Bücher veröffentlicht von University Press of Mississippi

Readers captivated by this book will be happy that Bill Ferris found Ray Lum and that he thought to turn on a tape recorder. This delightful book, first published in 1992 as You Live and Learn. Then You Die and Forget It All, preserves Lum's colourful folk dialect and captures the essence of this one-of-a-kind figure.

For the past forty years the content of comic books has been governed by an industry self-regulatory code adopted by publishers in 1954 in response to public and governmental pressure. This book examines why comic books were the subject of controversy, beginning with objections that surfaced in the mid-1930s.

The history of Carnival is so intertwined with the history of New Orleans that the story cannot be told without a social, economic, and political context. Lords of Misrule examines the often bloody history of segregation and documents the role of the Carnival fraternity and the controversy aroused by attempts to desegregate Mardi Gras.

Among America's garden cities, one of the most remarkably beautiful is New Orleans. Whether in the Vieux Carre or in the humid hinterlands, anyone hoping to recreate such a romantic spot in the climes of the Gulf Coast region should consult Charlotte Seidenberg's essential handbook.

Mystic meanings behind the flourishing art of modern-day pagans and witches

Jarret Ruminski examines ordinary lives in Confederate-controlled Mississippi to show how military occupation and the ravages of war tested the meaning of loyalty during America's greatest rift. The extent of southern loyalty to the Confederate States of America has remained a subject of historical contention that has resulted in two conflicting conclusions: one, southern patriotism was either strong enough to carry the Confederacy to the brink of victory, or two, it was so weak that the Confederacy was doomed to crumble from internal discord. Mississippi, the home state of Confederate President Jefferson Davis, should have been a hotbed of Confederate patriotism. The reality was much more complicated.Ruminski breaks the weak/strong loyalty impasse by looking at how people from different backgrounds--women and men, white and black, enslaved and free, rich and poor--negotiated the shifting contours of loyalty in a state where Union occupation turned everyday activities into potential tests of patriotism. While the Confederate government demanded total national loyalty from its citizenry, this study focuses on wartime activities such as swearing the Union oath, illegally trading with the Union army, and deserting from the Confederate army to show how Mississippians acted on multiple loyalties to self, family, and nation. Ruminski also probes the relationship between race and loyalty to indicate how an internal war between slaves and slaveholders defined Mississippi's social development well into the twentieth century.

Contributions by Allison Margaret Bigelow, Denise I. Bossy, Alejandra Dubcovsky, Alexandre Dube, Kathleen DuVal, Jonathan Eacott, Travis Glasson, Christopher Morris, Robert Olwell, Joshua Piker, and Joseph P. WardEuropean Empires in the American South examines the process of European expansion into a region that has come to be known as the American South. After Europeans began to cross the Atlantic with confidence, they interacted for three hundred years with one another, with the native people of the region, and with enslaved Africans in ways that made the South a significant arena of imperial ambition. As such, it was one of several similarly contested regions around the Atlantic basin. Without claiming that the South was unique during the colonial era, these essays make clear the region's integral importance for anyone seeking to shed new light on the long-term process of global social, cultural, and economic integration.For those who are curious about how the broad processes of historical change influenced particular people and places, the contributors offer key examples of colonial encounter. This volume includes essays on all three imperial powers, Spain, Britain, and France, and their imperial projects in the American South. Engaging profitably--from the European perspective at least--with Native Americans proved key to these colonial schemes. While the consequences of Indian encounters with European invaders have long remained a principal feature of historical research, this volume advances and expands knowledge of Native Americans in the South amid the Atlantic World.

Contributors to this volume explore several prominent intellectuals, from left-leaning leaders such as W.E.B. Du Bois to conservative intellectuals like Thomas Sowell, from well-known black feminists such as Patricia Hill Collins to Marxists like Claudia Jones, to underscore the variety of black intellectual thought in the United States.

