Bücher veröffentlicht von Workman Publishing

Celebrate the joys of living with less. Less stuff. Less stress. Less overthinking. Less judgment. Less excess.

From Kate T. Parker, bestselling author and photographer of Strong Is the New Pretty, a photographic celebration of what makes a boy, with portraits and quotations from today's boys, ages 5- 18.

';A remarkable biography . . . Well written and researched, this book warrants a spot on every serious American history student's bookshelf.' Kirkus Reviews, starred review She was the first woman to run for president. She was the first woman to address the U.S. Congress and to operate a brokerage firm on Wall Street. She's the woman Gloria Steinem called ';the most controversial suffragist of them all.' So why have most people never heard of Victoria Woodhull? In this extensively researched biography, journalist Mary Gabriel offers readers a balanced portrait of a unique and complicated woman who was years ahead of her timeand perhaps ahead of our own. ';One of the most controversial American women of the late nineteenth century springs to life in this study that leaves no stone unturned.' Publishers Weekly ';[A] deftly written biography . . . of a hell-raising visionary.' Mirabella ';A meaty slice of feminist history peppered with Victorian drama.' Civilization

From Baby Blue Eyes to Silver Bells, from Abelia to Zinnia, every flower tells a story. Gardening writer Diana Wells knows them all. Here she presents one hundred well-known garden favorites and the not-so-well-known stories behind their names. Not for gardeners only, this is a book for anyone interested not just in the blossoms, but in the roots, too. Illustrations by Ippy Patterson.

In his eighth deliciously funny novel, Clyde Edgerton introduces us to the irrepressible Lil Olive, who's recently arrived at the Rosehaven Convalescence Center to recuperate from a bad fall. Lil longs to be back in her own apartment, and since her driver's license doesn't expire until her ninety-seventh birthday, she also longs to get back behind the wheel of her sporty '89 Olds. To pass the time until independence, Lil strikes up some new friendships. Mrs. Maudie Lowe and Mrs. Beatrice Satterwhite, who are laying bets on whether Clara Cochran's glass eye comes out at night. And L. Ray Flowers, the freelance evangelical preacher with fancy white hair who sings his sermons, strums a mean guitar, and aspires to an even higher calling. Keeping a watchful eye on them all is Carl, Lil's middle-aged bachelor nephew with a heart of gold and the patience of a saint. But soon Rosehaven is turned upside down and the outcome is anyone's guess. Lil and the girls steal a car and hit the highway. L. Ray's vision of a national movement to unite churches and nursing homes (Nurches of America) is embraced by the residents. And then there's Darla Avery's dirty little secret, which could spell the end for the visionary preacher. Edgerton looks at the challenges of aging with sympathy, sensitivity, and his trademark sense of humor. Like the bestseller Walking Across Egypt, this is vintage Edgerton: wise, wistful, and laugh-out-loud funny.

Grace Brookmans husband is missing. He wasnt kidnapped or murdered (shes fairly certain); he just seems to have run away from home. He got up one morning, and with an offhand Gracie, Ill be back in a little while, he was gone. Laz had left before, but this time, when several weeks pass and he doesnt return, Grace copes with the situation by pretending to family and friends that hes still around. At first, Grace covers for Laz in little ways: rumpling the sheets on his side of the bed every morning for the housekeeper, turning up his favorite music so the neighbors will hear it, leaving the doorman a daily cup of coffee, just as Laz always did. Soon Graces life is completely consumed with re-creating his life. Over time the deception takes on a life of its own as her charade becomes more elaborate and she begins lying to friends and family, even her overbearing, ever-present Upper East Side parents. Grace finds herself steeped in denial about the truth of her husbands disappearance--and the truth about him, as clues arise to suggest that he isnt the man she thought he was. In the spirit of Laura Zigman and Jennifer Weiner, Nina Solomon gives us a portrait of a young woman unraveled, who attempts to pull herself back together in the face of a most unusual crisis.

