Bücher veröffentlicht von WW Norton & Co

With new scholarship and learning tools, this #1 text is more innovative than ever.

Machado de Assis's iconic novel, now considered a progenitor of twentieth-century South American fiction, is finally rendered as a stunningly modern work.

Corson's Inlet is A. R. Ammons's third book of poems.

Whether you're stepping aboard for a week, a year, or a lifetime, The Intricate Art of Living Afloat is an indispensable companion in your adventure.

Clear, compelling and authoritative.

World-renowned Shakespeare scholar Stephen Greenblatt explores the playwright's insight into bad (and often mad) rulers.

The full range of U.S. foreign policy issues must be involved, beyond those concerning refugees and migration policies alone. Can U.S. aid, trade, and investment policies affect the exodus of illegal migrants from sending countries? Can U.S. population and environmental policies have an impact? Current developments in Bosnia and Rwanda reveal just how urgent these issues are as experts in the field show in these timely and thought-provoking essays.

Amid the crises of the summer of 1968, two teenagers become lovers. Emily is a good Catholic girl, for whom an incarnate God means joy and contentment in the life of the body. William is preoccupied, in a vague sort of way, with politics and the evils of the System. Together, impelled by physical passion and the idealistic notion that "all our life is some form of religion, and all our action some belief," they run away to create a new life in the wilderness. In their absence, their parents' predictable lives take an entirely different course, and America itself seems to lose its innocence, never to be quite the same again. Not since Alice McDermott's That Night or Scott Spencer's Endless Love has there been a novel that portrays with such immediacy and respect teenagers' first loveits intensity, finely calibrated moods, and worldly innocenceand the elusive nature of adult loveits passion and fragility, comforts and betrayals.

This is the story of Dorothy Elizabeth, a 28-foot schooner. Particularly, it is the story of why to build a traditional wooden sailing vessel that relies on age-old methods and materials, yet also embraces newfangled technologies. But mostly it is the story of the people-a score of craftsmen and craftswomen, friends, and family-who give their skill, advice, support, ingenuity, and time to turn the idea of Dorothy Elizabeth into a graceful, seaworthy reality. You will meet Ralph Stanley of Southwest Harbor, Maine, one of the world's great designers and builders of traditional wooden boats, and a disarmingly plainspoken master craftsman in the maritime Maine tradition. You will meet Mary Chandler Duncan, a poet and the author's wife, soul mate, and first mate. You will meet Nat Wilson, sail maker, who took time out from building topsails for the USS Constitution to build sails for Dorothy Elizabeth. You will meet Frank Luke, neighbor, boatyard owner, all-around helper, and the man who launched Dorothy Elizabeth. And you will meet many other singular people up and down the coast from Portland, Maine, to Lunnenberg, Nova Scotia, and beyond, drawn together by the building of a boat.

The Italian Mario Luzi is one of today's leading poets. In a career spanning forty years, he has produced a body of work comparable to Auden's in its philosophical depth and mastery of the craft. Recently some of his poems have appeared in leading literary periodicals. Now for the first time, in sensitive and sharply realized translations by I.L. Salomon, a substantial selection of Luxi's poetry is made accessible to the American public.

The Son of Man gives a new interpretation of the life of the Savior.The following paragraphs from Ludwig's Foreword to The Son of Man are the best description to this colorful biography: "The author tells the story as if the tremendous consequences of the life he describes were unknown to him--as they were unknown to Jesus...My aim is to convince those who regard the personality of Jesus as artificially constructed, that he is a real and intensely human figure...Only by telling the story of a heart, can a book approximate the fulfillment of such a task. What interests us here is...the world of his own feelings. The development of that world of self-feeling, the aims and motives of the leader, his struggle and weaknesses and disappointments; the great spiritual battle between self-assertion and humility, between responsibility and discouragement, between the claims of his mission and his longing for personal happiness--these must be described."

Asked and answered are such intriguing questions as: Can music be used therapeutically with the same certitude as drugs?Can we say scientifically that Wagner "exalts," Chopin "stimulates," and Stravinsky "disturbs"?Are some patients allergic to certain kinds of music as others are to certain kinds of drugs?Following the text is a splendid chart which indicates the mood that a diverse list of musical pieces--from Tristan and Isolde to "Turkey in the Straw"--will probably elicit.

