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The Ministry of Healing is a captivating book authored by Ellen G. White. Published by White Crow Productions on October 19, 2011, this book has continued to inspire and enlighten readers worldwide. The book is a unique blend of genres, a testament to White's exceptional storytelling ability. The Ministry of Healing delves into the profound concept of healing, exploring its nuances in a way that is both engaging and thought-provoking. The author's insightful perspective and eloquent writing style make this book a must-read. White Crow Productions, known for their quality publications, has ensured that this book is no exception. This book is a testament to Ellen G. White's literary prowess and her ability to captivate readers with her compelling narratives and profound insights.

The Ministry of Healing is a compelling book written by the renowned author, Ellen G White. Published by White Crow Books on 2015-09-25, this book belongs to a genre that captivates the reader's attention from the start. Ellen G White, with her unique storytelling style, has created a masterpiece that leaves a lasting impression on the readers. The Ministry of Healing is a testament to her literary prowess and is a must-read for those who appreciate good writing. White Crow Books, the publisher of this book, is known for bringing out books that are not only engaging but also thought-provoking. This book is no exception and is a fine addition to their collection.

By 1940 World War II was raging, and one of the most prominent men in the UK was Air Chief Marshal Hugh Caswall Tremenheere Dowding - more widely known as Lord Dowding. Dowding was the commander of RAF Fighter Command during the Battle of Britain and is generally credited with playing a crucial role in Britain's air defence, which contributed to the defeat of Hitler's plan to invade Great Britain.What is less well known is, after the Battle of Britain Dowding devoted most of his life to exploring life after death; what we now refer to as psychical research. He authored four books on the subject: Many Mansions (1943), Lychgate (1945), The Dark Star (1951), and God's Magic (1960).After the war ended, Dowding was often contacted by mothers and loved ones of the airmen who died on his watch, and when he asked his local vicar how he should respond to their grieving, allegedly, the vicar replied, "Tell them they're with God." Not being content with the vicar's answer, Dowding continued his own investigation in an attempt to find the truth to the age-old question, "what happens after we die?" These books are the result of his search.

First published in 1987, when it spent four weeks on the New York Times Best Seller list, Intruders remains one of the most powerful and influential books ever written on the controversial subject of alien abduction. Building on the evidence presented in his seminal 1981 work, Missing Time, Budd Hopkins here focuses on the remarkable case of "Kathie Davis," a young woman from rural Indianapolis whose life was changed forever after a shattering, face-to-face encounter one summer night with non-human entities. Little did Kathie know it, but her encounter that night was not by chance; she had not been in the wrong place at the wrong time. Like so many others before and since, Kathie had been selected by an intelligence that operates beyond the veil of our accepted reality. Its technology challenges our comprehension, its motives are murky. But its interactions with Kathie and others like her have provided consistent clues-even physical evidence-pointing to an agenda relating to evolution and survival ... but of whose species ... theirs, or ours? Such was the popularity of Intruders that it was later adapted for television as a CBS miniseries of the same name, starring Richard Crenna and co-written by Tracy Tormé, (Fire in the Sky, Star Trek: The Next Generation). Intruders is a classic in the literature that remains just as relevant today as ever-and just as terrifying.

When it comes to the subjects of God and life after death, some people demand evidence that extends to absolute certainty. At the other extreme are those who are content with a belief based on emotion, instinct, or the opinion of higher authority, what is referred to as blind faith. In between are varying degrees of belief or certainty ranging from extreme skepticism to strong conviction. Discussions and debates on the two subjects are often interwoven, usually beginning with the implication that one must have proof of God before even considering the survival of consciousness at death. Since God, whatever He, She or It happens to be, is apparently beyond both human comprehension and mainstream science, the discussion or debate often stalls without proper consideration being given to the evidence strongly suggesting that consciousness does survive death in a larger life. The evidence supporting survival has come to us through research carried out by many distinguished scientists and scholars in the fields of mediumship, after-death communication, past-life studies, near-death experiences, out-of-body experiences, deathbed visions and other psychic phenomena. The most convincing evidence was gathered between 1850 and 1935, but it was rejected by religion because some of it conflicted with established dogma and doctrine, even though it supported the primary tenet of religion, human survival after death. It was rejected by science because it defied strict scientific examination and conflicted with the emerging materialistic worldview embraced by supposedly progressive and enlightened people. Neither the religionist nor the scientist could seemingly get past the need to prove God before looking at the evidence for survival. Without involving the existence or non-existence of God, god, or gods, this book examines some of the best evidence for survival studied between 1850 and the present day, the majority taking place before 1935. Time has not eroded the validity of those cases and the research surrounding them, although popular internet references generally subscribe to the materialistic worldview and are biased heavily toward debunking them all, while offering twisted, distorted, misleading, incomplete and uninformed explanations. Indeed, many of the cases reported in this book are bizarre and exceed the normal boggle threshold, but it should be kept in mind that the scientists and scholars who reported on them did so after numerous observations, often under highly controlled conditions, and with their reputations on the line.  The book begins with experiences by both the author and the publisher before discussing the mind-boggling phenomena and the research surrounding them, all leading to a conclusion that No one really dies.  