Twice a year America's rose lovers cut the prettiest blossoms off their best plants and travel to the national rose show, where they lovingly groom their precious blooms for hours in a frigid hall in order to contend for the highest honor: the Queen of Show. Doctors. Teachers. Sheet metal mechanics. Lawyers. Truck drivers. Men and women. These are type A gardeners, and for them this is a blood sport. They grow tender roses in the frigid North and disease prone roses in the humid South simply for the challenge. They decorate otherwise lovely yards with paper bags and panty hose to isolate their choice specimens. They traipse through overgrown fields in the worst weather to save antique roses from extinction. Aurelia Scott trails these self-professed Roseaholics as they plan, prepare, and compete, battling high winds, Japanese beetles, and the finicky demands of their precious charges. With all the appeal of Word Freak, Otherwise Normal People celebrates the singular satisfaction of cultivating beauty--and, of course, the thrill of victory.

';Compelling and compassionate human drama. If you want to understand how modern medicine ticks, fasten your seat belt and spend a day in the hospital with Theresa Brown on The Shift.' Danielle Ofri, MD, author of What Doctors Feel In a book as eye-opening as it is riveting, practicing nurse and regular contributor to the New York Times Theresa Brown invites us to experience not just a day in the life of a nurse but all the life that happens in just one day on a busy teaching hospital's cancer ward. In the span of twelve hours, lives can be lost, life-altering treatment decisions made, and dreams fulfilled or irrevocably stolen. Every day, Theresa Brown holds these lives in her hands. On this day, there are four. Unfolding in real time under the watchful eyes of Theresa Brown--a dedicated nurse and an insightful chronicler of events--we are given an unprecedented view into the individual struggles as well as the larger truths about medicine in this country. By shift's end, we have witnessed something profound about hope and humanity. ';This meticulous, absorbing shift-in-the-life account of one nurse's day on a cancer ward stands out for its honesty, clarity, and heart. Brown . . . juggles the fears, hopes, and realities of a 12-hour shift in a typical urban hospital with remarkable insight and unflagging care. Her memoir is a must-read for nurses or anyone close to one.' Publishers Weekly, starred review ';An empathetic and absorbing narrative as riveting as a TV drama.' Kirkus Reviews ';I am filled with awe and gratitude for the work that the nurses like Theresa Brown do every day. She captures perfectly their central role in any patient's life!' Susan M. Love, MD, chief visionary officer, Dr. Susan Love Research Foundation, and author of Dr. Susan Love's Breast Book

';Julia Alvarez has suitcases full of history (public and private), trunks full of insights into what it means to be a Latina in the United States, bags full of literary wisdom.' Los Angeles Times From the internationally acclaimed author of the bestselling novels In the Time of the Butterflies and How the Garca Girls Lost Their Accents comes a rich and revealing work of nonfiction capturing the life and mind of an artist as she knits together the dual themes of coming to America and becoming a writer. The twenty-four confessional, evocative essays that make up Something to Declare are divided into two parts. ';Customs' includes Alvarez's memories of her family's life in the Dominican Republic, fleeing from Trujillo's dictatorship, and arriving in America when she was ten years old. She examines the effects of exile--surviving the shock of New York City life; yearning to fit in; training her tongue (and her mind) to speak English; and watching the Miss America pageant for clues about American-style beauty. The second half, ';Declarations,' celebrates her passion for words and the writing life. She lets us watch as she struggles with her art--searching for a subject for her next novel, confronting her characters, facing her family's anger when she invades their privacy, reflecting on the writers who influenced her, and continually honing her craft. The winner of the National Medal of Arts for her extraordinary storytelling, Julia Alvarez here offers essays that are an inspiring gift to readers and writers everywhere.';This beautiful collection of essays . . . traces a process of personal reconciliation with insight, humor, and quiet power.' San Francisco Examiner and Chronicle ';Reading Julia Alvarez's new collection of essays is like curling up with a glass of wine in one hand and the phone in the other, listening to a bighearted, wisecracking friend share the hard-earned wisdom about family, identity, and the art of writing.' People

