Bücher veröffentlicht von University Press of Mississippi

These interviews span from 1966 to 2011. They show not only Maurice Sendak's shifting artistic interests, but also changes in how he understood himself and his craft. What emerges is a portrait of an author and an artist who was alternately solemn and playful, congenial and irascible, sophisticated and populist.

Association of Recorded Sound Collections Awards for ExcellenceRecorded Gospel Music (1998) In Roosevelt''s Blues, Guido van Rijn documents more than a hundred blues and gospel lyrics that contain direct political comment about FDR. Altogether, they convey the thought, spirit, and history of the African-American population during the Roosevelt era. Included in the book are recorded sermons by Rev. J. M. Gates and lyrics to songs recorded by such notable musicians as Huddie "Leadbelly" Ledbetter, Big Bill Broonzy, "Champion" Jack Dupree, Sonny Boy Williamson, Josh White, the Mississippi Sheiks, and many others. Using these sources, which have been neglected by historians, van Rijn documents Roosevelt''s vast popularity among Black people.

Lois Weber was one of early Hollywood's most successful screenwriter-directors. Despite her many successes, Weber was pushed out of the business in the 1930s as a result of Hollywood's institutionalized sexism. This book restores her long-muted voice by reprinting more than sixty items in which she expressed her views on a range of filmic subjects.

Presents the first, full-length scholarly study of Mira Nair's cinema. Amardeep Singh delves into the complexities of her films from 1981 to 2016, offering critical commentary on all of Nair's major works, including her early documentary projects as well as shorts.

Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention, others less so.

Few books have looked at what the zombie means in fiction. Tim Lanzendoerfer fills this gap by looking at a number of zombie novels, short stories, and comics, and probing what the zombie represents in contemporary literature.

Explores the death of home cooking, revealing how modern changes transformed cooking at home from an odious chore into a concept imbued with deep meanings associated with home, family, and community. Drawing on a wide array of texts - cookbooks, advertising, and more - Dutch analyses the many manifestations of traditional cooking in America today.

Presents ten essays that explore the point where social justice meets the Justice League. Ranging from comics to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change.

In a self-reflexive way, Julie Doucet's and Gabrielle Bell's comics, though often autobiographical, defy easy categorization. This volume regards their art as actively feminist, not only because they offer women's perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements.

Originally published in 1966, more than ten years after the Supreme Court ended segregation in public schools, James Meredith describes his intense struggle to attend an all-white university and break down long-held race barriers in one of the most conservative states in America.

Chronicles the genesis, production, box-office debacle, resurrection, near-canonization, and lasting influence of director Monte Hellman's 1971 existentialist car-racing movie. Sylvia Townsend conducts a comprehensive examination of the film, its reception, and the resurgence of interest it has more recently generated.

William Faulkner remains the pre-eminent literary chronicler of the American South and a giant of American arts and letters. Originally published in 1974 as a two-volume edition and extensively updated and condensed in a 1991 reissue, Joseph Blotner's Faulkner: A Biography remains the quintessential resource on the Nobel laureate's life and work.

Lois Weber was one of early Hollywood's most successful screenwriter-directors. Despite her many successes, Weber was pushed out of the business in the 1930s as a result of Hollywood's institutionalized sexism. This book restores her long-muted voice by reprinting more than sixty items in which she expressed her views on a range of filmic subjects.

Examines the important but long-overlooked cadre of young female protagonists in US comics during the first half of the twentieth century. Michelle Ann Abate treats characters ranging from Little Orphan Annie and Nancy to Little Lulu and Li'l Tomboy - a group that collectively forms a tradition of funny girls in American comics.

In a self-reflexive way, Julie Doucet's and Gabrielle Bell's comics, though often autobiographical, defy easy categorization. This volume regards their art as actively feminist, not only because they offer women's perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements.

William Bradford Huie was one of the most celebrated figures of twentieth-century journalism. A pioneer of "checkbook journalism", he sought the truth in controversial stories. He became a major figure in the investigation of Martin Luther King's assassination. This new edition of He Slew the Dreamer is his account of the assassination.

After the death of Joseph Stalin, Soviet-era Russia experienced a flourishing artistic movement due to relaxed censorship and economic growth. In this atmosphere of freedom, Russia's satirical magazine Krokodil became rejuvenated. John Etty explores Soviet graphic satire through Krokodil and its political cartoons.

Throughout his career, J.J. Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most successful creators in Hollywood. The thirty interviews collected in this volume span Abrams's entire career, covering his many projects from television and film to video games and theatre.

Over more than three decades of teaching at the University of Mississippi, Charles Reagan Wilson's research and writing transformed southern studies in key ways. This volume pays tribute to and extends Wilson's seminal work on southern religion and culture.

Throughout his career, J.J. Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most successful creators in Hollywood. The thirty interviews collected in this volume span Abrams's entire career, covering his many projects from television and film to video games and theatre.

On the basis of over two decades of participation and observation, interviews, surveys, and a variety of published sources, Charlie Groth identifies a phenomenon she calls "narrative stewardship". This narrative system, emphasizing place, community, and commitment, encourages environmental and cultural stewardship, tradition, and community.