For as long as human history has been recorded, people have been fascinated by their dreams. From the mystical visions in the Bible to Freud, Jung and beyond, we have looked for the meaning and significance of dreams and tried to find the connection between our waking and sleeping thoughts. But how much do we really know about them, and what can they teach us?In this remarkable exploration of the mysterious world of dreams, Peter and Elizabeth Fenwick gather the latest research to show that by learning how to read the messages our dreams give, we can understand ourselves more fully. They examine the purpose of dreams, demonstrating how they can be experienced on different levels - sometimes simply mirroring fragments of our lives and at other times revealing aspects of personality, giving us emotional insights and helping us to solve problems.The Fenwicks also explore the fascinating territory of psi phenomena, such as telepathy and precognition, and its relationship to dreaming. Dreams may be the setting, too, for even more extraordinary occurrences, such as out-of-body experiences or the terror of night abductions by alien visitors. The authors show us how to gain access to the state of lucid dreaming, so that we can learn to direct our own dreams, going through the hidden door to enter a world of virtual reality where anything is possible. But dreams have a darker side, too; nightmares and terrors can make our sleep uneasy, and in their aftermath even murder has been committed.From the principle behind 'dream machines' to bizarre occurrences of shared dreams, The Hidden Door is an intriguing and revealing exploration of the strange world of our subconscious. Including many never-before-published accounts of bizarre dream experiences from the authors' own research, it provides compelling answers to the questions we all ask ourselves about our sleeping mind.

When Tertium Organum burst onto the New York literary scene its author, P. D. Ouspensky, was unaware of it. Piotr Demianovich Ouspensky, the most famous pupil of Greco-Armenian spiritual teacher George Ivanovitch Gurdjieff, had written Kluck Kzaradkam (the original title) in his native Russian and it had been published in St. Petersburg in 1912. At the time of its New York debut his whereabouts were unknown.A Russian by the name of Nicholas Bessarabof had emigrated to America before the 1917 Russian Revolution and had taken the book with him. He gave a copy to architect Claude Bragdon who could read Russian and was interested in forth-dimensional consciousness. After reading the book a friend echoed Bragdons' sentiments saying; "He has recently discovered a young Russian who "seems to us remarkable in many ways." The man has introduced him to Ouspensky and his book on the fourth dimension called Tertium Organum. Bragdon believes this book to be the "long sought New Testament of the Sixth Race which will justify the meekness of the saint, the vision of the mystic, and create a new heaven and a new earth." He is currently collaborating with Bessarabof on an English translation."In 1920 without Ouspensky's knowledge, Bragdon and Bessarabof published the book in English through Manas Press in New York. Meanwhile Ouspensky, a journalist and destitute author, had arrived in Constantinople with hardly a penny to his name. Later that year he was gratified to receive a substantial royalty check, and the news that Tertium Organum was a publishing success in English, and that his fame in literary circles was assured.In 1921 he wrote, "This translation, made without my knowledge and participation, at a time when I was cut off by war and revolution from the civilized world, transmits my thought so exactly that after a very attentive review of the book I could find only one word to correct. Such a result could be achieved only because Mr. Bessarabof and Mr. Bragdon were not translating words merely, but were grasping directly my thoughts at the back of them."In May 1921 Ouspensky received the sum of £100 from Lady Rothermere who was in Rochester, New York; it was wired with the message: 'Deeply impressed by your book Tertium Organum - wish to meet you in New York or London - will pay all expenses.' This invitation gave Ouspensky the opportunity to move to England where he secured Gurdjieff's permission to write a book on his philosophy.Ouspensky spent the next twenty years in England lecturing and teaching Gurdjieff's ideas and developing his own philosophy. His lectures in London were attended by such literary figures as Aldous Huxley, T. S. Eliot, and other writers, journalists and doctors. His influence on the literary scene of the 1920's and 1930's as well as on the Russian avant-garde was huge but today he is not widely known.