Tells the story of one of the most notorious figures in the history of popular music, Morris Levy. At nineteen, he cofounded the nightclub Birdland in Hell's Kitchen, which became the home for a new musical style, bebop. Levy operated one of the first integrated clubs on Broadway and helped build the careers of Dizzy Gillespie and Bud Powell and most notably aided the reemergence of Count Basie.

Florencio Morales (1949-1992), a Mexican immigrant and Los Angeles artist, was known as "el hombre de las banderas" because he always flew American, Mexican, and California flags over his home. Illustrated with colour photographs, this vibrant book explores and documents Morale's creative expression as he commemorated a profusion of Mexican and American holidays throughout the year.

A paean to the vanishing family cotton farm

Alcorn State University was founded in 1871 making it the oldest public historically black land-grant institution in the United States. Alcorn State has undergone numerous changes and expansions over the years, and it continues to produce notable alumni and scholars in more than fifty fields.Succeeding against Great Odds covers nearly a quarter of a century since Josephine McCann Posey's first institutional history of Alcorn, Against Great Odds: The History of Alcorn State University. This new book briefly summarizes the first 123 years of Alcorn's history. The volume then explores the tenure of three interim and/or acting presidents, Drs. Rudolph E. Waters Sr., Malvin A. Williams Sr., and Norris A. Edney Sr. (with Edney serving twice), and permanent presidents, Drs. Clinton Bristow Jr., George E. Ross, M. Christopher Brown II, and Alfred Rankins Jr., who have all served since Against Great Odds was published in 1994. This comprehensive narrative shows the university confidently advancing in the twenty-first century, proud of its distinctive heritage and intent on overcoming obstacles to continue a long tradition of excellence.Succeeding against Great Odds includes numerous appendices to document the illustrious history of Alcorn, its accomplishments, and particularly the people who have shaped the institution.

Examines how Martin Luther King's life and work had a profound, if unpredictable, impact on the course of the United States since the civil rights era. With unique, multidisciplinary works by scholars from around the US, these pieces explore wide-ranging issues and contemporary social developments through the lens of Dr. King's perceptions, analysis, and prescriptions.

With contributions by:Barbara Banks, Sheila Bock, Susan Eleuterio, Jillian Gould, Phillis Humphries, Michael Owen Jones, Alicia Kristen, William G. Lockwood, Yvonne R. Lockwood, Lucy M. Long, LuAnne Roth, Rachelle H. Saltzman, Charlene Smith, Annie Tucker, and Diane TyeComfort Food explores this concept with examples taken from Atlantic Canadians, Indonesians, the English in Britain, and various ethnic, regional, and religious populations as well as rural and urban residents in the United States. This volume includes studies of particular edibles and the ways in which they comfort or in some instances cause discomfort. The contributors focus on items ranging from bologna to chocolate, including sweet and savory puddings, fried bread with an egg in the center, dairy products, fried rice, cafeteria fare, sugary fried dough, soul food, and others.Several essays consider comfort food in the context of cookbooks, films, blogs, literature, marketing, and tourism. Of course what heartens one person might put off another, so the collection also includes takes on victuals that prove problematic. All this fare is then related to identity, family, community, nationality, ethnicity, class, sense of place, tradition, stress, health, discomfort, guilt, betrayal, and loss, contributing to and deepening our understanding of comfort food.This book offers a foundation for further appreciation of comfort food. As a subject of study, the comfort food is relevant to a number of disciplines, most obviously food studies, folkloristics, and anthropology, but also American studies, cultural studies, global and international studies, tourism, marketing, and public health.

Offers a critical examination of children's and YA comics. The anthology is divided into five sections: structure and narration; transmedia; pedagogy; gender and sexuality; and identity, that reflect crucial issues and recurring topics in comics scholarship during the twenty-first century. The contributors are likewise drawn from a diverse array of disciplines.

