Bücher veröffentlicht von University Press of Mississippi

The Friday the 13th franchise is one of the most successful horror film franchises in history. In SEE! HEAR! CUT! KILL!, Wickham Clayton explores several aspects of the films including how the technical aspects relate to the audience, their influence on filmmaking, and the cultural impact of the franchise

Takes the topic of budgeting and makes it exciting, and not just for political junkies. Instead of focusing on numbers, this book looks at the policymakers responsible for the budget. Brian Pugh provides a historical perspective on the decisions and actions of legislators and governors going back more than a century.

K-pop (Korean popular music) reigns as one of the most popular music genres in the world today, a phenomenon that appeals to listeners of all ages and nationalities. In Soul in Seoul, Crystal Anderson examines the most important and often overlooked aspect of K-pop: the music itself.

A collaboration between Kyle DeCoste and more than a dozen members of the Stooges Brass Band, past and present. Told with humor and candour, this book is as much a personal account of the Stooges' careers as it is a story of New Orleans' musicians and a coming-of-age tale about black men in the United States at the turn of the twenty-first century.

Offers the first full-length study of key autobiographies of white jazz musicians. Outside and Inside features insights into the development of jazz styles and culture in the urban meccas of twentieth-century jazz in New Orleans, Chicago, New York, and Los Angeles.

Many works of American film history only skim the surface of the 1941 investigation of Hollywood. In Hollywood Hates Hitler!, Chris Yogerst examines the years leading up to and through the Senate Investigation into Motion Picture War Propaganda, detailing isolationist senators' relationship with the America First movement.

Spanning from the debut of A Raisin in the Sun on Broadway in 1959 to her early death from cancer in January 1965, Lorraine Hansberry's short stint in the public eye changed the landscape of American theatre. Conversations with Lorraine Hansberry is the first volume to collect all of her substantive interviews in one place.

While property ownership is a cornerstone of the American dream, the status of enslaved people supplies a contrasting American nightmare. Sarah Gilbreath Ford considers how writers in works from nineteenth-century slave narratives to twenty-first-century poetry employ gothic tools to portray the horrors of this nightmare.

In this edited collection, scholars from a variety of disciplines examine comics by addressing materiality and form as well as the wider economic and political contexts of comics' creation and reception.

Spanning from the debut of A Raisin in the Sun on Broadway in 1959 to her early death from cancer in January 1965, Lorraine Hansberry's short stint in the public eye changed the landscape of American theatre. Conversations with Lorraine Hansberry is the first volume to collect all of her substantive interviews in one place.

The superhero permeates popular culture from comic books to film and television to internet memes, merchandise, and street art. Toxic Masculinityasks what kind of men these heroes are and if they are worthy of the unbalanced amount of attention.

In this edited collection, scholars from a variety of disciplines examine comics by addressing materiality and form as well as the wider economic and political contexts of comics' creation and reception.

In the late 1950s, Mike Nichols and Elaine May soared to superstar status as a sketch comedy duo in live shows and TV. After their 1962 breakup, both went on to long and distinguished careers in other areas of show business. This collection of twenty-seven interviews ranging over more than five decades tells their stories in their own words.

The superhero permeates popular culture from comic books to film and television to internet memes, merchandise, and street art. Toxic Masculinityasks what kind of men these heroes are and if they are worthy of the unbalanced amount of attention.

The poetry of John Berryman (1914-1972) is primarily concerned with the self in response to the rapid social, political, sexual, racial, and technological transformations of the twentieth century. Collected in here are all of Berryman's major interviews, personality pieces, profiles, and local interest items.

The poetry of John Berryman (1914-1972) is primarily concerned with the self in response to the rapid social, political, sexual, racial, and technological transformations of the twentieth century. Collected in here are all of Berryman's major interviews, personality pieces, profiles, and local interest items.

Up to now, there has been no complete English-language version of the Russian folktales of A.N. Afanas'ev. This translation is based on L.G. Barag and N.V. Novikov's edition, widely regarded as the authoritative Russian-language edition. It includes commentaries to each tale as well as its international classification number.

Congressman Emanuel Celler (1888-1981) was a New York City congressman who served in the United States House of Representatives from 1923 to 1973. In Emanuel Celler: Immigration and Civil Rights Champion, author Wayne Dawkins introduces new readers to a figure integral to America's contemporary political system.

Chronicles the story of the rhythm section at Chips Moman's American Studios from 1964 until 1972, when Moman shut down the studio. Utilizing interviews with Moman and the group, as well as additional comments from the songwriters, sound engineers, and office staff, author Roben Jones creates a collective biography combined with a business history and a critical analysis of important recordings.

Presents a collection of interviews with residents of Benton County, Mississippi - an area with a fascinating civil rights history. The product of more than twenty-five years of work by the Hill Country Project, this volume examines a revolutionary period in American history through the voices of farmers, teachers, sharecroppers, and students.

Offers the first multigenre study of representations of masculinity following the emergence of violent terror as a plot element in American cinema after September 11, 2001. Glen Donnar examines the impact of ""terror-Others"", from Arab terrorists to giant monsters, especially in relation to cinematic representations in earlier periods of turmoil.

Explores the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability.

Explores the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability.

Presents fifteen articles, interviews, and seminars spanning William Friedkin's career. He discusses early influences, early successes, awards, and current projects. The volume provides coverage of his directorial process, beliefs, and anecdotes from his time serving as the creative force of some of the biggest films of the 1970s and beyond.

Presents fifteen articles, interviews, and seminars spanning William Friedkin's career. He discusses early influences, early successes, awards, and current projects. The volume provides coverage of his directorial process, beliefs, and anecdotes from his time serving as the creative force of some of the biggest films of the 1970s and beyond.

Using clothing as a point of departure, these essays imagine the South's centuries-long engagement with a global economy through garments, with cotton harvested by enslaved or poorly paid workers, milled in distant factories, designed with influence from cosmopolitan tastemakers, and sold back in the South, often by immigrant merchants.

Using clothing as a point of departure, these essays imagine the South's centuries-long engagement with a global economy through garments, with cotton harvested by enslaved or poorly paid workers, milled in distant factories, designed with influence from cosmopolitan tastemakers, and sold back in the South, often by immigrant merchants.

In 1988, Lydia Cabrera published an Abakua phrasebook that is still the largest work available on any African diaspora community in the Americas. Now translated into English, Cabrera's lexicon documents phrases vital to the creation of a specific African-derived identity in Cuba and presents the first "insider's" view of this African heritage.

As a group the interviews in John Jennings: Conversations give a picture of a black man forging a way where comic books have afforded him a means to carve out an important space for people of colour.

As a group the interviews in John Jennings: Conversations give a picture of a black man forging a way where comic books have afforded him a means to carve out an important space for people of colour.