Bücher der Reihe Routledge Research in Cultural and Media Studies

Features the essays that focus on the connection between issues of migration and media. This title addresses how their interconnection has become part of our understanding of the world's global cities, and the paradigms through which we think about ethnicity and nation.

This book aims to revisit the notion of subculture for the 21st century, reinterpreting it and extending its scope.

Contributors including David Hesmondhalgh, Gholam Khiabany, José van Dijck, Hector Postigo, Anthony Fung, Stuart Allan and Geoff King demonstrate how the notion of independence has remained paramount, but contested, in ideals of what the media is for, how it should be regulated, what it should produce and what working within it should be like. They address questions of economics, labor relations, production cultures, ideologies and social functions.

This collection by trans and non-trans academics and artists from the United States, the UK, and continental Europe, examines how transgenderism can be conceptualized in a literary, biographical, and autobiographical framework, with emphasis on place, ethnicity and visibility. The volume covers the 1950s to the present day and examines autobiographical accounts and films featuring gender transition. Chapters focus on various stages of transitioning. Interviews with trans people are also provided.

This volume explores what underlies those karaoke experiences which involve people as singers, co-singers and listeners. The contributors consider the technological, spatial, communicative, ethnic, national, political, musical and gender aspects of karaoke around the world.

Intends to clarify Homi K Bhabha's theory of the third space of enunciation by reconstructing its philosophical, sociological, geographical, and political meaning with attention to the special advantages and ambiguities that arise as it is applied in practical - as well as theoretical - contexts.

An anthology of essays that study the relationship between imagination and images both material and mental. It focuses on the role of the creative imagination in seeing and producing images and the imaginary through case studies on a diverse array of topics including photography, film, sports, theater, and anthropology.

Shows how contemporary postmodern cities and their inhabitants have been transformed by the forces of globalization and fresh information technologies. This book explores how the urban spaces of post modernity (parks, plazas, streets, sidewalks) and postmodern urban subjectivities and communities respond to and create each other.

This book seeks to provide readers with a cross-national perspective concerning the art of political communication. Contributors offer perspectives from Canada, France, Germany, Israel, Italy and the United States.

Offers a comprehensive account of trauma as a critical concept in the study of modern visual media, from Freud to the present day, looking at how the psychoanalytic theory of trauma was adapted by the cultural critics Walter Benjamin, Theodor Adorno, Roland Barthes, Jacques Derrida, and Slavoj Zizek.

An incisive study of the loss and (re)construction of collective and personal identities in ethnic migrant communities, focusing on the Macedonian and Croatian communities in Western Australia.

This book analyzes the challenges facing public service media management in the face of ongoing technological developments and changing audience behaviors. It connects models, strategies, concepts, and managerial theories with emerging approaches to public media practices.

From early photographs of disfigured slaves to contemporary representations of bullet-riddled rappers, images of wounded black men have long permeated American culture. This book considers images of wounded black men on various stages, including early photography, contemporary art, hip hop, and media.

Digital Media Sport analyzes the intersecting issues of technological change, market power, and cultural practices that shape the contemporary global sports media landscape. The complexity of these related issues demands an interdisciplinary approach that is adopted here in a series of thematically organized essays by international scholars working in media studies, Internet studies, sociology, cultural studies, and sports studies.

This is the first scholarly work to examine the cultural significance of the "talking book" since the invention of the phonograph in 1877, the earliest machine to enable the reproduction of the human voice. Recent advances in sound technology make this an opportune moment to reflect on the evolution of our reading practices since this remarkable invention. Some questions addressed by the collection include: How does auditory literature adapt printed texts? What skills in close listening are necessary for its reception? What are the social consequences of new listening technologies? In sum, the essays gathered together by this collection explore the extent to which the audiobook enables us not just to hear literature but to hear it in new ways. Bringing together a set of reflections on the enrichments and impoverishments of the reading experience brought about by developments in sound technology, this collection spans the earliest adaptations of printed texts into sound by Charles Dickens, Thomas Hardy, and other novelists from the late nineteenth century to recordings by contemporary figures such as Toni Morrison and Barack Obama at the turn of the twenty-first century. As the voices gathered here suggest, it is time to give a hearing to one of the most talked about new media of the past century.

Uses the law and order generic network and its relationship to juridical discourses to show how emotions are deployed to construct ideologies of law and justice while, simultaneously, constructing cultural understandings of the meaning of various emotions.

Nation branding ¿ a set of ideas rooted in Western marketing ¿ gained popularity in the post-communist world by promising a quick fix for the identity malaise of "transitional" societies. Since 1989, almost every country in Central and Eastern Europe has engaged in nation branding initiatives of varying scope and sophistication. For the first time, this volume collects in one place studies that examine the practices and discourses of the nation branding undertaken in these countries. In addition to documenting various rebranding initiatives, these studies raise important questions about their political and cultural implications.

This international, interdisciplinary edited collection explores a range of possible theoretical and empirical approaches to cultural technologies and mobile communication via the use of the iPhone as a case study.

This collection seeks to understand the long-lasting and global appeal of Tarzan: Why is a story about a feral boy, who is raised by apes in the African jungle, so compelling and so adaptable to different cultural contexts and audiences? How is it that the same narrative serves as the basis for both children¿s cartoons and lavish musical productions or as a vehicle for both nationalistic discourse and for light romantic fantasy? Considering a history of criticism that highlights the imperialistic, sexist, racist underpinnings of the original Tarzan narrative, why would this character and story appeal to so many readers and viewers around the world? The essays in this volume, written by scholars living and working in Australia, Canada, Israel, The Netherlands, Germany, France and the United States explore these questions using various critical lenses. Chapters include discussions of Tarzan novels, comics, television shows, toys, films, and performances produced or distributed in the U.S., Canada, Israel, Palestine, Britain, India, The Netherlands, Germany and France and consider such topics as imperialism, national identities, language acquisition, adaptation, gender constructions, Tarzan¿s influence on child readers and Tarzan¿s continued and broad influence on cultures around the world. What emerges, when these pieces are placed into dialogue with one another, is an immensely complex picture of an enduring, multi-faceted global pop culture icon.

This book traces the uneven history of queer media visibility through crucial turning points including the Hollywood Production Code era, the AIDS crisis of the 1980s, the so-called explosion of gay visibility on television during the1990s, and the re-imagination of queer representations on TV after the events of 9/11. Kohnen intervenes in previous academic and popular accounts that paint the increase in queer visibility over the past four decades as a largely progressive development. She examines how and why a limited and limiting concept of queer visibility structured around white gay and lesbian characters in committed relationships has become the embodiment of progressive LGBT media representations. She also investigates queer visibility across film, TV, and print media, and highlights previously unexplored connections, such as the lingering traces of classical Hollywood cinema's queer tropes in the X-Men franchise. Across all chapters, narratives and arguments emerge that demonstrate how queer visibility shapes and reflects not only media representations, but the real and imagined geographies, histories, and people of the American nation.

This book examines the ways in which writers¿ houses contribute to the making of memory. It shows that houses built or inhabited by poets and novelists both reflect and construct the author¿s private and artistic persona; it also demonstrates how this materialized process of self-fashioning is subsequently appropriated within various strategies and policies of cultural memory.