More than sixty years ago, the Supreme Court ruled in Brown v. Board of Education that America's schools could no longer be segregated by race. Critically acclaimed novelist Jim Grimsley was eleven years old in 1966 when federally mandated integration of schools went into effect in the state and the school in his small eastern North Carolina town was first integrated. Until then, blacks and whites didn't sit next to one another in a public space or eat in the same restaurants, and they certainly didn't go to school together. Going to one of the private schools that almost immediately sprang up was not an option for Jim: his family was too poor to pay tuition, and while they shared the community's dismay over the mixing of the races, they had no choice but to be on the front lines of his school's desegregation. What he did not realize until he began to meet these new students was just how deeply ingrained his own prejudices were and how those prejudices had developed in him despite the fact that prior to starting sixth grade, he had actually never known any black people. Now, more than forty years later, Grimsley looks back at that school and those times--remembering his own first real encounters with black children and their culture. The result is a narrative both true and deeply moving. Jim takes readers into those classrooms and onto the playing fields as, ever so tentatively, alliances were forged and friendships established. And looking back from today's perspective, he examines how far we have really come.

For Paul Gustavson, life is a succession of obstacles, a minefield of mistakes to stumble through. His wife has left him, his father has suffered a stroke, his girlfriend is dating another man, he has impotency issues, and his overachieving brother invested his parents' money in stocks that tanked. Still, Paul has his friends at Bay State bar, a steady line of cocktails, and Stella. Stella is Paul's dog. She listens with compassion to all his complaints about the injustices of life and gives him better counsel than any human could. Their relationship is at the heart of this poignantly funny and deeply moving story about a man trying to fix his past in order to save his future.

Buying farmland is a major investment, so be sure you make an informed choice. This practical guide covers every factor you should consider before making a purchase, including government regulations, residential concerns from the surrounding area, soil conditions, and savvy financing. Whether you intend to grow abundant crops or graze a robust herd of livestock, Finding Good Farmland provides a roadmap to the land that’s right for you.

An inspiring, close-up portrait of the moment of Oregon statehood.

Is he sweater-worthy? Knit items are excellent gifts for men, but, they have to be given at the appropriate time. This book not only warns stitchers about appropriate project-to-relationship ratios, but also offers 22 of the smartest patterns available for men's clothing and accessories.

Learn how to get the best deals at auctions, flea markets, and shops and how to spot items that can be repaired to increase their value. Then find out how to resell your purchases.

When acclaimed golf writer James Dodson leaves his home in Maine to revisit Pinehurst, North Carolina, where his father first taught him the game that would shape his life and career, he''s at a point where he has lost direction. But once there, the curative power of the sandhills region not only helps him find a new career working for the local paper but also reignites his flagging passion for the game of golf. And, perhaps more significantly, it inspires him to try to pass along to his teenage son the same sense of joy and contentment he has found in the game, and to recall the many colorful and lifelong friends he has met on the links. This wise memoir about finding new meaning through an old sport is filled with anecdotes about the history of the game and of Pinehurst, the home of American golf, where many larger-than-life legends played some of their greatest rounds. Dodson''s bestselling memoir Final Rounds began in Pinehurst twenty-five years ago, and now A Son of the Game completes the circle as it follows his journey of discovery back to where his love of the game began-a love that he hopes to make a family legacy.

When his sister tricks him into taking her guru on a trip to their childhood home, Otto Ringling, a confirmed skeptic, is not amused. Six days on the road with an enigmatic holy man who answers every question with a riddle is not what he'd planned. But in an effort to westernize his passengerand amuse himselfhe decides to show the monk some American fun along the way. From a chocolate factory in Hershey to a bowling alley in South Bend, from a Cubs game at Wrigley field to his family farm near Bismarck, Otto is given the remarkable opportunity to see his worldand more important, his lifethrough someone else's eyes. Gradually, skepticism yields to amazement as he realizes that his companion might just be the real thing. In Roland Merullo's masterful hands, Otto tells his story with all the wonder, bemusement, and wry humor of a man who unwittingly finds what he's missing in the most unexpected place.

