Bücher veröffentlicht von Vernon Press

Each day new articles, books, and reports present new methods, standards, and technologies for achieving sustainability in architecture. Additionally, new materials, technological gadgets, and data are increasingly considered the staples of architecture’s future. As we increasingly embrace this techno-advancement, we must be equally aware that we may be pushing architecture into a managerial science and away from its core concerns such as expression, contextuality, functionality and aesthetics. Sustainable architecture that is focused on the abstract measurements of consumption, energy, and emissions loses sight of the vital role that architecture holds in our world: it is the field that creates our public spaces and our places of dwelling, of business, of production, of leisure, and creation. Additionally, it fails to comprehend the human dimension of buildings, as elements that are deeply connected to their sites’ historic contexts and that play a key role in defining our social relations and our connection to the spaces we occupy and utilize. “Sustainable Architecture – Between Measurement and Meaning” takes a step back to reflect on how sustainability in the built environment can be theorized and practiced critically. This book exposes that architecture remains a human and social science that lies at the intersection of measurements and meanings. It reveals that sustainable architecture can still operate in a dialectic space of expression, rather than serving as a manifesto for either the technical or socio-cultural extremes. It purports that the human intuition, senses, and skills still holds the key to unravelling alternative futures of sustainable built spaces. And that most importantly, humans still have a place in sustainable architecture. This book will be of interest to students, early career scholars, established researchers and practitioners studying sustainability in the built environment. It can be used as a referencee to those in the fields of design, architecture, landscape and urban design, urban studies, geography, social sciences, and engineering.

Marie Bashkirtseff was of one of the most extraordinary women of the 19th century. Her Journal (originally comprising some 20,000 hand-written pages but pared down to a few hundred for publication) was a cause cÉlÈbre after her death and continues to be an inspiration to the Women's Movement to this day. It also inspired such great writers as AnaÏs Nin and Katherine Mansfield among many others.Born into an aristocratic family in a village in Ukraine the family soon settled in France, first in Nice and later in Paris. Taught entirely by tutors Marie spoke multiple languages, played numerous musical instruments and longed for a singing career on the stage. An illness that affected her throat made her change course and she took up painting for which she had a latent talent. As a student at the AcadÉmie Julian in Paris she was soon exhibiting at the annual Paris Salon, the premier venue for artists.But it was her personality that makes Marie Bashkirtseff such an exceptional individual. At a very young age she was already exhibiting in her Journal the thoughts of a learned philosopher, wrestling with the nature of God, the position of women in society, the politics of men. Having contracted tuberculosis in early childhood she ceaselessly strove to shrug it off in her quest to achieve greatness. In the end, a great tragedy unfolds.The book is somewhat unique in format. The first part is a biographical section that describes Marie's unusual and fascinating life. Then a second section, consists of a single Journal excerpt (in English translation from the original French) on each left-hand page, juxtaposed with one of her outstanding works of art on the facing page. In this manner, we learn about her remarkable life and tribulations, enter her restive and brilliant mind via her Journal, as well as appreciate her exceptionally fine works as an artist.

Vincent Sheean, a groundbreaking American foreign correspondent and author, is known for reporting from Europe, North Africa, and Asia, writing news reports, articles, and books. A few books and articles have described Vincent Sheean's life, and briefly discussed his major nonfiction books. However, no book-length study or article has closely examined his nonfiction books. 'Seeking to Understand the World: Literary Journalism of Vincent Sheean', textually analyzes his five nonfiction, journalistic books to examine them for characteristics of literary journalism. Spanning nearly the entirety of his journalistic career, these books include 'Personal History' (1935), 'Not Peace but a Sword' (1939), 'Between the Thunder and the Sun' (1943), 'Lead, Kindly Light' (1949), and 'Nehru: The Years of Power' (1960). Set in different world areas, the books illuminate events as disparate as the Riffian war, the Spanish Civil War, the infamous Munich pact, the Nazi bombing of London, and the assassination of Mahatma Gandhi. Sheean's books provide an in-depth, personal look at these and related events. This book includes analysis of Sheean's works, finding that they have several prominent characteristics of literary journalism: stories and scenes, cohesive structure, lifelike characters, vivid description, well-crafted sentences, immersive reporting, among others.