When Michael Copperman left Stanford University for the Mississippi Delta in 2002, he imagined he would lift underprivileged children from the narrow horizons of rural poverty. Well-meaning but naive, the Asian American from the West Coast soon lost his bearings in a world divided between black and white. He had no idea how to manage a classroom or help children navigate the considerable challenges they faced. In trying to help students, he often found he couldn't afford to give what they required--sometimes with heartbreaking consequences. His desperate efforts to save child after child were misguided but sincere. He offered children the best invitations to success he could manage. But he still felt like an outsider who was failing the children and himself.Teach For America has for a decade been the nation's largest employer of recent college graduates but has come under increasing criticism in recent years even as it has grown exponentially. This memoir considers the distance between the idealism of the organization's creed that "e;One day, all children in this nation will have the opportunity to attain an excellent education and reach their full potential"e; and what it actually means to teach in America's poorest and most troubled public schools.Copperman's memoir vividly captures his disorientation in the divided world of the Delta, even as the author marvels at the wit and resilience of the children in his classroom. To them, he is at once an authority figure and a stranger minority than even they are--a lone Asian, an outsider among outsiders. His journey is of great relevance to teachers, administrators, and parents longing for quality education in America. His frank story shows that the solutions for impoverished schools are far from simple.

Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff - past and present.

The Allied victory in World War II relied on far more than courageous soldiers. Americans on the home front constantly supported the war effort in the form of factory work, war bond purchases, salvage drives, and morale-rallying efforts. Motivating these men, women, and children to keep doing their bit during the war was among the conflict's most urgent tasks.One of the most overlooked aspects of these efforts involved a surprising initiative--comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign.The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war effort. The contributors demonstrate that, free of government control, these appeals produced this overall imperative. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. It even considers novelty and small presses, providing a well-rounded look at the many ways that comic books served as popular propaganda.

Writer, teacher, and public intellectual, Betty Friedan has been in the spotlight almost continuously since the publication of The Feminine Mystique, her landmark book, in 1963. Interviews with Betty Friedan is the first collection of her public discussions.

In this subtle and illuminating work Michael Kammen traces the evolving concept of liberty throughout American history and provides a solid framework for understanding the meaning of the term today.

The superhero Wolverine time travels and changes storylines. On Torchwood, there's a pill popped to alter memories of the past. The narrative technique of retroactive continuity seems rife lately, given all the world-building in comics. Andrew J. Friedenthal deems retroactive continuity, or "e;retconning,"e; as a force with many implications for how Americans view history and culture.Friedenthal examines this phenomenon in a range of media, from its beginnings in comic books and now its widespread shift into television, film, and digital media. Retconning has reached its present form as a result of the complicated workings of superhero comics. In comic books and other narratives, retconning often seems utilized to literally rewrite some aspect of a character's past, either to keep that character more contemporary, to erase stories from continuity that no longer fit, or to create future story potential.From comics, retconning has spread extensively, to long-form, continuity-rich dramas on television, such as Buffy the Vampire Slayer, Lost, and beyond. Friedenthal explains that in a culture saturated by editable media, where interest groups argue over Wikipedia pages and politicians can immediately delete questionable tweets, the retcon serves as a perfect metaphor for the ways in which history, and our access to information overall, has become endlessly malleable.In the first book to focus on this subject, Friedenthal regards the editable Internet hyperlink, rather than the stable printed footnote, as the de facto source of information in America today. To embrace retroactive continuity in fictional media means accepting that the past itself is not a stable element, but rather something constantly in contentious flux. Due to retconning's ubiquity within our media, we have grown familiar with narratives as inherently unstable, a realization that deeply affects how we understand the world.

