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  • von Francis R Jones
    16,00 €

    Born in 1968 in The Hague, Erik Lindner is one of the Netherland's most acclaimed poets. Admired for a style that fuses simplicity with strangeness, Lindner builds his poems through a montage of descriptive images that, by fending off closure, generate extraordinary visionary power. Gathering together new work with a selection from his previous six collections, Words are the Worst offers a range of pleasures that have made him celebrated in his home country: an austere eloquence; a hard, unsparing precision; a restless and idiosyncratic eye. Best of all is how his intensely filmic observations transform haunted landscapes of windmills, birds, dogs and houseboats on canals into, as one critic put it, "Lindner-like" moments. Brilliantly translated by Francis R. Jones, with an introduction by Canadian poet David O'Meara, Words are the Worst introduces a leading Dutch voice to English readers.

  • - Four Centuries of Montreal Stories
    von John Kalbfleisch
    18,00 €

    "For centuries Montreal reigned as Canada's most beguiling city. Inspired by the pages of the Gazette, Canada's oldest daily newspaper (founded in 1778), here are seventy-five true tales to inspire, amuse, horrify and captivate. Stories include humourist Stephen Leacock's flinty bitterness at being forced into academic retirement; a boat race through downtown Montreal in the dead of winter; a duel sparked by a society ball; and city-wide celebrations marking the end of World War II. In No Place More Suitable, author John Kalbfleisch brings into colourful focus the full range of human endeavor, genius, hilarity, poignancy and sadness from over 350 years of life on the banks of the St. Lawrence."--

  • von Asa Boxer
    19,00 €

    The poems in Skullduggery, Asa Boxer's masterful new book, have a simple warning: trust nothing. Like the book's hilarious final poem, which recasts Canada's discovery as a hoax from the Middle Ages-Boxer transforms shortfalls of perception into tour de force performances. Drawing on a deepened range of forms (comic set-pieces, verse-plays, dramatic monologues) Skullduggery embraces deception as both theme and tactic. In poem after poem, encounters test the threshold of what's real and what's not; turns of phrase appear to say one thing, but really mean another. What is without doubt, however, is that Boxer strengthens his status as one of our most gifted young poets.

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