Bücher veröffentlicht von Xenophon Press LLC

Gustav Steinbrechts Gymnasium of the Horse is one of the great milestones of equestrian literature, alongside Xenophon, de Pluvinel, Newcastle, and de la Gueriniere. It forms a connection and transition between two eras. On one hand, it is the culmination of the equestrian literature of the late 18th century and 19th century that, under the influence of the Industrial Revolution, tried to explain equine biomechanics by comparing the body to a mechanical device. On the other hand, it forms the theoretical foundation for the H. Dv. 12 German Cavalry Manual on the training of horse and rider [Xenophon Press 2014] and its successor, the Richtlinien fuer Reiten und Fahren of the German National Federation. The Gymnasium of the Horse belongs on every dressage riders bookshelf. Its the kind of book that needs to be studied, because every word is chosen deliberately, and every sentence is full of knowledge and meaning. Its a book that needs to be re-read regularly, because with each new reading, your understanding will evolve and deepen. It is a true classic, because it is universally accepted and admired, not only in Germany, but also in the rest of the dressage world, as it contains so much wisdom, so much invaluable advice that even 130 years later, it has lost nothing of its relevance. Steinbrecht formulates rules, principles, and guidelines for horse training more concisely and more sharply than almost any other author. His book has truly stood the test of time.

Miguel de Lancastre e Tavora was a master rider, trainer, and instructor. His genuine love and care for the well-being of horses comes through on every page. His Kind, calm, and methodical approach is laid out in a progressive sequence that adheres strictly to the principles of the FEI.Christopher Hector speaks of his lessons with Miguel Tavora (quoted from his introduction):"This is a work book, a blueprint for the serious rider. After the training sessions I had with Miguel-when I was back home riding, I suddenly had a whole new vocabulary of school movements, of techniques to apply. "Just as every training session with Miguel developed gently, logically, each step, each exercise building on the last, so too this work. I know of no other book in the English language that provides such sophisticated and detailed prescriptions for horse and rider as they move to the ultimate goal: collection, and horse and rider as one. "So much of the 'dressage' we see in the competition ring is distressing to watch. Riders leaning back, rudely, crudely pushing their horses into hard and unyielding hands. Is it any wonder that their horses go hollow, shorten behind, and wave their front legs in an extravagant manner that fools only the ignorant? Sadly, this group includes a number of five-star international judges. "What I find so puzzling is that this style of training not only produces such a sorry result, but it is so taxing on both horse and rider. The rider must ride the whole time in a state of tension, to balance the tension he has provoked in the horse. It is oh-so-different when I watch Miguel work with one of his talented pupils. Here the rider is relaxed and soft and the horse willingly gives his back. As the exercises progress, the horse and rider move into a balance that is as beautiful as it is functional. "Do yourself and your horse a favour. Study this book. Use it as your day-to-day guide. I promise it will reward you and your horse many times over."

Harmony, Lightness and Horses is a collection of short articles about the use of the body and the mind for horse riders."This book presents you with some of my experience, hands-on exercises and tips on how to use your body and mind to find harmony and lightness with your horse. This book explains the essence, the ultimate goal of riding; the feeling of harmony, elegance and lightness all of us riders are looking for and sometimes find glimpses of. With a new perspective on the training of the horse, the seat and the relationship between human and horse, there is something in this training approach for everybody." - Ylvie Fros

James Fillis' (1834-1913) contribution to the development of dressage as we know it today cannot be overlooked. Fillis was a pupil of François Caron, who was a direct pupil of François Baucher. Fillis also studied with Victor Franconi. Fillis was widely revered and respected by his contemporaries as a master horse trainer. There are simple truths that James Fillis expressed very clearly in his first French language text, Principes de dressage et d'equitation. This text, translated by M. H. Hayes was given the title: Breaking and Riding. Today, the term 'breaking' is not looked upon with favor in the equestrian community. Notwithstanding the good intentions of Mr. Hayes, in this unique edition, Xenophon Press has used the exact literal translation of the original French title hence our edition is entitled: Principles of Dressage and Equitation. In fairness to M. H. Hayes, the Duke of Newcastle defined 'Break' as follows:"to break a horse in trotting, is to make him light upon the hand by trotting, in order to make him fit for a gallop. To break a horse for hunting, is to supple him, to make him take the habit of running." In the original French text, where Fillis used the term dressage to refer to basic training, we have used the term 'training' instead of 'breaking.' And, where Fillis used the term dressage to refer to haute école, we have used the term 'dressage' instead of 'breaking.' These re-translations are closer to Fillis' original meaning.Our re-titled text with direct translations of the original French content sheds new positive light on Fillis' historically important magnum opus. Our fully footnoted edition is richly annotated and contains all the additional material from the authoritative J. A. Allen edition by exclusive permission granted to Xenophon Press. We are especially grateful for the proofreading of Brenner Klenzman in this edition.This exclusive edition of Principles of Dressage and Equitation is the only edition available both in print and as an e-book.

Eighteenth Century Equitation presents two classic English works on the training of military riders and horses at the start of the Napoleonic era, when "the cavalry arm," as Louis A. DiMarco has observed, "reached the highest point of its popular and professional acclaim"- A Method of Breaking Horses, and Teaching Soldiers to Ride, by Henry Herbert, 10th Earl of Pembroke, and A Treatise on Military Equitation, by William Tyndale.Written for riding masters and officers in British service, these clear and concise manuals will provide contemporary equestrian readers with historical knowledge of military theory as practiced by the light cavalry, historical insight on a moment in the evolution of horsemanship as influenced by mounted warfare, and sound principles and lessons still valuable for the improvement of horsemanship and equitation-professional or amateur, military or civilian. Xenophon Press is pleased to present these important works by the Earl of Pembroke and William Tyndale in facsimile, reproducing the fourth and final edition of Pembroke's work and the only edition of Tyndale's. The texts are complete with their original 22 plates, and are accompanied with an introduction and explanatory notes by Dr. Charles Caramello, John H. Daniels Fellow at the National Sporting Library and Museum in Middleburg, Virginia.