Bücher veröffentlicht von University Press of Mississippi

The first collection of interviews with Chimamanda Ngozi Adichie. Covering fifteen years of conversations, the interviews start with the publication of Adichie's first novel, Purple Hibiscus (2003), and end in late 2018, by which time Adichie had become one of the most prominent figures on the international literary scene.

Both critically acclaimed and winner of numerous prestigious awards, Joanna Scott's unique and probing vision and masterful writing has inspired readers to adjust their perceptions of life and of themselves. This book presents eighteen interviews that span two decades and are as much about the process of reading as they are about writing.

Both critically acclaimed and winner of numerous prestigious awards, Joanna Scott's unique and probing vision and masterful writing has inspired readers to adjust their perceptions of life and of themselves. This book presents eighteen interviews that span two decades and are as much about the process of reading as they are about writing.

A refugee from post-World War II Europe who emigrated to the US in 1949, Jonas Mekas (1922-2019) became one of America's foremost champions of independent cinema and one of its most innovative filmmakers. This collection of eighteen interviews covers almost sixty years of the filmmaker's career.

The first collection of interviews with Chimamanda Ngozi Adichie. Covering fifteen years of conversations, the interviews start with the publication of Adichie's first novel, Purple Hibiscus (2003), and end in late 2018, by which time Adichie had become one of the most prominent figures on the international literary scene.

A refugee from post-World War II Europe who emigrated to the US in 1949, Jonas Mekas (1922-2019) became one of America's foremost champions of independent cinema and one of its most innovative filmmakers. This collection of eighteen interviews covers almost sixty years of the filmmaker's career.

A collection of eight essays by Toni Morrison scholars, that offer a nuanced and insightful analysis of the novel God Help the Child, interpreting it in relation to Morrison's earlier work as well as locating it within ongoing debates in literary and other academic disciplines engaged with African American literature.

The first interview collection with this esteemed writer. The book includes eighteen interviews that reflect on nearly five decades of work, from his first book, Long Lankin, to his novel Mrs. Osmond and memoir, Time Pieces.

The first interview collection with this esteemed writer. The book includes eighteen interviews that reflect on nearly five decades of work, from his first book, Long Lankin, to his novel Mrs. Osmond and memoir, Time Pieces.

A collection of eight essays by Toni Morrison scholars, that offer a nuanced and insightful analysis of the novel God Help the Child, interpreting it in relation to Morrison's earlier work as well as locating it within ongoing debates in literary and other academic disciplines engaged with African American literature.

Goes beyond the traditional adaptation approach of comparing and contrasting the similarities of film and book versions of a text. By tracing a pattern across films for young viewers, Meeusen proposes a consistent trend can be found in movies adapted from children's and young adult books.

A groundbreaking collection that gives readers access to an intriguingly diverse selection of Frank Yerby's short fiction. These collected stories, eleven of which have not previously been published, paint a picture of Yerby as an intellectual who thought deeply about philosophical questions at the centre of understanding what it means to be human.

A groundbreaking collection that gives readers access to an intriguingly diverse selection of Frank Yerby's short fiction. These collected stories, eleven of which have not previously been published, paint a picture of Yerby as an intellectual who thought deeply about philosophical questions at the centre of understanding what it means to be human.

Examines the immigrant experience in contemporary Caribbean women's writing and considers the effects of restrictive social mores. The works explored in this volume draw attention to the racialization and sexualization of black women's bodies and continue the legacy of narrating black women's long-standing contestation of systems of oppression.

The first collection of interviews conducted with the author of the Booker Prize-winning novel Last Orders. Beginning in 1985 with Swift's arrival in New York to promote Waterland and concluding with an interview from 2016 that appeared in the Sydney Morning Herald, the collection spans Swift's more than thirty-five-year career as a writer.

The first collection of interviews conducted with the author of the Booker Prize-winning novel Last Orders. Beginning in 1985 with Swift's arrival in New York to promote Waterland and concluding with an interview from 2016 that appeared in the Sydney Morning Herald, the collection spans Swift's more than thirty-five-year career as a writer.

Presents some of Michael Haneke's most profound interviews to English speakers. The volume features seventeen articles, fourteen of which have been translated into English for the first time, and all of which provide a detailed, eloquent commentary on his films and worldview.

