Bücher veröffentlicht von WW Norton & Co

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Four lives are drawn together in a sweeping, panoramic new novel from Richard Powers, showcasing the Pulitzer Prize-winning author of The Overstory at the height of his skills. Twelve-year-old Evie Beaulieu sinks to the bottom of a swimming pool in Montreal strapped to one of the world's first aqualungs. Ina Aroita grows up on naval bases across the Pacific with art as her only home. Two polar opposites at an elite Chicago school bond over a three-thousand-year-old board game; Rafi Young will get lost in literature, while Todd Keane's work will lead to a startling AI breakthrough.They meet on the history-scarred island of Makatea in French Polynesia, whose deposits of phosphorus once helped to feed the world. Now the tiny atoll has been chosen for humanity's next adventure: a plan to send floating, autonomous cities out onto the open sea. But first, the island's residents must vote to greenlight the project or turn the seasteaders away.Set in the world's largest ocean, this awe-filled book explores that last wild place we have yet to colonise in a still-unfolding oceanic game and interweaves beautiful writing, rich characterisation, profound themes of technology and the environment and a deep exploration of our shared humanity in a way only Richard Powers can.

Global connections and comparisons, now more accessible and interactive.

Recent controversies around ESG investing and "woke" capital evoke an old idea: the Progressive-era vision of a socially responsible corporation. By the twentieth century, in fact, the notion that business leaders could benefit society had become a consensus view. But as Kyle Edward Williams's brilliant history shows, New Deal liberalism realised a kind of big business supervision narrowly focused on the financial interests of shareholders. This inadvertently laid the groundwork for a set of fringe views to become orthodoxy: that market forces should rule every facet of society. Along the way American capitalism itself was reshaped, stripping businesses to their profit-making core. As a rising tide of activists pushed corporations to account for societal harms from napalm to seatbelts to inequitable hiring, a new idea emerged: that managers could maximise value for society while still turning a maximal profit. This elusive ideal, "stakeholder capitalism", still dominates our headlines today. Williams's necessary history equips us to reconsider democracy's tangled relationship with capitalism.

The leading text, in a compact, value edition.

The King of Jordan is turning 60! How better to celebrate the occasion than with his favorite pastime-fencing-and with his favorite sparring partner, Gabriel Hamdan, who must be enticed back from America, where he lives with his wife and his daughter, Amani.Amani, a divorced poet, jumps at the chance to accompany her father to his homeland for the King's birthday. Her father's past is a mystery to her-even more so since she found a poem on blue airmail paper slipped into one of his old Arabic books, written by his mother, a Palestinian refugee who arrived in Jordan during World War I. Her words hint at a long-kept family secret, carefully guarded by Uncle Hafez, an advisor to the King, who has quite personal reasons for inviting his brother to the birthday party. In a sibling rivalry that carries ancient echoes, the Hamdan brothers must face a reckoning, with themselves and with each other-one that almost costs Amani her life.With sharp insight into modern politics and family dynamics, taboos around mental illness, and our inescapable relationship to the past, Fencing with the King asks how we contend with inheritance: familial and cultural, hidden and openly contested. Shot through with warmth and vitality, intelligence and spirit, it is absorbing and satisfying on every level, a wise and rare literary treat.

Eminent French literature professor R. Howard Bloch has become renowned for his insider tours of Paris, given to college students abroad. Long sought after for his encyclopaedic knowledge of French cathedrals, Bloch has at last decided to share his intimate knowledge with a wider audience.Here, six cathedrals-Saint-Denis, Chartres, Sainte-Chapelle, Reims, Amiens and Notre-Dame-are illumined in magnificent detail as Bloch, taking us from the High Middle Ages to the devastating fire that set Notre-Dame ablaze in 2019, traces the evolution of each in turn. Contextualising the cathedrals within the annals of French history, Bloch animates the past with lush evocations of architectural splendour-high-flying buttresses and jewel-encrusted shrines, hidden burial grounds and secret chambers-and thrilling tales of kingly intrigue, audacious architects and the meeting of aristocratic and everyday life. Complete with the author's own photographs, Paris and Her Cathedrals vitally enhances our understanding of the history of Paris and its environs.

The Heroine with 1,001 Faces dismantles the cult of warrior heroes, revealing a secret history of heroinism at the very heart of our collective cultural imagination. Maria Tatar, a leading authority on fairy tales and folklore, explores how heroines, rarely wielding a sword and often deprived of a pen, have flown beneath the radar even as they have been bent on redemptive missions. Deploying domestic crafts and using words as weapons, they have found ways to survive assaults and rescue others from harm, all while repairing the fraying edges in the fabric of their social worlds. Like the tongueless Philomela, who spins the tale of her rape into a tapestry, or Arachne, who portrays the misdeeds of the gods, they have discovered instruments for securing fairness in the storytelling circles where so-called women's work-spinning, mending and weaving-is carried out.In a broad-ranging volume that moves with ease from the local to the global, Tatar demonstrates how our new heroines wear their curiosity as a badge of honour rather than a mark of shame and how their "mischief making" evidences compassion and concern.The Heroine with 1,001 Faces creates a luminous arc that takes us from ancient times to the present day. It casts an unusually wide net, expanding the canon and thinking capaciously in global terms, breaking down the boundaries of genre and displaying a sovereign command of cultural context. This, then, is a historic volume that informs our present and its newfound investment in empathy and social justice like no other work of recent cultural history.

This definitive handbook redefines what it means to "make it" in the brave new world of professional music.

