In a definitive collection of original essays, scholars cover the span of Alison Bechdel's career, placing her groundbreaking early work within the context of her more well-known recent projects. Contributors provide new insights on major themes in Bechdel's work, such as gender performativity, lesbian politics, trauma, and queer theory.
Presents some of Michael Haneke's most profound interviews to English speakers. The volume features seventeen articles, fourteen of which have been translated into English for the first time, and all of which provide a detailed, eloquent commentary on his films and worldview.
Disney artist Carl Barks (1901-2000) created one of Walt Disney's most famous characters, Scrooge McDuck. Barks also produced more than 500 comic book stories. His work is ranked among the most widely circulated, best-loved, and most influential of all comic book art. This book is the only comprehensive collection of Barks' interviews.
Though a well-regarded physicist Carl Sagan is best-known as a writer of popular nonfiction and science fiction and as the host of the series Cosmos. In interviews and profiles, Sagan discusses with verve a wide variety of topics - the environment, nuclear disarmament, religion, politics, extraterrestrial life, astronomy, physics, robotics.
Dana Andrews worked with distinguished directors such as john Ford, Otto Preminger, Fritz Lang, William Wyler, Jean Renoir, and Elia Kazan. He played romantic leads alongside the great beauties of the screen: Joan Crawford, Elizabeth Taylor, Greer Garson, Merle Oberon, Maureen O'Hara, and most notably, Gene Tierney, with whom he shared five films.
Born and raised on the island of Jamaica, Fern June Khan has valued and embraced Jamaica in each stage of her life. Despite the island's economic and educational challenges during her youth, Khan's childhood was a colorful one, replete with the vibrant culture of the island, endlessly supportive role models, and a complex social tapestry. Her early experiences empowered Khan to develop an unwavering sense of self as she progressed into adulthood and moved to the United States. Through Jamaican Lenses: A Memoir celebrates Khan's joyful upbringing, journey to a new environment, and her many educational and professional accomplishments. Centering on her early life in Jamaica in the 1940s and '50s, this memoir reveals Khan's childhood as one rich with opportunities to observe and experience the complexities of Jamaican life and history. Khan's childhood memories revel in the community's vivid folklore, Jamaica's music and food, popular idioms and sayings, as well as the implications of color and class. Then a British colony, Jamaica still bore the legacies and social impacts of slavery and emancipation. Jamaica was becoming increasingly globalized and along with that transition came a growing interest in cultural exchange. Stories of economic success poured in from relatives and friends who had traveled abroad, whether as seasonal workers or as immigrants. As Khan grew, ambition brought her to the United States as a foreign student. She graduated from New York University with a BSc in sociology and a graduate degree in social work. Following a brief career in social work, Khan next cultivated a forty-four-year career in higher education, using her social work skills to inform her work developing education programs for children, youth, and adults alike in New York City and beyond. Bolstered by her early education in Jamaica, these achievements would not have been possible without the support of her community. Examining not only Jamaica's contribution to the arts, its customs and traditions, and its social and cultural heritage, Through Jamaican Lenses explores honestly the diasporic experience of Caribbean immigration, postcolonialism, collective and individual memory, and transnational identity.
A dynamic collection acknowledging a powerful diversity of superheroes outside of expected boundaries
A dynamic collection acknowledging a powerful diversity of superheroes outside of expected boundaries
Enlightening essays on the enduring and compelling functions of violence in comics
Enlightening essays on the enduring and compelling functions of violence in comics
Fourteen profiles of and conversations with the well-known American actor, director, and screenwriter
Fourteen profiles of and conversations with the well-known American actor, director, and screenwriter
In the spring of 1862, Lucy McKim, the nineteen-year-old daughter of a Philadelphia abolitionist Quaker family, traveled with her father to the Sea Islands of South Carolina to aid him in his efforts to organize humanitarian aid for thousands of newly freed slaves. During her stay she heard the singing of the slaves in their churches, as they rowed their boats from island to island, and as they worked and played. Already a skilled musician, she determined to preserve as much of the music as she could, quickly writing down words and melodies, some of them only fleeting improvisations. Upon her return to Philadelphia, she began composing musical settings for the songs and in the fall of 1862 published the first serious musical arrangements of slave songs. She also wrote about the musical characteristics of slave songs, and published, in a leading musical journal of the time, the first article to discuss what she had witnessed.In Songs of Sorrow renowned music scholar Samuel Charters tells McKim's personal story. Letters reveal the story of young women's lives during the harsh years of the war. At the same time that her arrangements of the songs were being published, a man with whom she had an unofficial "e;attachment"e; was killed in battle, and the war forced her to temporarily abandon her work.In 1865 she married Wendell Phillips Garrison, son of abolitionist William Lloyd Garrison, and in the early months of their marriage she proposed that they turn to the collection of slave songs that had long been her dream. She and her husband--a founder and literary editor of the recently launched journal The Nation--enlisted the help of two associates who had also collected songs in the Sea Islands. Their book, Slave Songs of the United States, appeared in 1867. After a long illness, ultimately ending in paralysis, she died at the age of thirty-four in 1877. This book reclaims the story of a pioneer in ethnomusicology, one whose influential work affected the Fisk Jubilee Singers and many others.
