Bücher veröffentlicht von Wayne State University Press

Everyone from scholars and students of television and media studies, genre studies, gender and sexuality studies, and popular culture, to superfans who can't believe the show is over will revel in this highly approachable and fun read.

It will be of special interest to scholars and students of television and media studies, as well as fans of science fiction.

Near the turn of the twentieth century, "e;Pine King"e; Justus S. Stearns was Michigan's largest producer of manufactured lumber and the owner of a prosperous coal mining operation headquartered in Stearns, Kentucky, a town he founded. Over the course of his career, Stearns would own at least thirty manufacturing businesses-making everything from finished lumber to kitchen utensils, game boards, and motors-as well as hotels, a railroad, and a power company. He was also an active member of the Republican Party who served one term as Michigan's secretary of state and a philanthropist who gave a great deal of his wealth to causes in both Michigan and Kentucky. In Justus S. Stearns: Michigan Pine King and Kentucky Coal Baron, 1845-1933, author Michael W. Nagle details Stearns's astounding range of accomplishments and explores the influence of both paternalism and Social Darwinism in his business practices. Nagle begins by addressing key events in the first few decades of Stearns's life and his initial foray into the lumber industry. Subsequent chapters explore Stearns's political career, his timber operations in Wisconsin, and his coal, lumber, and railroad operations in Kentucky and Tennessee. Nagle also details the ancillary businesses that Stearns founded or purchased in the early twentieth century, even as his Stearns Salt & Lumber Company served as the anchor of his Michigan holdings, while Stearns Coal & Lumber did the same for his operations in Kentucky. The final chapter offers an overview and analysis of Stearns's lifetime of accomplishments, including his impact on the town of Ludington, Michigan, where he maintained a residence for over fifty years. Nagle makes extensive use of primary source material from several historical archives as well as contemporary newspaper accounts, court documents, company records, and other primary sources. American history scholars, as well as general readers interested in Michigan's lumbering era and Kentucky's mining history, will enjoy this biography of an exceptionally influential businessman.

Translated into English for the first time from Hebrew, this bok analyses how food and foodways are the major agents generating the plots of several significant folktales. The tales were chosen from the Israel Folktales Archives' (IFA) extensive collection of twenty-five thousand tales.

Explores the career of experimental filmmaker and visual artist Barbara Hammer. Hammer first garnered attention in the early 1970s for a series of films representing lesbian subjects and subjectivity. Keller's survey of her work is a vital text for students and scholars of film, queer studies, and art history.

More than a century after its emergence, classical Hollywood cinema remains popular today with cinephiles and scholars alike. Resetting the Scene showcases cutting-edge work by renowned researchers of Hollywood filmmaking of the studio era and proposes new directions for classical Hollywood studies in the twenty-first century.

More than a century after its emergence, classical Hollywood cinema remains popular today with cinephiles and scholars alike. Resetting the Scene showcases cutting-edge work by renowned researchers of Hollywood filmmaking of the studio era and proposes new directions for classical Hollywood studies in the twenty-first century.

Provides the first full-length exploration of Carrie Fisher's career as actress, writer, and advocate. Fisher's entangled relationship with the iconic Princess Leia is a focal point of this volume. The collection engages with the multiple interfaces between Fisher's most famous character and her other life-giving work.

The first book-length study of comic film director and media celebrity Taika Waititi. Author Matthew Bannister analyses Waititi's feature films and places his other works and performances-short films, TV series, advertisements, music videos, and media appearances-in the fabric of popular culture.

Traces Scarborough's path out of slavery in Macon, Georgia, to a prolific scholarly career that culminated with his presidency of Wilberforce University. Despite the racism he met as he struggled to establish a place in higher education for African Americans, Scarborough was an exemplary scholar, particularly in the field of classical studies.

Presents a selection of previously un-translated short stories and sketches by Katie Brown, A.M. Kaizer, and I.A. Lisky, for the general reader and academic alike. These intriguing and entertaining tales build a picture of a lively East-End community of the '30s and '40s struggling with political, religious, and community concerns.