We are at a critical moment in the history of humankind's relationship with the Earth, and all the species that co-inhabit with us. This is a time of climate change, species loss and ecological collapse on a scale that has never been seen before. New ways of thinking will be required if we hope to overcome these global problems and develop a more harmonious relationship between the human and non-human worlds. In the spirit of creative exploration this book suggests that approaches emerging from the study of (and engagement with) the super-natural may ultimately help us to re-connect with the natural, and in so doing develop innovative approaches to confronting the eco-crisis. Greening the Paranormal explores parallels between anomalistics (the study of the paranormal in all its guises, incorporating parapsychology, paranthropology, cryptozoology, religious studies, and so on), and ecology (the study of living systems), not just for the sake of exploring interesting intersections (of which there are many), but for the essential task of contributing towards a much broader - necessary - change of perspective concerning our relationship to the living planet. The chapters collected in this book demonstrate that we have much to learn from exploring the ecology of extraordinary experience. FEATURING CONTRIBUTIONS FROM Paul Devereux, Cody Meyocks, Nancy Wissers, Amba J. Sepie, Lance M. Foster, Jacob W. Glazier, Christine Simmonds-Moore, Mark A. Schroll, Viktória Duda, Maya Ward, Simon Wilson, David Luke, Brian Taylor, Silvia Mutterle, Susan Marsh, Timothy Grieve-Carlson, Elorah Fangrad, Rick Fehr, and Christopher Laursen.

Julian of Norwich was the first woman in the world to write a book in English, and yet had largely disappeared from view until her rediscovery during the twentieth century.A fourteenth century anchoress in Norwich, she lived in a cell for forty years, surrounded by savage plague, political inequality and religious bigotry.Yet Julian gave the world one of its most famous calls to hope: 'All shall be well, and all shall be well and all manner of things shall be well.'Who was she? Why did she pray for a near-death experience and then choose containment in a cell? And how did she come to speak with such optimism?In The Secret Testament of Julian, she tells her own story, full of difficulty and joy. No plaster saint, but a flesh and blood woman who from the silence of her cell speaks with a strength that few today can equal.Let Julian tell her story.

Death appears to be a process rather than a single event in time and may be heralded by deathbed phenomena such as visions that comfort the dying and help to prepare them for death. On behalf of prominent neuropsychiatric Peter Fenwick, Ineke Koedam, an experienced hospice worker, researched these 'end-of-life- experiences'. She interviewed fellow hospice workers in various hospices and bundled their experiences together in this unique book.A dying man who clearly sees his deceased wife and even can talk with her. A dying woman, confused and hardly responsive, who experiences a bright moment when she sees her old friend. End-of-life experiences are -without exception - miraculous.In The Light of Death the author shows that these moments are significant and essential for the dying themselves, their families and caregivers. Koedam believes they indicate a transition to another form of existence. We do not exactly know what the dying are going through internally, however Koedam's research demonstrates that devoted and open minded spiritual care is very important. By developing more openness and understanding for these personal end-of-life experiences, there will be room for the needs of the dying. This allows us to support them even better in the process of acceptance and surrender. In the light of death is informative, comforting and helpful at a time when many people are afraid of dying."I am convinced that this book will make a huge contribution to the acknowledgement and recognition of end-of-life experiences, which can diminish the fear of death even in its final stages." - Pim van Lommel, cardiologist, author of Consciousness Beyond Life: The Science of Near-Death Experience.