Before cable television and mega-contracts, professional jocks' lives were little different from those of the fans in the stands. Back then, the game they played was much simpler but far rougher than anything seen today. Ever cheering from the sidelines, Perian Conerly, wife of the New York Giants' star quarterback Charlie Conerly, and the first female sportswriter in the National Sportswriters' Association, wrote this lighthearted account of pro football during its heyday (1948-1961). Her husband led the Giants for fourteen seasons. As she describes the glory games, the players, and life on the road, she delivers from the inside the kind of personal reportage that fans adore. Her story begins with the hilarious misadventures of her wedding day in Clarksdale, Mississippi, "the Golden Buckle on the Cotton Belt." It ends thirteen years later with Charlie's retirement at the age of forty. In between, there are vignettes of the closely knit cadre of Giants' wives, most of whom resided in the same Bronx hotel near Yankee Stadium. She also reports locker-room gossip and recounts amusing pro-ball anecdotes of a time before TV made athletes' images familiar in all households. Although their deeds on the gridiron were notable, their faces were not. Back then, players were so anonymous in public that many times they fell prey to imitators who stole their identities to mooch drinks and dinners from unsuspecting fans only for the thrill of passing as "somebody." Along with her scoop reports on winning games, Mrs. Conerly paints an endearing portrait of her famous husband, an Ole Miss legend who, after retirement, was hired as the first Marlboro Man. Though her style is casual, she moves the reader painlessly through some of the finer points of the game. The Washington Evening Star touted her for "having written the best book on pro football in a long time." The New York Times, for which Mrs. Conerly wrote occasional sports columns, said "Backseat Quarterback is exactly the kind of book that one would expect Perian Conerly to write. Its pages shine with her charm, gaiety, wit, intelligence, and sparkle." Newsweek praised its "comic insight." This reissue of a favorite book of 1963 has a foreword by the Conerlys' friend and teammate Frank Gifford.
A behind-the-scenes account from Muddy Waters's road manager and right-hand man during the bluesman's last great years
Thirty years of interviews spanning the career of the novelist, screenwriter, and gay activist whose works include After Delores and Maggie Terry
Thirty years of interviews spanning the career of the novelist, screenwriter, and gay activist whose works include After Delores and Maggie Terry
An illuminating record of fifty years as a pilot on the mighty Mississippi River
Contributions by Taharka Adé, Molefi Kete Asante, Alonge O. Clarkson, John P. Craig, Ifetayo M. Flannery, Kofi Kubatanna, Lehasa Moloi, M. Ndiika Mutere, and Aaron X. Smith In the twenty-first century, Afrofuturism--a historical and philosophical concept of the future imagined through a Black cultural lens--has been interpreted through a myriad of writers, artists, scientists, and other visionary creatives. In Afrocentricity in Afrofuturism: Toward Afrocentric Futurism, editor Aaron X. Smith curates a collection of interdisciplinary essays that critiques existing scholarship on Black futurity. In contrast to much previous work, these essays ground their explorations in African agency, centering the African within historical and cultural reality. Situating Afrocentricity as the field's foundational root and springboard for an expansive future, contributors detail potential new modes of existence and expression for African people throughout the diaspora. Divided into two parts--Representations and Transformations--this book examines the tensions created by historical and cultural dislocation of African peoples and consciousness. Contributors cover varied topics such as the intersections of culture and design; techno culture; neuroscience; and the multiplicity of African cultural influences in aesthetics, oratory, visual art, hip hop, and more. Essays range from theoretical analyses to close readings of history and popular culture, from the Haitian Revolution to Sun Ra, Janelle Monáe's Dirty Computer, and Black Panther. Afrocentricity in Afrofuturism offers an expansive vision of Afrofuturism and its ranging significance to contemporary culture and discourse.
