Bücher veröffentlicht von University of Wisconsin Press

One summer evening, Lib Hanson is confronted by her painful past when Matt Marlow, the forty-year-old son she abandoned as an infant, shows up on her porch. Fiercely independent, Lib has never revealed her son's existence-or her previous marriage-to her husband, Jack. Married nearly three decades but living in separate houses (to the confusion but acceptance of their neighbors), they enjoy an ease and comfort together in small-town Anthem, Wisconsin. But Jack is a stickler for honesty, and Lib's long-dormant secret threatens to unravel their lives.When ten-year-old Charlie Taylor arrives at Jack's workshop shortly thereafter, he's not the first kid in town to need help with a flat tire, and Jack gladly makes the repair to his bike. The Taylors are new to Anthem, and Jack soon discovers that Charlie and his mom, Claire, are struggling to fit in, even as Charlie's dad, Dan, is thriving in his new job. Extending friendship and kindness, as well as introductions around the local café, Jack assumes a grandfatherly role. What he doesn't see is the drinking that Claire hides from everyone, or the secret son that Lib has allowed to move into her house and the growing attraction between Claire and Matt. When the terrible events of a fateful evening threaten everyone's carefully crafted lives, Jack, Lib, and their new friends must each determine the value of truth for the ones they love.

Set in Madison, Wisconsin, and New Haven, Connecticut, in the early days of the AIDS epidemic, Mourning Light is a semi-autobiographical love story. Our narrator, Reb (so named by his mother because of her love of the Daphne du Maurier novel Rebecca), is hounded by guilt over the death of his lover, Anthony, which took place on the same day Reb first met the handsome yet enigmatic Eric. Once Reb becomes convinced that Anthony has sent him a cryptic message from beyond the grave, he becomes obsessed with figuring out what it could mean. Told in a series of flashbacks and remembrances, the novel concludes with a whirlwind of revelations that both complicate and resolve Reb's view of his world and his lover.

Understanding and Teaching Native American History is a timely and urgently needed remedy to a long-standing gap in history instruction. While the past three decades have seen burgeoning scholarship in Indigenous studies, comparatively little of that has trickled into classrooms. This volume is designed to help teachers effectively integrate Indigenous history and culture into their lessons, providing richly researched content and resources across the chronological and geographical landscape of what is now known as North America. Despite the availability of new scholarship, many teachers struggle with contextualizing Indigenous history and experience. Native peoples frequently find themselves relegated to historical descriptions, merely a foil to the European settlers who are the protagonists in the dominant North American narrative. This book offers a way forward, an alternative framing of the story that highlights the ongoing integral role of Native peoples via broad coverage in a variety of topics including the historical, political, and cultural. With its scope and clarity of vision, suggestions for navigating sensitive topics, and a multitude of innovative approaches authored by contributors from multidisciplinary backgrounds, Understanding and Teaching Native American History will also find use in methods and other graduate courses. Nearly a decade in the conception and making, this is a groundbreaking source for both beginning and veteran instructors.

How do culture workers construct public arts and culture projects that are effective and transformative? How do we create public humanities projects of the community, for the community, and with the community? How can culture work make a concrete difference in the quality of life for communities, and lead to the creation of a more just world? Why do the public humanities matter? Culture Work explores these questions through real-world examples of cultural and public humanities projects. The innovative case studies analyzed in the book demonstrate the vast numbers of creative possibilities in culture work today-in all their complexities, challenges, and potentialities. Thematically arranged chapters embody the interconnected aspects of culture work, from amplifying local voices to galvanizing community from within, from preservation of cultural knowledge to its creative repurposing for a desired future. These inventive projects provide concrete examples and accessible theory grounded in practice, encourage readers to embark on their own public culture work, and create new forward-looking inspiration for community leaders and scholars in the field.

Standing over two graves, Rigoberto González studies the names "Ramon" and "María" under the family name "González." "She was María Carrillo, not María González," he thinks. His grandmother is missing. So begins González's memoir, a journey to recover a more complete picture of his grandmother, who raised him following his mother's death. González travels to his abuela's birthplace, Michoacán, Mexico, and along the way recovers his memories of a past he had tried to leave behind. A complex woman who was forced to take on maternal roles and suffered years of abuse, his grandmother simultaneously resisted traditional gender roles; she was kind yet unaffectionate, and she kept many secrets in a crowded household with little personal space. Sifting through family histories and anecdotes, González pieces together the puzzling life story of a woman who was present in her grandson's life yet absent during his emotional journey as a young man discovering his sexuality and planning his escape from a toxic and abusive environment. From fragments of memory and story, González ultimately creates a portrait of an unconventional yet memorable grandmother, a hard-working Indigenous Mexican woman who remained an enigma while she was alive. A grandmother, he shows, is more than what her descendants remember; she is also all that has been forgotten or never known. Through this candid exploration of his own family, González explores how we learn to remember and honor those we've lost.