Dr. Lowrie first describes the beliefs, codes, and practices of a variety of primitive religions. He then gives a critical survey of their beliefs including their psychological and historical aspects. He presents a wealth of strange and fascinating information--details like the self-mutilation of devotees, extraordinary human sacrifices perpetrated out of fear of sorcery, and naive superstitions.Here is a scientific masterpiece for both layman and student, complete and unabridged--sanctioned by frequent quotation in anthropological handbooks and anthologies.

The Journal of Madame Giovanni is the intriguing story of a young and beautiful French woman who in the 1850s, when women were still regarded as merely household decorations, travelled to little known parts of the world and recorded the exoticisms lying beyond the rim of most people's experience.Jeanne and her husband, a Venetian merchant and adventurer, visited New Zealand, then a curious conglomeration of ruling aristocrats, exiled prisoners, and natives with definite leanings toward a diet of human flesh. During her stay in this land of strange customs and taboos, she encountered Sir George, a mysterious nobleman who fell hopelessly in love with her.She visited the wild and lovely island of Tahiti, where, because of her friendship with Queen Pomare, she was able to participate in many ceremonies denied to the ordinary traveller. Jeanne describes the Tahitian maidens and their languorous life, their fetes, and their phantasmal superstitions. Sir George followed her everywhere, always displaying steadfastness and strong devotion.She saw lawless San Francisco, in the grip of gold-hungry miners, lusty, seething with excitement. Then to Hawaii and Old Mexico, where she ran into a revolution and crossed the mountains on mule-back through the lines of the insurgents. Sir George was near her, as always, ready to aid her, powerless to break the enchantment she had woven around him.

This novel is considered by most European critics the finest and most important of Wassermann's novels. It now makes its first appearance in English. Caspar Hauser, that strange figure which puzzled Europe in the years from 1823, when he first appeared, to 1833, when he met his inexplicable death, has remained an unsolved mystery to this day. There is a considerable body of literature in all languages on the subject; bitter and violent sides have been taken as to who he was; yet the evidence is in complete confusion. On the one hand it is claimed that he was a deliberate imposter, while many others maintain that he was the Crown Prince of Baden and that he was victimized by the family of the ruler's morganatic wife who desired to secure the succession. An unkempt young man of about seventeen, dressed as a peasant, wandered into Nuremberg in the fall of 1828. Although it later turned out that he had an acute mind, he was at that time so undeveloped that he could speak only a few broken words and his recollections were only of a small dark room and of one man who provided him with water during the night. His strange existence from then on and his final death at the hand of a mysterious assassin, five years later, makes one of the most mysterious and fascinating episodes in all history.

In a book described by Harvard professor Leston Havens as a "stunning intellectual achievement", psychiatrist David Mann proposes an entirely new perspective on psychodynamics. He begins by revisiting the original concept of theory: a particular point of view. Then he traces the origins of scientific theory to self-experience, ultimately demonstrating that science is the self-portrait of mind. After exploring various theories of psychoanalysis, their origins and shortcomings, he proposes a new view of the self as defined by the dimensions of reflexivity, bodiness, and time, which, fused in feeling, form the kernel of psychic reality, the irreducible center of being. Exploring the normal and pathological states of the self as variations of this model, Mann shows how the theory can restructure one's understanding of the gamut of psychiatric disorders. The model suggests an unseen order to the chaos of classical psychopathology. Unconsciousness, uncertainty, and what appear classically as "mechanisms of defense" all derive simply from this point of view. Various repetitions - from addictions to deliberate suffering - can be seen as misplaced efforts to own oneself and to belong in one's relationships. The final chapters include the transcript of a brilliant consultative session, along with a discussion of this transcript. The simple theory of the self not only illuminates the patient's feelings and dilemmas but also shapes the therapist's behavior during the therapy session. Placing psychodynamics into clear historical, scientific, and philosophical perspective, David Mann offers his readers a startling new perspective on that entity so close and yet so elusive to us all: the self.

A grand work of philosophy and history, The Many Faces of God shows how our religious conceptions have been shaped by advances in technology and science. Beginning his narrative in the 1600s and concluding with the fervor of the millennium, Jeremy Campbell shows how Isaac Newton and his generation altered the medieval definition of God from one interpreted through divine messengers to an all-knowing, autocratic God who watched over the scientific wonders of the universe. Arguing that religions harbor a secret fear that science may one day explain God away, Campbell masterfully shows how twentieth-century technology and theology have become intertwined, often to the detriment of both disciplines. Illuminating the writings of such intellectual luminaries as Calvin, Luther, Einstein, and Niels Bohr, all the way up to John Updike, The Many Faces of God is a sweeping history of religious and scientific thought in the Western world.