The purpose of the book is to assess the process of urban verticalization in different contexts through time, to provide insight into the relationships between highrise design and the way inhabitants negotiate them in their everyday lives, to assess how planners, politicians, and designers negotiate residential highrises in the strategies they develop for building the city and to introduce urban narratives and cartographies. Verticalization, although not new, currently takes place in a very different context than post-1945. Today, highrise residential buildings are more than architectural solutions: they are commodities in a global market where capital flows are fixed by developers and municipalities. Our exploration of residential verticalization is anchored in case studies, revealing different types of local-global negotiations in the design of the city, and has been framed by three interrelated dynamics: first, the complex relationships within the financialization of real estate markets, revealing differences in the types of local-global negotiations in the construction of the neo-liberal city; secondly, the most developed, anchors residential verticalization in the processes of socio-spatial differentiation within cities (mostly identified as gentrification associated to processes of urban renewal and densification; the third, related to readings and interpretations of the urban landscape and social, spatial practices and its iconographic and cartographic representations. This book is of interest to academics, students, planners, architects, and urban studies professionals. It shows that the chosen research object is an increasingly relevant angle of analysis of the contemporary city. It also provides a better knowledge of the processes of residential verticalization, their impact on the privatization of the urban space, and on urban segregation or fragmentation.

This book presents the U.S. Army Asymmetric Warfare Group (AWG) as an example of successful change by the Army in wartime. It argues that creating the AWG required senior leaders to create a vision differing from the Army's self-conceptualization, change bureaucratic processes to turn the vision into an actual unit, and then place the new unit in the hands of uniquely qualified leaders to build and sustain it. In doing this, it considers the forces influencing change within the Army and argues the two most significant are its self-conceptualization and institutional bureaucracy. The work explores three major subject areas that provide historical context. The first is the Army's institutional history from the early 1950s through 2001. This period begins with the Army seeking to validate its place in America's national security strategy and ends with the Army trying to chart a path into the post-Cold War future. The Army's history is largely one of asymmetric warfare. The work thus examines several campaigns that offered lessons for subsequent wars. Some lessons the Army took to heart, others it ignored. As the AWG was a direct outgrowth of the failures and frustrations the Army experienced in Afghanistan and Iraq, the book examines these campaigns and identifies the specific problems that led senior Army leaders to create the AWG. Finally, the work chronicles the AWG's creation in 2006, growth, and re-assignment from the Army staff to a fully-fledged organization subordinate to the U.S. Army Training and Doctrine Command in 2011 to its deactivation. This action resulted not from the unit's failure to adapt to a post-insurgency Army focusing on modernization. Rather, it resulted from the Army failing to realize that while the AWG was a product of counterinsurgency, it provided the capability to support the Army during a period of great strategic and institutional uncertainty.

The primary purpose of 'Psychedelic Modernism: Literature and Film' is to trace the development of ideas and perspectives from the writing and private ambitions of 20th-century modernist writers, including Aldous Huxley. The purpose of the book is to offer a rough chronology during which ideas were first given a literary imagination, then transposed onto discussions of science and psychology, and then theoretically democratized to bring fruit to a relatively de-centered process where images, text, and interviews could re-conceptualize the modern Being from an admixture of modernist, historical, and pop roots that could express a greater moment in the human action. The work includes discussions from scientists such as Swiss chemist Albert Hofmann, rock stars such as Jerry Garcia, and unconfirmed mystics such as Carlos Castaneda. The primary focus of this work isn't literature per se, but the literary imagination as it may correspond to greater, wider, and more impactive goals than the writing of 20th-century fiction. While there is some outreach that favors de-centered models such as the Beat Generation, the author's primary purpose is to assemble an anthology covering the study and quests for knowledge from as many sides as could power the relative 1960s countercultural movement.