Provides a survey of food's function in children's texts, showing how the sociocultural contexts of food reveal children's agency. Kara Keeling and Scott Pollard examine texts that vary from historical to contemporary, noncanonical to classics, and Anglo-American to multicultural traditions, including a variety of genres, formats, and audiences.

Examines the process of European expansion into a region that has come to be known as the American South. Without claiming that the South was unique during the colonial era, these essays make clear the region's integral importance for anyone seeking to shed new light on the long-term process of global social, cultural, and economic integration.

Presents twelve essays that explore posthumanism's relevance in young adult literature. Contributors explore the democratization of power, body enhancements, hybridity, multiplicity/plurality, and the environment, by analysing recent works for young adults.

Documents the struggle for equity in health and health care by African Americans in Mississippi and the United States and the connections between what happened there and the national search for social justice in health care.

When and under what circumstances are disaster survivors able to speak for themselves in the public arena? In Consuming Katrina: Public Disaster and Personal Narrative, author Kate Parker Horigan shows how the public understands and remembers large-scale disasters like Hurricane Katrina, outlining which stories are remembered and why, as well as the impact on public memory and the survivors themselves.Horigan discusses unique contexts in which personal narratives about the storm are shared, including interviews with survivors, Dave Eggers's Zeitoun, Josh Neufeld's A.D.: New Orleans After the Deluge, Tia Lessin and Carl Deal's Trouble the Water, and public commemoration during Hurricane Katrina's tenth anniversary in New Orleans. In each case, survivors initially present themselves in specific ways, counteracting negative stereotypes that characterize their communities. However, when adapted for public presentation, their stories get reduced back to those stereotypes. As a result, people affected by Katrina continue to be seen in limited terms, as either undeserving or incapable of managing recovery.This project is rooted in Horigan's experiences living in New Orleans before and after Katrina, but it is also a case study illustrating an ongoing problem and an innovative solution: survivors' stories should be shared in a way that includes their own engagement with the processes of narrative production, circulation, and reception. When survivors are seen as agents in their own stories, they will be seen as agents in their own recovery. Having a better grasp on the processes of narration and memory is critical for improved disaster response because the stories that are most widely shared about disaster determine how communities recover.

Examines issues across the wide arc of William Faulkner's career, from his aesthetic apprenticeship in the visual arts, to late-career engagements with the Cold War, the civil rights movement, and beyond, to the place of death in his artistic vision and the varied afterlives he and his writings have enjoyed in literature and popular culture.

Pays tribute to and extends Wilson's seminal work on southern religion and culture. Using certain episodes and moments in southern religious history, the essays examine the place and power of religion in southern communities and society.

Winner of the 2019 Gordon K. & Sybil Lewis Book AwardIn 1833, the abolition of slavery in the British Empire led to the import of exploited South Asian indentured workers in the Caribbean under extreme oppression. Dave Ramsaran and Linden F. Lewis concentrate on the Indian descendants' processes of mixing, assimilating, and adapting while trying desperately to hold on to that which marks a group of people as distinct.In some ways, the lived experience of the Indian community in Guyana and Trinidad represents a cultural contradiction of belonging and non-belonging. In other parts of the Caribbean, people of Indian descent seem so absorbed by the more dominant African culture and through intermarriage that Indo-Caribbean heritage seems less central.In this collaboration based on focus groups, in-depth interviews, and observation, sociologists Ramsaran and Lewis lay out a context within which to develop a broader view of Indians in Guyana and Trinidad, a numerical majority in both countries. They address issues of race and ethnicity but move beyond these familiar aspects to track such factors as ritual, gender, family, and daily life. Ramsaran and Lewis gauge not only an unrelenting process of assimilative creolization on these descendants of India, but also the resilience of this culture in the face of modernization and globalization.

In the 1850s, a startling new political party appeared on the American scene. Both its members and its critics called the new party by various names, but to most it was known as the Know Nothing Party. It reignited political fires over nativism and anti-immigration sentiments. At a time of political uncertainty, with the Whig party on the verge of collapse, the Know Nothings seemed destined to replace them and perhaps become a political fixture.Historian Marius M. Carriere Jr. tracks the rise and fall of the Know Nothing movement in Louisiana, outlining not only the history of the party as it is usually known, but also explaining how the party's unique permeation in Louisiana contrasted with the Know Nothings' expansion nationally and elsewhere in the South. For example, many Roman Catholics in the state joined the Know Nothings, even though the party was nationally known as anti-Catholic.While historians have largely concentrated on the Know Nothings' success in the North, Carriere furnishes a new context for the evolution of a national political movement at odds with its Louisiana constituents. Through statistics on various elections and demographics of Louisiana politicians, Carriere forms a detailed account of Louisiana's Know Nothing Party. The national and rapidly changing Louisiana political landscape yielded surprising, credible leverage for the Know Nothing movement. Slavery, Carriere argues, also played a crucial difference between southern and northern Know Nothing ideals. Carriere delineates the eventual downfall of the Know Nothing Party, while offering new perspectives on a nativist movement, which has appeared once again in a changing, divided country.