It was the 1950s, a time of calm, a time when all things were new and everything seemed possible. A few years before, a noble war had been won, and now life had returned to normal. For one little boy, however, life had become anything but "e;normal."e; To all appearances, he and his family lived an almost idyllic life. The father was a respected professor, the mother a witty and elegant lady, someone everyone loved. They were parents to three bright, smiling children: two boys and a girl. They lived on a sunny street in a small college town nestled neatly in a leafy valley. They gave parties, hosted picnics, went to church-just like their neighbors. To all appearances, their life seemed ideal. But it was, in fact, all appearances. Lineage, tradition, making the right impression-these were matters of great importance, especially to the mother. But behind the facade this family had created lurked secrets so dark, so painful for this one little boy, that his life would never be the same. It is through the eyes of that boy-a grown man now, revisiting that time-that we see this seemingly serene world and watch as it slowly comes completely and irrevocably undone. Beautifully written, often humorous, sometimes sweet, ultimately shocking, this is a son's story of looking back with both love and anger at the parents who gave him life and then robbed him of it, who created his world and then destroyed it. As author Lee Smith, who knew this world and this family, observed, "e;Alcohol may be the real villain in this pain-permeated, exquisitely written memoir of childhood-but it is also filled with absolutely dead-on social commentary of this very particular time and place. A brave, haunting, riveting book."e;

When Robey Childs's mother has a premonition about her husband, a soldier fighting in the Civil War, she does the unthinkable: she sends her only child to find his father on the battlefield and bring him home. At fourteen, wearing the coat his mother sewed to ensure his safetyblue on one side, gray on the other Robey thinks he's off on a great adventure. But not far from home, his horse falters and he realizes the enormity of his task. It takes the gift of a powerful and noble coal black horse to show him how to undertake the most important journey of his life: with boldness, bravery, and self-posession.Coal Black Horse joins the pantheon of great war novelsAll Quiet on the Western Front, The Red Badge of Courage, The Naked and the Dead.

Tiny Haines, Alaska, is ninety miles north of Juneau, accessible mainly by water or air-and only when the weather is good. There's no traffic light and no mail delivery; people can vanish without a trace and funerals are a community affair. Heather Lende posts both the obituaries and the social column for her local newspaper. If anyone knows the going-on in this close-knit town-from births to weddings to funerals-she does. Whether contemplating the mysterious death of eccentric Speedy Joe, who wore nothing but a red union suit and a hat he never took off, not even for a haircut; researching the details of a one-legged lady gold miner's adventurous life; worrying about her son's first goat-hunting expedition; observing the awe-inspiring Chilkat Bald Eagle Festival; or ice skating in the shadow of glacier-studded mountains, Lende's warmhearted style brings us inside her small-town life. We meet her husband, Chip, who owns the local lumber yard; their five children; and a colorful assortment of quirky friends and neighbors, including aging hippies, salty fishermen, native Tlingit Indians, and volunteer undertakers-as well as the moose, eagles, sea lions, and bears with whom they share this wild and perilous land. Like Bailey White's tales of Southern life or Garrison Keillor's reports from the Midwest, NPR commentator Heather Lende's take on her offbeat Alaskan hometown celebrates life in a dangerous and breathtakingly beautiful place.