James Bradley Wells combines creative practice and intimate knowledge of contemporary poetry and classical antiquity in this thought-provoking new translation of two early works by ancient Rome's most well-known and most esteemed poet, Vergil's Eclogues and Georgics. With its emphasis on the musicality of English, Wells's translations honor the original spirit of Latin poetry as both a written and performance-based art form. The accompanying introductory essays situate Vergil's poems in a rich literary tradition. Wells provides historical context and literary analysis of these two works, eschewing facile interpretations of these oft examined texts and ensconcing them in the society and culture from which they originated. These annotated essays, a pronunciation guide, and a glossary, alongside Wells's bold vision for what translation choices can reveal, guide readers as they explore this ancient and famously difficult poetry.

One Breath from Drowning tracks the foundering relationship between Ryan Jensen, a lapsed Mormon from Utah and heretofore closeted aspiring actor, and Sam Carter, a cocky party- and surf-loving Australian realtor whose family connections and wealth have buffered him from the most severe consequences of his impulsive nature and poor decision-making. Their genuine yet tumultuous love is strained by their tendencies for self-deception and avoidance, their secrets and their baggage, and the ways their past choices haunt their present. The two men find moments of joy and humor together in Sydney, but arrests, infidelities, and addictions force them to finally face the issues holding them back. Though it initially presents as a love story, One Breath from Drowning is a tale of spiritual bildungsroman told in parallel. Ryan and Sam's conflict and love ultimately push each of them to evolve, their transformation not the result of reckless acts of escape but the product of the fitful and difficult work of grappling with their complex realities.

The characters populating Brian DiNuzzo's debut short story collection may be eccentrics, but at their core they are struggling to get through life, dealing with unmanageable bosses and tedious jobs, and trying to maintain their interpersonal and romantic relationships.

Tarquini offers a rich and stimulating synthesis, the best single-volume work available on this complex and challenging subject. This history reveals how the fascists used culture to build a conservation revolution that purported to protect what was good in the traditional social fabric while presenting itself as oriented toward the future.

Through family interviews, original photographs, and national records, Beatrice Loftus McKenzie traces the many lives of a resilient multigenerational family whose experiences parallel the complicated relationship between America and China in the twentieth century.

Phillip A. Cantrell II takes a critical look at the Anglican Church's crucial role in many aspects of Rwanda's history, particularly its complicity with the current Rwandan regime. He boldly illuminates the Anglican Church's culpability in the events leading to the genocide, calling attention to the consequences of the church's unwavering support for the Rwandan regime.

The culmination of George L. Mosse's groundbreaking work on fascism from its origins through the twentieth century, with a new critical introduction by historian Roger Griffin. The volume covers a broad spectrum of topics related to cultural interpretations of fascism as a means to define and understand it as a popular phenomenon on its own terms.

Born to a wealthy family in West Africa around 1770, Omar Ibn Said was abducted and sold into slavery in the United States, where he came to the attention of a prominent North Carolina family after filling "the walls of his room with piteous petitions to be released, all written in the Arabic language," as one local newspaper reported. Ibn Said soon became a local celebrity, and in 1831 he was asked to write his life story, producing the only known surviving American slave narrative written in Arabic. In A Muslim American Slave, scholar and translator Ala Alryyes offers both a definitive translation and an authoritative edition of this singularly important work, lending new insights into the early history of Islam in America and exploring the multiple, shifting interpretations of Ibn Said's narrative by the nineteenth-century missionaries, ethnographers, and intellectuals who championed it. This edition presents the English translation on pages facing facsimile pages of Ibn Said's Arabic narrative, augmented by Alryyes's comprehensive introduction, contextual essays and historical commentary by leading literary critics and scholars of Islam and the African diaspora, photographs, maps, and other writings by Omar Ibn Said. The result is an invaluable addition to our understanding of writings by enslaved Americans and a timely reminder that "Islam" and "America" are not mutually exclusive terms. This edition presents the English translation on pages facing facsimile pages of Ibn Said's Arabic narrative, augmented by Alryyes's comprehensive introduction and by photographs, maps, and other writings by Omar Ibn Said. The volume also includes contextual essays and historical commentary by literary critics and scholars of Islam and the African diaspora: Michael A. Gomez, Allan D. Austin, Robert J. Allison, Sylviane A. Diouf, Ghada Osman, and Camille F. Forbes. The result is an invaluable addition to our understanding of writings by enslaved Americans and a timely reminder that "Islam" and "America" are not mutually exclusive terms.Best Books for General Audiences, selected by the American Association of School Librarians