In recent years, the media has attributed the increasing numbers of people producing family trees to the aging of baby boomers, a sense of mortality, a proliferation of Internet genealogy sites, and a growing pride in ethnicity. A spate of new genealogy-themed television series and Internet-driven genetic ancestry testing services have now emerged, capitIn recent years, the media have attributed the increasing numbers of people producing family trees to the aging of baby boomers, a sense of mortality, a proliferation of Internet genealogy sites, and a growing pride in ethnicity. A spate of new genealogy-themed television series and Internet-driven genetic ancestry testing services have now emerged, capitalizing on the mapping of the human genome in 2003. This genealogical trend poses a need for critical analysis, particularly along lines of race and ethnicity. In contextual ways, as she intersperses an account of her own journey chronicling her Italian and Italian American family history, Christine Scodari lays out how family historians can understand intersections involving race and/or ethnicity and other identities inflecting families. Through engagement in and with genealogical texts and practices, such as the classic television series Roots, Ancestry.com, and Henry Louis Gates's documentaries, Scodari also explains how to interpret their import to historical and ongoing relations of power beyond the family. Perspectives on hybridity and intersectionality gesture toward making connections not only between and among identities, but also between localized findings and broader contexts that might, given only cursory attention, seem tangential to chronicling a family history. Given current tools, texts, practices, cultural contexts, and technologies, Scodari's study determines whether a critical genealogy around race, ethnicity, and intersectional identities is viable. She delves into the implications of adoption, orientation, and migration while also investigating her own genealogy, examining the racial, ethnic experiences of her forebears and positioning them within larger, cross-cultural contexts.There is little research on genealogical media in relation to race and ethnicity. Thus, Scodari blends cultural studies, critical media studies, and her own genealogy as a critical pursuit to interrogate issues bound up in the nuts-and-bolts of engaging in family history.alizing on the mapping of the human genome in 2003. This genealogical trend poses a need for critical analysis, particularly along lines of race and ethnicity.In contextual ways, Christine Scodari lays out how family historians can understand intersections involving race and/or ethnicity within families. Through engagement in and with genealogical texts and practices, such as the classic television series Roots, Ancestry.com, and Henry Louis Gates' documentaries, Scodari also explains how to decipher their import to historical and ongoing relations of power beyond the family. Perspectives on hybridity and intersectionality gesture toward making connections not only between and among identities, but also between localized findings and broader contexts that might, given only cursory attention, seem tangential to chronicling a family history.Given current tools, texts, practices, cultural contexts, and technologies, Scodari's study determines whether a critical genealogy around race, ethnicity, and intersectional identities is viable. She delves into the implications of adoption, orientation, and migration while also investigating her own genealogy, examining the racial, ethnic experiences of her forebears and positioning them within larger, cross-cultural contexts.There is little research on genealogical media in relation to race and ethnicity. Thus, Scodari blends cultural studies, critical media studies, and her own genealogy as a critical pursuit to interrogate issues bound up in the nuts-and-bolts of engaging in family history.

A collection of interviews that covers all of Paul Auster's oeuvre, from The New York Trilogy to Sunset Park (2010), along with his screenplays for Smoke (1995) and Blue in the Face (1996). Within, Auster nimbly discusses his poetry, memoir, nonfiction, translations, and film directing.

Former New York Times correspondent John N. Herbers (1923-2017), who covered the civil rights movement for more than a decade, has produced Deep South Dispatch: Memoir of a Civil Rights Journalist, a compelling story of national and historical significance. His story provides a complex understanding of how the southern status quo was transformed.

Both comics studies and adaptation studies have grown separately over the past twenty years. Yet there are few in-depth studies of comic books and adaptations together. Available for the first time in English, this collection pores over the phenomenon of comic books and adaptation, sifting through comics as both sources and results of adaptation.