In this sequel to The Road to Immortality, Geraldine Cummins continues to relay messages from a deceased entity purporting to be the eminent psychologist and psychical researcher, F. W. H. Myers. In her previous book Myers spoke about the states of being we find ourselves after physical death, and now he expands on these themes explaining how these states are an accumulation of our thoughts, memories, and actions - a made up world if you like, made by us - a Plane of Illusion. Here, we create our own Hell, our own Purgatory, and our own Paradise, not some judgmental God in a white robe. As Myers points out:"Out of the memories of earth the soul creates his environment, builds, through his imagination, the special dream, the primal object of his appetites or desires during this state of Illusion."Like a parent guiding a child, Myers doesn't judge, but he urges us to consider a life apart from gold - a life without materialism. He talks extensively about reincarnation, judgment, the family group, and in particular, the seven planes of existence; seven speeds of vibration, the seven so-called-realities that most of us will experience before we pass into timelessness, Eternity, Heaven, Nirvana - call it what you will. On Jesus, he has this to say: "Jesus of Nazareth was Son of God because He descended to earth, and, rising again, passed through all the seven levels of consciousness, attaining without let or hindrance, to union with the Creator. It was not necessary for Him to exist on these various planes within the various worlds created by the journeying souls. For already He was very God, already He had that spiritual power which enabled Him to hold all the universes within the grasp of His consciousness, within an all-embracing love."

Leo Tolstoy's novella The Death of Ivan Ilyich begins shortly after Ivan Ilyich's death. A small group of legal professionals, court members, and a private prosecutor have gathered in a private room within the Law Courts, and while looking through a newspaper one of them reads the following;"Praskovya Fedorovna Golovina, with profound sorrow, informs relatives and friends of the demise of her beloved husband Ivan Ilyich Golovin, Member of the Court of Justice, which occurred on February the 4th of this year 1882. The funeral will take place on Friday at one o'clock in the afternoon." Immediately members of the group begin to think how Ilyich's passing will affect their positions and status; They thank God it didn't happen to them and ponder on the implications of how they might benefit from their colleagues demise, each one of them oblivious of the fact that death will come to them all. ¬The story takes us back and we see Ivan Ilyich in the prime of his life. He has studied law and is now a judge. He performs his work with a cold discipline and he is a social climber who has become devoid of emotion. He lacks empathy and any concern for his fellow man, seeking only to reach the top where he can look down upon his peers. One day Ivan has a fall whilst decorating his new house. He sustains an injury and although he doesn't know it, the injury will cause him to become ill and he will die as a result. During his illness he becomes bad tempered and bitter and refuses to believe he is coming to the end of his life. He gets little sympathy from his family and his only solace are his conversations with Gerasim, a peasant who stays by his bed and gives him honesty and kindness. Reflecting on his current situation and his past life Ivan's worldview begins to change. He realizes the higher he climbed in his noble profession the more unhappy he became, and looking back he realizes how meaningless his life had been. Slowly Ivan comes to term with his immanent death and finally he sees the light. He begins to feel sorry for those about him busying themselves living a life of habit unable to see how artificial their existence is and that they are not living a good life at all. Finally after his illumination he dies in a moment of exquisite happiness.The Death of Ivan Ilyich is Tolstoy's attack on the smug satisfaction of a middle and upper class population, who in his mind live artificial meaningless lives, lives of separateness unaware of their creator and what lies before them after death.Tolstoy's critic Vladimir Nabokov summed it up when he wrote; "The Tolstoyan formula is: Ivan lived a bad life and since the bad life is nothing but the death of the soul, then Ivan lived a living death; and since beyond death is God's living light, then Ivan died into a new life - Life with a capital L."

'Revelations of Divine Love' by Julian of Norwich is the first book written in English by a woman. But the work is read now not for historical interest but for the God she describes and the optimism she exudes; an optimism all the more remarkable for the setting in which she wrote.Julian lived in Norwich from 1342 - 1416; but 14th century England was far from the Merry Old England of legend. It was the time of the Black Death which struck Norwich at least three times during her life. It was also a period of social unrest brought on by the shortage of labour, high taxes and bad harvests which led to the Peasants' Revolt.There are few sure facts about Julian's life. But at the age of 30, while living at home with her mother, she believed herself to be dying with a serious illness. It was at this time she had a series of visions of Jesus. On her recovery, she recorded them in brief and then 20 years later, as an anchoress, wrote them down in a longer form in the Middle-English of Chaucer. *Optimism is in Julian's marrow and expressed most clearly in her famous words: 'all shall be well, and all shall be well and all manner of things shall be well.' Her future hope lies not in human strength but in God's love. It is certain that we will fall; but even more certain that God will never stop gazing on us lovingly and helping us back to our feet. Our God is a courteous God who determined from before the beginning of time to bring us to the bliss of heaven. The optimism of Julian's theology stood in stark contrast to the religious teaching of her day, in which suffering was regarded as punishment. Monks and priests taught that the troubles people faced were the punishment of an angry God. This left an all-pervasive fear of sin, death and damnation amongst the people. For Julian, however, suffering was not punishment, but a mystery held within the bigger truth of God's love. God is our maker, our keeper, our lover and our joy; and everything has a purpose even if it is hidden from us now. Suffering is not explained by Julian, but offered as something intrinsic to our ultimate blessing; while sin is necessary to bring us self-awareness and humility. Sin does not require forgiveness because it is part of life's learning process. And Julian further pushed the orthodoxy of her day with feminine imagery of God, shown in her repeated description of Christ as our mother. It is in the 16th revelation that Julian is given the meaning of all that has gone before. As she writes: 'You wish to learn the Lord's meaning in this thing? Learn it well: love was his meaning. Who showed it to you? Love. What did he show you? Love. Why did he show it? For love. Hold yourself there and you shall learn and know more of the same. But you shall never know or learn any other thing there.'