For two decades NPR commentator Andrei Codrescu has been living in and writing about his adopted city, where, as he puts it, the official language is dreams. How apt that a refugee born in Transylvania found his home in a place where vampires roam the streets and voodoo queens live around the corner; where cemeteries are the most popular picnic spots, the ghosts of poets, prostitutes, and pirates are palpable, and in the French Quarter, no one ever sleeps. Codrescu''s essays have been called "satirical gems," "subversive," "sardonic and stunning," "funny," "gonzo," "wittily poignant," and "perverse"—here is a writer who perfectly mirrors the wild, voluptuous, bohemian character of New Orleans itself. This retrospective follows him from newcomer to near native: first seduced by the lush banana trees in his backyard and the sensual aroma of coffee at the café down the block, Codrescu soon becomes a Window Gang regular at the infamous bar Molly''s on Decatur, does a stint as King of Krewe de Vieux Carré at Mardi Gras, befriends artists, musicians, and eccentrics, and exposes the city’s underbelly of corruption, warning presciently about the lack of planning for floods in a city high on its own insouciance. Alas, as we all now know, Paradise is lost.New Orleans, Mon Amour is an epic love song, a clear-eyed elegy, a cultural celebration, and a thank-you note to New Orleans in its Golden Age.

These eleven arresting, comic, and moving stories by acclaimed writer Michael Parker testify to the driving force of love, the lengths to which we'll go to claim it and pursue it, the delusions we'll float to keep it going, the torment that goes part and parcel with it. And despite all of the above, the absolute necessity of it, no matter its consequences. Whether it's a college student undone by the boy who leaves her, or the boyfriend intent on leveling old scores from high school for his lover, or the husband who discovers-in the grocery store-the woman he should have been with all along, every character, no matter how off track, wants to believe in debt and credit and payback and making the messy world-and the messy world of love-turn out neatly.

After more than a century of silence, the true story of one of history''s most notorious mutinies is revealed in Joan Druett''s riveting "nautical murder mystery" (USA Today). On May 25, 1841, the Massachusetts whaleship Sharon set out for the whaling ground of the northwestern Pacific. A year later, while most of the crew was out hunting, Captain Howes Norris was brutally murdered. When the men in the whaleboats returned, they found four crew members on board, three of whom were covered in blood, the other screaming from atop the mast. Single-handedly, the third officer launched a surprise attack to recapture the Sharon, killing two of the attackers and subduing the other. An American investigation into the murder was never conducted--even when the Sharon returned home three years later, with only four of the original twenty-nine crew on board. Joan Druett, a historian who''s been called a female Patrick O''Brian by the Wall Street Journal, dramatically re-creates the mystery of the ill-fated whaleship and reveals a voyage filled with savagery under the command of one of the most ruthless captains to sail the high seas.

Manny Lawton was a twenty-three-year-old Army captain on April 8, 1942, when orders came to surrender to the Japanese forces invading the Philippine Islands. The next day, he and his fellow American and Filipino prisoners set out on the infamous Bataan Death March--a forced six-day, sixty-mile trek under a broiling tropical sun during which approximately eleven thousand men died or were bayoneted, clubbed, or shot to death by the Japanese. Yet terrible as the Death March was, for Manny Lawton and his comrades it was only the beginning. When the war ended in August 1945, it is estimated that some 57 percent of the American troops who had surrendered on Bataan had perished.But this is not a chronicle of despair. It is, instead, the story of how men can suffer even the most desperate conditions and, in their will to retain their humanity, triumph over appalling adversity. An epic of quiet heroism, Some Survived is a harrowing, poignant, and inspiring tale that lifts the heart.