Made in Mexico examines the aesthetic, political, and sociopolitical aspects of tourism in southern Mexico, particularly in the state of Oaxaca. Tourists seeking "e;authenticity"e; buy crafts and festival tickets and spend even more on travel expenses. What does a craft object or a festival moment need to look like or sound like to please both tradition bearers and tourists in terms of aesthetics? Under what conditions are transactions between these parties psychologically healthy and sustainable? What political factors can interfere with the success of this negotiation, and what happens when the process breaks down? With Subcommandante Marcos and the Zapatistas still operating in neighboring Chiapas and unrest on the rise in Oaxaca itself, these are not merely theoretical problems.Chris Goertzen analyzes the nature and meaning of a single craft object, a woven pillowcase from Chiapas, thus previewing what the book will accomplish in greater depth in Oaxaca. He introduces the book's guiding concepts, especially concerning the types of aesthetic intensification that have replaced fading cultural contexts, and the tragic partnership between ethnic distinctiveness and oppressive politics. He then brings these concepts to bear on crafts in Oaxaca and on Oaxaca's Guelaguetza, the anchor for tourism in the state and a festival with an increasingly contested meaning.

A collection of eight of Stan Brakhage's most important interviews in which the filmmaker describes his conceptual frameworks, his theories of vision and sound, the importance of poetry, music, and the visual arts in relation to his work, his concept of the muse, and the key influences on his art-making.

Explores how the aesthetic and cultural movement "Steampunk" persuades audiences and wins new acolytes. Steampunk is an aesthetic style grounded in the Victorian era, in clothing and accoutrements modelled on a heightened and hyper-extended age of steam. This volume recognises that steampunk, a unique popular culture phenomenon, presents a prime opportunity for rhetorical criticism.

In the summer of 1964 medical professionals, mostly white and northern, organized the Medical Committee for Human Rights (MCHR) to provide care and support for civil rights activists organizing black voters in Mississippi. They left their lives and lucrative private practices to march beside and tend the wounds of demonstrators from Freedom Summer, the March on Selma, and the Chicago Democratic Convention of 1968. Galvanized and sometimes radicalized by their firsthand view of disenfranchised communities, the MCHR soon expanded its mission to encompass a range of causes from poverty to the war in Vietnam. They later took on the whole of the United States healthcare system. MCHR doctors soon realized fighting segregation would mean not just caring for white volunteers, but also exposing and correcting shocking inequalities in segregated health care. They pioneered community health plans and brought medical care to underserved or unserved areas.Though education was the most famous battleground for integration, the appalling injustice of segregated health care levelled equally devastating consequences. Award-winning historian John Dittmer, author of the classic civil rights history Local People: The Struggle for Civil Rights in Mississippi, has written an insightful and moving account of a group of idealists who put their careers in the service of the motto "e;Health Care Is a Human Right."e;

Describes and discusses the work of southern writers who began their careers in the late twentieth and early twenty-first centuries. They fall into two categories. Some, born into the working class, strove to become writers and learned without benefit of higher education. Others came from lower- or middle-class backgrounds and became writers through practice and education.

Ever since A Hall of Mirrors depicted the wild side of New Orleans in the 1960s, Robert Stone (1937-2015) has situated novels where America has shattered and the action is at a pitch. In Dog Soldiers, he covered the Vietnam War and drug smuggling. A Flag for Sunrise captured revolutionary discontent in Central America. Children of Light exposed the crass values of Hollywood. Outerbridge Reach depicted how existential angst can lead to a longing for heroic transcendence. The clash of religions in Jerusalem drove Damascus Gate. Traditional town-gown tensions amid twenty-first-century culture wars propelled Death of the Black-Haired Girl.Stone's reputation rests on his mastery of the craft of fiction. These interviews are replete with insights about the creative process as he responds with disarming honesty to probing questions about his major works. Stone also has fascinating things to say about his remarkable life--a schizophrenic mother, a stint in the navy, his involvement with Ken Kesey's Merry Pranksters, and his presence at the creation of the counterculture. From the publication of A Hall of Mirrors until his death in 2015, Stone was a major figure in American literature.

This is a novel played out against the landscape of a vanished way of life. Howard Bahr, who worked as a brakeman and yard clerk in the twilight years of old-time railroading, brings the authenticity of experience to his narrative.