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Etchers and Etching

Über Etchers and Etching

A study of the work of the great etchers and the technical processes involved in the making of an etching, with superb examples from Rembrandt, Legros, Durer, Blake, Meryon, Goya, Rops, Whistler and others. Joseph Pennell was born in 1857 and died in 1926. He began his work as an illustrator by selling drawings of south Philadelphia to Scribner's Monthly in 1881. In addition to his extensive sketches of American cities, he went to the Panama Canal and sketched a number of construction sites. He taught etching at the Arts Students' league in New York, wrote several books, served as an art critic on the Brooklyn Eagle, and helped run the New Society of Sculptors, Painters & Engravers. Pennell is considered to have done more than any other one artist of his time to improve the quality of illustration both in the United States and abroad and to raise its status as an art. He produced more than 900 etched and mezzotint plates, some 621 lithographs, and innumerable drawings and water colors.

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  • Sprache:
  • Englisch
  • ISBN:
  • 9781410215703
  • Einband:
  • Taschenbuch
  • Seitenzahl:
  • 380
  • Veröffentlicht:
  • 26 August 2004
  • Abmessungen:
  • 214x280x21 mm.
  • Gewicht:
  • 857 g.
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Beschreibung von Etchers and Etching

A study of the work of the great etchers and the technical processes involved in the making of an etching, with superb examples from Rembrandt, Legros, Durer, Blake, Meryon, Goya, Rops, Whistler and others.

Joseph Pennell was born in 1857 and died in 1926. He began his work as an illustrator by selling drawings of south Philadelphia to Scribner's Monthly in 1881. In addition to his extensive sketches of American cities, he went to the Panama Canal and sketched a number of construction sites. He taught etching at the Arts Students' league in New York, wrote several books, served as an art critic on the Brooklyn Eagle, and helped run the New Society of Sculptors, Painters & Engravers.

Pennell is considered to have done more than any other one artist of his time to improve the quality of illustration both in the United States and abroad and to raise its status as an art. He produced more than 900 etched and mezzotint plates, some 621 lithographs, and innumerable drawings and water colors.

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