the elite male citizen as one of sound mind and body, superior in all ways to women, noncitizens, and nonhumans. One of the markers of his superiority was the power of his voice, both literal (in terms of oratory and the legal capacity to represent himself and others) and metaphoric, as in the political power of having a "voice" in the public sphere. Muteness in ancient Roman society has thus long been understood as a deficiency, both physically and socially.In this volume, Amy Koenig deftly confronts the trope of muteness in Imperial Roman literature, arguing that this understanding of silence is incomplete. By unpacking the motif of voicelessness across a wide range of written sources, she shows that the Roman perception of silence was more complicated than a simple binary and that elite male authors used muted or voiceless characters to interrogate the concept of voicelessness in ways that would be taboo in other contexts. Paradoxically, Koenig illustrates that silence could in fact be freeing-that the loss of voice permits an untethering from other social norms and expectations, thus allowing a freedom of expression denied to many of the voiced.

Suzette Mullen had been raised to play it safe-and she hated causing others pain. With college and law degrees, a kind and successful husband, two thriving adult sons, and an ocean-view vacation home, she lived a life many people would envy. But beneath the happy facade was a woman who watched her friends walk boldly through their lives and wondered what was holding her back from doing the same. Digging into her past, Suzette uncovered a deeply buried truth: she'd been in love with her best friend-a woman-for nearly two decades-and still was. Leaning into these "unspeakable" feelings would put Suzette's identity, relationships, and life of privilege at risk-but taking this leap might be her only chance to feel fully alive. As Suzette opened herself up to new possibilities, an unexpected visit to a new city helped her discover who she was meant to be. Introspective, bittersweet, and empowering, The Only Way Through Is Out is both a coming-out and coming-of-age story, as well as a call to action for every human who is longing to live authentically but is afraid of the cost.

Newly divorced, Virginia Bigelow is struggling with pressing financial debt, the frustration of a stalled teaching career, an increasingly isolated and lonely existence, and the challenges of being a single parent to an autistic child. When she learns that Travis Lee Hilliard, the man who murdered her father in the 1980s, has been released from prison, she drops everything and sets out on an ill-conceived journey to confront him in order to mete out the justice she feels he deserves.Meanwhile, having spent three decades serving a life sentence for murdering the California preacher who rescued him from the streets, Travis thinks of himself as a reformed man. Traveling from Folsom Prison to his new home in the Mojave Desert, a remote location with minimal temptations, he struggles to reconcile his past and embrace his newfound freedom. But there are more challenges to staying on the straight and narrow than he ever could have imagined.Virginia's and Travis's braided narratives slowly tighten as they approach their inevitable collision. Unflinching, compassionate, and gripping, this bold novel evocatively examines the ambiguities wrought by both violence and redemption.

Opening with "Hors d'oeuvres" and closing with a "Feast," the stories in Cravings pulse with longing, missed opportunities, recriminations, and joy. Garnett Kilberg Cohen leads readers through acutely crafted explorations of the way events shape and change our lives, sometimes for the better and sometimes in ways that haunt us forever. Love, friendship, childhood, parenthood, and leaving home-all these experiences of desire, driven by the unrelenting passage of time-form the heart of this charismatic collection. Kilberg Cohen's captivating and vulnerable characters often recognize their shortcomings and past mistakes, but cannot always rise above them. One woman learns to forgive her husband's ex; another fears her love of salty snacks caused a family tragedy. A stoic rural community drives a newcomer out of town; a young man's entire life is colored by a traumatic childhood event at a zoo. Focusing on the specific, unforgettable moments that reveal our connections to one another, Cravings offers an expansive vision of humanity that lingers long after the final page is turned.

In 2010, Blake Geoffrion became the first player from the University of Wisconsin hockey team to receive the Hobey Baker Award, recognizing him as the best player in men's college hockey. Blake was a rising scion of hockey royalty, descendant of legendary Canadian players Howie Morenz and Bernie "Boom Boom" Geoffrion, and he would soon be the first fourth-generation player to reach the NHL. His professional career promised to cement his family's storied legacy on ice. But in 2012, while playing for the Montreal Canadiens' minor league team beneath Morenz's and Boom Boom's retired numbers, Geoffrion suffered a devastating injury that ended his career-and nearly his life. With sure-footed and swift-moving prose, Sam Jefferies tells Geoffrion's story against the backdrop of modern North American hockey. Thorough research and scores of interviews fuel this tale of soaring success and terrible tragedy, offering insight not only into one man's athletic journey but also into the rise of American hockey on the national and international stage. Geoffrion's brief career, marked by tribulation and triumph, illustrates the subtle but omnipresent currents of American media, sports labor, and the interplay between college and professional athletics. It tells the story of what was, what is, and what may yet be for the fastest game on earth.

The characters-young and old, queer and straight, contemporary and historical-who inhabit Lynn C. Miller's stories often find themselves in defining moments and crisis situations. As they search through the archives of memory, truth, and experience, they seek to understand not only the past and present but themselves.Stretching the definition of "archive," Miller builds interconnected webs that surprise, much like the seemingly random papers collected in a box of materials. Fraught relationships, mistaken identities, mysterious disappearances, and the search for love play out in these stories. Friendships are celebrated, ex-husbands cross the line, and Gertrude Stein attempts to write her memoir. An unusual collection that proves greater than the sum of its parts, The Lost Archive will haunt readers with the intensity of its vision.