Spanning twenty-five years, these conversations reveal Steven Soderbergh to be as self-effacing and lighthearted in his later more established years as he was when just beginning to make movies. He comes across as a man undaunted by the glitz and power of Hollywood, remaining, above all, a truly independent filmmaker.

Brings together candid, revealing interviews with one of the twentieth century's master prose writers. The twenty-eight interviews and profiles in this collection were drawn from Nabokov's numerous print and broadcast appearances over a period of nineteen years.

Wong Kar-wai's signature style - experimental, emotive, character-driven, and timeless - remains apparent throughout his films. This volume includes interviews that appear in English for the first time, including some that appeared in Hong Kong magazines now out of print. The interviews cover each of Wong's feature films.

Amid the controversy surrounding immigration and border control, the work of California cartoonist Lalo Alcaraz (b. 1964) has delivered a resolute Latino viewpoint. Of Mexican descent, Alcaraz fights for Latino rights through his creativity, drawing political commentary as well as underlining how Latinos confront discrimination on a daily basis. Through an analysis of Alcaraz's early editorial cartooning and his strips for La Cucaracha, the first nationally syndicated, political Latino daily comic strip, author Hector D. Fernandez L'Hoeste shows the many ways Alcaraz's art attests to the community's struggles.Alcaraz has proven controversial with his satirical, sharp commentary on immigration and other Latino issues. What makes Alcaraz's work so potent? Fernandez L'Hoeste marks the artist's insistence on never letting go of what he views as injustice against Latinos, the fastest growing ethnic group in the United States. Indeed, his comics predict a key moment in the future of the United States--that time when a racial plurality will steer the country, rather than a white majority and its monocultural norms.Fernandez L'Hoeste's study provides an accessible, comprehensive view into the work of a cartoonist who deserves greater recognition, not just because Alcaraz represents the injustice and inequity prevalent in our society, but because as both a US citizen and a member of the Latino community, his ability to stand in, between, and outside two cultures affords him the clarity and experience necessary to be a powerful voice.

During the civil rights era, Mississippi was caught in the hateful embrace of a white caste system that enforced segregation. Rather than troubling the Closed Society, state news media, on the whole, marched in lockstep or, worse, promoted the continued subservience of blacks. Surprisingly, challenges from Mississippi's college basketball courts questioned segregation's validity and its gentleman's agreement that prevented college teams in the Magnolia State from playing against integrated foes.Mississippi State University stood at the forefront of this battle for equality in the state with the school's successful college basketball program. From 1959 through 1963, the Maroons won four Southeastern Conference basketball championships and created a dynasty in the South's preeminent college athletic conference. However, in all four title-winning seasons, the press feverishly debated the merits of a National Collegiate Athletic Association appearance for the Maroons, culminating in Mississippi State University's participation in the integrated 1963 NCAA Championship.Full Court Press examines news articles, editorials, and columns published in Mississippi's newspapers during the eight-year existence of the gentleman's agreement that barred black participation, the challenges posed by Mississippi State University, and the subsequent integration of college basketball. While the majority of reporters opposed any effort to integrate, a segment of sports journalists, led by the charismatic Jimmie McDowell of the Jackson State Times, emerged as bold advocates for equality. Full Court Presshighlights an ideological metamorphosis within the press during the civil rights movement. The media, which had long minimized the struggle of blacks, slowly transformed into an industry that considered the plight of black Mississippians on equal footing with whites.

Robert Stone's reputation rests on his mastery of the craft of fiction. These interviews are replete with insights about the creative process as he responds with disarming honesty to probing questions about his major works.

Southerners love to talk food, quickly revealing likes and dislikes, regional preferences, and their own delicious stories. Because the topic often crosses lines of race, class, gender, and region, food supplies a common fuel to launch discussion. Consuming Identity sifts through the self-definitions, allegiances, and bonds made possible and strengthened through the theme of southern foodways. The book focuses on the role food plays in building identities, accounting for the messages food sends about who we are, how we see ourselves, and how we see others. While many volumes examine southern food, this one is the first to focus on food's rhetorical qualities and the effect that it can have on culture.The volume examines southern food stories that speak to the identity of the region, explain how food helps to build identities, and explore how it enables cultural exchange. Food acts rhetorically, with what we choose to eat and serve sending distinct messages. It also serves a vital identity-building function, factoring heavily into our memories, narratives, and understanding of who we are. Finally, because food and the tales surrounding it are so important to southerners, the rhetoric of food offers a significant and meaningful way to open up dialogue in the region. By sharing and celebrating both foodways and the food itself, southerners are able to revel in shared histories and traditions. In this way individuals find a common language despite the divisions of race and class that continue to plague the South. The rich subject of southern fare serves up a significant starting point for understanding the powerful rhetorical potential of all food.

For over a decade, Tyler Perry has been a lightning rod for both criticism and praise. From Madea to Media Mogul makes the argument that Perry must be understood as a figure at the nexus of converging factors, cultural events, and historical traditions. These essays offer new insights on the industrial and formal qualities of Perry's work.

In these interviews, Edna O'Brien finds her own critical voice and moves interviewers away from a focus on her life as the "once infamous Edna" toward a focus on her works. Parallels between Edna O'Brien and her literary muse and mentor, James Joyce, are often cited.