Reader's noteThis is an abridged version of Swedenborg's original, which is about twice the length. When deciding what to omit, avoidance of repetition was usually the determining factor. Even in this edition he revisits his main themes frequently. The original numbering of the paragraphs has been maintained, however, to enable readers clearly to see which passages have been omitted. Swedenborg wrote this work in Latin, so it is now two languages away from his native Swedish, (though he could speak English well.) The only editing has been to abbreviate some of his sentences which can creak under the weight of multiple sub-clauses. Thus on occasion, what was originally one sentence might now be three, though the literary style remains that of Swedenborg. I have also brought some variety to the vocabulary, to free Swedenborg and his ideas from the constraints of the Latin text, and return them to the vivid colors of his visionary experience. The language has also been made inclusive, which I'm sure would have been the author's 21st century wish.But the overall purpose of this new edition is not in doubt: it is to make Swedenborg entirely clear, entirely fresh and yet entirely himself. Simon Parke. London 2010Heaven and HellThese themes are visited often in 'Heaven and Hell', which was first published in 1758. It was the result of a series of 'out-of-body' experiences given to Swedenborg in which he saw the world beyond and spoke with spirits there. One of the most startling features of the next world is that it has a remarkable likeness to this one - only on a spiritual and not physical level. With Swedenborg playing the role of tourist guide, we discover that in the next life, space and time do not exist as we know them, but spirits there eat, sleep, talk, read books, work and celebrate just as humans do here; but they do so clothed in a spiritual rather than a natural body. Swedenborg's vivid descriptions of the people he meets and places he sees, both wonderful and terrible, can't help but stimulate our thoughts about both this life and the next. And there is a gripping description of the moments after death, when the human spirit leaves the body and enters the world of the spirits, before the journey to heaven or hell.

Who was Jesus of Nazareth? Many admire his spiritual teachings; some go further and claim him as the messiah, while a few deny he ever existed at all. But everyone has an opinion about this obscure preacher who lived his brief life in one of the less significant regions of the Roman Empire; and who, in being crucified, died the traditional death for criminals and trouble-makers. Jesus lived in turbulent times. Under Roman rule, Judea was a hotbed of nationalist, political and religious interests, all vying for power. Jesus was caught in the middle of these, allied to none and ultimately reviled by all. 'My kingdom is not of this world,' he said, though he agreed taxes should be paid to the Romans. 'Give to Caesar what is Caesar's and to God what is God's.' He taught simply but challengingly, advocating love for our enemies, a spirit of forgiveness and respect for children. What else was new about Jesus? He spoke of a new way of being which he called 'the kingdom of God.' This was not a place but an inner state, and the doorway to this kingdom was trust in a heavenly father. As he would often say: 'Have anxiety about nothing.' It was a trust Jesus himself required in a life full of conflict; not least with his family who largely disowned him. 'Who is my mother? Who are my brothers?' he famously asked when they attempted to rein him in.In 'Conversations with Jesus of Nazareth', the questions are imagined, but the words of Jesus are not; they are authentically his, taken from the various records of his life in the gospels of Matthew, Mark, Luke, John and Thomas. Jesus himself never wrote anything down, but in a culture of oral transmission, his words, deeds and stories were well-remembered, and it's not hard to see why.'It's the shape of our heart which Jesus is interested in,' says Simon Parke. 'This is what comes across when talking with him. It's not what we do that matters, but who we are, and that's why he upset the religious people of his day: he didn't give them anything to hide behind. He's not always easy company, I agree, but his life and his words - they have the undoubted ring of truth.'