The characters who inhabit Sarah Layden's short story collection are on the verge of change-if only they could see themselves and their situations with greater clarity. Caught in the midst of crises, they stumble toward the future without fully understanding their past. Layden's deft, spare prose sketches worlds and lives with telling details, juggling disparate strands of identity and often revealing the deeper truths in unexpected moments of epiphany.A bride-to-be puts on her detective hat when her groom goes missing. A woman returns to college after escaping an abusive marriage, only to discover her professor is a fraud. Reunited at a high school reunion, two former classmates completely misinterpret a critical incident from a decade prior. These and other characters find themselves lonely and in limbo, their self-identity as blurry as the old photographs they cling to with stubborn intensity.Set mostly in the Midwest and upstate New York, Imagine Your Life Like This captures everyday Americans in all their discontent, misunderstandings, and dogged determination for a better world.

While trying to drum up additional work, down-on-his-luck handyman Don Lank spies an imitation Tiffany lamp shining in the front window of a house. He offers the elderly widow who answers the door $800 for it-knowing he can sell it to a dealer for several hundred dollars more than that. Only the lamp turns out to be real-and worth at least $15,000. Feeling both delighted by and guilty about his good fortune, Don returns most of the money to the original owner, Millie Prall. He also offers to make a few repairs around her deteriorating house-making it easier and safer for her to navigate the space in the wake of her husband's death. As Millie's dementia worsens, Don finds his life more and more enmeshed with hers, driving her to medical appointments, shopping for her groceries, cooking her meals, handling her finances, and increasingly overseeing her care-while simultaneously trying to repair his relationships with his father, his ex-wife, and his stepkids.In this quietly mesmerizing novel, no one, including the protagonist, is ever entirely sure of their motivations. Existing in the liminal spaces between altruism and greed, This Room Is Made of Noise deftly explores the shades of gray that lie between our desires and our demons.

First published in 1975, The Nationalization of the Masses is George L. Mosse's major statement about political symbols and the means of their diffusion. Focusing on Germany and, to a lesser degree, France and Italy, Mosse analyzes the role of symbols in fueling mass politics, mass movements, and nationalism in a way that is broadly applicable and as relevant today as it was almost fifty years ago. In this analysis Mosse introduces terms like "secular religion," "political liturgy," "national mystique," "the new politics," and "the aesthetics of politics" that are now standard in studies of nationalism and fascism, demonstrating the importance of his cultural, anthropologically informed lens to contemporary discourse. This new edition contains a critical introduction by Victoria de Grazia, Moore Collegiate Professor of History at Columbia University, contextualizing Mosse's research and exploring its powerful influence on subsequent generations of historians.

The Culture of Western Europe, George L. Mosse's sweeping cultural history, was originally published in 1961 and revised and expanded in 1974 and 1988. Originating from the lectures at the University of Wisconsin-Madison for which Mosse would become famous, the book addresses, in crisp and accessible language, the key issues he saw as animating the movement of culture in Europe. Mosse emphasizes the role of both rational and irrational forces in making modern Europe, beginning with the interplay between eighteenth-century rationalism and nineteenth-century Romanticism. He traces cultural and political movements in all areas of society, especially nationalism but also economics, class identity and conflict, religion and morality, family structure, medicine, and art. This new edition restores the original 1961 illustrations and features a critical introduction by Anthony J. Steinhoff, professor in the department of history at the Université du Québec à Montréal, contextualizing Mosse's project and arguing for its continued relevance today.

Charlotte "Charlie" Sobczak finds the most comfort in making cheese-a craft she learned at the side of her father, Karl Mayer. In the wake of his untimely death, she and her daughter, Lucy, return to her rural hometown of Falls River, Wisconsin. With her marriage to Rick floundering, and still grieving the childhood loss of her sister and mother to polio and depression, she decides to pour all her efforts into reopening the family's Morgan Cheese Factory. Hyperaware of her own childhood losses and the challenges posed by Rick's PTSD and heavy drinking, Charlie strives to build a stable home for Lucy. Her degree in biochemistry from the University of Wisconsin gives her a leg up, and the quiet joys of working at the cheese vat provide a deep, healing peace that points the way toward happiness.But Falls River is too narrow-minded to accept a female business owner, and Charlie is ill-prepared for the pettiness and conventions of small-town life. When debts come due, including a lien against her family's land, she must quickly figure out who is on her side-and how to keep her dreams alive.

Set in Madison, Wisconsin, and New Haven, Connecticut, in the early days of the AIDS epidemic, Mourning Light is a semi-autobiographical love story. Our narrator, Reb (so named by his mother because of her love of the Daphne du Maurier novel Rebecca), is hounded by guilt over the death of his lover, Anthony, which took place on the same day Reb first met the handsome yet enigmatic Eric. Once Reb becomes convinced that Anthony has sent him a cryptic message from beyond the grave, he becomes obsessed with figuring out what it could mean. Told in a series of flashbacks and remembrances, the novel concludes with a whirlwind of revelations that both complicate and resolve Reb's view of his world and his lover.