Jill McCorkle's new collection of twelve short stories is peopled with characters brilliantly like us-flawed, clueless, endearing. These stories are also animaled with all manner of mammal, bird, fish, reptile-also flawed and endearing. She asks, what don't humans share with the so-called lesser species? Looking for the answer, she takes us back to her fictional home town of Fulton, North Carolina, to meet a broad range of characters facing up to the double-edged sword life offers hominids. The insight with which McCorkle tells their stories crackles with wit, but also with a deeper-and more forgiving-wisdom than ever before. In Billy Goats, Fulton's herd of seventh graders cruises the summer nights, peeking into parked cars, maddening the town madman. In Monkeys, a widow holds her husband's beloved spider monkey close along with his deepest secrets. In Dogs, a single mother who works for a veterinarian compares him-unfavorably-with his patients. In Snakes, a seasoned wife sees what might have been a snake in the grass and decides to step over it. And, in the exquisite final story, Fish, a grieving daughter remembers her father's empathy for the ugliest of all fishes. The success behind Jill McCorkle's short stories-and her novels-is, as one reviewer noted, her skill as an archaeologist of the absurd, an expert at excavating and examining the comedy of daily life (Richmond Times-Dispatch). Yes, and also the tragedy.

They were smart. Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers and they were drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit.There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet who, with her earthy charm and passion, embodied the '20s ideal of sexual daring; the avant-garde publishers Margaret Anderson and Jane Heap; and the wealthy hostesses of the salons, A'Lelia Walker and Mabel Dodge. Among the supporting cast are Emma Goldman, Isadora Duncan, Ma Rainey, Margaret Sanger, and Gertrude Stein.Andrea Barnet's fascinating accounts of the emotional and artistic lives of these women--together with rare black-and-white photographs, taken by photographers such as Berenice Abbott and Man Ray--capture the women in all their glory. This is a history of the early feminists who didn't set out to be feminists, a celebration of the rebellious women who paved the way for future generations.

In The Christmas Letters, three generations of women reveal their stories of love and marriage in the letters they write to family and friends during the holidays. It's a down-home Christmas story about tradition, family, and the shared experiences of women. Here, in a letter of her own, Lee Smith explains how she was inspired to write this celebrated epistolary novel: Dear Friends, Like me, you probably get Christmas letters every year. I read every word and save every letter. Because every Christmas letter is the story of a life, and what story can be more interesting than the story of our lives? Often, it is the story of an entire family. But you also have to read between the lines with Christmas letters. Sometimes, what is not said is even more important than what is on the page. In The Christmas Letters, I have used this familiar format to illumine the lives, hopes, dreams, and disappointments of three generations of American women. Much of the story of The Christmas Letters is also told through shared recipes. As Mary, my favorite character, says, "e;I feel as if I have written out my life story in recipes! The Cool Whip and mushroom soup years, the hibachi and fondue period, then the quiche and crepes phase, and now it's these salsa years."e; I wrote this little book for the same reason I write to my friends and relatives every holiday--Christmas letters give us a chance to remember and celebrate who we are. With warmest greetings, Lee Smith

Diana Wells's intriguing exploration into the rewards of relationships--both the canine and human varieties--begins when she reluctantly starts seeing a psychologist, Beth, during a difficult time in her life. With no insurance to pay for counseling, a barter is arranged in which the client becomes part-time caretaker to the therapist's dog, Luggs, a sweet, clumsy black Labrador retriever. As Wells examines her past--her peripatetic childhood, her eccentric family, her grief over the deaths of loved ones--Luggs provides a bridge between therapist and patient. Dog lover by nature, historian by trade, Wells finds herself curious about the connections that dogs and humans have shared for centuries--and what these bonds tell us about our own psyches. Wells observes that training a dog has much in common with the therapeutic techniques her psychologist employs. Looking into recent experiments that have proved dogs better at interpreting human behavior than chimps or wolves, Wells explores the subtleties of her own relationship with dogs. Increasingly she finds herself agreeing with Diogenes, the original Greek cynic (the word cynic comes from the greek kuon, meaning "e;dog"e;), who said that unless we think like dogs, happiness will elude us. Wells analyzes what we name our dogs, how we breed them, how we've explored the wilderness with them, the kinds of literature we write about them, why we love them, and, most important, what we can learn from them. When an unexpected illness befalls Beth, Luggs comforts the two women, and his devotion helps Wells come to accept that relationships--despite the possibility of hurt and pain--are what life is all about.