An exploration of the temporal function that "the Jew" plays in literature. No Place in Time: The Hebraic Myth in Late Nineteenth-Century American Literature examines how the Hebraic myth, in which Jewishness became a metaphor for an ancient, pre-Christian past, was reimagined in nineteenth-century American realism.

Offers a personal memoir told through the lens of Harvey Ovshinsky's lifetime of adventures as an urban enthusiast. But this memoir is more than a trip down memory lane. It also doubles as a survival guide and an instruction manual that speaks not only to the nature of and need for storytelling but also the twin powers of endurance and resilience.

In defiance of the alleged 'death of romantic comedy', After ""Happily Ever After"": Romantic Comedy in the Post-Romantic Age edited by Maria San Filippo attests to rom-com's continuing vitality in new modes and forms that reimagine and rejuvenate the genre in ideologically, artistically, and commercially innovative ways.

In defiance of the alleged 'death of romantic comedy', After ""Happily Ever After"": Romantic Comedy in the Post-Romantic Age edited by Maria San Filippo attests to rom-com's continuing vitality in new modes and forms that reimagine and rejuvenate the genre in ideologically, artistically, and commercially innovative ways.

Analyses how the heroic saga of the Warsaw Ghetto Uprising was mythologized in a way that captured the attention of Jews around the world, allowing them to imagine what it might have been like to be there, engaged in the struggle against the Nazi oppressor.

Explores the motivations and expectations that inspired Viennese Jews to reestablish lives in their hometown after the devastation and trauma of the Holocaust. Elizabeth Anthony investigates their personal, political, and professional endeavours, revealing the contours of their experiences of returning to a post-Nazi society.

For millions of fans around the world, the voices of Batman and the Joker introduced in Batman: The Animated Series (BTAS) remain the default. In this study, Joe Sutliff Sanders argues that BTAS is not only a milestone of television but a milestone in the public persona of one of the most recognisable characters in the world.

Inviting Interruptions: Wonder Tales in the Twenty-First Century anthologizes contemporary stories, comics, and visual texts that intervene in a range of ways to challenge the popular perception of fairy tales as narratives offering heteronormative happy endings that support status-quo values. The materials collected in Inviting Interruptions address the many ways intersectional issues play out in terms of identity markers, such as race, ethnicity, class, and disability, and the forces that affect identity, such as non-normative sexualities, addiction, abuses of power, and forms of internalized self-hatred caused by any number of external pressures. But we also find celebration, whimsy, and beauty in these same texts-qualities intended to extend readers' enjoyment of and pleasure in the genre. Edited by Cristina Bacchilega and Jennifer Orme, the book is organized in two sections. "e;Inviting Interruptions"e; considers the invitation as an offer that must be accepted in order to participate, whether for good or ill. This section includes Emma Donoghue's literary retelling of "e;Hansel and Gretel,"e; stills from David Kaplan's short Little Red Riding Hood film, Bryan Kamaoli Kuwada's story about stories rooted in Hawaiian tradition and land, and Shary Boyle, Shaun Tan, and Dan Taulapapa McMullin's interruptions of mainstream images of beauty-webs, commerce, and Natives. "e;Interrupting Invitations"e; contemplates the interruption as a survival mechanism to end a problem that has already been going on too long. This section includes reflections on migration and sexuality by Diriye Osman, Sofia Samatar, and Nalo Hopkinson; and invitations to rethink human and non-human relations in works by Anne Kamiya, Rosario Ferr Veronica Schanoes, and Susanna Clark. Each text in the book is accompanied by an editors' note, which offers questions, critical resources, and other links for expanding the appreciation and resonance of the text. As we make our way deeper into the twenty-first century, wonder tales-and their critical analyses-will continue to interest and enchant general audiences, students, and scholars.

Anthologizes contemporary stories, comics, and visual texts that intervene in a range of ways to challenge the popular perception of fairy tales as narratives offering heteronormative happy endings that support status-quo values.

Against the methodological backdrop of historical and comparative folk narrative research, 101 Middle Eastern Tales and Their Impact on Western Oral Tradition surveys the history, dissemination, and characteristics of over one hundred narratives transmitted to Western tradition from or by the Middle Eastern Muslim literatures.