Orchids, the epitome of floral beauty, have long inspired poetry, adventure, art and scientific discovery. In Orchid Muse, historian and home orchid grower Erica Hannickel brings together fascinating tales of the orchid-smitten throughout history, along with tips on growing the exotic blooms at the centre of each account. Consider, for instance, Empress Eugénie and Queen Victoria, the two most powerful women in nineteenth-century Europe, who shared a passion for Coelogyne cristata. John Roebling, builder of the Brooklyn Bridge, and Raymond Burr, the actor famed for playing Perry Mason, cultivated thousands of orchids, introducing captivating new and unusual species. Transporting the reader from hazardous Amazonian journeys to a seedy dime museum in Gilded Age New York's Tenderloin, from the glories of the palace gardens of Chinese Empress Cixi to the island of Bourbon, where the vanilla orchid thrives, Orchid Muse spans the world, exploring our enduring fascination with these exquisite flowers.

Over twelve novels and two collections Lydia Millet has emerged as a major American novelist, writing vividly about the ties between people and other animals and the crisis of extinction. Her exquisite new novel, the first since A Children's Bible (ISBN 978 0 393 86738 1) ("a blistering little classic"-Ron Charles, Washington Post), tells the story of an Arizona man's relationship with the family next door, whose house has one wall made entirely out of glass.The story delivers attraction and love, friendship and grief. But Millet also evokes the uncanny. Through close observation of human and animal life in the desert, she captures the daunting scale of human society without losing sight of the real difference one person can make in the world. Written with humour and benevolence, Dinosaurs asks big questions. Can a person be good? Can a man be good? Compellingly told, emotionally moving, intellectually rich, Dinosaurs may be Millet's finest novel yet.

Dakota Territory, 1867. The O'Driscoll brothers have survived a Sioux massacre, but Michael is gravely wounded. The deserters are fleeing north with Tom's lover, Sara, when they come upon a sheltering rock by a river down off the Bozeman trail. If there is game here, they may survive the winter. But their attempts to find food and endure the savage winter are threatened by the arrival in their camp of two trappers, whose presence sets in motion a series of bloody events that will mark the trio as Outlaws, hunted by the Montana Vigilance Committee, their likenesses appearing on Wanted posters in settlements and mining camps along the trail. Enter any town, and they will have to shoot their way out. The rock and the river become their safe place, and when spring comes, their paradise. But the world seeks its way to them, and even in paradise human nature makes its own trouble. In this follow-up to his acclaimed novel, Wolves of Eden, Kevin McCarthy tells a story of three very human characters battling to survive in a vast, beautiful, and unforgiving landscape.

Little known in America but venerated as a martyr in Iran, Howard Baskerville was a twenty-two-year-old Christian missionary from South Dakota who traveled to Persia (modern-day Iran) in 1907 for a two-year stint teaching English and preaching the gospel. He arrived in the midst of a democratic revolution-the first of its kind in the Middle East-led by a group of brilliant young firebrands committed to transforming their country into a fully self-determining, constitutional monarchy, one with free elections and an independent parliament.The Persian students Baskerville educated in English in turn educated him about their struggle for democracy, ultimately inspiring him to leave his teaching post and join them in their fight against a tyrannical shah and his British and Russian backers. "The only difference between me and these people is the place of my birth," Baskerville declared, "and that is not a big difference."In 1909, Baskerville was killed in battle alongside his students, but his martyrdom spurred on the revolutionaries who succeeded in removing the shah from power, signing a new constitution, and rebuilding parliament in Tehran. To this day, Baskerville's tomb in the city of Tabriz remains a place of pilgrimage. Every year, thousands of Iranians visit his grave to honor the American who gave his life for Iran.In this rip-roaring tale of his life and death, Aslan gives us a powerful parable about the universal ideals of democracy-and to what degree Americans are willing to support those ideals in a foreign land. Woven throughout is an essential history of the nation we now know as Iran-frequently demonized and misunderstood in the West. Indeed, Baskerville's life and death represent a "road not taken" in Iran. Baskerville's story, like his life, is at the center of a whirlwind in which Americans must ask themselves: How seriously do we take our ideals of constitutional democracy and whose freedom do we support?

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence's unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city's greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished. Botticelli declined into poverty and obscurity, and his illustrations went missing for 400 years.The nineteenth-century rediscovery of Botticelli's Dante drawings brought scholars to their knees: this work embodied everything the Renaissance had come to mean. Today, Botticelli's Primavera adorns household objects of every kind. This book is essential to explain not only how and why this artist became iconic, but why we need still need his work-and the spirit of the Renaissance-today.A New Yorker Best Book of 2022

A text that will make your students care about research methods as much as you do.

New York Times Bestseller For those who could read between the lines, the censored news out of China was terrifying. But the president insisted there was nothing to worry about.

The sensuous evocation of a young woman's sea journey from refined England to the wilds of Australia.

"Bold in its philosophy and down-to-earth in the application of that philosophy."-Howard Zinn, author of A People's History of the United States

A lively exploration of animal behavior in all its glorious complexity, from tiny wasps to lumbering elephants-and humans.

A gripping middle grade biography of Charlotte Salomon, and an ode to how art can capture both life's everyday beauty and its monumental horrors.

The riveting story of one of the greatest but least-known sagas in the history of exploration from David Roberts, the "dean of adventure writing."

A fresh, innovative interpretation of the life, work and lasting influence of the twentieth century's most iconic filmmaker.

A taboo-busting romp through the shame, stink and strange science of sweating.

Professor Holmes also examines the politics of these years--the relations of the kings of England with neighboring rules and with their own subjects. This period includes the successful conquest of Scotland, the series of wars with France known as the Hundred Years' War, and the War of the Roses, which brought Henry VII, the first Tudor, to the throne in 1485. Here also is an exploration of the heretical movement initiated by Wycliffe in the thirteen-seventies, which began a tendency toward loosening the power of the Church, and a study of the beginnings of parliamentary government in the later fourteenth century, its collapse in the following century, and the emergence of a strong self-sufficient monarchy.