To inhabitants of the Gulf Coast region of Louisiana, food is much more than nourishment. The acts of gathering, preparing, and sharing food are ways to raise children, bond with friends, and build community. In Bayou Harvest: Subsistence Practice in Coastal Louisiana, Helen A. Regis and Shana Walton examine how coastal residents deploy self-reliance and care for each other through harvesting and sharing food. Pulling from four years of fieldwork and study, Walton and Regis explore harvesting, hunting, and foraging by Native Americans, Cajuns, and other Bayou residents. This engagement with Indigenous thinkers and their neighbors yields a multifaceted view of subsistence in Louisiana. Readers will learn about coastal residents' love for the land and water, their deep connections to place, and how they identify with their food and game heritage. The book also delves into their worries about the future, particularly storms, pollution, and land loss in the coastal region. Using a set of narratives that documents the everyday food practices of these communities, the authors conclude that subsistence is not so much a specific task like peeling shrimp or harvesting sassafras, but is fundamentally about what these activities mean to the people of the coast. Drawn together with immersive writing, this book explores a way of life that is vibrant, built on deep historical roots, and profoundly threatened by the Gulf's shrinking coast.
Contributions by Kathleen Alcalá, Sarah Amira de la Garza, Sarah De Los Santos Upton, Moises Gonzales, Luisa Fernanda Grijalva-Maza, Leandra H. Hernández, Spencer R. Herrera, Brenda Selena Lara, Susana Loza, Juan Pacheco Marcial, Amanda R. Martinez, Diana Isabel Martínez, Diego Medina, Cathryn J. Merla-Watson, Arturo "Velaz" Muñoz, Eric Murillo, Saul Ramirez, Roxanna Ivonne Sanchez-Avila, ire'ne lara silva, Lizzeth Tecuatl Cuaxiloa, and Bianca Tonantzin Zamora Monsters and Saints: LatIndigenous Landscapes and Spectral Storytelling is a collection of stories, poetry, art, and essays divining the contemporary intersection of Latinx and Indigenous cultures from the American Southwest, Mexico, and Central and South America. To give voice to this complicated identity, this volume investigates how cultures of ghost storytelling foreground a sense of belonging and home in people from LatIndigenous landscapes. Monsters and Saints reflects intersectional and intergenerational understandings of lived experiences, bodies, and traumas as narrated through embodied hauntings. Contributions to this anthology represent a commitment to thoughtful inquiry into the ways storytelling assigns meaning through labels like monster, saint, and ghost, particularly as these unfold in the context of global migration. For many marginalized and displaced peoples, a sense of belonging is always haunted through historical exclusion from an original homespace. This exclusion further manifests as limited bodily autonomy. By locating the concept of "home" as beyond physical constructs, the volume argues that spectral stories and storytelling practices of LatIndigeneity (re)configure affective states and spaces of being, becoming, migrating, displacing, and belonging.
The first collection to engage with the fascinating overlap between comics and modernism
The first collection to engage with the fascinating overlap between comics and modernism
Thirty interviews with the Nobel Prize-winning Turkish novelist best known for My Name Is Red, Snow, and The Museum of Innocence
Thirty interviews with the Nobel Prize-winning Turkish novelist best known for My Name Is Red, Snow, and The Museum of Innocence
An exploration of the significant literary and cultural contributions from African Americans in the Sunshine State
An exploration of the significant literary and cultural contributions from African Americans in the Sunshine State
Jetzt zum Newsletter anmelden und tolle Angebote und Anregungen für Ihre nächste Lektüre erhalten.
Mit Ihrer Newsletter-Anmeldung erklären Sie sich mit unseren Datenschutzbestimmungen einverstanden.
